Contributors

Juliet Archer writes modern versions of novels. She was born and bred in North-East England and now lives in Hertfordshire, country. Unlike Anne Elliot in , she resisted well-meant advice and married young, before graduating from the University of Nottingham with a First in French and Russian. She currently combines writing with a day job, running a project manage- ment company with her husband. Sarah Artt is a lecturer in English and Film at Edinburgh Napier University, United Kingdom. She holds degrees from Brock, McGill, and Queen Margaret Universities. Her research interests include adaptations and transnational cinemas, with the occasional foray into popular television. Her teaching interests center around science fic- tion literature and cinema, contemporary Hollywood cinema, wom- en’s writing and filmmaking, and narrative structure in fiction and film. Her previous publications have dealt with cult cinema as well as classic screen adaptations, and have appeared in edited collections with Palgrave and Continuum and in the Journal of Adaptation in Film and Performance . Elise Barker is a fifth-year PhD student in English Literature and the Teaching of English at Idaho State University. She received her BA in English from Bethany College in 2003 and her MA in English with an emphasis on Language, Composition, and Rhetoric from Kansas State University in 2006. Her current interests revolve around the intersection of literature and popular culture. Richard Berger is associate professor, director of the Centre for Excellence in Media Practice (CEMP), and head of Postgraduate Research at the Media School, Bournemouth University, UK. He is founding editor of The Media Education Research Journal . Richard’s research is generally focused on adaptation, literacy, and pedagogy. He is particularly interested in the relationship that exists between different media, and the texts that are produced as a result. More recently, Richard has conducted research for the BBC Trust and the Arts and Humanities Research Council, and is now looking at how social media allows participants to write and create their own texts based on previously existing material. 284 Contributors

Marina Cano-L ópez has recently completed her PhD thesis on the afterlife of Austen’s at the University of St Andrews (Scotland). She is also the co-organizer of the Conference “200 Years of ” (2011), and the coeditor of the eponymous Special Issue in Persuasions On-Line (2012). She has published widely about literature by female authors, Austen in particular. Selected titles include: “Looking Back in Desire; or How Jane Austen Rewrites Chick Lit in Alexandra Potter’s Me and Mr. Darcy” ( Persuasions On-Line 2010) and “This is a Feminist Novel: The Paradox of Female Passivity in Elizabeth Gaskell’s Ruth” (The Gaskell Journal 2012). Edward H. Carpenter is a Marine officer, businessman, athlete, and world traveler. He likes rugby, reading, scuba diving, and volunteer teaching. He often finds inspiration for writing in his travels, which have taken him to Afghanistan, Saudia Arabia, Japan, Indonesia, Vietnam, Laos, Australia, and beyond. James P. Carson is the William P. Rice Professor of English at Kenyon College. The author of Populism, Gender, and Sympathy in the Romantic Novel (Palgrave Macmillan, 2010), he has also published many articles on eighteenth-century and Romantic novelists. Sheryl Cornett teaches