Dealer Edition SPRING

Total Page:16

File Type:pdf, Size:1020Kb

Dealer Edition SPRING PMI AUDIO GROUP 2007 SPRING dealer edition The new Toft Audio ATB Console is quickly becoming the standard in professional and project studios alike because of its legendary history. PMI AUDIO GROUP IS NOW SHIPPING TOFT AUDIO ATB CONSOLES quired. These included full 24 track THE NEW TOFT AUDIO monitoring and routing, 4 band equaliza- ATB-SERIES CONSOLES tion, monitor equalization and 10 auxiliary sends. Malcolm therefore proposed to Toft Audio Designs recreates the the studio owners (Barry and Norman magic of the Trident Series 80 con- Sheffield) that they could design their soles. own console to fit their demanding re- The ATB Series is the creation of quirements. legendary console designer Malcolm Toft. In 1972 Malcolm founded Tri- He began his career as an audio engi- dent Audio Developments, beginning a neer, working for Trident Studios from the legacy that would help shape the sound day it opened in 1968 through to 1971 of modern recording. The new designs Queen, and David Bowie; recently, Dire when he founded Trident Audio Devel- quickly gained prominence in a rapidly Straits, Coldplay, Radiohead, and Oasis opments. expanding recording market. Trident have added their names to the roster. In In 1971 he became studio manager Audio Developments produced a number fact, Radiohead have used an MTA Con- and was given the task of finding a re- of acclaimed models, including: The A sole (also designed by Malcolm Toft) in placement console that would provide and B Ranges, Series 80, TSM, Trimix, the recording of every album from (and recording facilities for the newly emerging Series 65, Series 75 etc. including) O.K. Computer. 24 track format. It soon became apparent Artists who have recorded hits to him that no current manufacturer could on Trident consoles include: Stevie provide the type of facilities they re- Wonder, Herbie Hancock, Rod Stewart, A look ahead: PMI AUDIO GROUP www.pmiaudio.com ATB Console breakdown 2 Manufacturers & Distributors of: Joemeek | Studio Projects | Toft Audio Designs | Stephen Paul Audio | Valley People ATB Features & Specifications 3 1845 W. 169th St., Gardena, Ca 90247 | 310.323.9050 | 310.323.9051 fax contact: Brian Seong | [email protected] ATB Close-up Product Images 4 The Console recording to DAWs or multi-track tape The 8 Monitor Returns in the The ATB Series continues to recorders. Each input channel also has its Submaster section also function as addi- build on the Toft legacy, incorporating a own send/return should the engineer tional inputs and these returns are also great deal of the original circuitry utilized wish to use external EQ’s or dynamics connected to line inputs 1-8. It is there- in popular Trident/MTA models; however, processors. fore extremely easy to mix anything that it is designed with today’s DAW user in 6 Auxiliary Sends allow the inter- has been recorded via the 8 subgroups mind. face of external effects processors and using the main channel inputs. Available in 16, 24, and 32 supply a method for setting up cues. Aux 8 stereo Effects Returns are channel configurations, the ATB features 1 is set up pre-fade, and Auxes 2-6 can located in the upper Submaster section, in-line monitoring and direct outputs on be independently switched to pre or post so that no regular inputs need be used as each input channel, thus facilitating both fader positions in the signal path. effects returns. There is also a master tracking and remixing with consummate Input modules also incorporate level control for each of the 6 balanced ease. Inline monitoring, additional master a monitor section, useful for listening to Auxiliary Sends for adjusting overall level section inputs, and dedicated stereo ef- takes during the tracking procedure. to an effects processor or headphone fects return allow up to 88 channels of Auxes 5 and 6 and the channel equalizer amplifier when using them as cue mixes. input when mixing (ATB32). can be assigned to the monitor section, making it possible for the engineer to Master Section Input Section have a monitor mix complete with EQ The ATB Master Section pro- Each input features a high qual- and effects available while recording. vides all of the controls needed to affect ity Burr Brown mic/line preamplifier and During mixdown, the monitor inputs can overall functionality of the console. A will accept signals from low impedance function