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Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 of 2020 to Understate It—2020 Was Not Square Books’ Best Year
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 OF 2020 To understate it—2020 was not Square Books’ best year. Like everyone, we struggled—but we are grateful to remain in business, and that all the booksellers here are healthy. When Covid19 arrived, our foot-traffic fell precipitously, and sales with it—2020 second-quarter sales were down 52% from those of the same period in 2019. But our many loyal customers adjusted along with us as we reopened operations when we were more confident of doing business safely. The sales trend improved in the third quarter, and November/December were only slightly down compared to those two months last year. We are immensely grateful to those of you who ordered online or by phone, allowing us to ship, deliver, or hold for curbside pickup, or who waited outside our doors to enter once our visitor count was at capacity. It is only through your abiding support that Square Books remains in business, ending the year down 30% and solid footing to face the continuing challenge of Covid in 2021. And there were some very good books published, of which one hundred bestsellers we’ll mention now. (By the way, we still have signed copies of many of these books; enquire accordingly.) Many books appear on this list every year—old favorites, if you will, including three William Faulkner books: Selected Short Stories (37th on our list) which we often recommend to WF novices, The Sound and the Fury (59) and As I Lay Dying (56), as well as a notably good new biography of Faulkner by Michael Gorra, The Saddest Words: William Faulkner’s Civil War (61). -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
When You Buy a Fur Jo Ann Breckenridge Iowa State College
Volume 28 Article 7 Number 6 The Iowa Homemaker vol.28, no.6 1948 When You Buy A Fur Jo Ann Breckenridge Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Breckenridge, Jo Ann (1948) "When You Buy A Fur," The Iowa Homemaker: Vol. 28 : No. 6 , Article 7. Available at: http://lib.dr.iastate.edu/homemaker/vol28/iss6/7 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. by ./ o Ann Breckenridge A ND THERE were mink coats and a strap less ermine formal with a wrap to match Full length coats, above, m·e blended muskrat. and a leopard sport coat and a white mink shortie all floating around on pink cloud hangers. And the terribly handsome man said, 'All for you, fair lady,' just like a King Arthur knight. And just as I was putting on the mink, the alarm clock woke me up!" been patched. The best grade has as few seams as \t\Thether you dream of mink or mouton, Vicky's possible. Be sure the dye is even throughout. You'll discovered you'll need to take more with you than a pay $39 to $200 for your coat of coney. full piggy bank or a willing father when you go fur shopping. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
FULL LIST of WINNERS the 8Th International Children's Art Contest
FULL LIST of WINNERS The 8th International Children's Art Contest "Anton Chekhov and Heroes of his Works" GRAND PRIZE Margarita Vitinchuk, aged 15 Novocherkassk, Rostov Oblast, Russia for “The Lucky One” Age Group: 14-17 years olds 1st place awards: Anna Lavrinenko, aged 14 Novocherkassk, Rostov Oblast, Russia for “Ward No. 6” Xenia Grishina, aged 16 Gatchina, Leningrad Oblast, Russia for “Chameleon” Hei Yiu Lo, aged 17 Hongkong for “The Wedding” Anastasia Valchuk, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Ward Number 6” Yekaterina Kharagezova, aged 15 Novocherkassk, Rostov Oblast, Russia for “Portrait of Anton Chekhov” Yulia Kovalevskaya, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Oversalted” Valeria Medvedeva, aged 15 Serov, Sverdlovsk Oblast, Russia for “Melancholy” Maria Pelikhova, aged 15 Penza, Russia for “Ward Number 6” 1 2nd place awards: Anna Pratsyuk, aged 15 Omsk, Russia for “Fat and Thin” Maria Markevich, aged 14 Gomel, Byelorussia for “An Important Conversation” Yekaterina Kovaleva, aged 15 Omsk, Russia for “The Man in the Case” Anastasia Dolgova, aged 15 Prokhladniy, Kabardino-Balkar Republic, Russia for “Happiness” Tatiana Stepanova, aged 16 Novocherkassk, Rostov Oblast, Russia for “Kids” Katya Goncharova, aged 14 Gatchina, Leningrad Oblast, Russia for “Chekhov Reading Out His Stories” Yiu Yan Poon, aged 16 Hongkong for “Woman’s World” 3rd place awards: Alexander Ovsienko, aged 14 Taganrog, Russia for “A Hunting Accident” Yelena Kapina, aged 14 Penza, Russia for “About Love” Yelizaveta Serbina, aged 14 Prokhladniy, Kabardino-Balkar Republic, Russia for “Chameleon” Yekaterina Dolgopolova, aged 16 Sovetsk, Kaliningrad Oblast, Russia for “The Black Monk” Yelena Tyutneva, aged 15 Sayansk, Irkutsk Oblast, Russia for “Fedyushka and Kashtanka” Daria Novikova, aged 14 Smolensk, Russia for “The Man in a Case” 2 Masha Chizhova, aged 15 Gatchina, Russia for “Ward No. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