English at North Carolina State University in Raleigh. Her recent poems, stories, and essays appear in the North Carolina Literary Review, Image, Pembroke Magazine, and Mars Hill Review among other journals, magazines, and anthologies. She holds degrees from University of North Carolina—Chapel Hill, Miami University, and an MFA in Fiction from Seattle Pacific University. Robert G. Dryden is an associate professor of English at University of Hartford’s Hillyer College, where he teaches a variety of fresh- man and sophomore literature and writing courses. His most recent publication is Jane Austen for Beginners (part of the For Beginners Books series). He has also published three articles on Austen’s naval characters. “ ‘Luck be a Lady Tonight’: Jane Austen’s Precarious Idealization of Naval Heroes in Persuasion ” and “Did Jane Know Jack Tar: Assessing the Significance of Austen’s Other Navy” can both be found in the journal 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era . His article “Reading and Teaching Our Way Out of Jane Austen Novels (Naval Options)” can be found in Persuasions: The Jane Austen Journal .” Dr Serena Formica is an associate lecturer in Film Studies at the University of Derby. Serena is the author of “Peter Weir. A Creative Contributors 285

Journey from Australia to Hollywood” (Intellect Books, 2012). Her main research interests are Australian Cinema, transnational cinema, production contexts, and adaptations. Serena is currently research- ing representations of Agatha Christie’s character Hercule Poirot in Japanese animation and British Television. Val Horniman has a 1967 Masters degree in education and a 1979 postgraduate diploma in teaching English to speakers of other lan- guages. She later completed a Masters so that she could study Chinese history. Like her mentor, Professor Hou, she identified with the 1930 Lu Xu maxim that good literature springs from the heart, and always refuses orders from outside. In Chengdu in 1981, she marveled at the way her senior students began to enjoy English literature in a more scholarly way, as a creative art; to see them glimpse their potential to widen their horizons to other ways of interpreting the world—to see them excited by it! Her experience and Hou’s encouragement proved invaluable when teaching English literature with Western thought and culture in universities haunted by the shadow of Tiananmen. Again and again, the responses of students inspired her to teach it here. Kenneth Longden is a Fellow of the Higher Education Academy and a qualified Higher Education tutor/lecturer and academic in media, critical, and creative arts. His research is in Narrative (MA), Popular Fictions, and Visual Culture. He is a published author on German film and has been a peer reviewer for the Directory of World Cinema. He has been a member of the academic staff at Liverpool John Moores University, teaching across arts and media, and in 2011, he moved to the University of Winchester to study for an MPhil/PhD. Janet McCabe is a lecturer in Media and Creative Industries at Birkbeck, University of London. She edits Critical Studies in Television and has written widely on feminism and television. She has coedited several collections, including Quality TV: Contemporary American TV and Beyond (2007) and Reading Sex and the City (2004), and her latest works are The West Wing (2012) as well as TV’s Betty Goes Global: From Telenovela to International Brand (2012; coed- ited with Kim Akass). Juliet McMaster is the author of books on Thackeray, Trollope, Dickens, Jane Austen, and the eighteenth-century novels. Coeditor with Edward Copeland of The Cambridge Companion to Jane Austen , she is also the editor–illustrator of Austen’s , and the founder of the Juvenilia Press. She is a distin- guished University Professor Emeritus at the University of Alberta. 286 Contributors