as additional line inputs, as they 100mm fader allows accurate setting of balanced microphones, high or low level feed the Left/Right outputs simultane- Left/Right output levels, and a visual rep- balanced/unbalanced line levels, or even ously with the channel input. This effec- resentation of level is available via both the output from a musical instrument. tively doubles the number or inputs on 12 position bar graph and VU meters. A Signal present (-20dB) and peak (+10dB) the console. comprehensive talkback system with LED’s provide visual references of input A stereo after fade listen button built-in microphone allows the engineer level. A high quality 100mm throw fader allows channels to be monitored inde- to communicate with performers. Two provides precise level control. pendently without interrupting the record- sets of Monitor Outputs are supplied, The signal can be shaped via ing process. This maintains a true stereo along with a Headphone Output and level perspective while doing so. A push but- control. Two line level 2 Track Returns are ton located on each module printed cir- provided for monitoring CD players or cuit board makes it possible to make other stereo devices. each channel solo mono, pre-fade. A The ATB Series’ modular design particularly useful function if the console allows for easy servicing should the need is used as a P.A. mixer arise. It is constructed from individual circuit boards mounted at right angles to Submaster Section the front panels and removable in banks Each Submaster channel pro- of 8. All active components, (IC’s, etc.) vides a method of adjusting the output are socketed making removal simple. level of each of the 8 sub-group outputs Passive components use traditional via its own fader. Using the comprehen- through-hole technology, also simplifying sive subgroup monitoring facilities it is the servicing process. possible to build up a monitor mix of the recorded tracks and any that are about to be recorded. Aux sends 5 and 6 are the extremely musical four-band equal- available to provide access to reverbs or izer, the design of which draws heavily other effects. This allows complete stereo from the original Trident Series 80. Boost cues with effects to be sent to perform- and cut of 15dB is provided by centre ers. High quality 12 segment LED bar detent controls and the two sweep fre- graph meters provide instant notification quency ranges overlap for increased of sub-group levels. flexibility. Direct outputs are supplied for PMI AUDIO GROUP www.pmiaudio.com.pmiaudio.com Manufacturacturersers && DistrDistributibutorsors of:of: JoemeekJoemeek || SStudiotudio PrProjectsojects || TTofoftt AAudioudio DesignsDesigns || SSttephenephen PPaulaul AAudioudio || VVallealleyy PPeopleeople 11884545 WW.. 1169t69thh SSt.,t., GarGardena,dena, CaCa 9029024747 || 33110.323.90500.323.9050 || 33110.323.9050.323.90511 ffaxax contcontactact:: BrBrianian SeongSeong || [email protected]@pmiaudio.com ATB Key Features Technical Specifications: • Available in 16, 24 & 32 channel Input Impedance Noise Levels configurations Microphone Impedance: Microphone Input Noise: • 8 Mix Busses with outputs • >1.2K ohm balanced • <-128dBu ref 150 ohm (20Hz-20kHz) Line Impedance: Line Input Noise: • Direct Outs on every channel • >15K ohm electronically balanced • <-75dBu (Eq. In, 20Hz-20kHz) • Inline Monitoring for every input channel Output Impedance Maximum Mic Levels: • Additional 8 Monitor Returns in Line Impedance: Mic Input: Group Section • <100 ohms balanced/unbalanced • <+24dBu at all frequencies Line Input: Vintage Series 80 EQ for every • Gain • <+24dBu at all frequencies input channel Microphone Gain: • 6 Aux Sends (Aux 1 - pre fader, Aux 2- • 70dB 6 - selectable pre or post fader) Line Gain: • 8 dedicated stereo Aux Returns • -16 to +30dB • Super Accurate 12-Stage LED Meter • Optional Meter Bridge • Optional 24/192k Firewire Bridge Toft Audio Designs ATB24 PMI AUDIO GROUP www.pmiaudio.com Manufacturers & Distributors of: Joemeek | Studio Projects | Toft Audio Designs | Stephen Paul Audio | Valley People 1845 W. 169th St., Gardena, Ca 90247 | 310.323.9050 | 310.323.9051 fax contact: Brian Seong | [email protected] PMI AUDIO GROUP www.pmiaudio.com Manufacturers & Distributors of: Joemeek | Studio Projects | Toft Audio Designs | Stephen Paul Audio | Valley People 1845 W. 169th St., Gardena, Ca 90247 | 310.323.9050 | 310.323.9051 fax contact: Brian Seong | [email protected].
Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Download the Series 80B 19
    ® ® AUDIO DEVELOPMENTS Designed in England and assembled in the UK and USA to Trident Audio’s strict specifications, Trident Audio is manufactured under the direction of and distributed exclusively by: PMI AUDIO GROUP USA: 1845 W. 169th Street Gardena, CA 90247 toll free: 877-563-6335 fax: 310-323-0900 UK: Unit 4 Minerva Court Woodland Industrial Estate Torquay, TQ2 7BD tel: +44 (0)1803-612700 fax: +44 (0)1803-612009 email: [email protected] www.trident-audio.com Written by Professor Malcolm Toft TRIDENT AUDIO DEVELOPMENTS ®, TRIDENT AUDIO ®, TRIDENT SERIES ® and SERIES 80B ® are all registered trademarks of PMI Audio Group Important Safety Information Important Safety Instructions CAUTION 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS 5. Do not use this apparatus near water. Do not expose to INSIDE. REFER SERVICING TO QUALIFIED SERVICE drips or splashes. Do not place any objects filled with PERSONNEL. liquids, such as vases, on the apparatus. The lightning flash with arrowhead symbol, within an 6. Clean only with dry cloth. equilateral triangle, is intended to alert the user to the 7. Do not block any ventilation openings. Do not install this presence of uninsulated “dangerous voltage” within the apparatus in a confined space such as a book case or product’s enclosure that may be of sufficient magnitude similar unit. Install only in racks designed for the purpose to constitute a risk of electric shock to persons. and in accordance with manufacturers’ instructions.
    [Show full text]
  • “I've Been Using the ATC-2 on My Latest Album Project and Have
    Toft Audio Designs may be a new company to the professional audio industry, but the people behind it are seasoned veterans. Toft Audio Designs is dedicated to providing high quality, well engineered professional audio products at a very competitive price. Malcolm Toft, the designer behind the products has an excellent pedigree as a recording engineer with credits like the Beatles ‘Hey Jude’, David Bowie’s ‘Space Oddity’, and James Taylor’s first album just to name a few. While an excellent engineer, Malcolm Toft’s ability as a designer of audio products is legendary. Malcolm Toft was the founder of Trident Audio Developments and the designer of the classic ‘A’ Range, Series 80, TSM, and Series 65 consoles. These consoles from the early 70’s are still making hits in today’s market. Malcolm’s design ability has always been present. His recent 980 console under the MTA banner was a huge success, and found in many professional recording studios all over the world. “I’ve been using the ATC-2 on my latest album project and have ended up using it in preference to my other “high end” compressor/eq’s. the compressor is awesome on vocals, drums or across an entire mix, the equalizer is Dual Channel F.E.T. Compressor extremely musical and the mic preamp is one of the best I’ve used. DC-2 For the price and quality, it can’t be beaten.” • Two channels of Classic F.E.T compressor with variable attack, release and ratio. V.U. metering shows gain reduction or output level.
    [Show full text]
  • UAD Powered Plug-Ins Manual V6.3.2
    UAD PLUG-INS MANUAL SOFTWARE VERSION 6.3.2 Universal Audio, Inc. 1700 Green Hills Road Scotts Valley, CA 95066-4926 Voice: +1-831-440-1176 Fax: +1-831-461-1550 www.uaudio.com Customer Support USA (toll-free): 1-877-698-2834 International: +1-831-1176 NOTICES Damage Requiring Service The unit should be serviced by qualified service personnel when: • The AC power supply cord or the plug has been damaged; Disclaimer • Objects have fallen or liquid has been spilled into the unit; This manual provides general information, preparation for use, installation and • The unit has been exposed to rain; operating instructions for the Universal Audio UAD Powered Plug-Ins. The • The unit does not operate normally or exhibits a marked change in information contained in this manual is subject to change without notice. performance; Universal Audio, Inc. makes no warranties of any kind with regard to this • The unit has been dropped, or the enclosure damaged. manual, or the product(s) it refers to, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. Universal Audio, Inc. shall not be liable for errors contained herein or direct, FCC Compliance indirect, special, incidental, or consequential damages in connection with the furnishing, performance, or use of this material or the product(s). This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential Important Safety Instructions installation.
    [Show full text]
  • 500 Mixer Input Handbook
    TECHNICAL SPECIFICATIONS: Output Impedances: < 100 ohms electronically balanced. Maximum output: > +24dbm. Distortion: < 0.05% at +20dbm 1kHz. Frequency response: ± 1db 20Hz to 20kHz. 500 SERIES MIXER I/P OWNERS HANDBOOK Output noise: < -75dbm E.I.N. 20Hz to 20kHz Power requirements: ± 16V D.C. 30mA approx. ABOUT THE DESIGNER: Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time.
