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Manipulation of Benzyl Acetate and Jasmone Content of Jasminum Sambac L
AsPac J. Mol. Biol.Biol. Biotechnol. Biotechnol. 2015 Vol. 23 (1), 2015 253 Vol. 23 (1) : 253-256 Methods: Manipulation of Benzyl Acetate and Jasmone Content of Jasminum sambac L. Using Modified Murashige and Skoog Medium on Callus Explant Dwie Retna Suryaningsih*, Sri Arijanti Prakoeswa and Ribkahwati Faculty of Agriculture, University of Wijaya Kusuma Surabaya, East Java, Indonesia. Received 3rd February 2015/ Accepted 30th June 2015 Abstract. Jasmine (Jasminum sambac L.) is a flowering plant that grows in shrub form. Jasmine flowers have been extensively used as ornamental and for the production of fragrances, flowers, tea and essential oils. The amount of essential oil that can be collected from jasmine petals is very small relative to the material required, but is valued as the raw material for natural perfume and aromatherapy treatments. This study attempted to improve propagation from explant to manipulate essential jasmine oil production. Modified Murashige and Skoog (MS) medium, produced from carbohydrate precursor compounds (MS + 20 % fructose, MS + 20 % glucose and MS + 20 % sucrose), was used to produce explants from young leaves and calluses. Essential oil (benzyl acetate and jasmine) content was highest in jasmine explant calluses grown on MS + 20 % sucrose. The content of benzyl acetate reached 1.27 % and jasmone content reached 1.15 % in 12 weeks old calluses. Keywords: Benzyl acetate, Explant, Jasminum sambac L., Jasmone, Precursor. INTRODUCTION Jasmine (Jasminum sambac L.) is an ornamental plant metabolites induced from calluses can be improved by extensively used in perfumery and religious purposes, a shrub changing the content of the components in the tissue herb which produces white flowers with a very pleasant culture medium or by adding precursor compounds into the fragance (Davallo, 2014). -
Remembrance Poppy
Attachment 2 Remembrance Poppy The red poppy, which became a national emblem of remembrance in 1920, is worn to honor and memorialize those who gave their lives to protect our country’s freedom. It’s historical roots date back to World War I, when a Lieutenant Colonel was overcome with sorrow after a battle in the poppy-covered Flanders Field in Belgium. The Colonel wrote a poem to channel his grief, called “In Flanders Fields”. This poem caught the eye of a professor at the University of Georgia, and she vowed to always wear a red poppy in remembrance of those who had been left behind. She lobbied to make the red poppy a national memorial symbol, and on September 27, 1920, the red poppy officially became the U.S. national emblem of remembrance. Red poppies are donned on Memorial Day and also on National Poppy Day. The American Legion Auxiliary - female relatives of wartime veterans, is the main group that raises money through the distribution of crepe-paper poppies. These poppies are handcrafted by veterans and provides them wages and a therapeutic outlet. Option 2: Remembrance Poppy DESIGN INSPIRATION Legend 1 Seven reflective stainless steel monuments with engraved names 2 Unit motto etched into concrete 3 1 3 Painted steel ‘slice’ of poppy image 4 Granite bench 5 Decorative paving 6 Flush-mount lights to illuminate names 5 4 6 2 Materials When viewed from one specific • Polished stainless steel point, the seven monuments • Painted steel unite to form a single image. • Etched concrete Elevation from lawn Option 2: Remembrance Poppy -
Metal Thread Examination for Determining the Date, Origin and Distribution of Indonesian Songkèt Weaving