Laurence Raw teaches in the Department of English at Baskent University, Ankara, Turkey. His recent publications include Adaptation, Translation and Transformation (2012), and Adaptation and Learning (with Tony Gurr) (2013). He is also the editor-in-chief of the Journals of American Studies in Turkey and runs a blog on Radio Drama Reviews . Jeremy Strong is the head of Higher Education at Writtle College, Essex, United Kingdom. He has published on novel-to-film in Literature/Film Quarterly and Adaptation and is editor, with Drs Garin Dowd and Lesley Stevenson, of Genre Matters: Essays in Theory and Criticism (Intellect, 2006). He has edited Educated Tastes: Food, Drink, and Connoisseur Culture for the University of Nebraska Press (2011). He is also the chair of the Association of Adaptation Studies. Anette Svensson holds a postdoctoral position in Language Education at the Department of Language Studies at Umeå University in Sweden. She completed her doctoral thesis, “A Translation of Worlds: Aspects of Cultural Translation and Australian Migration Literature,” com- bining the two research fields translation studies and migration litera- ture in 2010. Her postdoctoral research project focuses on teaching and learning literature at upper-secondary level with a particular focus on the use of multimodal fictional texts. Although not a current research area, Svensson is a serious Jane Austen fan and wishes to continue to focus on Austen and her text worlds in her future research projects. Rana Tekcan is an assistant professor of English at İ stanbul Bilgi University, Turkey. She is the author of The Biographer and the Subject: A Study on Biographical Distance (2010). She has edited Turkish translations of Pride and Prejudice , Anthony and Cleopatra , Macbeth , and Julius Caesar , and translated Vladimir Nabokov’s The Luzhin Defense and Charles and Mary Lamb’s Tales from Shakespeare into Turkish. Harish Trivedi is a professor of English, University of Delhi, and has been a visiting professor at the universities of Chicago and London. He is the author of Colonial Transactions: English Literature and India (Calcutta, 1993; Manchester, 1995), and has coedited The Nation across the World: Postcolonial Literary Representations (New Delhi, 2007), Literature and Nation: Britain and India 1800– 1990 (London, 2000), Post-colonial Translation: Theory and Practice (London, 1999), and Interrogating Post-colonialism: Theory, Text and Contributors 287

