Interior Design Fabric Samples
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Selected "Rovana" (Saran), "Verel" (Modacrylic)
AN ABSTRACT OF THE THESIS OF Clothing, Textiles Susan Houston Fortune for the . M. S. in and Related Arts (Name) (Degree) (Major) Date thesis is presented 1174,y, //, j76_1-- Title SELECTED "ROVANA" (SARAN), "VEREL" (MODACRYLIC), AND RAYON BLEND DRAPERY FABRICS EVALUATED BY LABORATORY TESTS FOR RESISTANCE TO LIGHT, LAUN- DERING, ABRASION, STRESS AND FIRE Abstract approved (Major professor Thirteen fabrics containing "Rovana" (saran), "Verel" (mod - acrylic), and rayon were examined for colorfastness to light and laun- dering, shrinkage, tensile strength, elongation, abrasion -resistance and flammability. The fabrics represented three weaves: plain, twill and leno; and three colors: white, eggshell and turquoise. The fiber contents, according to the manufacturers, varied from 20 per- cent "Rovana ", 56 percent "Verel" and 24 percent rayon to 49. 3 "Rovana ", 30. 5 percent "Verel" and 20. 2 percent rayon. Chemical analysis revealed that all of the fabrics varied from the manufacturers' stated fiber contents. A Fade -Ometer was used to test for colorfastness to light. Although no fading was visible to the eye, the plain weave fabrics of high "Rovana" content showed the greatest color change according to a Gardner Color Difference Meter. White fabrics and broken twill weave fabrics were modified also. Washing had little effect on the colors. Shrinkage was most pronounced in the filling direction and was due chiefly to laundering. Fabrics fabricated in a broken twill weave of approximately 30 percent "Rovana" exhibited slightly more shrink- age than the four percent allowance recommended by the American Hotel Association. The remaining fabrics shrank only approximately one percent. Fabrics appeared to be most affected by 63. -
Curtains and Draperies
Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec to accent the character of furnishings tion. They must know about the archi in the room. -
Washington, Dc
WASHINGTON, DC BENEFITING CHILDREN'S NATIONAL MEDICAL CENTER Presented by October 1–30, 2016 Washington, DC DCDesignHouse.com EXCLUSIVE DESIGN | SOLID TEAK CONSTRUCTION | LASTING QUALITY Experience the Quality First Hand VISIT OUR SHOWROOM IN GAITHERSBURG, MARYLAND ™ 301.926.9195 www.CountryCasualTeak.com Creating spaces you will love… traditional, modern or somewhere in between.sm Visit ahouckdesigns.com and discover a style that speaks to you. Be inspired today. Andrea Houck, Associate ASID, IFDA | Specializing in Residential Interior Design ahouckdesigns.com | Arlington, Virginia | 703.237.2111 lifestyle boutique Beltway Bethesda-Chevy Chase Landscape Design|Build Center 7405 River Road Bethesda, MD 5258 River Road Bethesda, MD 7405 River Road Bethesda, MD 301.469.7690 301.656.3311 301.762.6301 americanplant.net Congratulations Closets By Design. Recognized as HOME & DESIGN 2016 Designers Choice Award Favorite Custom Closet Company Bob Narod, Photography, LLC Photography, Bob Narod, Custom Closets, Garage Cabinets, Home Offices and more... 703-330-8382 301-880-0866 www.closetsbydesign.com Licensed and Insured 2009 © All Rights Reserved. Closets by Design, Inc. W ASHIN GTON , DC D E S IGN HOUSE 2016 TABLE OF CONTENTS Page 36/Area 1 Page 47/Area 12 FRONT GARDEN & LOFT PORCH Melanie Hansen, D. Blake Dunlevy Steve Corbeille & Gina Palmer & Pooja Bhagia Mittra D & A Dunlevy Yardstick Interiors Landscapers, Inc. Page 48/Area 13 Page 37/Area 2 VINTAGE CABANA/ ENTRY HALL, HALL, ROOF DECK BACK STAIR HALL Quintece Hill-Mattauszek Eve Fay Studio Q Designs Farrow & Ball Page 49/Area 14 Page 38/Area 3 CHIC RETREAT 31 18 DINING ROOM Barbara Brown Jonathan Senner Barbara Brown Interiors Atelier Jonathan Senner Page 50/Area 15 32 14 Page 39/Area 4 CHIC RETREAT – CHINA PANTRY DRESSING ROOM & Nadia N. -
