Celebrations-Issue-16-DV75423.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Celebrations-Issue-16-DV75423.Pdf Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “The Land”, photo by Tim Devine Issue 16 Remembering 42 Contents Horizons Letters ..........................................................................................6 Celebrations Marketplace ...........................................7 Calendar of Events ............................................................ 8 Disney News & Updates................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic Exploring the Land by Tim Foster............................................................................16 Explorer Emporium 50 by Lou Mongello .....................................................................18 Hidden Mickeys by Steve Barrett .....................................................................20 Photography Tips & Tricks by Tim Devine .........................................................................22 Pin Trading & Collecting by John Rick .............................................................................24 Disney Cuisine World Showcase by Allison Jones ......................................................................26 56 Travel Tips Pavilions That Never by Beci Mahnken ...................................................................28 Were Disneyland Magic by J Darling...............................................................................30 FEATURED ATTRACTION Journey Into Imagination with Figment ....32 Miyuki: The FEATURED FILM Winnie the Pooh................................................................36 Traditional Art of 60 Lou Mongello’s Wayback Machine .................... 68 Japanese Candy Wandering the World ...................................................72 Making By the Numbers: Walt Disney World Landscaping .................................73 Quick Quiz...............................................................................74 In Search of: Humphrey the Bear........................76 Kids Korner ...........................................................................78 Stories Behind Walt Mystery Quest: Disney’s BoardWalk..................82 Disney World: 64 Tim & Lou’s Top 10 ...........................................................84 The Wilderness Lodge Brrr...! In recent months, we’ve seen a lot of wild winter weather, with frigid temperatures gripping most of the country and snow falling throughout the United States. In fact, during one week in January, there was snow in 49 of the 50 states,* with the exception being, you guessed it, Florida. (Although I heard rumors of snow flurries in Tallahassee!) Even people hoping to escape the bitter cold of the north with trips to Walt Disney World were confronted by chilly days and even frostier evenings. But even though it wasn’t shorts-and-T-shirts weather, in a way isn’t it refreshing to duck into the shops along Main Street, U.S.A or World Showcase to warm up rather than to cool off? And isn’t it strange when you’re looking forward to the heat lamps in Test Track? It’s quite a change from the relief of the freezing chamber on a sweltering August afternoon or to the welcome blast of cold air that greets you at the doors of the Main Street Bakery and the Plaza Ice Cream Parlor. For most of the year, those havens of coldness are pure delight. (Who can forget the snowy entrance to the former Ice Station Cool in Epcot, or, for Guests who were fortunate enough to visit, the winter globe in the Sweden Pavilion in the Millennium Village in World Showcase?) During that brief period in winter when even Florida gets a visit from Jack Frost, it’s a wonderfully unique experience to warm up with a cup of hot chocolate in the Magic Kingdom. Especially when (despite the claims of the weatherman), you can walk under a magical snowfall on Main Street, U.S.A. Enjoy the magic! Tim Foster *In case you’re curious, Hawaii has several mountains where there’s always snow, though in my mind that’s cheating! 2 · Celebrations Editors Tim Foster • Lou Mongello Contributing Writers Steve Barrett J Darling Tim Devine Allison Jones Beci Mahnken John Rick Associate Editors Jennifer Bright Reich • Catherine Lusby Creative Direction and Design Tim Foster Associate Art Director Michelle Foster Contributing Photographers Tim Foster, Tim Devine, Chuck Lionberger Basic subscription rate is $29.99 for six issues ($35.99 for Canada residents, $54.99 for other international residents). To subscribe online visit www.celebrationspress.com. Single issue price is $5.99. All orders must be prepaid and are payable in U.S. funds only. Celebrations (USPS 025-286) is published bimonthly in the U.S. by Celebrations Press, Inc, 308 Sundance Drive, Chester Springs, PA. 19425. Periodicals Postage Rate Paid at Chester Springs, PA and additional mail- ing offices. POSTMASTER: Send address changes to Celebrations, ATTN: Subscriptions, 308 Sundance Drive, Chester Springs, PA 19425. SUBSCRIBERS: If the postal service alerts us that your magazine is undeliverable, we have no further obligation unless we receive a corrected address within one year. Advertising inquiries (including information on advertising rates and opportunities) can be sent to: [email protected]. We are always accepting story proposals and contributions. You can direct such inquiries to: [email protected]. Unsolicited materials must be accompanied by a stamped, self-addressed