Context (Shimla, 1996; rpt. 2000). He guest-edited a special issue of New Comparison (UK) on “Comparative Literature in India” (Spring 1997), and coedited an issue of the postcolonial journal Wasafiri with “Focus on Translation” (London, Winter 2003). Lucile Trunel , “Conservateur en chef” at the French National Library, is now head of the Educational Department of the BnF . Before this, she was head of the Information Sciences and History of the Book Department, for several years, and then for the Art and Classical Literature Collections Department, always part of the Fran çois Mitterrand site of the BnF in Paris. Her interests lie mostly in pub- lishing history, feminine literature, and its circulation across national borders, and her thesis “Jane Austen’s French Publications, 1815– 2007: Publishing History as a Means of understanding the Author’s Reception in France” was published in Paris in 2010. Paul Tucker has worked in broadcast television production for over 20 years, in London, San Francisco, and Glasgow. As a freelance pro- ducer/director, he has made over 100 hours of television. Recent high- lights include producing and directing a drama documentary about murderer Peter Manuel, shown on BBC Alba’s opening night. Also his own production company made the Edwyn Collins documentary Home Again that was shown on BBC Scotland, BBC4, and BBC2. It has also been shown at film festivals in Spain, Chile, and Argentina. He joined the teaching staff of the University of the West of Scotland in 2009. John Wyver is a senior research fellow in the School of Media, Arts and Design at the University of Westminster. He is the principal inves- tigator for the 2011–2014 AHRC -funded research project Screen Plays: Theatre Plays on British Television. He is a writer and producer with Illuminations where his productions include Hamlet (2009) and Julius Caesar (2012). Index

Adams, Jeffrey, 38 A Portrait of Jane Austen Altman, Rick, 85 (1978), 255, 262 Andrew, Dudley, 84 The Real Jane Austen: Archer, Juliet, 9–10, 271–77 A Life in Small Things Arthus-Bertrand, Claude, 23–25 (2013), 267 Armitage, Richard, 272 blogs, 6, 46–47, 61, 189 Arnaud, Pierre, 29 Chawton, 1, 3, 65, 74, 105, Artt, Sarah, 65–67 107–9, 120–21, 130, 132, Atlanta Radio Theatre, 38 134, 173, 178, 260 Austen, Cassandra, 107–10, 113, fandom, 66–67, 69–70, 76–78, 121–23, 169, 173, 264 103–17, 120–1, 129–37, Austen, Frank, 264 168–69, 170–71, 189–202, Austen, George, 174 203–17, 271–82 Austen, Henry, 109–10, 172, 174, film and television adaptations 258–60, 268 (HanWay Films, Austen, Jane UK Film Council, 2007), 87, audiobooks, 223–24, 226, 230 104, 107, 112, 132, 138, 143, biographies 266–67 Becoming Jane Austen (2003), Bride and Prejudice (Pathé 266 Pictures, 2004), 130, 216, A Biographical Notice of the 252 n.4 Author (1817), 258 (Miramax, 1996), 28, Jane Austen (2001), 266 88, 91–94, 97 Jane Austen: Her Life (1987), Emma (A&E/ Meridian, 1996), 264 93–94 Jane Austen, Her Life & Hana Yori Dango (Boys Over Letters, a Family Record Flowers) (1992–2003), 216 (1913), 261 Lost in Austen (ITV, 2008), 67, Jane Austen: A Literary Life 115, 216 (1991), 266 (BBC/ Hal Jane Austen’s World (2005), 61 Films, 1999), 86–87, 173 Les Cinq Filles (1937), 27 Miss Austen Regrets (BBC/ The Life of Jane Austen (1984), WGBH, 2008), 87, 99 n.2, 263 143, 266 Memoir of Jane Austen (1871), Persuasion (Granada TV, 66, 73, 110, 129, 132, 137, 1971), 130 145–46, 259–62, 264 Pride and Prejudice Only a Novel, the Double Life (MGM, 1940), 27, 79, of Jane Austen (1978), 262–3 85–86, 95–96 290 Index

