AMY JARVELA Producer

Total Page：16

File Type：pdf, Size：1020Kb

AMY JARVELA Producer PROJECTS DIRECTORS STUDIOS/PRODUCERS CLERKS III Kevin Smith VIEW ASKEW / LIONSGATE Executive Producer/UPM Liz Destro, Jordan Monsanto Location: New Jersey PAINT Brit McAdams SILVER LINING PRODUCTIONS Executive Producer/UPM Rick Bosner, Sam Meydew Location: Saratoga Springs, NY MAINSTREAM Gia Coppola AUTOMATIK ENTERTAINMENT Executive Producer/UPM Lauren Bratman, Fred Berger Location: Los Angeles HEARTS BEAT LOUD Brett Haley PARK PICTURES Executive Producer/UPM BURN LATER, GUNPOWDER & SKY Sundance Closing Night Film SONY PICTURES / Sam Bisbee, SXSW Houston King, Sam Slater Location: New York City THE MOST HATED WOMAN IN AMERICA Tommy O’Haver BROWNSTONE PRODUCTIONS Co-Producer/UPM NETFLIX / Elizabeth Banks SXSW World Premiere Max Handelman, Ian Bricke Location: Los Angeles THE HERO Brett Haley PARK PICTURES Executive Producer THE ORCHARD Sundance Dramatic Competition Sam Bisbee, Houston King SXSW Location: Los Angeles ROADIES Pilot Cameron Crowe WARNER BROS. / BAD ROBOT Field Producer SHOWTIME Location: Memphis & Detroit Kelly Curtis, Iain Paterson MUSCLE SHOALS Documentary Greg “Freddy” Camalier EAR GOGGLES Production Manager MAGNOLIA PICTURES Location: Los Angeles Stephen Badger, Greg Camalier SMALL APARTMENTS Jonas Åkerlund SILVER NITRATE Line Producer SONY PICTURES SXSW World Premiere Ash Shah, Tim Peternel Location: Los Angeles STAY COOL Michael Polish PROHIBITION PICTURES Production Supervisor Ken Johnson, Nick Byassee Tribeca World Premiere Location: Los Angeles THE SMELL OF SUCCESS Michael Polish PROHIBITION PICTURES Production Supervisor Ken Johnson, Nick Byassee Sundance World Premiere Location: Los Angeles INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

Copy Link

Recommended publications

Robert Downey Jr
PVR MOVIES FIRST VOL. 27 YOUR WINDOW INTO THE WORLD OF CINEMA JANUARY 2018 20 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW ROBERT INTE DOWNEY JR. RAJ NEE EY PAND THE BEST NEW MOVIES PLAYING THIS MONTH: MUKKABAAZ, THE POST, 1921, 12 STRONG, PITCH PERFECT 3 GREETINGS ear Movie Lovers, We rewind to “ Scent of a Woman, “ the 1992 film that earned Al Pacino his first Oscar for his portrayal of a Here’s the January edition of Movies First, your exclusive cantankerous colonel. window to the world of cinema. T race the fast-rising career graph of American writer- Th e year kickstarts with “ Paddington 2”, a fabulous follow director Alex Garland , and join us in wishing superstar up to Paul King’s superhit animation comedy. Watch Nicholas Cage a Happy Birthday. out for Hugh Grant’s scene-stealing turn as an appalling villain, and the non-stop side-splitting gags. We really hope you enjoy the issue. Wish you a fabulous month of movie watching. Neeraj Pandey’s much awaited “Aiyaary” arrives on screen, and we have the man himself telling us what to Regards expect from this intense patriotic thriller. Akshay Kumar plays “ Pad Man ,” which tackles a bold and beautiful Gautam Dutta social subject. CEO, PVR Limited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS This January everyone’s favourite bear is back for seconds.
