The Ukrainian Weekly, 2015
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Public Broadcasting in Ukraine
РОЗДІЛ 1 ДЕРЖАВНЕ МОВЛЕННЯ: ВІД ПРОПАГАНДИ ДО АДМІНРЕСУРСУ Svitlana Ostapa, Vadym Miskyi, Ihor Rozkladai under the general editorship of Natalia Lyhachova Svitlana Ostapa, Vadym Miskyi, Ihor Rozkladai Miskyi, Ihor Rozkladai Svitlana Ostapa, Vadym PUBLIC BROADCASTING IN UKRAINE: History of Creation and Challenges PUBLIC BROADCASTING IN UKRAINE: HISTORY OF CREATION AND CHALLENGES IN UKRAINE: HISTORY OF CREATION PUBLIC BROADCASTING 1 2 Svitlana Ostapa, Vadym Miskyi, Ihor Rozkladai under the general editorship of Natalia Lyhachova PUBLIC BROADCASTING IN UKRAINE: History of Creation and Challenges UDC 654.19 О 76 Production of this brochure was made possible with the financial support from the National Endowment for Democracy (NED), the Ministry of Foreign Affairs of Denmark and the Government of Sweden. The content of the brochure is the sole responsibility of Detector Media NGO and does not necessarily reflect the po- sition of the National Endowment for Democracy, the Ministry of Foreign Affairs of Denmark, or the Government of Sweden. S.V. Ostapa, V.V. Miskyi, I.Ye. Rozkladai under the general editorship of Natalia Lyhachova. О 76 Public broadcasting in Ukraine: History of Creation and Challenges. — Kyiv: VIOL PRINTING HOUSE LLC, 2018. — 168 p. Fig. Media experts directly involved in the establishment of the Public Broadcasting in Ukraine reveal the history of the transformation of state broadcasters into the National Public Broadcasting Company of Ukraine. It was a path from advocating for the legislation necessary for the formation of a legal entity and its first steps. This brochure also describes the main challenges faced by the National Public Broadcasting Company of Ukraine at the end of the first two years of its operation. -
REGLUGERÐ Um Breyting Á Reglugerð Um Þvingunaraðgerðir Varðandi Úkraínu Nr
Nr. 745 9. júlí 2015 REGLUGERÐ um breyting á reglugerð um þvingunaraðgerðir varðandi Úkraínu nr. 281/2014, ásamt síðari breytingum. 1. gr. Þvingunaraðgerðir. Á eftir 33. tölul. 1. mgr. 2. gr. reglugerðar um þvingunaraðgerðir varðandi Úkraínu nr. 281/2014, ásamt síðari breytingum, komi eftirfarandi töluliðir sem hljóði svo: 34) Ákvörðun ráðsins 2014/933/SSUÖ frá 18. desember 2014 um breytingu á ákvörðun 2014/386/SSUÖ um þvingunaraðgerðir vegna ólöglegrar innlimunar Kríms og Sevastopol. 35) Ákvörðun ráðsins (SSUÖ) 2015/959 frá 19. júní 2015 um breytingu á ákvörðun 2014/386/SSUÖ um þvingunaraðgerðir vegna ólöglegrar innlimunar Kríms og Sevastopol. 36) Reglugerð ráðsins (ESB) nr. 1351/2014 frá 18. desember 2014 um breytingu á reglugerð (ESB) nr. 692/2014 um þvingunaraðgerðir vegna ólöglegrar innlimunar Kríms og Sevastopol. 37) Ákvörðun ráðsins 2014/801/SSUÖ frá 17. nóvember 2014 um breytingu á ákvörðun 2015/145/SSUÖ um þvingunaraðgerðir með tilliti til aðgerða sem grafa undan eða ógna landamærahelgi, fullveldi og sjálfstæði Úkraínu. 38) Ákvörðun ráðsins 2014/855/SSUÖ frá 28. nóvember 2014 um breytingu á ákvörðun 2015/145/SSUÖ um þvingunaraðgerðir með tilliti til aðgerða sem grafa undan eða ógna landamærahelgi, fullveldi og sjálfstæði Úkraínu. 39) Ákvörðun ráðsins (SSUÖ) 2015/241 frá 9. febrúar 2015 um breytingu á ákvörðun 2015/145/SSUÖ um þvingunaraðgerðir með tilliti til aðgerða sem grafa undan eða ógna landamærahelgi, fullveldi og sjálfstæði Úkraínu. 40) Ákvörðun ráðsins (SSUÖ) 2015/432 frá 13. mars 2015 um breytingu á ákvörðun 2015/145/SSUÖ um þvingunaraðgerðir með tilliti til aðgerða sem grafa undan eða ógna landamærahelgi, fullveldi og sjálfstæði Úkraínu. 41) Framkvæmdarreglugerð ráðsins (ESB) nr. -
Klavierabend Valentina Lisitsa Dienstag, 17.04.2012 · 20.00 Uhr