Metal Thread Examination for Determining the Date, Origin and Distribution of Indonesian Songkèt Weaving presented by Puji Yosep Subagiyo1 International Symposium on Indonesian Textiles Jambi, November 6 ~ 9, 1996 A. INTRODUCTION Malaro (1985:3) states a museum definition as “a public or private nonprofit agency or institution organized on a permanent basis for essentially educational or esthetic purposes which, utilizing a professional staff, owns or utilizes tangible objects, cares for them, and exhibits them to the public on regular basis.” Considerable resources are required to store and conserve the museum object collections, and indeed to have access to them, can only be justified if the archives are available for use in the broadest sense. This requires that the collection be stored with the accessible information, and that this information be held on an organized documentation system. Also, the collection management is at the heart of a museum operation, because without collections there would be no broader issues of context and interpretation (Pearce, 1990: 67 & 113). In this connection, other authors2 provided the theoretical and empirical studies concerning cultural materials. They tried to measure the objects’ structure and property in reconstructing the human behavior involved in their processing and performance3. The author (1995a,b,c) then applied their system to study of Indonesian textiles, assuming that textiles are decontextualized objects. This paper discusses three metal threaded cloths, designated as TEX.01, TEX.02 and TEX.03 (see table 2) with the reference textiles. These three cloths are private collections which were purchased by Mr. Wahyono Martowikrido at Surakarta (Central Java), in 1985. -
IJSR Paper Format
View metadata, citation and similar papers Inteat core.ac.ukrnational Journal of Science and Research (IJSR) brought to you by CORE ISSN (Online): 2319-7064 provided by Repository Universitas Negeri Makassar Index Copernicus Value (2015): 78.96 | Impact Factor (2015): 6.391 Orchids Conservation by Community in Round Mallawa Resort Areas at Bantimurung Bulusaraung National Park, South Sulawesi, Indonesia Siti Fatmah Hiola, Gufran Darma Dirawan, Muhammad Wiharto Universitas Negeri Makassar, Makassar, Indonesia Abstract: This research aims to determine cultivation technique of orchid by the community in around Mallawa Resort at Bantimurung Bulusaraung National Park. The type of the research is a descriptive research. This studying was conducted in four villages with 37 total respondents. The method used in this study was observed in the houses of people who become the interviewees, then do an interview about cultivation technique of orchid and documentation by photos. The results showed that there are three kinds of orchid’s growth nature, namely Epifit, Terrestik, and Litofit. Orchid’s growth is dominated by the Epifit orchid’s growth as much as 110 or-chids, whereas for the type of growth is dominated by simpodial orchids. Most communities who maintain or-chids are the people residing in the Tellumpanuae village. The maintained of orchids average until ten years. People obtain orchids from the forest. It is not planted directly, but first, must be stored in moist example near a water bath so that the orchids can grow back fresh and good. Orchids that have been transplanted into pots usually doused with water that mixed with vetzin (flavor in food) or rice water, because these two compo-nents can make orchids thrive. -
The Language of Flowers Is Almost As Ancient and Universal a One As That of Speech
T H E LANGUAGE OF FLOWERS; OR, FLORA SYMBOLIC A. INCLUDING FLORAL POETRY, ORIGINAL AND SELECTED. BY JOHN INGRAM. “ Then took he up his garland, And did shew what every flower did signify.” Philaster. Beaumont and Fletcher. WITH ORIGINAL ILLUSTRATIONS, PRINTED IN COLOURS BY TERRY. LONDON AND NEW YORK: FREDERICK WARNE AND CO. 1887. vA^tT Q-R 7 SO XSH mi TO Eliza Coo k THIS VOLUME IS AFFECTIONATELY INSCRIBED BY HER FRIEND THE AUTHOR. o Preface. j^IIE LANGUAGE OF FLOWERS has probably called forth as many treatises in explanation of its few and simple rules as has any other mode of communicating ideas; but I flatter myself that this book will be found to be the most complete work on the subject ever published—at least, in this country. I have thoroughly sifted, condensed, and augmented the productions of my many predecessors, and have endeavoured to render the present volume in every re¬ spect worthy the attention of the countless votaries which this “ science of sweet things ” attracts ; and, although I dare not boast that I have exhausted the subject, I may certainly affirm that followers will find little left to glean in the paths that I have traversed. As I have made use of the numerous anecdotes, legends, and poetical allusions herein contained, so Preface. VI have I acknowledged the sources whence they came. It there¬ fore only remains for me to take leave of my readers, with the hope that they will pardon my having detained them so long over a work of this description , but “Unheeded flew the hours, For softly falls the foot of Time That only treads on flowers.” J. -