Fibers and Fabrics; TX335 .A1 U6 NO
KitlQRr Bureau of Standards Reference book' no' to ygjgtv |Oi Admin. Bldg. taken from the library, gmp STATES Ite.WMENT OF COMMERCE PUBLICATION A11ID3 Db3SbD All103063560 Blandford, Josephlne/FIbers and fabrics; TX335 .A1 U6 NO. 1, 1970 C.1 NBS-PUB-R 1 ^TES ‘‘•‘‘'/I'ti'i'.1'1' 1: BBB8 MB A Consumer’s Guide from the Mational Bureau of Standards NBS CIS 1 IIIIShSs Fibers and Fabrics by Josephine M. Blandford and Lois M. Gurel INFORMATION ABOUT NATURAL AND MAN-MADE FIBERS AND FABRICS TO MEET YOUR PARTICULAR NEEDS. NBS CONSUMER INFORMATION SERIES 1 Editor: James E. Payne Issued November 1970 U.S. DEPARTMENT OF COMMERCE Maurice H. Stans, Secretary Rocco C. Siciliano, Under Secretary Myron Tribus, Assistant Secretary for Science and Technology NATIONAL BUREAU OF STANDARDS A Consumer’s Lewis M. Branscomb, Director GUIDE FROM THE) NATIONAL BUREAU OF STANDARDS For sale by the Superintendent of Documents, U.S. Government Printing Office, U.S. DEPARTMENT Washington, D.C. 20402. OF COMMERCE Price 65 cents. NATIONAL BUREAU OF STANDARDS APR 1 0 1971 FOREWORD Technology is changing not only the products you buy, but the marketplace as well. Unfortunately, this is not an unmixed blessing. Products are constantly being improved, but designs are complicated, quality is vari¬ able, and good advice is hard to get. Modern stores and merchandising bring you a wide variety of products; but the large number of choices and the lack of dependable infor¬ mation often make shopping a confusing and frustrating experience. A generation ago the merchant was likely to be a friend of the family. -
Instruction Manual Manuel D'instructions Manual De
Instruction Manual Manuel d’instructions Manual de instrucciones Manual de Instruções "IMPORTANT SAFETY INSTRUCTIONS" When using the sewing machine, basic safety precautions should always be followed, including the following: "Read all instructions before using." DANGER – To reduce the risk of electric shock: 1. The sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electrical outlet immediately after using and before cleaning. 2. Always unplug before changing the light bulb. Replace bulb with same type rated 15 watts. WARNING – To reduce the risk of burns, fire, electric shock, or injury to persons: 1. Do not allow this machine to be used as a toy. Close attention is necessary when the sewing machine is used by or near children. 2. Use this sewing machine only for its intended use as described in this manual. Use only accessories recommended by the manufacturer as contained in this manual. 3. Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. 4. Never operate the sewing machine with any of the air openings blocked. Keep the ventilation openings of the sewing machine and foot controller free from the accumulation of lint, dust and loose cloth. 5. Never drop or insert any object into any openings. 6. Do not use this machine outdoors. 7. Do not operate this machine where aerosol (spray) products are being used or where oxygen is being administered. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
Window Treatment
Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat For a room with simple furnishings, choose terned fabrics. -
Drapery and Window Hardware Guide