Austen, Jane—Continued Persuasion (1817), 2–3, 23–25, Pride and Prejudice (BBC, 27, 31–32 n.1, 71, 110, 119, 1980), 77–78, 207–9, 271 121–24, 126–30, 137, 172, Pride and Prejudice (BBC, 175, 184 n.4, 211, 273–74, 1995), 66–67, 73, 77, 79, 87, 275 134, 139, 197, 207–9, 213, Pride and Prejudice (1813), 234–35, 274 3, 7, 9, 13, 19, 23, 25–31, Pride and Prejudice (Focus 37–51, 53, 56–60, 71, 87–88, Features, 2005), 30, 91, 96–99, 112, 128–30, 137, 95–98, 173, 207–8, 266–67 157–58, 190–95, 197–98, Pride and Prejudice: A Latter- 200 n.3, 203–20, 223–32, Day Comedy (Bestboy 235, 236 n.6, 255–56, Pictures, 2004), 216 258, 267, 271–72, 275–76, Sense and Sensibility 277–81 (Columbia, 1996), 28, 85, (1817), 110–11, 88–91, 94–95, 97, 132 115–16, 144 Sense and Sensibility (ITV, Sense and Sensibility (1811), 2008), 79 5, 13, 23–25, 28, 66–67, 75, homes, 1, 71, 111–26 78–79, 88–91, 94–95, 97, 99, letters, 3, 122–23, 128–29, 137, 128–29, 148, 157, 169, 179, 161 n.6, 165, 168–69, 180, 255–56, 266–67, 272 172–75, 176–79, 181, 183 The Watsons (1805), 66, 78, n.3, 259, 265 123–26, 143, 175 novels and other writings pedagogy, 221–27, 239–53 “Amelia Webster,” 14–16, 111 stage adaptations Catharine (1792), 179–80 Sense and Sensibility (Lainston Emma (1815), 3, 5, 13, 18, 23, House, UK, 2011), 66 25–28, 90–94, 97, 99, 128, radio adaptations 130, 174, 175–77, 180–81, Mansfield Park (RNIB 200 n.6, 239, 244–45, adaptation), 48 n.1 246–50, 251, 252 n.6, Pride and Prejudice (CBS, 272–73, 274–75 1947), 38, 40–41, 44–46 (1790), 6, Pride and Prejudice (KFI Los 14, 16–19, 111 Angeles, 1949), 38, 41–42, Mansfield Park (1814), 3, 18, 44–45, 47, 49 n.6 22–23, 25–26, 28, 67, 113, Pride and Prejudice (NBC, 128, 130, 155, 169–70, 176, 1949), 38, 42–45, 47–48, 179, 239, 240–44, 251–52, 49 n.8 257, 266 Pride and Prejudice (RNIB (1817), 6, adaptation), 48 n.1 14, 16, 19, 25, 29, 110, 115, tourism, 103–41 119, 121–22, 124–28, 137, translations, 22–36, 255–69 143,148, 151–52, 154, 161 Austen-Leigh, James Edward, 66, n.8, 175, 180, 193, 200 n.4, 73, 110, 129, 132, 137, 200 n.5, 258, 267, 272 145–47, 173, 259–62, 264 Index 291

Austen-Leigh, Mary Augusta, 171 Brooks, Sandy, 45 Austenonly (website), 107–8 Browenstein, Rachel, 95, 97 Brown, Edith, 143 Baker, Helen, 111 Brown, Laura, 179 Balzac, Honoré de, 7, 22, 26 Browning, Elizabeth Barrett, 144 Barchas, Janine, 126 Bruner, Jerome, 5, 9 Barker, Elise, 8, 189–202 Making Stories, 5 Barrett, Julia, 111 Burney, Fanny, 25, 26 Barron, Stephanie, 144–59, 161 n.4 Burns, Robert, 222–23 Barthes, Roland, 158 Burt, Richard, 91 Bartkowski, Frances, 165–66 Butler, Marilyn, 250 Bath, 103–41 Byron, George, Lord, 149–50, Bath Chronicle, 139 152, 222 Bazin, André, 84 Byrne, Paula, 267 Beckett, Samuel, 157 Belamich, André, 27 Caan, James, 96 Bell, Erin, and Gray, Ann, 68–69 Cafépress.com, 190–93, 197–99 Benjamin, Walter, 129, 167–68 Calvino, Italo, 207 Bennet, Veronica, 143 Cano-Lopez, Marina, 8–9, 143–64 Bentham, Jeremy, 171–72 Capra, Frank, 85 Beowulf Alley Theatre Cardwell, Sarah, 71 Company, 38 Carlyle, Thomas, 232 Berger, Richard, 8, 119–41 Carpenter, Edward, 9–10, 277–81 Berk, Ozlem, 256 Carson, James P., 8–9, 165–87 Bigg-Wither, Harris, 124, 149, Cartmell, Deborah, and Whelehan, 160 n.2 Imelda, 83 Blake, William, 166 Castier, Jules, 27 Bluestone, George, 85 Castle, Terry, 151 Boucher, Léon, 26, 31 Cazamian, Louis, 27, 31 Bour, Isabelle, 23 Cecil, Lord David, 255, 262 Bourdieu, Pierre, 22, 73 Chartier, Roger, 23 Bourgois, Christian, 27 Chasles, Philarete, 26 Boyle, T. Coraghessan, 112–13, 143 Cheney, George, 192 Breuer, Rolf, 37 chick-lit, 9–10, 272–74, 275 The Brides of Dracula (Hammer Christie, Agatha, 154 Films, 1960), 152 Civilization (BBC documentary, British Broadcasting Corporation 1969), 77 (BBC), 37, 47 Clare, John, 166 Brontë Sisters, 74, 79, 91, 144, 153, Clark, Kenneth, 77 159, 222, 229–33 Clark, Robert, and Dutton, Brooke, Frances, 6–7, 13–14 Gerry, 173 The History of Emily Montague Clueless (Paramount, 1995), 111, (1769), 6–7, 13–19 139, 274 Brooks, Peter, and Hühn, Peter, Coates, John, 143 154–55 Cobley, Paul, 84 292 Index