British Politics Review Journal of the Brit H Politics Society, Norway
Volume 12 No. 2 Spring 2017 British Politics Review Journal of the Brith Politics Society, Norway HERITAGE BRITAIN How the British remember the past CONTRIBUTORS Nick Lloyd · Maggie Andrews · Steven Fielding · John Gardner Brian Goodey · Sian^ Nicholas British Politics Review Volume 12 No. 2 Spring 2017 Contents The Third Battle of Ypres: 100 Years On Editorial Nick Lloyd pp. 3-4 Remembering the past British Practices of Remembrance: Politics and Poppies Maggie Andrews pp. 5-6 ” id we really send men to fight in that?”The famous line ascribed to the British staff officer, Sir Launcelot Kiggell, has often been evoked to describe the Batt- The Cultural Memory of 1994 D Steven Fielding pp. 7-8 le of Passchendaele and how it is remembered in Britain, writes Nick Lloyd in the first article of this edition of British Politics Review. But as we approach the centenary of Remembering Peterloo John Gardner pp. 9-10 this battle that has come to symbolise the whole British World War 1 experience, Lloyd argues, there are good reasons to present a more nuanced picture than the traditional The Heritage Industry Evolves Brian Goodey pp. 11-12 “tales of mud, blood and futility” which seem to dominate the UK government’s plans for the commemorations this year. Remembering the War on Screen: British Film and Television Drama and the Second World War Siân Nicholas pp. 13-14 Taking Passchendaele as our point of departure, we ask the question: how do the British remember and commemorate the past, and for what purposes and in which con- British Politics Society, Norway is politically neutral and has no text is the past invoked in current debates? Maggie Andrews charts the development collective agenda apart from raising the interest and knowled- of Remembrance Sunday and Poppy appeals as two of the most visual examples of ge of British politics among the informed Norwegian public. -
The Suckling Elephant House of Malaysia
Eco-Architecture II 137 In harmony with nature – the Suckling Elephant House of Malaysia A. Bahauddin & A. Abdullah School of Housing, Building & Planning, Universiti Sains Malaysia, Penang, Malaysia Abstract As the world cries about the global warming phenomenon, designers are looking at ways of constructing better living units. One way of dealing with this problem is by looking at the architecture of the past. This paper explores the traditional Malay architecture of the Suckling Elephant House mainly found in the northern part of Malaysia. This type of house is currently dwindling in number. Steps are required to document this house due to its rich cultural, social and environmental attributes related to its simple timber construction and surroundings. The methodology of this research involves thorough literature review supported by surveys, measured drawings, interviews and visual data collection. History has taught us a lot of lessons through philosophies, customs and rituals; the Suckling Elephant House is no exception. This Malay vernacular architecture has shown many ways of designing a house that is suited to the climate, weather and the environment. Above all, the early builders knew how to construct a habitation for comfort that serves its function as a place for shelter from the elements and safety from wild animals. The Suckling Elephant House although featuring a humble appearance, is rich with traditions that are almost spiritual. It manages to create a more meaningful space for habitation. It is a clear indication that the constructions, the embellishments and the space planning that make up the house strengthen the spiritual being right from the exterior to the interior living space. -
Natural Motif of Batik Kimono As a Leading Commodity of Batik Arrangements in Surakarta – Indonesia
