Vol. 44, No. 2, September 27, 1993 University of Michigan Law School

Total Page:16

File Type:pdf, Size:1020Kb

Vol. 44, No. 2, September 27, 1993 University of Michigan Law School University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 1993 Vol. 44, No. 2, September 27, 1993 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "Vol. 44, No. 2, September 27, 1993" (1993). Res Gestae. Paper 31. http://repository.law.umich.edu/res_gestae/31 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. Time to go to the dry cleaners! est a£ Vol. 44 No. 2 The University of Michigan Law School September 27, 1993 Students See Support for Boycott By Brian O'Donnell & Julie Beck would bar Colorado employers from terview at NYU this year, she said. Colorado f urns have scm unsolicited have minimal impacto n the state while RG News Writers interviewing at the law school unless Those two firms are among 13 statements describing their partici­ causing genuine harm to Michigan A group of law students began they show that they are devoting "a frrms scheduled to interview at Michi­ pation in efforts to defeat the amend­ studen ts seeking jobs there. And they pressuring the faculty last week to substantial amount" of resources to gan in September and October for ment also note that the boycott could dis­ bar Colorado employers from cam­ overturning Amendment 2. The positions in their Colorado offices. Not surprisingly, the proposal courage young lawyers who are most pus, in protest of that state'sconstitu­ policy would also prohibit the usc of The proposed policy does not re- has sparked mixed reactions among likely to fight Amendment 2 from tional amendment pcrmitling dis­ law school funds for the purchase of moving there. crimination against homosexuals. goods and services from Colorado­ Please look inside for re1ated " It only hurts people who might In response, some other law based companies and for conven­ bewiiJingtogohomeandworkagainst students are recoiling at the prospect tions and meetings. The bar would be stories: the amendment in the first place," that their Colorado job search, al­ part of a general boycou of the Colo­ said one thi rd-year student from Colo­ ready burdened by a weak economy, rado economy, with exemptions for Co1nmentai·y oq :. R;ige 3 rado, who said she is having a hard will soon face new hurdles. academic endeavors. enough time finding a job there. "It's The Queer Law Students Alli­ NYU's policy requires employ­ QLSA.Lette1· oll.. p,g~ 3 not that I don't sec the principle of . ·::-·. -:. -··. ance (QLSA) - formerly known as ers to describe in writing their efforts what they're trying to do. It's just the Lesbian, Gay and Bisexual Law to combat the amendment, and in the quire wriuen statements, but instead students. There has been spirited very frustrating. ll's hurting people Students Alliance - is urging the recent interview season, on ly two insists that a "Boycott Colorado hallway debate since QLSA distrilr who are innocent" faculty to insutute a boycou similar law fumsdid so, said Jane Thieberger, Committee" decide whether fums uted lavender fliers describing the CharlOtte Croson, a leader of the to one approved in April by the fac­ assistant dean in charge of place­ have made it a "high institutional proposed boycou to all students QLSA, is sympathetic but unyield­ ulty at New York University Law ment Those firms - Arnold & priority" to fight the amendment. Thursday. ing. School. Porter and Holland & Hart - were According to Nancy Krieger, Students seeking jobs in Colo­ The policy proposed by QLSA the only Colorado employers to in- Michi gan Director of Placement, rado maintain that the boycott would See BOYCOTT, page 4 First-Time Professors Join Law F acuity By Stacie Brown legal careers with a day full of con­ both graduates of Yale Law School, As a law student, Logue co-au­ RG News Writer tracts, property, torts, and case club joined the Michigan faculty as full thored an article entitled The First­ The first day of classes marked a assignments, two professors were time assistant professors. Party Insurance Externality: An new beginning for studenL~ and pro­ beginning their teaching careers. For Croley, whose primary in­ Economic Justification for Enter­ fessors alike. While ILs began their Steven P. Croley and Ky le D. Logue, terest lies in torts and product liabil­ prise Liability, which appeared in ity, accepting a position at Michigan the Cornell Law Review. Logue was like a homecoming. A native of values legal scholarship and said t11 at Michigan, Croley earned his A.B. while in practice, he had many ideas from the University in 1988. He later for scholarship which he would like clerked for the Hon. Stephen F. Wil­ to pursue at Michigan. liams of the U.S. Court of Appeals "I liked prac ti cing law," said for the D.C. Circuitand then auended Logue, "but I think I like this better." graduate school at Princeton Univer­ Logue stated that as a practitioner he sity. Croley is now preparing his dis­ learned things about career choices sertation in the area of administrative and the legal profession itself which law. he wants to share with Michigan stu­ Professor l..ogu.e Logue (B.A., Auburn Univer­ dents. sity), a former Truman Scholar, Both Croley and Logue want humor into the class and have a lot of clerked for the Hon. Pa!rick E. Hig­ their students to gain a thorough people participate