Klavierabend Valentina Lisitsa Dienstag, 17.04.2012 · 20.00 Uhr So klingt nur Dortmund. VALENTINA LISITSA KLAVIER Abos: Solisten I – Meisterpianisten Zeitinsel Rachmaninow|Skrjabin In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E 4I5 ALEXANDER SKRJABin (1872 – 1915) SERGEJ RACHMANINOW Sonate Nr. 2 gis-moll op. 19 »Sonate-Fantaisie« (1897) Sonate Nr. 1 d-moll op. 28 (1907) Andante Allegro moderato Presto Lento Allegro molto Deux Poèmes op. 32 (1904) Andante cantabile ALEXANDER SkRJABIN Allegro. Con eleganza, con fiducia Nocturne für die linke Hand Des-Dur op. 9 (1894) Étude op. 42 Nr. 3 (1903) FRANZ LISZt (1811 – 1886) Étude op. 65 Nr. 1 (1912) »Totentanz« (1849/1865) – Ende ca. 22.10 Uhr – SERGEJ RACHMANINOW (1873 – 1943) Étude-tableaux op. 39 Nr. 6 (1916) Prélude G-Dur op. 32 Nr. 5 (1910) Prélude gis-moll op. 32 Nr. 12 (1910) Prélude h-moll op. 32 Nr. 10 (1910) Prélude g-moll op. 23 Nr. 5 (1903) – Pause ca. 20.45 Uhr – Einführung mit Prof. Dr. Michael Stegemann um 18.45 Uhr im Komponistenfoyer 6I7 PROGRAMM 8I9 PIANISTISCHE EXTRAVAGANZ³ Machlis schließt so, Skrjabin habe »den Weg zu einem freien Gebrauch von zwölf Tönen« aufge- WERKE VON SKRJABIN, RACHMANINOW UND LISZT zeigt und polytonale und atonale Denkweisen vorweggenommen. Liszt, Rachmaninow, Skrjabin: Diese drei waren nicht nur großartige, bis heute häufig gespielte Auch auf formaler Ebene entwickelte Skrjabin die Musik weiter. -
List of Persons and Entities Under EU Restrictive Measures Over the Territorial Integrity of Ukraine
dhdsh PRESS Council of the European Union EN List of persons and entities under EU restrictive measures over the territorial integrity of Ukraine List of Persons Name Identifying Reasons Date of listing information 1. Sergey Valeryevich DOB: 26.11.1972. Aksyonov was elected 'Prime Minister of Crimea' in the Crimean 17.3.2014 AKSYONOV, Verkhovna Rada on 27 February 2014 in the presence of pro-Russian POB: Beltsy (Bălţi), gunmen. His 'election' was decreed unconstitutional by the acting Sergei Valerievich now Republic of Ukrainian President Oleksandr Turchynov on 1 March 2014. He actively AKSENOV (Сергей Moldova lobbied for the 'referendum' of 16 March 2014 and was one of the co- Валерьевич signatories of the ’treaty on Crimea´s accession to the Russian AKCëHOB), Federation’ of 18 March 2014. On 9 April 2014 he was appointed acting Serhiy Valeriyovych ‘Head’ of the so-called ‘Republic of Crimea’ by President Putin. On 9 AKSYONOV (Сергiй October 2014, he was formally ‘elected’ 'Head' of the so-called 'Republic Валерiйович Аксьонов) of Crimea'. Aksyonov subsequently decreed that the offices of ‘Head’ and ‘Prime Minister’ be combined. Member of the Russia State Council. 1/83 dhdsh PRESS Council of the European Union EN Name Identifying Reasons Date of listing information 2. Rustam Ilmirovich DOB: 15.8.1976 As former Deputy Minister of Crimea, Temirgaliev played a relevant role 17.3.2014 TEMIRGALIEV in the decisions taken by the ‘Supreme Council’ concerning the POB: Ulan-Ude, ‘referendum’ of 16 March 2014 against the territorial integrity of Ukraine. (Рустам Ильмирович Buryat ASSR He lobbied actively for the integration of Crimea into the Russian Темиргалиев) (Russian SFSR) Federation. -
By Susan Shelton Mural Imagery Key Top Section
“Nurturing the Dream” By Susan Shelton Mural Imagery Key Top Section: The quotes reflect the overall theme of the mural: the importance of finding a balance between the work we do as students, workers, activists, and caregivers, and the time needed for reflection, nourishment of the spirit and restoration of strength. The large rectangular tiles on pillars A, B, C, D are inspired by Wangari Maathai’s “I Will be a Hummingbird” story. This folk tale poignantly illustrates the importance of doing one’s best, no matter how insignificant our efforts may feel at times, in the face of a seemingly insurmountable task. Pillars: The mural pillars showcase the conceptual and artistic participation of the students and staff