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 14, Issue 8, 2020 Natural Motif of Batik Kimono as A Leading Commodity of Batik Arrangements in Surakarta – Indonesia Theresia Widiastuti1, Sahid Teguh Widodo2, Tiwi Bina Affanti3, Kundharu Saddono4, &Andri Nur Cahyo5,1Faculty of Arts and Design, Universitas Sebelas Maret, Surakarta, Indonesia, 2Faculty of Cultural Science, Universitas Sebelas Maret, Surakarta, Indonesia, 3Faculty of Arts and Design, Universitas Sebelas Maret, Surakarta, Indonesia, 4Faculty of Teacher Training and Education, Universitas Sebelas Maret, Surakarta, Indonesia, 5Faculty of Arts and Design, Universitas Sebelas Maret, Surakarta, Indonesia, Email: [email protected], [email protected], [email protected], [email protected], [email protected] The research is an in-depth study of the development of Batik Kimono production by focusing on three main objectives, namely: (1) Knowing for certain the opportunity of Batik Kimono with natural motifs, (2) Finding Batik Kimono motifs that are suitable for four seasons in Japan, (3) Knowing the marketing opportunities of Batik Kimono for international consumption. This is a qualitative research based on the characteristics of the research problem, data sources, and research data. This research was conducted in Surakarta City, Central Java. Data in this study were collected and analysed using the interactive workings of three components, namely data reduction, data presentation, and verification. This study uses a single case study strategy that will be dealt with in a multi-perspective. The findings in this study include: (1) Batik Kimono has enough opportunities to become the leading product of batik artisans in Surakarta. (2) This study found batik patterns for the four seasons. -
2477-6866, P-ISSN: 2527-9416 Vol.4, No.1, January 2019, Pp
International Review of Humanities Studies www.irhs.ui.ac.id, e-ISSN: 2477-6866, p-ISSN: 2527-9416 Vol.4, No.1, January 2019, pp. 192-200 JASMINE FLOWERS IN JAVANESE MYSTICISM Nanny Sri Lestari Faculty of Humanities, Universitas Indonesia [email protected] and [email protected] Abstract This study discusses Javanese society's awareness of jasmine flowers (jasminum sambac) which are small in shape but have full of cultural meanings and philosophies, thus becoming a symbol of life. The focus of this study is the physical form of jasmine flowers and awareness of a healthy natural environment that can build a healthy mental (soul). The purpose of this study is to explore the unique small flower of jasmine, which has long been a symbol of awareness of environmental health which is not only physical but also mental (soul). This study uses a theoretical framework of health, the natural environment and Javanese mysticism, to see the relationship between humans and their environment. This study uses a qualitative research paradigm procedure. Qualitative research procedures provide opportunities for researchers to provide interpretations of the results of their research. The results showed that, ideologically, Javanese people were indeed aware of the importance of the natural environment. The natural environment is the most important factor in human life. Through daily activities can be seen and interpreted that Javanese humans cannot escape from their natural environment. Jasmine small white flowers and it turns out to save many benefits in physical and mental health. Through the cultural roots that exist in cultural ritual activities can be seen, an effort to preserve small white flowers that have many benefits. -
Jasminum Sambac L.) Against Types of Media Plants and Types of Growing Agents
Growth Response of Melati Plant Plant (Jasminum Sambac L.) Against Types of Media Plants and Types of Growing Agents Yuliatul Muslimah1, Sumeinika Fitria Lizmah1, Nur Fayanti2 1Lecturer in Agrotechnology Study Program, Faculty of Agriculture, Teuku Umar University 2Alumni Agrotechnology Study Program, Faculty of Agriculture, Teuku Umar University [email protected] Abstract: Propagation of jasmine plants by cuttings often experience obstacles, especially to grow roots. Proper planting media and application of growth regulators (PGR) have an important role in the growth and development of plant cuttings roots. The purpose of this study was to determine the effect of planting media types and PGR on the growth of jasmine cuttings. This research was conducted in the experimental garden of the Faculty of Agriculture, Teuku Umar University, in March - May 2019. This