each day." ginbotham of the U.S. Court of understanding of the law, as well as Professor Croley currently Appeals for the Fifth Circuit before an appreciation for the undcrlymg teachesTortsand will teach Adminis­ practicing tax Jaw at Sutherland, policy issues and theoretical frame­ trative Law next semester. Professor Asbill & Brennan in Atlanta. He work. Logue teaches Tax I th1s term and will credits his desire to teach not only to Croley describes his tcachmg teach Insurance Law in the winter. his family,manyofwhom were teach­ style as "unconventional". "Intel­ ers, but also to his experiences in the lectually, my class is extremely seri­ Photographs by Emily Auckland. Professor Croley field of legal scholarship. ous, said Croley, but I like to inject The Re~ Ce~tae- Seplember 27, 1993- page 2 Students Deserve to Have f xams Read By Noah Finkel to award an arbitrary grade- was fair. examination. She extended the deadline for both to June 1. RG Executive Editor · I must admit I have chronic difficulties writing legibly on Therefore, she had a month to grade all these papers and ouLiines The faculty's recent overhaul of the grading system, pro­ exams. I do not type my exams because I am a slow typist and do prior to the school's dcadlme for providing grades. Even if she viding professors with added grade options for their students, not think I should be penalized on my grade because of that. Nor didn't glance at the students' outlines, she had 6000 pages of was in part motivated to better reflect subLle $1ifferences in should legibility ever factor into a grade. It has no bearing on papers to read and grade in a month. That's about 200 pages a stu<knt perfonnancc. Previously, a student"' ho wrote a "good" success as a lawyer and thus should not have any bcanng on day.It m:.~y not t'C difficult to r~ad 200 of John Grisham's prose exam a point away from an 8 received a C+, the same grade as students' grades. When other professors had dtfficulty reading tn a day, but 200 pages of legal analysis is another matter, someone who wrote a "mediocre" exam. Now that student can my exams, they asked me to type what I had wriuen for them. I especially "'hen all the studcnLo;' papers must be compared earn a B-. a grade higher lhan the "mediocre" performance. always returned a typed exam wtthin 24 hours. agamst C:J-.h thc r. Such a shift should provtde students with a more accurate Sensing that this exam might be difficult to read, I wc'1tto And in another class IJ,t term, 18 students enrolled in a assessment of their perfonnance. But that conclusion is prem­ the Records Office a week aftcrthecxam and asked a cit rk 1f she scmtnar. The professor did not require a paper of the students, ised upon a now questionable assumption: that aU professors could ask that professor if he could read my exam and,tfhecould as is customar) in seminars. Rather, the professor required actually read their students' exams. not read it, whether I could type it. The professor did not respond c;tudcnts to give class presentations in pairs. At the end of the In one class last tenn, I received a grade below what I to those overtures. Instead, he guessed at my grade. semester, the professor issued two As and 16 Bs. Included thought I had earned. When I went to ask the professor where I would like to think that this represents an isolated incident, among the Bs were a few studcnL~ who never gave presentations I went wrong, he admiued he could not read my handwriting but in other classes last tenn professors issued students grades and others who attended barely a majori ty of all classes.
Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Off the Straight & Narrow
    MEDIA EDUCATION FOUNDATIONChallenging media TRANSCRIPT OFF THE STRAIGHT & NARROW LESBIAN, GAYS, BISEXUALS & TELEVISION OFF THE STRAIGHT & NARROW Lesbian, Gays, Bisexuals & Television Producer, Director, and Editor: Katherine Sender Executive Producer: Sut Jhally Narrated by C.A. Griffith Featuring interviews with: Edward Alwood Journalist and Historian Richard Dyer University of Warwick, UK John Erni University of New Hampshire Larry Gross Annenberg School for Communication, University of Pennsylvania Lisa Henderson University of Massachusetts – Amherst Marguerite Moritz University of Colorado at Boulder Charles Nero Bates College Sasha Torres Johns Hopkins University Media Education Foundation © MEF 1998 2 INTRODUCTION Montage of Media clips [Unlabeled media] Why am I a homosexual? [Unlabeled media] I’m a homosexual. [TV: Ellen] I’m gay. [TV: The Simpsons] You know me Marge. I like my beer cold, my TV loud, and my homosexuals flaming. NARRATOR: Most of us grow up not knowing any openly lesbian, gay, or bisexual people. But television offers us a rich panoply of characters for understanding the world. So what images of gay life does television offer? What is possible in a commercial medium that demands high audience ratings to maximize advertising revenues? This program is about how gays, lesbians, and bisexuals have been written into a straight television world, and how gay audiences have made room for themselves within it. 3 THE EARLY YEARS – Seen and Not Heard NARRATOR: The 1960’s were a time of political ferment. The movements for civil rights, women’s liberation, and the end of the Vietnam War were profoundly disruptive to a society emerging from the seeming consensus of the late 1950’s.