French and Fashionable Anne Beem Iowa State College
Volume 35 | Number 13 Article 6 1955 French and Fashionable Anne Beem Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Beem, Anne (1955) "French and Fashionable," The Iowa Homemaker: Vol. 35 : No. 13 , Article 6. Available at: http://lib.dr.iastate.edu/homemaker/vol35/iss13/6 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Toni Miley reports- FRENCH and FASHIONABLE Toni Miley, after spending 14 months in France, by Anne Beem saw her exaggerated ideas of French creations take a T echnical Journalism junior nosedive when she discovered the aver.age French woman's taste in clothes. Paris- horne of the world Shoe styles in Paris are very similar to ours. The famous fashion designers- has even felt a modified greatest difference is the slender heel. The base of the influence of the Davy Crockett coonskin cap! A typi heel is very narrow, tapering off to a pencil-like thin cal example was the old French woman who used the ness. familiar cap with its tail hanging down the back to R egardless of where Toni went, French women were dress up her raccoon coat. seen in suits. The practical suit was worn for dressy occasions, semi-dressy events and even for shopping. -
How a Family Tradition Endures
SOCIETY SOCIETY Left, Min Jin Lee, in blue, and her sisters celebrate the New Year in Seoul, 1976; below, Ms. Lee’s parents, Mi Hwa Lee (left) and Boo Choon Lee, do likewise in New Jersey, 2005. MY KOREAN NEW YEAR How a family tradition endures By Min Jin Lee y finest hour as a Korean took According to Seollal tradition, a Korean has Upon the completion of a bow, we’d receive an practice of observing Jan. 1 as New Year’s Day, place on a Seollal morning, the to eat a bowl of the bone-white soup filled with elder’s blessing and money. A neighborhood when it’s called Shinjeong. Some Koreans still first day of Korean New Year’s, in coin-shaped slices of chewy rice cake in order to bowing tour to honor the elders could yield a do. Consequently the country now observes January 1976. age a year—a ritual far more appreciated early handsome purse. two different national holidays as New Year’s— I was 7 years old, and my in life. The garnishes vary by household; my My cousins and my older sister Myung Jin one on Jan. 1 and the other according to the Mfamily still lived in Seoul, where my two sisters family topped our soup with seasoned finished in a jiffy and collected their rewards. moon. When we moved to the U.S., Jan. 1 and I had been born. Seollal, the New Year’s Day shredded beef, toasted laver (thin sheets of Uncle and Aunt waited for me to bow. -
Off the Straight & Narrow
MEDIA EDUCATION FOUNDATIONChallenging media TRANSCRIPT OFF THE STRAIGHT & NARROW LESBIAN, GAYS, BISEXUALS & TELEVISION OFF THE STRAIGHT & NARROW Lesbian, Gays, Bisexuals & Television Producer, Director, and Editor: Katherine Sender Executive Producer: Sut Jhally Narrated by C.A. Griffith Featuring interviews with: Edward Alwood Journalist and Historian Richard Dyer University of Warwick, UK John Erni University of New Hampshire Larry Gross Annenberg School for Communication, University of Pennsylvania Lisa Henderson University of Massachusetts – Amherst Marguerite Moritz University of Colorado at Boulder Charles Nero Bates College Sasha Torres Johns Hopkins University Media Education Foundation © MEF 1998 2 INTRODUCTION Montage of Media clips [Unlabeled media] Why am I a homosexual? [Unlabeled media] I’m a homosexual. [TV: Ellen] I’m gay. [TV: The Simpsons] You know me Marge. I like my beer cold, my TV loud, and my homosexuals flaming. NARRATOR: Most of us grow up not knowing any openly lesbian, gay, or bisexual people. But television offers us a rich panoply of characters for understanding the world. So what images of gay life does television offer? What is possible in a commercial medium that demands high audience ratings to maximize advertising revenues? This program is about how gays, lesbians, and bisexuals have been written into a straight television world, and how gay audiences have made room for themselves within it. 3 THE EARLY YEARS – Seen and Not Heard NARRATOR: The 1960’s were a time of political ferment. The movements for civil rights, women’s liberation, and the end of the Vietnam War were profoundly disruptive to a society emerging from the seeming consensus of the late 1950’s. -
The Bates Student
