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CARTES À JOUER Collection Letellier

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CARTES À JOUER Collection Letellier CARTES À JOUER Collection Letellier Lundi 1er juillet 2019 ÉTAT / CONDITION TBE : TRÈS BON ÉTAT VERY GOOD CONDITION BE : BON ÉTAT GOOD CONDITION EM : ÉTAT MOYEN MIXED CONDITION AUTRE / OTHER (BETTER OR POORER) : SEE DETAILS Lot 322 Vente aux enchères publiques À l’étude, Salle des Ventes Favart 3, rue Favart 75002 Paris Lundi 1er juillet 2019 de 11 h à 12 h - Lot 1 à 100 Lundi 1er juillet 2019 de 14 h à 18 h - Lot 101 à 477 Exposition publique À l’étude 3, rue Favart 75002 Paris Vendredi 28 juin de 10 h à 18 h Lundi 1er juillet de 10 h à 11 h Expert : Thierry DEPAULIS [email protected] Responsable de la vente : Clémentine DUBOIS [email protected] Tél. : 01 78 91 10 06 Téléphone pendant l’exposition : 01 53 40 77 10 Catalogue visible sur www.ader-paris.fr CARTES À JOUER Enchérissez en direct sur www.drouotlive.com Collection Letellier En 1re et 4e de couverture, est reproduit le lot 432 La collection Letellier, dernière grande collection parisienne de cartes à jouer de la fin du XXe siècle Les ventes de cartes à jouer anciennes ne sont pas si nombreuses qu’il faille les bouder. L’objet mérite considé- ration. Il suffit de visiter le superbe Musée français de la Carte à jouer à Issy-les-Moulineaux pour se convaincre de l’immense intérêt de ces petits bouts de cartons colorés. La carte à jouer touche à tout : histoire politique, fiscalité, religion, gravure, couleurs, satire, sexe, histoire sociale et économique, art, histoire des techniques (im- pression, papier, etc.). D’où viennent les cartes à jouer ? D’Orient, sûrement. Mais, entre la Chine, qui est bien placée pour en être le foyer originel, l’Inde et le Proche-Orient, d’où viennent certainement nos premières cartes à jouer, arrivées vers le milieu du XIVe siècle et vite adoptées dans l’Europe entière, on hésite encore aujourd’hui. De cette période nous n’avons pas gardé d’autres traces que des mentions dans les archives ; les plus anciens jeux conservés datent des années 1430-50. Parmi eux, citons les célèbres tarots viscontéens peints par Bonifacio Bembo entre 1440 et 1450 pour les ducs de Milan. Ce sont des jeux princiers, peints à la main, qui doivent à leur exceptionnelle qualité d’exécution les soins dont on les a entourés. Collectionner les cartes à jouer n’est pas une passion récente : déjà au XVIIe siècle, l’érudit parisien François Roger de Gaignières avait su constituer un ensemble remarquable, au- jourd’hui à la BnF, dont le célèbre tarot dit de Charles VI, qui date en réalité du milieu du XVe siècle, est l’emblème le plus connu. Il n’y a pas de tarots enluminés ni de cartes médiévales dans la collection Letellier. Mais l’éventail chronologique couvert va tout de même du XVIe siècle à la fin du XXe siècle. En effet, et bien qu’ils ne soient ni des tarots ni des œuvres de Mantegna, deux « Tarots de Mantegna », copiés par le graveur allemand Johann Ladenspelder vers 1540-50, Apollo et Philosofia, seront proposés à la vente. Le Grand Siècle est représenté par quelques- uns des jeux instructifs les