    [Show full text]
  • The Formal and Contextual Relation of Typographic and Visual Elements of Pj Harvey Album Covers
    THE FORMAL AND CONTEXTUAL RELATION OF TYPOGRAPHIC AND VISUAL ELEMENTS OF PJ HARVEY ALBUM COVERS Cinla Seker The aim of this research is to determine 21st century’s formal and contextual design solutions with the guidance of graphic design principles by analyzing design products. Twenty-nine times nominated and six times winner for the international worldwide music awards Pj Harvey’s eight alternative rock studio album covers have chosen; Dry (1992), Rid of Me (1993), To Bring You My Love (1995), Is this Desire?(1998), Stories from the City, Stories from the Sea (2000), Uh Huh Her (2004), White Chalk (2007), Let England Shake (2011).Graphic design as a design discipline in special means determining the formals of a 2d before production process according to the context. Album covers are one of the many graphic design products of 21st century. With the help of an album cover the artist reflects an audial expression visually. For a successful visualization some graphic design principles should have been considered by the designers. Design principles are the guides of organizing elements like visuals, typography and color. In this research five design principles are looked for; unity/harmony, balance, hierarchy, scale/proportion, dominance/emphasis and, similarity and contrast. On Pj Harvey’s album covers it is determined that every five of these principles were considered by the graphic designer during the design process as outlined. INTRODUCTION ............................................................................................ 750 I. ALBUM COVERS AS A GRAPHIC DESIGN PRODUCT................................... 751 A. Analysis of Pj Harvey Album Covers........................................ 752 CONCLUSION ............................................................................................... 757 INTRODUCTION Formal and functional features determination process called the design.
    [Show full text]
  • Hooterville Liner Notes PDF 9/24/20
    1 ON MY WAY TO HOOTERVILLE - CHRISTINE LAVIN TABLE OF CONTENTS Page 1 Table of Contents 2 Album art/who’s who 3-7 Liner notes by Ira Mayer 8 Track #1: “On My Way To Hooterville, Part 1” 20 Track #2: “Wut?” 25 Track #3: “My Sister Mary & My Mother” 31 Track #4: “Ode To Clint Eastwood” 40 Track #5: “On My Way To Hooterville, Part 2” 43 Track #6: “The Quiet Car” 50 Track #7: “Until That Day” 56 Track #8: “Ramblin’ Waltz” 63 Track #9: “Ray’s Copy Shop” 76 Track #10: “First Dance/Last Dance” (song for David Ippolito) 80 Track #11: “On My Way To Hooterville, Part 3” 86-88 Thank you/photo collage Caffe Lena/Dave Van Ronk: p.59-62 Don’t ever use this pickup line p.55 Mary E p.31-40 Kerry Harter & Doug Taylor: p.29-31 Jean Claude Larrivee/Grit Laskin p.63 Ira Mayer p. 3-7 Dr. Joe Montano (audiologist) p.22-25 Joe Namath p.55 Rolling Thunder Revue p.56-62 Hillary Rollins p.71 The Webster Apts p.35-37 Mason William p.61-62 Yaddo p.38, 84 2 L-R top: Christine Lavin, Brian, Ashley, and Madelyn Bauers, Daniel Glass & Jōji the Wonder Dog, Debi Smith, and Phil Klum middle: Jody Crawford Lavin & Mary Slothower Lavin, Amelia Krinke, and David Ippolito bottom: Steve Doyle, Robin Batteau, Mary E, Brandon O’Sullivan, and Dr. Joe Montano 3 And Now, Hooterville is Pleased to Present . Christiiiiiiine Lavin! by Ira Mayer If you are already familiar with Christine Lavin, you probably know the avenue by which you got to her music.
