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500 Mixer Output Handbook

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500 Mixer Output Handbook TECHNICAL SPECIFICATIONS: Output Impedances: < 100 ohms electronically balanced. Maximum output: > +24dbm. Distortion: < 0.05% at +20dbm 1kHz. Frequency response: ± 1db 20Hz to 20kHz. 500 SERIES MIXER O/P OWNERS HANDBOOK Output noise: < -75dbm E.I.N. 20Hz to 20kHz Power requirements: ± 16V D.C. 100mA approx. ABOUT THE DESIGNER: Ocean Audio products are designed by the distinguished pro-audio designer, Malcolm Toft. PRODUCT REGISTRATION Malcolm joined Trident Studios in 1968 as it’s first recording engineer. At that time it was the only studio in europe to have 8 track recording facilities. It soon gained a Ocean Audio products are warranted for two years after first purchase against faulty worldwide reputation for the quality of it’s equipment and engineers. manufacture or component failure. This warranty does not apply to excessive use of mechanical components such as potentiometers and switches. Malcolm worked with Tony Visconti on three Tyrannosaurus Rex albums (the band later The decision to replace potentiometers and switches shall therefore be at the discretion became T-Rex). He also engineered David Bowie’s ‘Space Oddity’ album and James of Ocean Audio or its representatives. Taylor’s first album. He was also a mixing engineer on the Beatles biggest selling single ‘Hey Jude’ which was recorded at Trident. Product registration does not affect your statutory rights. In 1971 Malcolm became manager of the studios and was tasked with finding a new DATE PURCHASED:_____________ SERIAL No:_____________ 24 track console for the studios. It soon became apparent to him that they could not get a console to the specifications and facilities that they required from any of the PURCHASED FROM:_______________________________________ manufacturers around at that time. So Malcolm convinced the studio owners that they could build their own console. Consequently, In conjunction with the studio’s maintenance CUSTOMER NAME:________________________________________ engineer Barry Porter, he designed the Trident A Range console as it became known. ADDRESS:_______________________________________________ This led to the birth of Trident Audio Developments which Malcolm ran until 1988 when he sold it to a public company. In 1992 he was asked to design a replacement for the TOWN:____________________ ZIP (POST CODE):____________ Trident Series 80 console which the new owners were no longer manufacturing. This Malcolm did and he started a new company Malcolm Toft Associates Ltd (MTA). Clients for MTA consoles include Radiohead and The Liverpool Institute of performing COUNTRY:_________________ E-MAIL:_____________________ arts. Please return to: Latterly he has designed the highly successful Toft ATB console range for PMI Audio. Ocean Audio, The Music Mill, Bradley Lane, Newton Abbot, Devon, England TQ12 1LZ Or fill in on line at: www.oceanaudio.co.uk He was made a visiting professor at Leeds College of Music in 2008 FUNCTIONS AND CONTROLS Now turn the L/R Group Master control until the bargraph displays indicate signal. It is a good idea to put the L/R Group Master control to approximately three quarters of it’s travel which will correspond to 0db output. The I/P module level control should now be advanced to obtain a suitable reading on the bargraph display. If the ‘SOLO’ master control is turned clockwise and the ‘SOLO’ button on the input is AUX 1-4 MASTER depressed, the red LED next to the solo master control will flash and the solo signal LEVEL CONTROLS will be indicated on the bargraph meters. 12 SEGMENT BARGRAPH By plugging a balanced (stereo) jack into any or all of the four ‘AUX SEND’ jacks the DISPLAYS FOR GROUP auxiliary sends can be accessed. Turning the associated master level controlwill adjust AND SOLO LEVELS the overall level of the auxiliary send. SOLO MASTER WITH FLASHING LED REAR PANEL CONNECTIONS MASTER O/P MASTER O/P L/R GROUP MASTER LEFT (MALE X-L-R) RIGHT (MALE X-L-R) LEVEL CONTROL AUX SEND OUTPUT HEADPHONE LEVEL JACKS (BALANCED) CONTROL MONITOR LEFT MONITOR RIGHT (FEMALE X-L-R) (FEMALE X-L-R) HEADPHONE OUTPUT JACK MASTER MONITOR SYSTEM FLOW DIAGRAM LEVEL CONTROL MASTER LEFT RIGHT MASTER MASTER O/P AMP MIX AMP LEFT LEFT 12 SEGMENT 12 SEGMENT MASTER MIX LEFT BARGRAPH BARGRAPH BUSS LEFT DISPLAY DISPLAY 0dB 6dB 0dB MONITOR O/P LEFT SOLO (FEMALE X-L-R) MASTER O/P LEFT RELAY (MALE X-L-R) MONITOR MASTER GENERAL DESCRIPTION 6dB The Ocean Audio 500 Series Master Output module when used in conjunction with MASTER MASTER MASTER MIX AMP RIGHT O/P AMP MONITOR O/P RIGHT MASTER MIX RIGHT RIGHT (FEMALE X-L-R) any number of Ocean Audio Input modules, makes a powerful mixing console for the BUSS RIGHT 6dB 0dB 0dB 6dB 500 Series rack system. MASTER O/P RIGHT (MALE X-L-R) SOLO This two width module provides a master level control for the stereo output together LED 0dB with accurate bargraph meters that also read the solo levels when activated. SOLO MASTER SOLO LEVEL SOLO MIX BUSS MIX AMP LEFT LEFT HEADPHONE It also provides master level controls and balanced output jacks for the four 0dB LEVEL auxiliary sends. There is also a solo master level control, headphone level 0dB SOLO SOLO MIX BUSS MIX AMP and output jack plus an independent control room monitor level control. RIGHT RIGHT 0dB V V OPERATIONAL DESCRIPTION SOLO D.C. H/PHONES AUX 1 AUX 1 AUX 3 AUX 3 The following procedures should be carried out without power applied to the MIX AMP MASTER AUX 1 MIX AMP MASTER AUX 3 O/P AMP O/P AMP AUX 1 AUX 3 rack. 0dB 6dB 0dB 6dB AUX 1 O/P AUX 3 O/P The module should be carefully slotted into the appropriate two positions of any 500 V V Series Rack. V V AUX 2 AUX 2 AUX 4 AUX 4 MIX AMP MASTER AUX 2 MIX AMP MASTER AUX 4 O/P AMP O/P AMP Make sure that all controls are in their minimum (anti-clockwise) positions. AUX 2 AUX 4 0dB 6dB 0dB 6dB By means of the ribbon cable supplied with any Ocean Audio I/P module, connect it to AUX 2 O/P AUX 4 O/P V V the I/P module which can be located on either side of the O/P module. V V These 16 way connectors can be found on either side of the module printed circuit board. The rack can now be powered up. We reserve the right to change product specifications, features or design in our constant quest for improvement. Connect a signal to an I/P module via the female x-l-r socket on the back of the rack and with the channel pan control in it’s central position, advance the input level control until the green signal present LED (-20) is fully illuminated..
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