[Show full text]
ANNIE GUIDICE Editor
ANNIE GUIDICE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS MAID John Wells WARNER BROS. TV / NETFLIX Season 1 Molly Smith Metzler, Terri Murphy, John Wells, Margot Robbie A LOT OF NOTHING Mo McRae ANONYMOUS CONTENT Feature Film Zak Kristofek, Ethan Lazar David Oyelowo BETTER THINGS Pamela Adlon 3 ARTS ENTERTAINMENT / FX Season 4 Erica Sterne, Nisha Ganatra, Dave Becky Blair Breard, Joanne Toll DARE ME Various Directors UNIVERSAL / USA Season 1 Gina Fattore, Megan Abbott, Peter Berg TOO OLD TO DIE YOUNG Nicolas Winding Refn AMAZON Season 1 Ed Brubaker, Brendan Garst Jeffrey Stott LOST TRANSMISSIONS Katharine O’Brien ROYAL ROAD ENTERTAINMENT Feature Film - Additional Editing Filip Jan Rymsza, Alyssa Swanzey Tribeca Film Festival SIMPLE WEDDING Sara Zandieh MAINSTAY ENTERTAINMENT Feature Film Rita Wilson, Shohreh Aghdashloo Norman Aladjem, Ray Moheet STRONGER David Gordon Green MANDEVILLE / BOLD FILMS Feature Film ROADSIDE ATTRACTIONS Additional Editor Jake Gyllenhaal, Riva Marker David Hoberman, Todd Lieberman THE BOSS Ben Falcone GARY SANCHEZ PRODUCTIONS Feature Film UNIVERSAL Visual Effects Editor Adam McKay, Melissa McCarthy Ben Falcone PITCH PERFECT 2 Elizabeth Banks BROWNSTONE PRODUCTIONS Feature Film UNIVERSAL Visual Effects Editor Elizabeth Banks, Max Handelman Paul Brooks FREAKS OF NATURE Robbie Pickering COLUMBIA PICTURES Feature Film Jonah Hill, Ron Schmidt, Matt Tolmach Visual Effects Editor THIS IS IT Kenny Ortega COLUMBIA PICTURES Feature Film Michael Bearden, John Branca Digital Content Specialist Todd Cogan FIRED! Chris Bradley SHOUT! FACTORY INTERNATIONAL Feature Film Kyle LaBrache FILM CIRCUIT Richard Foos, Annabelle Additional Editing Gurwitch INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
[Show full text]
Emmy Nominations
2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
[Show full text]
DONNA LANGLEY the Complete Pioneer of the Year Tribute Journal Will Be Available for Download on Our Website
2016 PIONEER OF THE YEAR DONNA LANGLEY The complete Pioneer of the Year Tribute Journal will be available for download on our website, www.wrpioneers.org/2016dinner. Thank you to all our sponsors. Renewable resources were used to produce this printed piece. A donation will be made on behalf of Donna Langley and the Will Rogers Motion Picture Pioneers Foundation to American Forestry. 2016 PIONEER OF THE YEAR Welcome On behalf of the Board of Directors of the Will Rogers Motion Picture Pioneers Foundation,thank you for attending the 2016 Pioneer of the Year Dinner. This is our 75th annual dinner, and this evening’s honoree Donna Langley, is a most-deserving one. The Pioneer of the Year award is bestowed upon an esteemed and respected member of the motion picture industry whose corporate leadership, service to the community and commitment to philanthropy is exceptional. Tonight we honor a visionary leader, a proven champion of the motion picture art form, and a woman who gives tirelessly of herself to our industry and to philanthropic causes-Donna Langley. The Pioneers Assistance Fund is the only industry program that provides both short- term and Quality of Life grants (long-term) to veterans of the motion picture industry who are encountering an illness, injury, or life-changing event. Thank you for donating generously to our industry charity-hopefully you will never have reason to call on the Pioneers Assistance Fund, but should the need arise we will be here to help. Please enjoy yourself tonight as we pay tribute to a true pioneer.