    [Show full text]
  • 500 Eq Handbook
    TECHNICAL SPECIFICATIONS: Input Impedance: >20Kohms balanced. Output Impedance: < 150 ohms balanced. Maximum output: > +26dbm. Distortion: < .05% at +20dbm 1kHz. 500 SERIES EQUALISER Frequency response: ± 1db 20Hz to 20kHz. OWNERS HANDBOOK Noise: > -75dbm eq in, 20Hz to 20kHz Power requirements: ± 16V D.C. 30mA approx. ABOUT THE DESIGNER: Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time.
    [Show full text]
  • Undergraduate Prospectus 2012/13
    Undergraduate Prospectus 2012/13 www.lcm.ac.uk We are committed to the continuous We have high quality performance improvement of our provision and we and recording facilities, and are constantly listen carefully to suggestions that investing in our estate, most recently with our students make. the refurbishment of our Recital Room. INVESTING IN “Thisyearwearedelightedto The organisation is looking forward to belaunchingournewBAMusic becoming an All-Steinway School in honourscoursewithpathways September 2011 - the only English YOUR SUCCESS inclassicalmusic,jazz,popular conservatoire to hold this coveted status, musicandmusicproduction, and one of only two in the UK. We are also investing in an SSL G-series based andacombinedstudiespathway, production studio for the beginning of the “AstheUK’sleadingprogressive offeringhighqualitytraining 2011/12 academic year, which, again, conservatoire LeedsCollege withafocusonpracticalprojects will be unique in the sector. ofMusicpreparesmusicians andcollaborativework.” Our various activities make an important forsuccessfulcareersinthe We have also revised our other HE courses contribution to the city’s vibrant cultural life; 21stcentury.” to ensure that they remain absolutely current transport links are excellent; and both the Music is at the heart of the world’s cultural with the demands of the profession. city itself and the many places of great natural beauty in the wider region are industries and our courses in Western Highlights of the last year include the easily accessible. classical music, jazz, popular music, and release of a CD featuring performances and music production, which focus on creativity original compositions by student ensembles, “LeedsCollegeofMusicisa and versatility, provide excellent springboards a three-hour BBC live broadcast of student friendlyandsupportiveplace, into leading roles in the profession, as you performances from our professional standard will see from this prospectus.
    [Show full text]
  • Toft Audio Sheet 2.Qxd
    Toft Audio Designs may be a new company to the professional audio industry, but the people behind it are seasoned veterans. Toft Audio Designs is dedicated to providing high quality, well engineered professional audio products at a very competitive price. Malcolm Toft, the designer behind the products has an excellent pedigree as a recording engineer with credits like the Beatles ‘Hey Jude’, David Bowie’s ‘Space Oddity, and James Taylor’s first album just to name a few. While an excellent engineer, Malcolm Toft’s ability as a designer of audio products is leg- endary. Malcolm Toft was the founder of Trident Audio Developments and the designer of the classic ‘A’ Range, Series 80, TSM, and Series 65 consoles. These consoles from the early 70’s are still making hits in today’s market. Malcolm’s design ability has always been present. His recent 980 console under the MTA banner was a huge success, and found in many professional recording studios all over the world. ATC-2 Toft Audio Designs The first product from Toft Audio Designs is the ATC-2 dual channel F.E.T compressor, four band equalizer and mic pre-amplifier. FEATURES • High quality mic pre-amp with selectable 48 volt phantom • Compact 2U rack mounting unit effectively provides two power, direct instrument input and switchable line input. feature packed recording channels in one conveniently sized rack unit. • Classic F.E.T compressor with variable attack, release and ratio. V.U. metering shows gain reduction and output level. • Balanced x-l-r input for mic, balanced x-l-r and jack for line input and line output.
    [Show full text]
  • 500 Mixer Output Handbook
    TECHNICAL SPECIFICATIONS: Output Impedances: < 100 ohms electronically balanced. Maximum output: > +24dbm. Distortion: < 0.05% at +20dbm 1kHz. Frequency response: ± 1db 20Hz to 20kHz. 500 SERIES MIXER O/P OWNERS HANDBOOK Output noise: < -75dbm E.I.N. 20Hz to 20kHz Power requirements: ± 16V D.C. 100mA approx. ABOUT THE DESIGNER: Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time.