envelope. By sending in unsolicited materials such as photos, you agree that Celebrations Press is not responsible for their safety or return. ©2011 Celebrations Press, Inc. No portion of this publication may be reproduced in any form without the express writ- ten permission of the publisher. Statements and opinions herein are those of the authors and advertisers and do not necessarily reflect the views of the publisher. Celebrations is owned and operated by Celebrations Press, Inc. and is not affiliated with, authorized or endorsed by, or in any way officially connected with the Walt Disney Company, Disney Enterprises, Inc., or any of their affiliates. Walt Disney World Resort® is a registered trademark of The Walt Disney Company. The Twilight Zone® is a registered trademark of CBS, Inc. This publication makes reference to various Disney copyrighted characters, trademarks, marks, and registered marks owned by The Walt Disney Company, Disney Enterprises, Inc., and other trademark own- ers. The use in this book of trademarked names and images is strictly for editorial purposes, no commercial claim to their use, or suggestion of sponsorship or endorsement, is made by the authors or publishers. Those words or terms that the authors have reason to believe are trademarks are designated as such by the use of initial capitaliza- tion, where appropriate. However, no attempt has been made to identify or designate all words or terms to which trademark or other proprietary rights may exist. Nothing contained herein is intended to express a judgement on, or affect the validity of legal status of, any word or term as a trademark, service mark, or other proprietary mark. While every care has been taken to ensure the accuracy of the information in this publication, the passage of time will always bring changes in operating schedules, attraction openings and closings, and policies. The authors and publisher shall not be held liable for any information (valid or invalid) presented here and do not represent The Walt Disney Company. 3 · Celebrations When Does the Experience Begin? For many of us, there’s nothing more exciting than planning our next trip to Walt Disney World. “One Little Spark” of inspiration starts us wondering: When can we go? Where can we stay? And even six months in advance, where can we eat? We all begin our Walt Disney World experience at different times. For some, the experience starts when they reach the airport and board the plane to MCO. For others, the experience begins when they pass through the giant archway welcoming them onto Walt Disney World property. For still others, it hits home when they check into their resorts. Yet for many of us, the experience begins the moment the decision to go to Walt Disney World is made. After the plans are finalized, the spreadsheets come out, the guidebooks are opened, and the research begins—with many hours spent in front of computer keyboards, reading, watching, listening, learning, preparing, and in some cases, scheming. Scheming? Yes! For the parents who want to surprise their children with a trip to Walt Disney World, the fun is in the planning how they’ll reveal the gift. For the husband who wants to treat his wife to a special day for their anniversary, making spa and dinner reservations undetected is all part of the fun. For many folks, the anticipation and preparation are huge parts of the experience. They listen to all of their favorite podcasts, read the blogs, and dog-ear their favorite guidebooks. Old Disney vacation–planning DVDs are dusted off while waiting
Recommended publications
  • This Was a Time of Both Turmoil and Prosperity for America
    Lillie, Disney, 1 Cleansing the Past, Selling the Future: Disney’s Corporate Exhibits at the 1964-65 New York World’s Fair Jonathan J. M. Lillie JOMC 242 History Paper 5/3/02 Park Doctoral Fellow The School of Journalism and Mass Communication The University of North Carolina at Chapel Hill Lillie, Disney, 2 Abstract This paper offers a historical analysis of Disney’s corporate exhibits at the 1964-65 New York World’s Fair, GE’s “Carousel of Progress” and Ford’s “Magic Skyway,” in an attempt to consider their historical and cultural significance. The coming together of Disney’s legacy of nostalgic entertainment achieved via his desire and skill in “improving” the past and future with the equally strong desire of corporate giants to sell themselves and their products is presented here as a case study of the processes of cultural creation: how and why specific discourses of technology and consumption are written in to these narratives of the past and the future. Introduction Between April 22, 1964 and October 17, 1965 fifty-one million people experienced the New York World’s Fair.1 The mid-1960s was a time of both turmoil and prosperity for America. President Kennedy had been assassinated only months before the Fair’s opening. In southern states such as Alabama the civil rights protest movement was drawing national attention. While cold war tensions remained high following the Cuban Missile Crisis, the nation was enjoying the height of postwar economic prosperity and geo-political power. The Fair’s twin themes of “Man’s Achievements in an Expanding Universe” and “A Millennium of Progress” captured the exuberance of the times, celebrating “the boundless potential of science and technology for human betterment.”2 The 1939 New York World’s Fair was in many ways a predecessor to the 1964-65 exhibition.