    [Show full text]
  • 201 Great Ideas for Your Small Business
    FFIRS.indd ii 23/03/11 1:13 PM Additional Praise for 201 Great Ideas for Your Small Business “Owning 201 Great Ideas for Your Small Business is like having a team of consultants sitting in your offi ce. Th is book not only educates and inspires, but the ideas will help you save time and money as well.” —Rieva Lesonsky, CEO, GrowBiz Media/SmallBizDaily.com, Former Editorial Director Entrepreneur magazine FFIRS.indd i 23/03/11 1:13 PM FFIRS.indd ii 23/03/11 1:13 PM 201 GREAT IDEAS for Your SMALL BUSINESS FFIRS.indd iii 23/03/11 1:13 PM Since 1996, Bloomberg Press has published books for fi nancial profession- als, as well as books of general interest in investing, economics, current aff airs, and policy aff ecting investors and business people. Titles are written by well-known practitioners, BLOOMBERG NEWS® reporters and colum- nists, and other leading authorities and journalists. Bloomberg Press books have been translated into more than 20 languages. For a list of available titles, please visit our web site at www.wiley.com/ go/bloombergpress. FFIRS.indd iv 23/03/11 1:13 PM 201 GREAT IDEAS for Your SMALL BUSINESS Third Edition JANE APPLEGATE FFIRS.indd v 23/03/11 1:13 PM Copyright © 2011 by Jane Applegate. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey. Published simultaneously in Canada. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the Web at www.copyright.com.
    [Show full text]
  • The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
    THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Volume 1 of 2 Phono-somatics: gender, embodiment and voice in the recorded music of Tori Amos, Björk and PJ Harvey by Sarah Boak Thesis for the degree of Doctor of Philosophy October 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy PHONO-SOMATICS: GENDER, EMBODIMENT AND VOICE IN THE RECORDED MUSIC OF TORI AMOS, BJÖRK AND PJ HARVEY Sarah Boak This thesis is a feminist enquiry into the relationship between gender, embodiment and voice in recorded popular music post-1990. In particular, the study focuses on the term ‘embodiment’ and defines this term in a way that moves forward from a simple understanding of representing the body in music.
    [Show full text]
  • Help It's All in The
    ADVISING MATTERS ► 9 I I CARRERA GALLERY ► 13 I I GOLF PREVIEW ► 19 NON-PROFIT U.S. Postage PAID Permit No. 64 P. 0. Box 1027 St. Augustine, FL 32085 COLLEGE VOL. XXX, NO. 3 SAINT AUGUSTINE, FLORIDA November 8, 2000 Forum Campus Election Coverage-page five Payments due speaker: Spring semester payments must be turned in to the Bush next Office of Business Services no later than Dec. 1. president "Please submit your pay­ ment worksheet even if you by connie kolisnyk do not owe any money," This year's presidential elec­ Christine _Wages, accounts tion is so close, political pundits receivable clerk, said. are having a hard time coming up with a formula to predict the Flu shots delayed winner as they have in the past, according to Charles Lewis. Health Services is still Lewis, the Washington bureau expecting flu shots, but their chief for Hearst newspapers, arrival may be as late as shared his views on the election December. A sign will be on The final mock electlon debate was held Oct. 26 In the Flagler Room. at the Oct. ·19 Forum on the Health Services door Government and Publi~ Policy in when they are available. The the Flagler College auditorium. cost will be $3. "I think I've never seen a Parking garage won't ·help more baffled group;' Lewis said Legacy needs you of the pundits. "You may see New merchandise and by preston lauterbach piece of land that might be nec­ church's efforts to build a garage some hasty revisions from these Christmas help hiring are the essary to the construction of the is the lack of total support from pundits until right before the happenings at the Flagler's A proposed parking garage church's parking structure.· the church's· parishioners.