[Show full text]
The Best Spec Scripts of the Year They Lied
I THINK AMERICA FORGAVE TONYA HARDING WHEN THEY ALL TUNED INTO THE 1994 OLYMPICS. THEY WERE REALLY SAYING THANK YOU, CRAZY- PANTS, FOR A ONE OF A KIND STORY WE WEREN’T GONNA SEE WITHOUT SOMEONE LIKE YOU • SHE CAN TALK. SHE CAN WALK. SHE CAN READ AND WRITE FOR THE MOST PART. SHE CAN PASS FOR NORMAL ENOUGH. BUT I CANNOT KEEP WORRYING ABOUT HER AS A TICKING TIME BOMB FOR THIS FAMILY’S FUTURE. WE HAVE NINE CHILDREN. EIGHT OF WHOM I WILL CONTINUE TO SHEPHERD IN CARRYING FORTH MY NAME INTO HISTORY - BUT NOT ROSEMARY • NINE-ELEVEN IS WHAT DID IT, I GUESS. WAS THE FIRST TIME I SAW THERE WERE PEOPLE OUT THERE THAT JUST ... HATED US. SO I WANTED TO DO MY PART, PROTECT THE COUNTRY FROM THOSE WHO WOULD SEE US BROUGHT LOW • WILL DEMPSEY WAS THIRTY-ONE YEARS OLD WHEN HE FINALLY GAVE UP ON HIS SAM JACKSON UNRELIABLE NARRATOR SCREENPLAY. HE’D BEEN WORKING ON IT SINCE 7:30 AM. WILL LOOKS UP AT THE CLOCK. IT’S 7:47 AM. THE HIT LIST 2016 THE BEST SPEC SCRIPTS OF THE YEAR THEY LIED. ALL OF THEM. THEY LIED AND TOLD US THAT WHAT WE WERE DOING WAS GOOD. THAT WE WERE HELPING PEOPLE WHO COULDN’T HELP THEMSELVES. BUT THAT WASN’T IT AT ALL. NO ONE WANTED US THERE. SO, THEY, WE, JUST SENT A BUNCH OF YOUNG MEN TO DIE. AND IT SHOULDN’T JUST BE US TO KNOW THE TRUTH • YOU FEEL THAT? I’M NORTH. YOU’RE SOUTH.
[Show full text]
Return of Organization Exempt from Income
efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93493284002103 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 (c), 527, or 4947 (a)(1) of the Internal Revenue Code (except black lung 2 benefit trust or private foundation) 201 Department of the Treasury Internal Revenue Service 1-The organization may have to use a copy of this return to satisfy state reporting requirements A For the 2012 calendar year, or tax year beginning 01-01-2012 , 2012, and ending 12-31-2012 C Name of organization B Check if applicable D Employer identification number IATSE NATIONAL HEALTH AND WELFARE F Address change FUND 23-7333434 Doing Business As F Name change 1 Initial return Number and street (or P 0 box if mail is not delivered to street address) Room/suite E Telephone number 417 FIFTH AVENUE 3RD FLOOR p Terminated (212)580-9092 (- Amended return City or town, state or country, and ZIP + 4 NEW YORK, NY 10016 I Application pending G Gross receipts $ 129,997,251 F Name and address of principal officer H(a) Is this a group return for affiliates? F Yes F No H(b) Are all affiliates included? F Yes F No If "No," attach a list (see instructions) I Tax-exempt status F_ 501(c)(3) F 501(c) ( 9 I (insert no ) (- 4947(a)(1) or F_ 527 H(c) Group exemption number - J Website : 1- iatsenbf org K Form of organization 1- Corporation F Trust F_ Association (- Other 0- L Year of formation 1973 M State of legal domicile NY Summary 1 Briefly describe the organization's mission or most significant activities TO PROVIDE MEDICAL BENEFITS TO ELIGIBLE PARTICIPANTS AND THEIR DEPENDENTS w 2 Check this box Of- if the organization discontinued its operations or disposed of more than 25% of its net assets 3 Number of voting members of the governing body (Part VI, line 1a) .