    [Show full text]
  • Compare Annual Passes
    Compare Annual Passes As a Walt Disney World Annual Passholder, enjoy perks like discounts on dining merchandise and more. By renewing your Annual Pass(es) today, you’ll receive a special renewal price. Don’t see your current pass listed? Platinum Plus renewals are not available at this time, but you can select from the variety of passes below, and you will still be eligible for the special renewal rate. Park Pass Availability and Eligible Reservation Days All reservations are subject to availability and applicable pass blockout dates, and guests should ensure their pass type is valid for park entry prior to making a park reservation. To enter one of the theme parks, each Passholder is required to have both a park reservation and a valid annual pass. Annual Passholders can hold up to 3 park reservations at a time. Passholders staying at select Disney Resort or other select hotels are eligible to make park reservations for each day of their Resort stay(s), in addition to holding up to 3 days of park reservations at a time. Once you use a theme park reservation, you can make another reservation for a future date. View Eligible Reservation Days by Pass View Park Pass Availability Annual Passes Disney Platinum Pass • Visit one or more* Walt Disney World Resort Theme Parks on the same day, subject to Disney Park Pass Reservation availability (view Disney Park Pass Availability) • Includes Disney PhotoPass downloads** • Save on select dining • Up to 20% off select merchandise in store • Standard theme park parking Disney Gold Pass Florida Residents
    [Show full text]
  • Tell Your Summer Disney Story!
    Tell Your Summer Disney Story! Disney PhotoPass® Guide Walt Disney World® Resort Summer 2019 Magic Kingdom® Park DISNEY ICONS Main Street, U.S.A.® Fantasyland® nnPark Entrance nnPrince Eric’s Castle nnCinderella Castle Frontierland® nnBig Thunder Mountain CHARACTER EXPERIENCES Main Street, U.S.A.® Fantasyland® nnMickey Mouse and Minnie Mouse nnAlice nnTinker Bell nnAriel Cinderella Adventureland® nn Daisy Duck nnAladdin and Princess Jasmine nn nnDonald Duck ® Tomorrowland nnElena of Avalor nnBuzz Lightyear nnGaston nnStitch nnGoofy nnMerida nnPluto nnRapunzel nnTiana nnWinnie the Pooh ATTRACTIONS Adventureland® Liberty Square nnPirates of the Caribbean®* nnHaunted Mansion* Frontierland® Fantasyland® nnSplash Mountain® nnSeven Dwarfs Mine Train* Includes attraction photo & video. Tomorrowland® nnSpace Mountain® nnBuzz Lightyear’s Space Ranger Spin® MAGIC SHOTS Main Entrance Main Street, U.S.A.® nnPeter Pan nnMickey Ice Cream Bar Fantasyland® nnAlice Frontierland® Liberty Square nnAriel nnMr. Bluebird nnHitchhiking Ghosts Cinderella nn Fantasyland® nnDaisy Duck nnNEW! Animated Magic Shot at Ariel’s Grotto nnDonald Duck nnElena of Avalor OTHER PHOTO EXPERIENCES nnGaston nnGoofy Fantasyland® nnMerida nnEnchanted Tales with Belle nnPluto nnDisney PhotoPass Studio Rapunzel nn Main Street, U.S.A.® nnTiana nnNEW! Cinderella Castle PhotoPass Experience at Plaza nnWinnie the Pooh Garden East *MagicBand required at time of capture to link and preview this attraction photo Epcot® DISNEY ICONS Future World nnSpaceship Earth® (Front) nnSpaceship Earth®
    [Show full text]
  • Copyrighted Material