plus célèbres, tel le Jeu d’armoiries des souverains et estats d’Europe, de Finé de Brianville, ici dans sa première édition (Lyon, 1665) ou Les tables de geographie réduites en un jeu de cartes, par Pierre Duval, « Géographe du Roy », 1669 ; à quoi s’ajoutent quelques témoins plus humbles, tel ce fragment de planche de valets rouges au portrait de Guyenne (XVIIIe siècle), quelques jeux au portrait de Paris, tous antérieurs à 1800. Lot 432 2 C’est que l’Ancien Régime disposait d’une étonnante variété de « portraits » – d’Auvergne, de Bourgogne, de Guyenne, du Languedoc, de Provence, de Lyon, de Paris… – dont plusieurs sont présents dans la collection Letellier. Le XIXe siècle n’est pas moins fourni, mais ici la fantaisie règne : jeux républicains, « Cartes historiques » de Houbigant (deux versions, 1817 et 1818), Jeu des Drapeaux (1816), et autres. La cartomancie n’est pas oubliée avec de très charmants exemples. Mais les cartes françaises ne sont pas seules. L’Allemagne est solidement représentée avec un magnifique jeu au portrait de Bavière (vers 1820) et un rare tarot animalier de G.L. Timmermann à Lübeck (vers 1800). La belle production en chromolithographie du fabricant Dondorf est aussi présente. L’Autriche, le Danemark et l’Espagne, la Belgique (et même la Hollande), la Grande-Bretagne et la Suisse, le Portugal et le Brésil sont au rendez- vous, sans oublier les États-Unis ni l’Italie avec ses portraits si attachants et ses tarots aux multiples modèles. C’est dire l’étendue de la collection proposée. Les amateurs de tarots trouveront leur bonheur, aussi bien parmi les tarots à couleurs italiennes que parmi ceux à couleurs françaises, qu’ils soient al- lemands, autrichiens, italiens et, bien sûr, français. Sans parler des tarots plus orientés vers la divination. Lot 87 L’Asie n’est pas oubliée, avec plusieurs de ces merveilleux jeux de cartes indiens peints à la main – « Moghul ganjifah » – éblouissants de couleurs, dont les boîtes en bois peint ne sont pas les moindres attraits. L’Iran offre quelques cartes d’« as-nas », aussi peintes et vernies. Et l’Afrique, continent souvent négligé, débutera la vente : un lot de cinq jeux modernes, tous produits en Afrique, rendra ainsi hommage à ce continent. L’éclectisme de la collection Letellier se traduit aussi par d’amusants jeux non-conventionnels – jeux de 7 fa- milles, Quartette, Snap, et autres – et quelques rares jeux d’artiste en tirages limités. L’érotisme n’est pas absent non plus. Toute une bibliothèque de documentation spécialisée et quelques objets clôtureront la vente – dont quatre ex- ceptionnels coffrets à jetons en ivoire gravé et teint de Mariaval à Rouen (1re moitié du XVIIIe siècle). 3 AFRIQUE 1 7 Cinq jeux venus d’Afrique : Jeu célébrant Jeu des Quatre continents : B. Dondorf, l’Afrique subsaharienne (anglophone…) : fab. Francfort, c.1870 ; 52/52 cartes ; EM (tranches inconnu, pays inconnu ; 52/52 cartes + 2 jokers. salies). 