DRAPERY AND WINDOW HARDWARE GUIDE GETTING STARTED Whether you’ve already made your decision or could use some guidance selecting the right drapery for your space, an Arhaus associate is here to help. Below are a couple guidelines to get you started. We offer crisp Cotton Sateen, soft Washed Linen, stunning Dupioni Silk and traditional Cotton Velvet. Each collection is offered in a variety of colors and sizes. DO YOU WANT TO LAYER YOUR DRAPERY? If the answer is yes, our Silk Organza and Shimmer Metallic unlined sheer panels look beautiful as a second layer or on their own in a room that does not require much privacy or light filtering. GARY BABCOCK ARHAUS CHIEF CREATIVE OFFICER TIP FROM GARY: Dupioni Silk in Drift, Bronze Metallic Sheers, Barlow Bronze Hardware Also consider layering sheers! CHOOSE A CASUAL OR CUSTOM LOOK All of our lined styles are available with a four-inch rod pocket. Hang the drape directly on the rod for a casual look, or use rings to create folds for a more custom look. TAKE OUT THE GUESSWORK Our lined drapes have drapery hook pockets for easy attachment of the drapery hooks; no measuring is needed. DRAPERY HOOKS VERSUS RINGS We include seven drapery hooks with our 50-inch drapes and 13 hooks with our 100-inch drapes. Drapery rings are sold separately. HOW TO MEASURE FOR DRAPERY Before you measure, determine whether you would like a casual or more formal look, this will help you to determine the length and width of your drapery. MEASURING TIPS Use a steel tape measure and measure to the nearest 1/8 inch. -
What's Inside
ECIPE R CH T I NEEDLE PUNCH ST Issue 25 $6.95 What’s Inside • Embroidered Wallflowers • Scattered Leaves Vest • The Happy Bag • Stable Stitches Page4 • Jubilee Tee • Going Round and Round • Something Fishy • Embroidery Special Effects • Southwest Stitches Pillow • The Eyes Have It! • Spontaneous Combustion table of contents EMBRoidered WALLFLowers 4 With colorful fabrics and wonderful variegated threads, this beautiful quilt made from a Benartex kit was only missing one thing…Embroidery! See how to create designs that fit the pieces of the quilt using only one design and Embroidery Software v5. SCAttered LEAves Vest 8 This simple vest becomes fabulous when you start with a colorful fabric, add painted accents, then a touch of embroidery, and finish with sparkling glitz. 34 thE hAPPy BAg 11 What makes this simple tote bag so spectacular? the large 12” x 12” design is created by arranging several motifs into a “square” using the BERNINA Embroidery Software and is easily stitched in one hooping using the happy voyager 12-needle embroidery machine. StABLE StItChes 14 One of the most important keys to creating professional-looking embroidery is choosing the correct stabilizer. Find the answers to your stabilizer questions that will yield the best embroidery results for your projects. JUBILEE tEE 18 See what happens when you combine My Label 3D Fashion Pattern Software with the multi-hooping feature of version 5 BERNINA Embroidery Software. Create a custom-embroidered one-of-a-kind t-shirt that adds style and panache to your wardrobe. goINg RoUND AND RoUND 20 Simple needle-punched shapes sprinkled with embroidered elements add impact to an otherwise non-descript garment. -
Braiding Foot (ESG-BF) Instructions
Baby Lock Sewing Accessories Braiding Foot (ESG-BF) Instructions The Baby Lock adjustable Braiding Foot allows great flexibility in the width of braid, cord, or elastic you can apply. Create beautiful Passementerie work with the Baby Lock Select a stitch that will encase, but not crush, the cord you are Braiding Foot. Passementerie work refers to the trimming of applying. fabrics with braids, cords, or beads in many forms or shapes. Couching is another technique where you can use the Baby Here is a good exercise you can try with this foot: Select a Lock Braiding Foot. zigzag stitch and adjust the width to 5mm. Use 1/8” elastic and insert it through the opening on the braiding foot (see MACHINE SETTINGS diagram). Sew over the elastic to the width of fabric without Set your Baby Lock machine for a zigzag stitch. Place the catching it. After stitching, pull the elastic to fit. This could be width of the zigzag just wide enough to clear the braid, cord, used for doll clothes or children’s sleeves. or elastic that you are using. Use a 2.0 twin needle and sew both sides of a 1/8” ribbon at Loosen the silver screw on the left of the foot to allow the same time as you guide it through the Braiding Foot. you to move the adjustable plate forward and back to accommodate varying widths of braid, cord, or elastic. Snug the plate close to the braid that you are applying to help guide the braid. Let the braid feed in as you guide the fabric on the transferred design. -