    18_571532 Index.qxd 7/22/04 9:19 AM Page 362 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Airports, 42–43 Astronaut Memorial Plane- security procedures, 43–44 tarium and Observatory, transportation to/from, 43 332 A AA (American Automo- Air travel with kids, 36 Astro Orbiter, 192 bile Association), 64–65, Akershus Castle, 210 Atlanta Braves, 23, 236, 285 88, 247, 252 Aladdin’s Magic Carpet Ride, Atlantic Dance, 311 ABC Super Soap 235 ATMs (automated-teller Weekend, 26 Altamonte Mall, 292–293 machines), 18, 20, 58–59, Accommodations, 82–124. The Amazing Adventures of 175 See also Accommodations Spider-Man, 7, 257 Animal Kingdom, 224 Index The American Adventure, Disney–MGM Studios, 212 advantages of staying at 211 Epcot, 196 Walt Disney World, American Automobile Islands of Adventure, 254 85–86 Association (AAA), 64–65, Magic Kingdom, 180 bed & breakfasts, 123–124 88, 247, 252 SeaWorld, 267 best bets, 10–12 American Express, 78 Auctions, 291 choosing a hotel and sav- traveler’s checks, 20 Audubon of Florida— ing money, 82 American Film Institute National Center for Cocoa Beach, 336–338 Showcase, 214 Birds of Prey, 286 condo or home rentals, 114 Amtrak, 46 Auggie’s Jammin’ Piano Bar, Daytona Beach, 346–349 Auto Train, 47 306 for disabled travelers, 30 senior discounts, 33 disadvantages of staying at for travelers with B aby care, 175 Walt Disney World, disabilities, 30 Animal Kingdom, 224 86–87 Anandapur, 229 Disney-MGM Studios, 212 family-friendly, 35 Angell & Phelps Chocolate Epcot, 196 frequent-stay clubs, 84 Factory (Daytona Beach), Islands of Adventure, 254 reservation services, 85 346 Magic Kingdom, 180 surfing for, 40 Anheuser-Busch Hospitality SeaWorld, 267 Tampa area, 324–326 Center, 272 Universal Studios Florida, tipping, 69 Animal Kingdom, 221–230 245 Adventure Express Tour, arriving in, 222, 224 Babysitters, 78 264, 266 Hidden Mickeys, 217 Backstage Magic, 201 Adventure Island, 314 hours, 224 Backstage Safari, 201 Adventureland, 181–183 restaurants, 140–141 Back to the Future .
    [Show full text]
  • Disney and His Worlds
    DISNEY AND HIS WORLDS Disney and his Worlds is a thorough overview of what is by now quite a large literature on the Disney organization, in particular the theme parks and their significance for contemporary culture. The author looks at Walt Disney’s life and how his biography has been constructed; the Walt Disney Company in the years after his death; and the writings of various commentators on the Disney theme parks. He raises important issues about the parks: whether they are harbingers of postmodernism; the significance of consumption at the parks; the nature of the parks as tourism; and the representation of past and future. The discussion of theme parks is central but links with the presentation of Walt Disney’s biography and his organization by showing how central economic and business considerations have been in their development, and how the significance of these considerations is typically marginalized in order to place an emphasis on fantasy and magic. In the process, the book questions the assumption that the parks are sites of postmodern sensibility. Disney films, merchandizing and theme parks are one of the defining features of our times and one of the more effective elements in American cultural imperialism. It is impossible to imagine an encyclopedic sociology of contemporary culture that did not devote at least a chapter to Disney and his Worlds. In particular the parks are often employed as examples in areas like cultural studies, the sociology of postmodernism, tourism and leisure studies, while Walt Disney and his organization are important to the area of organization studies.