Codfried, Egmond, 5 Duckworth, Alastair, 90, 147–48 Coelsch-Foisner, Sabine, 56 Duret, Théodore, 26, 31 Coetzee, J. M., 161 n.12 Cohen, Keith, 83–84 Eco, Umberto, 135–36, 155–56 Coke, Cyril, 207 Eden, D.J., 111 Colebrook, Claire, 195–96 Edgeworth, Maria, 26, 254 Coleridge, Samuel Taylor, 166 Edwards, Rupert, 65, 74, 76–77 Colletta, Lisa, 196–97 Ehle, Jennifer, 67, 87, 134 Colman, Ronald, 38, 42, 45, 47 Eliot, George, 28, 149, 222, 249 Columbia Broadcasting System (CBS), 37 Farrer, Reginald, 79 Conrad, William, 41, 49 n.6 Fatima, Altaf, 249 Cornett, Sheryl, 7, 51–63 Fellowes, Meghan, 223–24, 230 Cornwell, Bernard, 280–81 Féneon, Félix, 25, 28 Corwin, Norman, 39–40 Fergus, Jan, 266 Cossy, Valérie, 22–24, 26, 29 fidelity, 83–86 Craig, Helen, 41 Fielding, Helen, 273 Crook, Tim, 38 Bridget Jones’ Diary (novel, Cussé, Catherine, 30 1995), 51, 213–14 Bridget Jones: The Edge of Dames, Nicholas, 124 Reason (novel, 1999), 216 Darden, Donna K., and Worden, Bridget Jones’ Diary (Miramax, Steven K., 192 2001), 30, 99, 111, 139, 216 Davies, Andrew, 66–67, 75, Bridget Jones: The Edge of Reason 78, 274 (Miramax, 2004), 216 Defoe, Daniel, 161 n.12, 166 Fielding, Henry, 26, 149 DeGroot, Jerome, 68 Firth, Colin, 67, 73, 77, 79, 87, 90, Derrida, Jacques, 144 99 n.3, 134, 209 Dickens, Charles, 6, 23, 25, 65, Fitzrovia Radio Hour (British radio 144, 149, 222, 232 drama company), 38 Great Expectations, 6 Flaubert, Gustave, 7, 22 Oliver Twist, 222 Flood, Alison, 216 A Tale of Two Cities, 232 Flynn, Carol Houlihan, 168 Die Hard (Twentieth Century-Fox, Fokkema, Aleid, 144, 158–59 1988), 90 Ford, Michael Thomas, 144–53, Donat, Robert, 224 157–59, 161 n.4 Donne, John, 225–26 Forester, C. S., 211 Dostoyevsky, Fyodor Ilyich, 25 Formica, Serena, 74–75 Dougherty, Sean, 46 Foucault, Michel, 130, 158 Dow, Gillian, 79 Four Weddings and a Funeral Doyle, Sir Arthur Conan, 144, (PolyGram, 1994), 89, 99 160 n.3 Fowler, Karen Joy, 52, 56, 69 Drakakis, John, 39 The Jane Austen Book Club Dressler, Eric, 40 (novel, 2004), 52, 56, Dryden, Robert G., 1–11, 103–17 111, 160 Index 293

Franssen, Paul, and Hoenselaars, Herring, Jackie, 114 Tom, 144, 159 Heywood, Thomas, 161 n.11 Fraser, George McDonald, 278 Higson, Andrew, 86 Fu, Du, 224–25 Hills, Matt, 65 Hobsbawm, E. J. and Rude, Garber, Marjorie, 191–92, 194 George, 250–51 Gard, Roger, 88, 90 Hodge, Jane Aiken, 262–63 Gaskell, Elizabeth, 222, 272 Holborne Art Museum, 106 Gay, Penny, 86, 90–91 Holloway, Jean, 40–41, 48 n.2 Glaser, Barney, and Strauss, Holquist, Michael, 156 Anselm, 190 Honan, Park, 171, 264 The Godfather (Paramount, 1972), Horniman, Val, 9, 221–37 96 Hosain, Attia, 248–49 Goodwin, Liz, 216 Hsueh-Chin, Tsao, 233 Goubert, Pierre, 21, 29 Hughes, Bettany, 69 Gower, John, 161 n.11 Hughes, Kathryn, 149 Grahame-Smith, Seth, 152, 158, Hugo, Victor, 22 213, 215–16, 218 n.9 Hunt, Tristram, 67–68, 70 Grange, Amanda, 152, 211, 218 n.8 Hutcheon, Linda, 83, 151 Grant, Hugh, 89, 96 Huwiler, Elke, 48 Gray, Donald, 60 Huxley, Aldous, 234 Gray, Jonathan, 137–38 Hyder, Qurrutulain, 250 Grazia, Maria, 46 Grey, J. David, 165 Ibsen, Henrik, 25 Guinness, Alec, 224 Icebox Radio Theater, 38 