[Show full text]
Illustration by Josh Cochran
46ILLUSTRATION JAN | FEB 2010 BY THEJOSH PENNSYLVANIA COCHRAN GAZETTE HOW TO SUCCEED IN SHOW BUSINESS BY REALLY, REALLY TRYING She’s played an amateur porn actress and a president’s wife, produces movies with her (fellow alum) husband, and is now poised to direct her own first film. Elizabeth Banks C’96 is working almost as hard as she did at Penn. By Caroline Tiger THE PENNSYLVANIA GAZETTE JAN | FEB 2010 47 year is 1993. The setting is a hosts, but she’s still working around the Her first role was Pontius Pilate in Jesus THEdouble in the Tri-Delt soror- clock and taking little time off between Christ Superstar—the robe handily cov- ity house on Penn’s campus. An alarm projects. “I like being busy,” she says. “I ered her cast. Banks’ high school theater clock sounds around 6:00 a.m., rousing do better when I’m juggling a lot of teacher, Ralph Hamann, told their home- two sophomores. The one named Liz things. When I have down time, I get town paper, the Berkshire Eagle, “There gets out of bed and makes her way to the bored and lackluster, and I don’t really were depths she revealed at an early age. I bathroom to start her day. The one feel like myself.” It’s not the most unusu- could say to her, ‘Liz, take the stage,’ named Rebecca falls back to sleep. After al sentiment from a Penn grad, but meaning, the space is yours. She would getting dressed, Liz slinks through the according to Stewart, “In a sea of over- know what to do, instinctively.” He recalled silent house and out the door to her achievers, Liz was a standout.” her star turn as Aldonza/Dulcinea in Man Faculty Club work-study job at an hour Three years ago, Banks added pro- of La Mancha.
[Show full text]
Celebrations-Issue-16-DV75423.Pdf
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “The Land”, photo by Tim Devine Issue 16 Remembering 42 Contents Horizons Letters ..........................................................................................6 Celebrations Marketplace ...........................................7 Calendar of Events ............................................................ 8 Disney News & Updates................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic Exploring the Land by Tim Foster............................................................................16 Explorer Emporium 50 by Lou Mongello .....................................................................18 Hidden Mickeys by Steve Barrett .....................................................................20 Photography Tips & Tricks by Tim Devine .........................................................................22 Pin Trading & Collecting by John Rick .............................................................................24
[Show full text]
Feature Pitch Memo 4.26.19
WGA Weekly Feature Memo – April 26, 2019 We are excited to send you this inaugural edition of the WGA Weekly Feature Memo for your consideration. Each Friday's memo will present log lines for available specs and pitches submitted by WGA writers. If you'd like to read a spec, hear a pitch or set a general meeting, click the link to a writer’s profile. There you will find their authorized representatives and a link to “contact the writer” directly. We are thrilled to be off to a great start, with hundreds of submissions and hundreds of subscribers. Since our first edition is longer than we expect the typical Memo to be, for one time only we’ll also be doing a bonus edition this coming Tuesday! Starting next Friday, we’ll settle into our weekly routine. You can also check out features writers on Twitter under the hashtags #WGAWeeklyMemo and #WGAFeatureBoost Please forward this email to other feature producers and development executives who may want to receive the Memo. They can subscribe here. Concepts remain the property of the writers submitting them FEATURE SPECS 21st C. Sci-Fi/Gothic Horror Writer: Seth Lochhead (Profile) Title: SOMNIUM Targets: A24, Focus Features, Fox Searchlight Logline: Set in an isolated mining facility in the far north of Alaska, SOMNIUM is the story of Karin Anderrson whose dream to become an astronaut slowly turns into a nightmare. Ex Machina/The Thing meets Frankenstein. Action Writer: Don Perez (Profile) Title: The Invincibles Logline: A team of four superheroes from around the globe (America, China, Africa, India) unite to combat a supervillian and his army of shapeshifting warrior monks who seek a weapon that will grant immortality.
[Show full text]
'Fat Shaming' to a Scientific Level
Örebro Universitet Institutionen för humaniora, utbildning och samhällsvetenskap ‘FAT SHAMING’ En analys av överviktiga kvinnor i amerikansk film Självständigt arbete 15p 2016-01-15 Medie- och kommunikationsvetenskap med inriktning film Handledare: Johan Nilsson Författare: Lisa Eklöf och Nina Lindström Abstract This essay examines the two representative American films Pitch Perfect 2 (2015) and Spy (2015), where the characters and the actresses are noted for being overweight. The aim of the thesis was to examine if and how the portraiture of overweight female characters in American films stigmatize and stereotype the overweight body. Furthermore, we had the subsidiary aim to investigate whether overweight women are granted the same terms regarding femininity, male desire and sexuality as normal-weight women. Our goal with this essay was to highlight the concept of 'fat shaming' to a scientific level. We wanted to find out if one can talk about ‘fat shaming’ when it comes to the visibility of the overweight body in films. To discuss the impact of the portraiture in the material we have used social representation theory as the main approach. We have also used theories and concepts regarding stigmatization, stereotyping and representation of femininity and male desire. The results show that Pitch Perfect 2 is more explicit in its stereotypical portrayals while Spy is more subtle. It is also clear that the characters are not granted the same terms regarding femininity, male desire and sexuality. Both films stigmatize the overweight body discursively, which contributes to 'fat shaming' in society. Keywords: American Culture, Body, Desirability, Discourse, Fat Shaming, Femininity, Norms, Overweight, Social Representation, Stereotyp, Stereotyping, Stigma, Stigmatization Innehåll 1.