    [Show full text]
  • The Mdgs and Sauri Millennium Village in Kenya
    An Island of Success in a Sea of Failure? The MDGs and Sauri Millennium Village in Kenya Amrik Kalsi MBA: Master of Business Administration MSc: Master of Science in Management and Organisational Development MA: Master of Arts A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2015 The School of Social Science Abstract For a number of decades, foreign aid-supported poverty reduction and development concepts, and policies and programmes developed by development agencies and experts implemented since the 1950s, have produced limited short-term and sometimes contradictory results in Kenya. In response to this problem in 2000, the adoption of the Millennium Development Goals (MDGs) was in many respects a tremendous achievement, gaining unprecedented international support. The MDGs model has since become the policy of choice to reduce poverty and hunger in developing countries by half between 2000 and 2015, being implemented by the Millennium Village Project (MVP) ‘Big-Push’ model, seemingly designed as a ‘bottom-up’ approach. Poverty reduction and sustainable development are key priorities for the Kenyan government and the Kenya Vision 2030 blueprint project. The MDGs process, enacted as the Millennium Village Project (MVP) in Kenya for poverty reduction, is now at the centre of intense debate within Kenya. It is widely recognised that foreign aid maintained MVP and sustainable development through the UN and local efforts, especially in their present form, have largely failed to address poverty in Kenya. Furthermore, not enough was known about the achievements of the MVP model in real- world situations when the MVP model interventions were applied in the Sauri village.
    [Show full text]
  • An Award-Winning Nonprofit
    “The SfS program has brought science alive for my students. It has provided the realization that perhaps, they too can aspire to an occupation in science. It has encouraged them to dream BIG!” AN AWARD-WINNING NONPROFIT Pinnacle Award $100Kfor100 Grant Hologic Award 100 Ways Grant @Scale Award THE U.S. IS BEHIND THE STEM WORKFORCE CRISIS 2014–2024 Projected Employment Growth The U.S. is facing a crisis in the STEM (Science, Technology, Engineering, Mathematics) workforce training pipeline. STEM job opportunities are projected to grow 50% faster than ○ non-STEM jobs by 2024; yet the U.S. is simply not producing enough candidates to fll them. 9% ○ 6% THE STEM EDUCATION CRISIS STEM JOBS NON STEM JOBS The Business Higher Education Foundation determined that by the time students reach high school, 83% report lacking profciency and/or interest in STEM. Thus, the STEM challenges must be addressed earlier, in elementary and middle school, 83% of students are where gaps in STEM content competency and interest begin. NOT proficient in STEM OUR SOLUTION IS UNIQUE Real Scientists Hands-On Experiences Expansive Reach Measurable Impact Our staf members We provide discovery- We bring STEM to every Our programs have are charismatic, based, curriculum- space by delivering our shown measurable passionate role models relevant, and exciting programs during school, impact, from raising with strong academic hands-on STEM activities after school, over standardized test scores backgrounds and/or designed to engage vacation, and for special to improving students' demonstrable research students and ignite their events. attitudes towards future experience in STEM. interest in STEM.
    [Show full text]
  • A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling.
    [Show full text]
  • Free-Digital-Preview.Pdf
    THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
    [Show full text]
  • Robert Downey Jr
    PVR MOVIES FIRST VOL. 27 YOUR WINDOW INTO THE WORLD OF CINEMA JANUARY 2018 20 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW ROBERT INTE DOWNEY JR. RAJ NEE EY PAND THE BEST NEW MOVIES PLAYING THIS MONTH: MUKKABAAZ, THE POST, 1921, 12 STRONG, PITCH PERFECT 3 GREETINGS ear Movie Lovers, We rewind to “ Scent of a Woman, “ the ​​1992 film that earned Al Pacino his first Oscar for his portrayal of a Here’s the January edition of Movies First, your exclusive cantankerous colonel. window to the world of cinema. ​​T race the fast-rising career graph of ​​American​​ writer- ​​​​​Th e year kickstarts with “ Paddington 2”, a fabulous follow director Alex Garland , and join us in wishing superstar​​​​​ ​​ up to Paul King’s superhit animation comedy. Watch Nicholas Cage a Happy Birthday. out for Hugh Grant’s scene-stealing turn as an appalling villain, and the non-stop side-splitting gags. We really hope you enjoy the issue. Wish you a fabulous month of movie watching. ​​Neeraj Pandey’s much awaited “Aiyaary” arrives on screen, and we have the man himself telling us what to Regards expect from this intense patriotic thriller. Akshay Kumar plays “ Pad Man ,” ​​which tackles ​​a bold and beautiful Gautam Dutta social subject. CEO, PVR Limited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS This January everyone’s favourite bear is back for seconds.