Güray, Vecahat, 256 Jacobson, Howard, 73, 79 Hachette, Louis, 25 James, P. D., 216 Halperin, John, 263–64 Jameson, Fredric, 136, 144 Halsey, Katie, 79 Jameson, Richard, 85 Hand, Richard, and Traynor, (Bath, UK), 8, Mary, 38 105–6, 107, 114, 116, 120, Haraway, Donna, 168, 177 133–36 Harding, D. W., 56, 161 n.5, 263 Jane Austen Fan Fiction (website), Hardy, Thomas, 23, 94, 233 205–6 Harmon, Claire, 123, 191 Jane Austen Festival (Bath, UK), 66, Harris, Joanne, 273 74, 107–8, 114, 120 Harry Potter Franchise, 65, 260 Jane Austen Gazetteer (blog), 120 Hart, Roderick P., and Daughton, Jane Austen Society of North Suzanne M., 192–93 America (JASNA), 2, 23, Hathaway, Anne, 143, 266 65–66, 70, 72, 74, 77–78 Hayes, John Michael, 41 Jarrold, Julian, 87, 266 Henderson, Brian, 85 Jenkins, Elizabeth, 262 Henry, Patrick, 236 n.2 Jenkins, Henry, 78, 168, Herendeen, Anne, 211–12 205–6, 211 294 Index

Johnson, Celia, 226 Longden, Kenneth A., 67–70 Johnson, Claudia, 148, 150, Lovering, Jeremy, 266 167, 260 Lynch, Deidre Shauna, 258 Johnson, Samuel, 149 Lyotard, Jean-Françoise, 144, Jones, Suzanne, 51, 56 157–58, 160 Jordis, Christine, 29 Jarrold, Julian, 266 Macaulay, Thomas Babington, 26 Maia Elizabeth, 160 Kanwar, Ashima, 250–52 Mandal, Anthony, and Southam, Kaplan, Deborah, 149 Brian, 4 Kauffmann, Angelica, 71 Mansfield, Katharine, 257–58 Keats, John, 18 Many Lovers of Miss Jane Keeble, Jonathan, 274 Austen, The (2011 BBC Kember, Sarah, and Zylinska, documentary), 7, 65–81 Joanna, 46 Marcus, Laura, 155 Kent, Christopher, 2–3, 167 Mastoor, Khadija, 249 Kerr, Paul, 73 Matilda, Rosa, 24 Kipling, Rudyard, 73, 167 Matthews, Peter, 92–93 Kirkham, Margaret, 122 McAvoy, James, 266 Klinck, Carl F., 14 McCabe, Janet, 70–74 Knight, Edward Austen, 129, 177 McFadyen, Matthew, 97–98, 209 Knight, Fanny, 259 McMaster, Juliet, 6, 13–20 Koç, Hamdi, 267 Measham, Donald, 111 Kutlu, Filiz, 108 Mickey Blue Eyes (Castle Rock, 1999), 96 LaCapra, Dominick, 165 Miller, Lucasta, 72–73, 79 Landry, Donna, 171 Mills and Boon, 51, 60, 192, 245, 272 Lane, Maggie, 122 Mitford, Mary Russell, 261–62 Langton, Simon, 207, 213 Mitford, Nancy, 28 Lansbury, Angela, 38, 47, 49 n.11 Monaghan, David, 93–94 Laura and Augustus (1784 novel), Monk, Claire, 217 16–18 Montolieu, Genevan Isabelle de, Le Faye, Deirdre, 169, 195, 259–60 23–24, 28, 30 Lefroy, Anna Austen, 111 More, Hannah, 106 Leitch, Thomas, 83 Moretti, Franco, 3 Leavis, F. R., 73, 129–30, 149 Morton, David, 37 Leavis, Q. D., 67 Mozart, Wolfgang Amadeus, 235 Leconte, Valentine, 26 Mudrick, Marvin, 161 n.5 Lentricchia, Frank, 252 Mukherjee, Meenakshi, 248 Leonard, Robert Z., 27 Mullan, John, 73, 78–79, 124 Lévi-Strauss, Claude, 178 Lewes, G. H., 26, 230 Nabokov, Vladimir, 22, 28 Lima, Chris, 6 Napoleonic Era, 3, 23, 45, 147–8, Lindlof, Thomas, and Taylor, 168, 278 Bryan, 190 National Broadcasting Corporation Londry, Michael, 15 (NBC), 37, 49 n.11 Index 295

Nine Months (Twentieth Reynolds, Peter, 138 Century-Fox, 1995), 93 Rice, Anne, 152 Nixon, Cheryl, 90 Richardson, Samuel, 166 Nokes, David, 264–65 Rickman, Alan, 90 Nora, Pierre, 137 Rigler, Laurie Viera, 143 Nordon, Pierre, 28 Rintoul, David, 209 Ritvo, Harriet, 169 O’Connor, Frances, 87 Roberts, Warren, 246 Orwell, George, 234–35 Robin Hood, Prince of Thieves Özoran, Beria Okan, 256 (Warner Bros., 1991), 90 romancières anglaises (English Paltrow, Gwyneth, 28 women novelists), 22 Parker, Keiko, 128 Rooper, Jemima, 115 Parrill, Sue, 