Toft Audio Sheet.Indd

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Preliminary Information Toft Audio Designs may be a new company to the professional audio industry, but the people behind it are seasoned veterans. Toft Audio Designs is dedicated to providing high quality, well engineered professional audio products at a very competitive price. Malcolm Toft, the designer behind the products has an excellent pedigree as a recording engineer with credits like the Beatles ‘Hey Jude’, David Bowie’s ‘Space Oddity’, and James Taylor’s first album just to name a few. While an excellent engineer, Malcolm Toft’s ability as a designer of audio products is legendary. Malcolm Toft was the founder of Trident Audio Developments and the designer of the classic ‘A’ Range, Series 80, TSM, and Series 65 consoles. These consoles from the early 70’s are still making hits in today’s market. Malcolm’s design ability has always been present. His recent 980 console under the MTA banner was a huge success, and found in many professional recording studios all over the world. Dual Channel EQ/Mic Pre T o f t Audio Designs The AFC Dual Channel Equalizer & Mic pre-amplifier is a very high quality compact unit ideal for recording studios, mastering and sound reinforcement. FEATURES • Two independent channels each with switchable mic/line • Compact 1U rack mounting unit with internal power supply. input, selectable +48 volt phantom power and instrument input. • Balanced x-l-r input for mic input, balanced x-l-r and jack for line input and line output. • Input phase reverse operating on both mic and line inputs on each channel. • 1/4” thick anodized aluminum sculptured front panel and solid construction. • Extremely musical four band sweep equalization ranging from 40Hz to 15kHz in overlapping ranges. • Extremely competitive price. Coming 2002 PMI AUDIO GROUP 23775 Madison Street, Torrance, CA 90505 • Toll-Free (877) 563-6335 www.toftaudiodesigns.com.

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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Afﬁnity-Afﬁnity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
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Download the Series 80B 19
® ® AUDIO DEVELOPMENTS Designed in England and assembled in the UK and USA to Trident Audio’s strict specifications, Trident Audio is manufactured under the direction of and distributed exclusively by: PMI AUDIO GROUP USA: 1845 W. 169th Street Gardena, CA 90247 toll free: 877-563-6335 fax: 310-323-0900 UK: Unit 4 Minerva Court Woodland Industrial Estate Torquay, TQ2 7BD tel: +44 (0)1803-612700 fax: +44 (0)1803-612009 email: [email protected] www.trident-audio.com Written by Professor Malcolm Toft TRIDENT AUDIO DEVELOPMENTS ®, TRIDENT AUDIO ®, TRIDENT SERIES ® and SERIES 80B ® are all registered trademarks of PMI Audio Group Important Safety Information Important Safety Instructions CAUTION 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS 5. Do not use this apparatus near water. Do not expose to INSIDE. REFER SERVICING TO QUALIFIED SERVICE drips or splashes. Do not place any objects filled with PERSONNEL. liquids, such as vases, on the apparatus. The lightning flash with arrowhead symbol, within an 6. Clean only with dry cloth. equilateral triangle, is intended to alert the user to the 7. Do not block any ventilation openings. Do not install this presence of uninsulated “dangerous voltage” within the apparatus in a confined space such as a book case or product’s enclosure that may be of sufficient magnitude similar unit. Install only in racks designed for the purpose to constitute a risk of electric shock to persons. and in accordance with manufacturers’ instructions.
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“I've Been Using the ATC-2 on My Latest Album Project and Have
Toft Audio Designs may be a new company to the professional audio industry, but the people behind it are seasoned veterans. Toft Audio Designs is dedicated to providing high quality, well engineered professional audio products at a very competitive price. Malcolm Toft, the designer behind the products has an excellent pedigree as a recording engineer with credits like the Beatles ‘Hey Jude’, David Bowie’s ‘Space Oddity’, and James Taylor’s first album just to name a few. While an excellent engineer, Malcolm Toft’s ability as a designer of audio products is legendary. Malcolm Toft was the founder of Trident Audio Developments and the designer of the classic ‘A’ Range, Series 80, TSM, and Series 65 consoles. These consoles from the early 70’s are still making hits in today’s market. Malcolm’s design ability has always been present. His recent 980 console under the MTA banner was a huge success, and found in many professional recording studios all over the world. “I’ve been using the ATC-2 on my latest album project and have ended up using it in preference to my other “high end” compressor/eq’s. the compressor is awesome on vocals, drums or across an entire mix, the equalizer is Dual Channel F.E.T. Compressor extremely musical and the mic preamp is one of the best I’ve used. DC-2 For the price and quality, it can’t be beaten.” • Two channels of Classic F.E.T compressor with variable attack, release and ratio. V.U. metering shows gain reduction or output level.