    [Show full text]
  • ANNIE GUIDICE Editor
    ANNIE GUIDICE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS MAID John Wells WARNER BROS. TV / NETFLIX Season 1 Molly Smith Metzler, Terri Murphy, John Wells, Margot Robbie A LOT OF NOTHING Mo McRae ANONYMOUS CONTENT Feature Film Zak Kristofek, Ethan Lazar David Oyelowo BETTER THINGS Pamela Adlon 3 ARTS ENTERTAINMENT / FX Season 4 Erica Sterne, Nisha Ganatra, Dave Becky Blair Breard, Joanne Toll DARE ME Various Directors UNIVERSAL / USA Season 1 Gina Fattore, Megan Abbott, Peter Berg TOO OLD TO DIE YOUNG Nicolas Winding Refn AMAZON Season 1 Ed Brubaker, Brendan Garst Jeffrey Stott LOST TRANSMISSIONS Katharine O’Brien ROYAL ROAD ENTERTAINMENT Feature Film - Additional Editing Filip Jan Rymsza, Alyssa Swanzey Tribeca Film Festival SIMPLE WEDDING Sara Zandieh MAINSTAY ENTERTAINMENT Feature Film Rita Wilson, Shohreh Aghdashloo Norman Aladjem, Ray Moheet STRONGER David Gordon Green MANDEVILLE / BOLD FILMS Feature Film ROADSIDE ATTRACTIONS Additional Editor Jake Gyllenhaal, Riva Marker David Hoberman, Todd Lieberman THE BOSS Ben Falcone GARY SANCHEZ PRODUCTIONS Feature Film UNIVERSAL Visual Effects Editor Adam McKay, Melissa McCarthy Ben Falcone PITCH PERFECT 2 Elizabeth Banks BROWNSTONE PRODUCTIONS Feature Film UNIVERSAL Visual Effects Editor Elizabeth Banks, Max Handelman Paul Brooks FREAKS OF NATURE Robbie Pickering COLUMBIA PICTURES Feature Film Jonah Hill, Ron Schmidt, Matt Tolmach Visual Effects Editor THIS IS IT Kenny Ortega COLUMBIA PICTURES Feature Film Michael Bearden, John Branca Digital Content Specialist Todd Cogan FIRED! Chris Bradley SHOUT! FACTORY INTERNATIONAL Feature Film Kyle LaBrache FILM CIRCUIT Richard Foos, Annabelle Additional Editing Gurwitch INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
    [Show full text]
  • Sauri Millennium Village in Reality
    Global governance/politics, climate justice & agrarian/social justice: linkages and challenges An international colloquium 4‐5 February 2016 Colloquium Paper No. 38 ‘CASTLE IN THE SKY’: SAURI MILLENNIUM VILLAGE IN REALITY Hellen Kimanthi and Paul Hebinck International Institute of Social Studies (ISS) Kortenaerkade 12, 2518AX The Hague, The Netherlands Organized jointly by: With funding assistance from: Disclaimer: The views expressed here are solely those of the authors in their private capacity and do not in any way represent the views of organizers and funders of the colloquium. February, 2016 Follow us on Twitter: https://twitter.com/ICAS_Agrarian https://twitter.com/TNInstitute https://twitter.com/peasant_journal Check regular updates via ICAS website: www.iss.nl/icas ‘CASTLE IN THE SKY’: SAURI MILLENNIUM VILLAGE IN REALITY Hellen Kimanthi and Paul Hebinck Abstract The Millennium Villages Projects (MVPs) were implemented across sub-Saharan African countries to catalyse the achievement of the Millennium Development Goals (MDGs) and act as a proof that the MDGs are achievable. The MVP implemented interventions to cater for the eight MDGs in efforts to accelerate transformation of communities towards modernisation. This paper critically explores the MVP’s ‘quick win’ strategy to achieve the MDGs with a focus on agricultural interventions, implementation and impacts on the local community in Sauri Millennium Village (SMV) in Kenya. The study builds on previous studies (Van Kessel 1998; Mango, 1999, 2002; Hebinck, 2001; Mango and Hebinck, 2004 and Hebinck, Mango and Kimanthi, 2015) exploring socio-technical and agrarian changes in western Kenya. These studies were done way before the MVP was implemented in Sauri, The longitudinal nature of the data allow us to an indepth ex-ante and ex-post situational analysis of the dynamics generated by MVP.
    [Show full text]