Ttu Pmbc01 000022.Pdf (11.24Mb)
<.ti-. i,: J A/UX' u // B u s I tifs ^'"'^'WlTl E R AND VOCABULARY BY EDWARD H. ELDRIDGE, PH.D. HEAD OF DEPARTMENT OF SECRETARIAL STUDIES SIMMONS COLLEGE, BOSTON AMERICAN BOOK COMPANY NEW YORK CINCINNATI CHICAGO COPYBIGHT, 1913, BY EDWARD II. ELDRIDGE. COFYKIGHT, 1913, IN GfiEAT BRITAINO ^ / / / / ^ W, P. 2 PREFACE IN offering a new business speller, it seems desirable to indicate some of the features in which the book differs from other publications and to suggest methods in which it may be employed. It is in some ways desirable that words in a spelling book should be presented in a manner as nearly like the way they appear in ordinary print as is possible. In endeavoring to do this there has been a tend ency in recent years to neglect syllabication, that other great aid to spelling. In this book the words are divided into syllables, but, in order to retain the similarity to original print, hyphens are not inserted between the syllables. It is undesirable to respell more than is necessary, for in respelling false ideas are given as to the proper spelling of the word. Only those words have been, yespelled where there would be doubt as to ftie pro nunciation, f"^;'/^ /^ r r ,-f: . ^ Some general principles regarding pronunciation of vowels are given in the beginning of the book, and an application of these principles has made it necessary to respell only a comparatively few words. No word has been respelled which is in strict conformity with these gen eral principles, unless it is a word which is generally mispronounced. -
Ursula Wagner
TextielLabTeexxttiieellL ab – YearbookYYeYearearararbboook 2012220112 Contents Cones Up Close P. 2 – 3 – Chapter 1 Special Collaborations & Independent Projects TextielLab Interiors & Products P. 6 – 47 Fashion P. 48 – 61 Young Talent P. 62 – 79 – Chapter 2 TextielMuseum Collection P. 80 – 89 – Chapter 3 Education P. 90 – 111 – Yearbook 2012 Yearbook Colophon P. 112 Insert TextielLab: Research & Development P. I - XXIV 1 2012 CONES UP CLOSE TextielLab FELT LUREX, STEV ABACA TREVIRA CS PAPER YARN P. – 34 P. – 102 P. – 102 P. – 18 P. – 102 Yearbook 2012 Yearbook ELIREX LUREX PMR 3720 / COPPER YARN TREVIRA CS POLYESTER RAFFIA ORGANIC COTTON METAL YARN P. – 42 P. – 102 P. – 18 P. – 42 P. – 42 P. – 102 Yearbook 2012 Yearbook TextielLab VISCOSE RAFFIA TREVIRA CS POLYAMIDE GLOW IN THE DARK TREVIRA CS P. – 42 P. – 18 P. – 42 P. – 34 P. – 18 2 3 Introduction The TextielLab is the inspiring atelier of the TextielMuseum where knowledge, technical expertise and materials come together. It is a creative laboratory allow- ing innovation to take centre stage. Where the factory looms of C. Mommers wove woollen cloth for 100 years, now computer-controlled textile machines have joined the ranks of traditional, mechanical looms. They are in constant use by international designers, artists and students, aided by a specialist team from the museum. Weaving is the main discipline at the TextielLab and increasingly the Lab is approached to advise in ambitious (interior design) projects as well to support designers in the development of textiles. A good example is the com- TextielLab mission from the Noordbrabants Museum in ’s-Hertogenbosch. Together with Chapter 01 – Special Collaborations & designer Kiki van Eijk, fire-retardant wallcoverings were made for the Statenzaal Independent Projects (State Hall) of the former provincial government building.