of the Student Community Center, and other members of the university community, who were invited to contribute their suggestions for the imagery featured, and who also participated in painting the individual tiles. The tiles represent the various identities, paths, goals, causes and struggles of the students: academic, social, personal and political. Pillar A: 1. World View: North and South America 2. Wi-Fi Symbol/Connectivity 3. Power Symbol in the Digital Age 4. Hands Holding Seedling: Cultivating Hope/Justice/Stewardship 5. Filipino Sun 6. Irish Symbol: Love, Loyalty and Friendship 7. Love, Pride and Celebration of African Heritage 8. Lotus: Ancient Asian Polyvalent Symbol 9. Raised Fist with Olive Branch: Nonviolent Protest/Activism 10. Study of Astronomy/Astrophysics 11. Study of Enology/Viticulture 12. Study of Music/Music Bringing People Together 13. McNair Scholarship Program 14. Salaam: Peace/Peace Be With You (written in Amharic) 15. -
Remembrance Poppy
Attachment 2 Remembrance Poppy The red poppy, which became a national emblem of remembrance in 1920, is worn to honor and memorialize those who gave their lives to protect our country’s freedom. It’s historical roots date back to World War I, when a Lieutenant Colonel was overcome with sorrow after a battle in the poppy-covered Flanders Field in Belgium. The Colonel wrote a poem to channel his grief, called “In Flanders Fields”. This poem caught the eye of a professor at the University of Georgia, and she vowed to always wear a red poppy in remembrance of those who had been left behind. She lobbied to make the red poppy a national memorial symbol, and on September 27, 1920, the red poppy officially became the U.S. national emblem of remembrance. Red poppies are donned on Memorial Day and also on National Poppy Day. The American Legion Auxiliary - female relatives of wartime veterans, is the main group that raises money through the distribution of crepe-paper poppies. These poppies are handcrafted by veterans and provides them wages and a therapeutic outlet. Option 2: Remembrance Poppy DESIGN INSPIRATION Legend 1 Seven reflective stainless steel monuments with engraved names 2 Unit motto etched into concrete 3 1 3 Painted steel ‘slice’ of poppy image 4 Granite bench 5 Decorative paving 6 Flush-mount lights to illuminate names 5 4 6 2 Materials When viewed from one specific • Polished stainless steel point, the seven monuments • Painted steel unite to form a single image. • Etched concrete Elevation from lawn Option 2: Remembrance Poppy -
Youtube's Classical Music Star Valentine Lisitsa Comes To
PRESS RELEASE FOR IMMEDIATE USE YouTube’s classical music star Valentine Lisitsa comes to Edinburgh’s Usher Hall Sunday Classics: Russian Philharmonic of Novosibirsk 3:00pm, Sunday 12 May 2019 Thomas Sanderling - Conductor Valentina Lisitsa - Piano Rimsky-Korsakov - Capriccio espagnol Rachmaninov - Rhapsody on a Theme of Paganini Mussorgsky - Pictures at an Exhibition Images available to download here Powerhouse all-Russian programme including Rachmaninov’s tender take on Paganini YouTube sensation Valentina Lisitsa is nothing less than a modern marvel. A brilliant pianist of the Russian old school who plays with fiery intensity and profound insight, she is also a musical evangelist who has taken classical music to millions through her online videos. Having posted her first video on YouTube in 2007, viewing figures soon exploded and more videos followed. The foundations of a social media-driven career unparalleled in the history of classical music were laid. Her YouTube channel now boasts more than 516,000 subscribers and over 200 million views. No wonder she’s in demand right across the world: her unprecedented global stardom is matched by her breath-taking playing. Lisitsa has long adored the romance and power of Rachmaninov and following her electrifying performance of his Third Piano Concerto at the Usher Hall in 2018, she makes a welcome return with the passionate Rhapsody on a Theme of Paganini. Niccolò Paganini’s famous piece has been adored and interpreted by many a composer, including Brahms, but it’s Rachmaninov’s take on the classic that sees it as its tenderest, and wittiest. He moulds the main theme into musical styles and interpretations previously unheard, and there is no finer pianist to bring this to the Usher Hall than Valentina Lisitsa. -