200 / 300 € TBE. + The African Renaissance Deck/ Nguni People of Southern Africa : AWC, Afrique du Sud, 2000 ; 52/52 cartes + 3 cartes explic. ; ens. 8 de fantaisie ; étui. TBE. + Ethiopian Playing Hamburger Spielkarten : Hanchen Rübcke, Cards : ETO (Ethiopian Tourist Organization), Hambourg, c.1860 ; 52/52 cartes ; litho et 1969 ; 52/52 cartes + 1 joker ; dessin JM pochoirs ; coins carrés. (T)BE. + Reprod. Jeu Dubois ; étui. TBE. + Karata Playing Cards : Ines Hanchen Rübke, ASS, pub Albert Bauer KG, May-Publicity, Nairobi (Printed by Colourprint Hambourg (25 ans), complet avec 3 jokers + Ltd), c. 1980 ; 52/52 cartes + 2 jokers + carte boîte. TBE. 400 / 600 € blanche ; étui. TBE. + Lonely Giraffe (jeu non- conventionnel) : African Printworks, Harare (Zimbabwe), 1999 ; dessin Jane Sheperd ; 9 sérigraphie ; 30 cartes + 1 ; boîte carton. TBE. Portrait de Wurtemberg : C.L. Wüst, c.1870 ; 80 / 120 € 29/36 cartes. BE. 80 / 120 € ALLEMAGNE, AVANT 1870 10 Jeu au portrait XP8 : C.L. Wüst, Francfort, av. 1870 ; 32/32 cartes ; 92 x 61 mm ; coins carrés ; sur 2 AC timbre fiscal Königr. Preussen. TBE. 60 / 80 € Jeu au portrait de Bavière : J.H. (Fetscher ?), Munich, vers 1820 ; 36/36 cartes, gravure sur bois et couleurs aux pochoirs, 98 x 52 mm ; dos 11 décorés de glands en 3 couleurs ; coins carrés, Jeu au portrait XP1 var. ou XP3 : anon., état parfait. Cp. Cary GER 177 ; sur 8C timbre Allemagne, milieu XIXe ; 52/52 cartes ; fiscal OBERBAYERN / 4 K + I H (1816-1826). TBE. 90 x 60 mm ; litho et couleurs aux pochoirs ; cp. 600 / 800 € Cary GER 64. TBE. + Jeu portrait de Berlin : Ludwig & Schmidt, Halle a/S, début XXe s. ; 40/40 cartes (config. ‘hombre’) ; coins ronds 3 dorés ; timbre fiscal Deutsches Reich 50 Pf. TBE. Jeu « Jeanne Hachette », Max. Frommann, 80 / 120 € Darmstadt, c.1865 ; 52/52 cartes ; BE. 200 / 300 € 12 4 Jeu des cantons suisses : C.L. Wüst, milieu du Tarot all. 2 têtes à coul. fr. : Mathäus Backofen, XIXe s. ; 30 à dos roses + 11 cartes à dos bleus Munich, début XIXe ; 55/78 cartes (mq tous (mélange de plusieurs jeux) ; as illustrés ; eau- les atouts et le 10C ; eau-forte et pointillé + forte et pointillé, coul. aux pochoirs ; coins pochoirs ; 101 x 56 mm ; dos entrelacs bleus ; carrés. BE. 60 / 80 € timbre fiscal (écu couronné au lion, entouré de palmes + 8 K…) sur AC. EM. 200 / 300 € 13 Portrait fantaisie : Frommann & Morian, 5 Darmstadt, c.1870 ; 52/52 cartes ; litho et Jeu de la guerre de Crimée : C.L. Wüst, couleurs aux pochoirs ; as illustrés de vues de Francfort/Main, 1855, grav. sur acier, couleurs au villes hollandaises ; coins carrés ; ancre sur VT. BE. pochoir ; 52/52 cartes ; 87 x 60 mm ; as illustrés de 150 / 200 € scènes de de la Guerre de Crimée (1854-55). BE. 300 / 400 € 14 Jeu « Sofakarten » : Darmstadt, milieu du XIXe s. ; 6 gravure sur cuivre et couleurs aux pochoirs ; VP Patience XP 3 : C.L. Wüst, c.1870 ; 52/52 cartes ; guitarreux ; ch. tête est différente sur les fig. ; coins carrés ; BE. 200 / 300 € 32/32 cartes. EM. 80 / 120 € 4 2 2 4 4 5 5 5 15 23 Portrait fantaisie en pied : C.T. Sutor, Naumburg, Jeu historique allemand (Deutsche c.1840 ; 31/32 cartes ; gravure sur bois et Geschichtskarte) : J.C. Jegel, Nuremberg, 1872, couleurs aux pochoirs ; 97 x 57 mm ; dos graveur Georg Pommer, taille douce (eau- petits triangles alternés ; cartes un peu salies. forte ?), couleurs au pochoir, 36/36 cartes, ens.
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