[Show full text]
Producers Guild of America Announces Initial Slate Of
FOR IMMEDIATE RELEASE PRODUCERS GUILD OF AMERICA ANNOUNCES INITIAL SLATE OF FEATURED SPEAKERS & SESSION TOPICS FOR 8th ANNUAL PRODUCED BY CONFERENCE INCLUDING A “360 PROFILE: ALL DEF DIGITAL” WITH RUSSELL SIMMONS, SANJAY SHARMA, CHRIS CONTI, & JAKE STEIN, AND “A CONVERSATION WITH: ELIZABETH BANKS AND MAX HANDELMAN” PBC 2016 REGISTRATION NOW OPEN FOR JUNE 4-5 EVENT AT SONY PICTURES Additional Speakers Include Ian Bryce, Lesley Chilcott, Tracey Edmonds, America Ferrera, Mark Gordon, Marshall Herskovitz, Courtney A. Kemp, Michael London, Gary Lucchesi, Lori McCreary, Molly Smith, & Sarah Treem, Among Others LOS ANGELES (February 19, 2016) – The Producers Guild of America (PGA) announced the initial slate of speakers and session topics for its 8th annual Produced By Conference (PBC). This year, PBC’s headlining panels include a “360 Profile” roundtable discussion with All Def Digital principals Russell Simmons, Sanjay Sharma, Chris Conti, and Jake Stein; and the “Conversations With…” series featuring an in-depth dialogue with producers Elizabeth Banks and Max Handelman from Brownstone Productions. Produced By is the only conference specifically created by producers, for producers. No other event gives producers so many opportunities to network with and learn from top storytellers and decision-makers in the entertainment industry. Registration and pricing information can be found at ProducedByConference.com. Early bird registration at a discounted rate is available now and ends May 1st. Produced By 2016 takes place June 4-5 and is hosted by Sony Pictures on its studio lot in Culver City, CA. Confirmed panelists to date are noted below in alphabetical order. Additional speakers will be announced in the coming weeks.
[Show full text]
ABSTRACT Valerie: a Screenplay Kathryn Sommers Director
ABSTRACT Valerie: A Screenplay Kathryn Sommers Director: K. Sarah-Jane Murray, Ph.D. Animated movies by Disney and Pixar make millions of dollars every year. Great stories and great art capture audiences and can create a cultural movement, as evidenced by Frozen. This impact and its importance in society prefaces the bulk of my thesis, which is a screenplay inspired by Renaissance Disney movies. My story follows a princess as she learns the responsibility of power. With adventure, betrayal, and romance, Princess Valerie matures into a worthy ruler of her Germanic kingdom Edelstein. I hope this story will inspire and encourage young men and women to be strong yet responsible and humble. VALERIE: A SCREENPLAY A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Kathryn Sommers Waco, Texas May 2015 TABLE OF CONTENTS Introduction iii Screenplay: Valerie 1 Bibliography 80 ii INTRODUCTION Once upon a time, there was a girl who was sweet at heart and a joy to friends and strangers alike. As a child, people called her blessed. Yet, as she grew into a young woman, she was cursed with braces, acne, and thick-rimmed purple glasses. Friends grew distant, and strangers mocked her for her appearance and personality. She remained sweet at heart, but grew weary of strangers’ oppression. Was there something wrong with her? Was she too sweet and too strange to have friends? She despaired. But when she came home from school each day, Disney shows and movies alike encouraged her to persevere. The movies lauded goodness and kindness above all else — even above beauty.
[Show full text]