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UAD PLUG-INS MANUAL SOFTWARE VERSION 6.3.2 Universal Audio, Inc. 1700 Green Hills Road Scotts Valley, CA 95066-4926 Voice: +1-831-440-1176 Fax: +1-831-461-1550 www.uaudio.com Customer Support USA (toll-free): 1-877-698-2834 International: +1-831-1176 NOTICES Damage Requiring Service The unit should be serviced by qualified service personnel when: • The AC power supply cord or the plug has been damaged; Disclaimer • Objects have fallen or liquid has been spilled into the unit; This manual provides general information, preparation for use, installation and • The unit has been exposed to rain; operating instructions for the Universal Audio UAD Powered Plug-Ins. The • The unit does not operate normally or exhibits a marked change in information contained in this manual is subject to change without notice. performance; Universal Audio, Inc. makes no warranties of any kind with regard to this • The unit has been dropped, or the enclosure damaged. manual, or the product(s) it refers to, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, FCC Compliance indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material or the product(s). This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential Important Safety Instructions installation.
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TECHNICAL SPECIFICATIONS: Output Impedances: < 100 ohms electronically balanced. Maximum output: > +24dbm. Distortion: < 0.05% at +20dbm 1kHz. Frequency response: ± 1db 20Hz to 20kHz. 500 SERIES MIXER I/P OWNERS HANDBOOK Output noise: < -75dbm E.I.N. 20Hz to 20kHz Power requirements: ± 16V D.C. 30mA approx. ABOUT THE DESIGNER: Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time.
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Undergraduate Prospectus 2012/13
Undergraduate Prospectus 2012/13 www.lcm.ac.uk We are committed to the continuous We have high quality performance improvement of our provision and we and recording facilities, and are constantly listen carefully to suggestions that investing in our estate, most recently with our students make. the refurbishment of our Recital Room. INVESTING IN “Thisyearwearedelightedto The organisation is looking forward to belaunchingournewBAMusic becoming an All-Steinway School in honourscoursewithpathways September 2011 - the only English YOUR SUCCESS inclassicalmusic,jazz,popular conservatoire to hold this coveted status, musicandmusicproduction, and one of only two in the UK. We are also investing in an SSL G-series based andacombinedstudiespathway, production studio for the beginning of the “AstheUK’sleadingprogressive offeringhighqualitytraining 2011/12 academic year, which, again, conservatoire LeedsCollege withafocusonpracticalprojects will be unique in the sector. ofMusicpreparesmusicians andcollaborativework.” Our various activities make an important forsuccessfulcareersinthe We have also revised our other HE courses contribution to the city’s vibrant cultural life; 21stcentury.” to ensure that they remain absolutely current transport links are excellent; and both the Music is at the heart of the world’s cultural with the demands of the profession. city itself and the many places of great natural beauty in the wider region are industries and our courses in Western Highlights of the last year include the easily accessible. classical music, jazz, popular music, and release of a CD featuring performances and music production, which focus on creativity original compositions by student ensembles, “LeedsCollegeofMusicisa and versatility, provide excellent springboards a three-hour BBC live broadcast of student friendlyandsupportiveplace, into leading roles in the profession, as you performances from our professional standard will see from this prospectus.