Bates College SCARAB The aB tes Student Archives and Special Collections 2-15-1933 The aB tes Student - volume 60 number 24 - February 15, 1933 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 60 number 24 - February 15, 1933" (1933). The Bates Student. 511. http://scarab.bates.edu/bates_student/511 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. • ■^■■■^w f5 Mod ernism can he as shortsighted as medievalism—Dr. Ralph W. Sockman FOUNDED FRESHMEN MEET IN 1873 indent HEBRON TO-NIGHT V()ll. LX. No. 24 U3WISTON, MAINK. WEDNESDAY, FEBRUARY 15, 1933 PRICE TEN CENTS & FROM WAR DEBTS TOPIC OF DEBATES BATES AND BOSTON COLLEQE SCIENTIFIC EXHIBIT OPENS THE TO MEET IN RADIO DEBATE TO-MORROW NIGHT AT 7.30 NEWS AGAINST WILLIAMS SAT. NIGHT Walter Norton "35 and Bond Per- Saturday will uphold the negative ry '35 will represent Bates in a ra- of the proposition, and thus will de- IN CARNEGIE AND HEDGE LAB garopeao Schoolboys AND BROWN HERE TUESDAY dio debate with Boston College over ;. ml the modern practice of adver- Caique Group station WXAC at four o'clock Satur- tising. This same advertising ques- Debate Begins Second Series Of Eastern League day afternoon. Moder;. advertising. tion will be used in the third trian- Students, Townspeople In ited To Attend- Waring Toints Out .; : lion that is being debated a gle of the Eastern Intercollegiate Career After College —Brown Here Tuesday To Discuss great deal in intercollegiate foren- Debating League. -
The Formal and Contextual Relation of Typographic and Visual Elements of Pj Harvey Album Covers
THE FORMAL AND CONTEXTUAL RELATION OF TYPOGRAPHIC AND VISUAL ELEMENTS OF PJ HARVEY ALBUM COVERS Cinla Seker The aim of this research is to determine 21st century’s formal and contextual design solutions with the guidance of graphic design principles by analyzing design products. Twenty-nine times nominated and six times winner for the international worldwide music awards Pj Harvey’s eight alternative rock studio album covers have chosen; Dry (1992), Rid of Me (1993), To Bring You My Love (1995), Is this Desire?(1998), Stories from the City, Stories from the Sea (2000), Uh Huh Her (2004), White Chalk (2007), Let England Shake (2011).Graphic design as a design discipline in special means determining the formals of a 2d before production process according to the context. Album covers are one of the many graphic design products of 21st century. With the help of an album cover the artist reflects an audial expression visually. For a successful visualization some graphic design principles should have been considered by the designers. Design principles are the guides of organizing elements like visuals, typography and color. In this research five design principles are looked for; unity/harmony, balance, hierarchy, scale/proportion, dominance/emphasis and, similarity and contrast. On Pj Harvey’s album covers it is determined that every five of these principles were considered by the graphic designer during the design process as outlined. INTRODUCTION ............................................................................................ 750 I. ALBUM COVERS AS A GRAPHIC DESIGN PRODUCT................................... 751 A. Analysis of Pj Harvey Album Covers........................................ 752 CONCLUSION ............................................................................................... 757 INTRODUCTION Formal and functional features determination process called the design. -
Pachinko by Min Jin
Pachinko Discussion Questions 1. The novel's opening sentence reads, "History has failed us, but no matter." What does the sentence mean, and what expectations might it establish for the reader? Why the tail end of the sentence, "but no matter"? 2. Talk about the thematic significance of the book's title. Pachinko is a sort of slot/pinball game played throughout Japan, and it's arcades are also a way for foreigners to find work and accumulate money. 3. What are the cultural differences between Korea and Japan? 4. As "Zainichi," non-Japanese, how are Koreans treated in Japan? What rules must they adhere to, and what restrictions apply to them? Author: Min Jin Lee 5. Follow-up to Questions 3 and 4: Discuss the theme of belonging, which is Originally published: pervades this novel. How does where one "belongs" tie into self-identity? February 7, 2017 Consider Mozasu and his son, Solomon. In what ways are their experiences Genre: Historical Fiction, Domestic fiction similar when it comes to national identity? How do both of them feel toward the Japanese? 6. How is World War II viewed in this novel—especially from the perspective of the various characters living in Japan? Has reading about the war through their eyes altered your own understanding of the war? 7. How would you describe Sunja and Isak. How do their differing innate talents complement one another and enable them to survive in Japan? 8. Are there particular characters you were drawn to more than others, perhaps even those who are morally compromised? If so who...and why? Author Bio • Birth: 1968, Seoul, South Korea; Raised: Borough of Queens, New York • Education: B.A., Yale University; J.D., Georgetown University • Currently: Lives in New York, NY Min Jin Lee is a Korean-American writer and author, whose work frequently deals with Korean American topics.