    [Show full text]
  • Signature Three
    Owner’s Manual Signature Three www.interphase.audio Contents About the designer 3 Product Description 4 Connecting the unit 5 Operation 6 Trouble shooting 7 Technical Specifications / Warranty Card 8 Malcolm Toft Signature Series range 9 Signature Three - Owner’s Manual - Revision 1 - page 2 About the designer Malcolm Toft started his career in the late 60’s as a recording engineer and was the first engineer to be employed at the famous Trident Recording Studios in London. Among his credits are the recording of David Bowie’s ‘Space Oddity’ album, James Taylor’s first album and three albums for T-Rex. He was also the mixing engineer on the Beatles ‘Hey Jude’ single. In 1972 Malcolm founded Trident Audio Developments Ltd. which went on to become a leading manufacturer of music recording consoles. One of the company’s earliest products was the Trident A Range which became a landmark both for it’s innovative operational features as well as the sound of it’s equaliser. Coming from a background of being a recording engineer rather than an electronics engineer, Malcolm has always designed with his ears rather than a text book and it is this coupled with over forty years experience that has enabled him to develop his own ‘philosophy of sound’ that is his trademark. Malcolm has been designing recording consoles for over forty years and some of the artists who have recorded hits on his consoles include: Stevie Wonder, Herbie Hancock, Rod Stewart, Queen, David Bowie and Elton John. More recently, Radiohead, Muse, Dire Straits, Coldplay and Oasis have added their name to the list.
    [Show full text]
  • MARS LANDING Broadcasting from Space
    EXCLUSIVES beyerdynamic MCD100 RSP Circle Surround Sonodore RCM -402 Grace Design 201 Yamaha 02R v2 GPS SoundPals Vac Raac TEQ -1 SA &V Octavia Joemeek SC3 Symetrix 628 Orban 9200 Jünger e07 MARS LANDING broadcasting from space TAPELESS LOCATION RECORDERS PAFI INTERCHANGE ARRIVES The POSTING CONTACT NARADA EQ: THE GUIDE MICHAEL WALDEN Interview 0 9 770144 59 ii i www.americanradiohistory.com Coi 131 While other companies wrestle with the digital learning curve, AMS Neve provides sixteen years of experience as LOGIC 2 Digital Mixing Console the leading designer of digital mixing and editing solutions. With over 300 digital consoles LOGIC DFC in daily service around the Digital Film : onsole world, no other company provides a greater range of advanced digital audio post -production systems. ., . 1 b we ` .. +I,1,Ì',i .1.I 01.1 AUDIOFILE Hard Disk Editor HEAD OFFICE AMS Neve plc Billington Road Burnley Lancs BB11 SUB England AMS Tel: +44 (0) 1282 457011 Fax: +44 (0) 1282 417282 LONDON - Tel: 0171 916 282E Fax: 0171 916 2827 GERMANY - Tel: 61 31 9 42 520 Fax: 61 31 9 42 5210 ' NEW YORK - Tel: (212) 965 1400 Fax: (212) 965 3739 HOLLYWOOD Tel: (818) 753 8789 Fax: (818) 623 4839 TORONTO Tel: (416) 365 3363 Fax: (416) 365 1044 NEVE e -mail: enquiry®ams- neve.com - http: / /www.ams- neve.com www.americanradiohistory.com 6 Editorial 85 Event horizons: Studio Sound on Broadcast: the Web and pro-audio options Mars landing 8 Putting the Red Planet on the map -and the television Soundings Intcrnational nc\\ :md contracts 95 10 Facility: World Events Vonk Sound ABOVE: Jodle Foster is making Contact.
    [Show full text]
  • 500 Mic Pre Handbook
    TECHNICAL SPECIFICATIONS: Mic Input Impedance: 1.2Kohms transformer balanced. Hi-Z/Line input impedance: 1M ohm unbalanced Output Impedance: 600 ohms transformer balanced. Maximum output: > +21dbm. Distortion (mic): < 0.1% at +20dbm 1kHz. 500 SERIES MIC PRE OWNERS HANDBOOK Frequency response: ± 1db 20Hz to 20kHz. Noise (mic): > -126dbm E.I.N. 20Hz to 20kHz ABOUT THE DESIGNER: Power requirements: ± 16V D.C. 30mA approx. Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time.
    [Show full text]