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Toft Audio Sheet 2.Qxd
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Signature Three
Owner’s Manual Signature Three www.interphase.audio Contents About the designer 3 Product Description 4 Connecting the unit 5 Operation 6 Trouble shooting 7 Technical Specifications / Warranty Card 8 Malcolm Toft Signature Series range 9 Signature Three - Owner’s Manual - Revision 1 - page 2 About the designer Malcolm Toft started his career in the late 60’s as a recording engineer and was the first engineer to be employed at the famous Trident Recording Studios in London. Among his credits are the recording of David Bowie’s ‘Space Oddity’ album, James Taylor’s first album and three albums for T-Rex. He was also the mixing engineer on the Beatles ‘Hey Jude’ single. In 1972 Malcolm founded Trident Audio Developments Ltd. which went on to become a leading manufacturer of music recording consoles. One of the company’s earliest products was the Trident A Range which became a landmark both for it’s innovative operational features as well as the sound of it’s equaliser. Coming from a background of being a recording engineer rather than an electronics engineer, Malcolm has always designed with his ears rather than a text book and it is this coupled with over forty years experience that has enabled him to develop his own ‘philosophy of sound’ that is his trademark. Malcolm has been designing recording consoles for over forty years and some of the artists who have recorded hits on his consoles include: Stevie Wonder, Herbie Hancock, Rod Stewart, Queen, David Bowie and Elton John. More recently, Radiohead, Muse, Dire Straits, Coldplay and Oasis have added their name to the list.
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MARS LANDING Broadcasting from Space
EXCLUSIVES beyerdynamic MCD100 RSP Circle Surround Sonodore RCM -402 Grace Design 201 Yamaha 02R v2 GPS SoundPals Vac Raac TEQ -1 SA &V Octavia Joemeek SC3 Symetrix 628 Orban 9200 Jünger e07 MARS LANDING broadcasting from space TAPELESS LOCATION RECORDERS PAFI INTERCHANGE ARRIVES The POSTING CONTACT NARADA EQ: THE GUIDE MICHAEL WALDEN Interview 0 9 770144 59 ii i www.americanradiohistory.com Coi 131 While other companies wrestle with the digital learning curve, AMS Neve provides sixteen years of experience as LOGIC 2 Digital Mixing Console the leading designer of digital mixing and editing solutions. With over 300 digital consoles LOGIC DFC in daily service around the Digital Film : onsole world, no other company provides a greater range of advanced digital audio post -production systems. ., . 1 b we ` .. +I,1,Ì',i .1.I 01.1 AUDIOFILE Hard Disk Editor HEAD OFFICE AMS Neve plc Billington Road Burnley Lancs BB11 SUB England AMS Tel: +44 (0) 1282 457011 Fax: +44 (0) 1282 417282 LONDON - Tel: 0171 916 282E Fax: 0171 916 2827 GERMANY - Tel: 61 31 9 42 520 Fax: 61 31 9 42 5210 ' NEW YORK - Tel: (212) 965 1400 Fax: (212) 965 3739 HOLLYWOOD Tel: (818) 753 8789 Fax: (818) 623 4839 TORONTO Tel: (416) 365 3363 Fax: (416) 365 1044 NEVE e -mail: enquiry®ams- neve.com - http: / /www.ams- neve.com www.americanradiohistory.com 6 Editorial 85 Event horizons: Studio Sound on Broadcast: the Web and pro-audio options Mars landing 8 Putting the Red Planet on the map -and the television Soundings Intcrnational nc\\ :md contracts 95 10 Facility: World Events Vonk Sound ABOVE: Jodle Foster is making Contact.
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500 Mic Pre Handbook
TECHNICAL SPECIFICATIONS: Mic Input Impedance: 1.2Kohms transformer balanced. Hi-Z/Line input impedance: 1M ohm unbalanced Output Impedance: 600 ohms transformer balanced. Maximum output: > +21dbm. Distortion (mic): < 0.1% at +20dbm 1kHz. 500 SERIES MIC PRE OWNERS HANDBOOK Frequency response: ± 1db 20Hz to 20kHz. Noise (mic): > -126dbm E.I.N. 20Hz to 20kHz ABOUT THE DESIGNER: Power requirements: ± 16V D.C. 30mA approx. Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time.
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