La Instrumentalización Política Del Festival De Eurovisión: El Caso Del Enfrentamiento Entre Rusia Y Ucrania (2010-2019)”
FACULTAD DE COMUNICACIÓN GRADO EN PERIODISMO TRABAJO DE FIN DE GRADO “La instrumentalización política del Festival de Eurovisión: el caso del enfrentamiento entre Rusia y Ucrania (2010-2019)” JUNIO 2020. SEVILLA. AUTOR: DANIEL LINDO GARCÍA TUTOR: FERNANDO RAMÓN CONTRERAS MEDINA RESUMEN La cuestionada gestión de los servicios públicos de televisión, y la influencia de la Unión Europea de Radiodifusión y sus derivados en los cinco continentes, hacen del Festival de Eurovisión un escenario perfecto para la propagación de las consignas políticas que defienden los dispares gobiernos europeos que administran los primeros. La Revolución del Maidán y la anexión rusa de Crimea no solo provocaron una colisión entre Kiev y Moscú, también lograron acercar a una antigua república soviética como Ucrania a Bruselas. El longevo evento de música, reflejo del poder económico occidental, no ha sido sino la mayor plataforma mediática donde Rusia y su país vecino han librado una de sus muchas batallas. Palabras clave: Rusia, Ucrania, Eurovisión, Europa, canciones, televisión. ÍNDICE 1. INTRODUCCIÓN ...................................................................................................... 1 1.1. INTERÉS EN EL TEMA DE ESTUDIO E HIPÓTESIS ...................................... 1 1.2. ESTRUCTURA ..................................................................................................... 2 1.3. PLANTEAMIENTO GENERAL .......................................................................... 3 1.3.1. Objetivos ........................................................................................................ -
The Kremlin's Irregular Army: Ukrainian Separatist Order of Battle
THE KREMLIN’S IRREGULARY ARMY: UKRAINIAN SEPARATIST ORDER OF BATTLE | FRANKLIN HOLCOMB | AUGUST 2017 Franklin Holcomb September 2017 RUSSIA AND UKRAINE SECURITY REPORT 3 THE KREMLIN’S IRREGULAR ARMY: UKRAINIAN SEPARATIST ORDER OF BATTLE WWW.UNDERSTANDINGWAR.ORG 1 Cover: A Pro-Russian separatist sits at his position at Savur-Mohyla, a hill east of the city of Donetsk, August 28, 2014. REUTERS/Maxim Shemetov. Reproduced with permission. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing or from the publisher. ©2017 by the Institute for the Study of War. Published in 2017 in the United States of America by the Instittue for the Study of War. 1400 16th Street NW, Suite 515 | Washington, DC 20036 understandingwar.org 2 Franklin Holcomb The Kremlin’s Irregular Army: Ukrainian Separatist Order of Battle ABOUT THE AUTHOR Franklin Holcomb is a Russia and Ukraine Research Analyst at the Institute for the Study of War where he focuses on the war in Ukraine, Ukrainian politics, and Russian foreign policy in Eastern Europe. His current research focuses on studying the development of the Armed Forces of Ukraine and the Russian-backed separatist formations operating in Eastern Ukraine, as well as analyzing Russian political and military activity in Moldova, the Baltic, and the Balkans. Mr. Holcomb is the author of “The Order of Battle of the Ukrainian Armed Forces: A Key Component in European Security,” “Moldova Update: Kremlin Will Likely Seek to Realign Chisinau”, “Ukraine Update: Russia’s Aggressive Subversion of Ukraine,” as well as ISW’s other monthly updates on the political and military situation in Ukraine. -