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2002 Piero Scaruffi) Female Rock (These are excerpts from my book "A History of Rock and Dance Music") Psychedelic feminism, 1989-92 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The early 1990s marked a dramatic change in the gender balance. Not only did many female singer-songwriters emerge, but their artistic achievements generally ranked higher than those of the men. The emergence of the female auteur was partly a consequence of the riot-grrrls movement and partly a sign of a changing social and psychological landscape. The ladies had their own styles (plural). First of all, at the turn of the decade, an eccentric figure of lo-fi psychedelic storytellers emerged out of New York's underground lofts. Multi-instrumentalist Azalia Snail (12) devoted her career to enigmatic and arcane reconstructions of the hippie era. Snailbait (? 1988/?1989 - ? 1989) featured a parade of folk-psychedelic vocal impersonations as well as erratic guitar playing with no rhythm section, and peaked with a 23- minute collage of singing, distorted tapes, found noises and assorted turbulence, So Much More To Go. Burnt Sienna (? ? - ? 1992) indulged in psychedelic effects, amid distorted vocals and dissonant music, leading to the chaotic Fumarole Rising (? 1993 - ? 1993), the culmination of her program of disintegration of the pop song.
    [Show full text]
  • The Description of Figurative Language Used in Avril
    THE DESCRIPTION OF FIGURATIVE LANGUAGE USED IN AVRIL LAVIGNE’S SONGS: THE BEST DAMN THING ALBUM A PAPER BY RIZKY SASKIA PUTRI LUBIS NIM : 152202006 DIPLOMA OF ENGLISH DEPARTMENT FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am, RIZKY SASKIA PUTRI LUBIS, declare that I am the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award or another degree in any tertiary education. Signed : Date : November 30th,, 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : RIZKY SASKIA PUTRI LUBIS Title of Paper : THE DESCRIPTION OF FIGURATIVE LANGUAGE USED IN AVRIL LAVIGNE’S ALBUM: THE BEST DAMN THING Qualification : D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Study Program Faculty of Cultural studies, USU on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : Date : November 30th, 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRAK Kertas karya ini berjudul Description of Figurative Language used in Avril Lavigne’s album: The Best Damn Thing.
    [Show full text]
  • Tangled Web by Galigee of Bzpower with Gratitude and Apologies to the Creators of LEGO Bionicle Et Al
    Tangled Web by GaliGee of BZPower with gratitude and apologies to the creators of LEGO Bionicle et al. ©2014 Sir Walter Scott had no idea... 1. Ensnared...................................................................................................................................5 Train – Get To Me....................................................................................................................................................5 2. Dancing with the Devil ..........................................................................................................12 Doris Day – Sentimental Journey..........................................................................................................................12 3. Homecoming..........................................................................................................................17 Soundgarden – Black Hole Sun ............................................................................................................................17 Beck – E-Pro ..........................................................................................................................................................18 4. Unsound Judgment.................................................................................................................25 Simple Plan — Me Against the World ..................................................................................................................25 Linkin Park — Don’t Stay.....................................................................................................................................25
    [Show full text]
  • Cronologia Dei Principali Album E Delle Migliori
    1 Cronologia dei principali album 1963 The Beatles Please, Please Me mar With the Beatles nov 1964 The Rolling Stones Rolling Stones apr 12X5 nov The Beatles A Hard Day's Night lug Beatles for Sale dic The Yardbirds Five Live Yardbirds dic 1965 The Kinks Kinda Kinks mar The Rolling Stones Now apr Out of Our Heads lug Donovan Whats Bin Did and What’s Bin Hid mag Fairytale ott Moody Blues The Magnificent Moodies lug The Beatles Help ago Rubber Soul dic The Kinks Face to Face ott The Who My Generation dic 1966 The Rolling Stones Aftermath apr John Mayall, Eric Clapton Mayall’s Blues Breakers with Eric Clapton lug The Yardbirds Roger the Engineer lug The Beatles Revolver ago Donovan Sunshine Superman set The Who A Quick One dic Cream Fresh Cream dic 1967 Donovan Mellow Yellow gen 2 The Rolling Stones Between the Buttons gen Their Satanic Majesties Request dic John Mayall Hard Road feb Crusade set Small Faces Small Faces giu The Beatles Sgt Pepper giu Magical Mystery Tour dic The Bee Gees The Bee Gees 1st lug The Yardbirds Little Games lug Pink Floyd The Piper at the Gate of Down ago Animals Winds of Change set Ten Years After Ten Years After ott The Who The Who Sell Out nov Cream Disraeli Gears nov Moody Blues Days of Future Passed nov Nice The Thought of Emerlist Davjack dic Traffic Mr Fantasy dic The Kinks Something Else m s Brian Auger Open m s 1968 The Bee Gees Horizontal gen Procol Harum Procol Harum gen Shine on Brightly dic John Martyn London Conversation feb Small Faces Ogden’s Nut Gome Flake mag Pentangle Pentangle giu Sweet Child
    [Show full text]