study used a completely randomized design (CRD) with a factorial pattern of 3x3 with three replications. The treatment factors studied were (1) the type of planting media consisted of 3 levels namely alluvial soil, sand and husk charcoal, and (2) the type of growth regulator (ZPT) consisted of 3 levels namely control (without zpt), chemical (growtone) and organic (shallot extract). F test results on the analysis of variance showed that the planting medium had a very significant effect on the number of shoots 35 and 45 HST, number of leaves 15, 35 and 45 HST number of roots, root length, percentage of live cuttings. But the planting media had no significant effect on the number of shoots of 15 DAP. Growth regulator substances have a very significant effect on the number of shoots 35 HST, number of leaves 15, 35 and 45 HST, number of roots and root length. -
The Politics and Pedagogy of War Remembrance
CHD0010.1177/0907568220921226ChildhoodDanilova and Dolan 921226research-article2020 Article Childhood 2020, Vol. 27(4) 498 –513 The politics and pedagogy © The Author(s) 2020 of war remembrance Article reuse guidelines: sagepub.com/journals-permissions https://doi.org/10.1177/0907568220921226DOI: 10.1177/0907568220921226 journals.sagepub.com/home/chd Nataliya Danilova and Emma Dolan University of Aberdeen, UK Abstract Drawing on analysis of learning materials, interviews and ethnographic observations of Scottish education, we analyse how projects aimed at teaching children to remember wars instil war- normalising logics through (a) substitution of self-reflective study of conflict with skill-based knowledge; (b) gendered and racial stereotyping via emphasis on soldier-centric (Scottish/British) nationalisms, localisation and depoliticisation of remembrance; (c) affective meaning-making and embodied performance of ‘Our War’. Utilising Ranciere-inspired critical pedagogy, we explore opportunities for critical engagement with the legacy of conflicts. Keywords Education, emotions, gender, militarisation, performance, remembrance, war Introduction In many countries, the introduction of children to the legacy of conflicts forms a corner- stone of identity and citizenship politics (e.g. Leonard, 2017). The main contribution of this paper lies in analysis of war remembrance education as a powerful yet often over- looked vehicle for engaging with conflicts and state-sanctioned violence. Drawing on analysis of learning materials, interviews and -
Provincial Symbols and Honours Chap
1989 PROVINCIAL SYMBOLS AND HONOURS CHAP. 10 PROVINCIAL SYMBOLS AND HONOURS ACT CHAPTER 10 Assented to April 21,1989. Contents PARTI PROVINCIAL SYMBOLS Section Section 1. Coatof Anna of the Province 6. Bird emblem 2. Representation of government 7. British Columbia Tartan authority 8. Use of tartan 3. Floral emblem 9. Regulations 4. Mineral emblem 10. Offence 5. Tree emblem 11. Misuse of Provincial symbol PART 2 PROVINCIAL HONOURS 12. Interpretation 17 Appointments 13. Order of British Columbia 18. Privileges of members 14. Advisory council 19. British Columbia Medal of Good Citizenship 15. Recommendation and rules 20. Regulations 16. Nominations 21. Repeal HER MAJESTY, by and with the advice and consent of the Legislative Assembly of the Province of British Columbia, enacts as follows: PART 1 PROVINCIAL SYMBOLS Coat of Arms of the Province 1.(1) The Coat of Arms of the Province is the Shield of Arms with Motto granted by Royal Warrant of King Edward VII on March 31, 1906, as augmented and granted by Royal Warrant of Her Majesty Queen Elizabeth II, in Vancouver on October 15,1987. '2) No person, other than the Lieutenant Governor, a member of the Executive Council, a member of the Legislative Assembly or a judge of the Supreme Court, a County Court or the Provincial Court, shall, without the permission of the Provincial Secretary, assume, display or use the Coat of Arms of the Province or a design so closely resembling it as to be likely to deceive. Representation of government authority 2. (1) No person or organization shall assume, display or use a name, title or device that indicates or that is reasonably susceptible of the interpretation that the person or organization has authority from the government to do so or is exercising a function of the 33 CHAP.