85–87, 95–96 Rothstein, Edward, 109 Perks, Eloise, 31 Roubaud, Jacques, 28 Perry, Anne, 28 Rozema, Patricia, 86–87, 173 Perry, Ruth, 91, 97 Pettman, Dominic, 39 Said, Edward, 169 Pichardie, Jean-Paul, 29 Saintsbury, George, 73, 191 Pilcher, Rosamunde Schama, Simon, 69 Coming Home (1996), 61 Schor, Hilary, 88 The Shell Seekers (1987), 7, Scott, Walter, 26, 56, 175 51–63 Seeber, Barbara, 183 n.2 September (1990), 61 Seymour, Beatrice Kean, 60 Winter Solstice (2000), 61 Seyrès, Hélène, 28 The World of Rosamunde Pilcher Shakespeare, William, 23, 65, 93, (1996), 61 119, 147, 155, 161 n.12, Pinnock, Jonathan, 216 224, 257 Poe, Edgar Allan, 161 n.10 Shapiro, Juliette, 111 Poovey, Mary, 89 Sharma, Anshoo, 244–45 Pope, Alexander, 13, 147, 149, 154 Sharp, Anne, 265 Premchand, Munshi, 246–50 Sheldon, Charles, 193 Pressoir, Marie-Charlotte, 26 Shelley, Percy Bysshe, 123, 166 Pretty Woman (Touchstone Sheppard, Sandy, 193 Pictures, 1990), 93, 99 Shields, Carol, 266 Pucci, Susanne R., and Thompson, Siddons, Sarah, 107, 147, 161 James, 203–4 n.6, 222 Pym, Barbara, 28 Silverstone, Alicia, 274 Simon, Paul, 234 Radcliffe, Ann, 161 n.8 Singer, Peter, 171 The Mysteries of Udolpho, 14, Singh, Harsha Kumari, 245–50 19, 30 Slinker, Barry, 46 Raphael, Lev, 216 Smith, Charlotte, 24 Raw, Laurence, 1–11, 37–51, 271–82 The Sopranos (HBO, 1999–2007), Republic of Pemberley (website), 96 116, 120, 151, 160, 203, 206 Sotheby’s, 66, 72, 77–78 296 Index

Sothern, Ann, 47 Trunel, Lucile, 7, 21–36 The Sound of Music (Twentieth Tucker, Paul, 75–77 Century-Fox, 1965), 235 Tuite, Clara, 149–50 Southam, B. C., 4, 149 Twain, Mark, 170 The Spartans (Channel 4 Twilight Franchise, 65, 161 n.7, 198 documentary series), 69 Spence, John, 266 Urivi, Vishala, 239, 240–42 Spencer, Earl, 70 Stam, Robert, and Raengo, Vallotton, Félix, 26 Alexandra, 83 Vanita, Ruth, 239, 242–44 Stanton, William, 48 Venutolo, Anthony, 104 Sterne, Laurence, 176–77 Vickery, Amanda, 7, 65–79 Stevenson, R. L., 6 Vierne, Béatrice, 28 Treasure Island, 6 Villard, Léonie, 165 Strindberg, August, 25 Stendahl, 22, 26 Wakefield, J.F., 107–8 Storey, Shirley, 106, 114 Walpole, Horace, 151 Strong, Jeremy, 7–8, 83–102 Watt, Ian, 166 Stubbs, Imogen, 95 Weissmann, Elke, 68 Suspense (CBS Radio series), Weldon, Fay, 271 49 n.10 West, Cornel, 2 Sutherland, John, 79, 266 Wheeler, David, 123 Sutherland, Kathryn, 66, 73, 79 When Harry Met Sally (Castle Svensson, Anette, 9, 203–20 Rock, 1989), 99 Sweet, Matthew, 79 Wilberforce, William, 106 Swift, Jonathan, 147, 149, 154 Williams, Olivia, 143, 266 Willis, Roy, 170 Tanner, Tony, 240 Winchester Cathedral, 132 Tekcan, Rana, 9, 255–69 Winslet, Kate, 132 Telscombe, Anne, 111 Winterbottom, Michael, 86–87 Tennant, Emma, 212–13 Wise, Greg, 89 Theatre Royal, Bath, 107 Wollstonecraft, Mary, 227, Thiong’o, Ngūgī Wa, 5–6, 9 229, 246 Thompson, Emma, 28, 93–97 Wong, John, 221 Thompson, James, 194 Woolf, Virginia, 1–2, 28–29, Todd, Janet, 73, 79 109–10, 199, 229 Toffler, Alvin, 205 A Room of One’s Own, 1–2 Tolstoy, Leo, 25 Wordsworth, William, 166 Tomalin, Claire, 107, 122, 129, 264–66 Wright, Joe, 173, 207–8, 266–67 Tripplehorn, Jeanne, 96 Wylie, I. A. R., 42, 48 Trilling, Lionel, 189, 246 Wyver, John, 77–80 Trip Advisor (website), 135 Trivedi, Haresh et. al., 9, 239–53 Yeğinobalı, Nihal, 256–57, 267–68 Troost, Linda, and Greenfield, You are There (CBS radio series), 39 Sayre, 90 Truly Madly Deeply (BBC, 1990), 90 Zimmer, Ben, 195–97