British Politics Review Journal of the Brit H Politics Society, Norway
Volume 12 No. 2 Spring 2017 British Politics Review Journal of the Brith Politics Society, Norway HERITAGE BRITAIN How the British remember the past CONTRIBUTORS Nick Lloyd · Maggie Andrews · Steven Fielding · John Gardner Brian Goodey · Sian^ Nicholas British Politics Review Volume 12 No. 2 Spring 2017 Contents The Third Battle of Ypres: 100 Years On Editorial Nick Lloyd pp. 3-4 Remembering the past British Practices of Remembrance: Politics and Poppies Maggie Andrews pp. 5-6 ” id we really send men to fight in that?”The famous line ascribed to the British staff officer, Sir Launcelot Kiggell, has often been evoked to describe the Batt- The Cultural Memory of 1994 D Steven Fielding pp. 7-8 le of Passchendaele and how it is remembered in Britain, writes Nick Lloyd in the first article of this edition of British Politics Review. But as we approach the centenary of Remembering Peterloo John Gardner pp. 9-10 this battle that has come to symbolise the whole British World War 1 experience, Lloyd argues, there are good reasons to present a more nuanced picture than the traditional The Heritage Industry Evolves Brian Goodey pp. 11-12 “tales of mud, blood and futility” which seem to dominate the UK government’s plans for the commemorations this year. Remembering the War on Screen: British Film and Television Drama and the Second World War Siân Nicholas pp. 13-14 Taking Passchendaele as our point of departure, we ask the question: how do the British remember and commemorate the past, and for what purposes and in which con- British Politics Society, Norway is politically neutral and has no text is the past invoked in current debates? Maggie Andrews charts the development collective agenda apart from raising the interest and knowled- of Remembrance Sunday and Poppy appeals as two of the most visual examples of ge of British politics among the informed Norwegian public. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
Annex-To-Ukraine-News-Release-26-September-2016.Pdf
ANNEX TO NOTICE FINANCIAL SANCTIONS: UKRAINE (SOVEREIGNTY AND TERRITORIAL INTEGRITY) COUNCIL IMPLEMENTING REGULATION (EU) No 2016/1661 AMENDING ANNEX I TO COUNCIL REGULATION (EU) No 269/2014 AMENDMENTS Individuals 1. KONSTANTINOV, Vladimir, Andreevich DOB: 19/11/1956. POB: (1) Vladimirovka (a.k.a Vladimirovca), Slobozia Region, Moldavian SSR (now Republic of Moldova/Transnistria region (2) Bogomol, Moldaovian SSR, Republic of Moldova Position: Speaker of the Supreme Council of the Autonomous Republic of Crimea Other Information: Since 17 March 2014, KONSTANTINOV is Chairman of the State Council of the so-called Republic of Crimea. Listed on: 18/03/2014 Last Updated: 23/03/2016 17/09/2016 Group ID: 12923. 2. SIDOROV, Anatoliy, Alekseevich DOB: 02/07/1958. POB: Siva, Perm region, USSR Position: Chief of the Joint Staff of the Collective Security Treaty Organisation (CSTO) (Since November 2015). Commander, Russia’s Western Military District Other Information: Former Commander, Russia's Western Military District. Listed on: 18/03/2014 Last Updated: 21/09/2015 17/09/2016 Group ID: 12931 3. KOVITIDI, KOVATIDI Olga, Fedorovna DOB: 07/05/1962. POB: Simferopol, Ukrainian SSR Position: Member of the Russian Federation Council from the annexed Autonomous Republic of Crimea Listed on: 29/04/2014 Last Updated: 21/09/2015 17/09/2016 Group ID: 12954. 4. PONOMARIOV, Viacheslav DOB: 02/05/1965. POB: Sloviansk, Donetsk Oblast a.k.a: (1) PONOMAREV, Viacheslav, Vladimirovich (2) PONOMARYOV, Vyacheslav, Volodymyrovich Other Information: Former self-declared ‘People’s Mayor’ of Sloviansk (until 10 June 2014). Listed on: 12/05/2014 Last Updated: 23/03/2016 17/09/2016 Group ID: 12970.