LA BOHÈME October 17 - 25, 2015
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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Treasure Is Where You Find It
TREASURE I S W HER E YOU FIN D IT Williaa Cowie Residenoe Northeast corner o£ Canfield Avenue We.t and Third Avenue Built in 1676 - Razed after 1957 1'rom ~ '!istoQ: ~ Detro! t ~ Michigan by Silas F .......r Volume I, 1689, page 420 Publication underwritten by a grant trom The Hiatorio Memorials Sooiety in Detroit, Miohigan April 1969 OUTLINE HISTORY OF CANFIELD AVENUE WEST BETWEEN SECOND BOULEVARD AND THIRD AVENUE IN HONOR OF ITS ONE HUNDREDTH BIRTHDAY 1869 - 1969 by Mrs. Henry G. Groehn One lovely Wednesday afternoon, in the 1870's, two little girls sat on the McVittie front steps on the south side of Canfield Avenue West, between Second Boulevard and Third Avenue. They were watching the carriagos and horses as they clip-clopped to a stop in front of the Watton carriage stone next door. The ladies in elegant afternoon attire were "com!"" to call" on Mrs. Walter I"atton, the wife of a prominent Detroit denti"t.. Wednesday was the day Mrs. Watton IIreceived," and this was duly noted in a Detroit society blue book, which was a handy reference book for the lIin societyll ladies. Once again, almost one hundred years later, the atmosphere of ele gantly built homes with beautiful, landscaped lawns and quiet living can become a reality on tilis block. The residents who are now rehe.bilitating these homes are recognizing the advantage of historic tOlm house lh-;.ng, wi th its proximity to the center of business, cultural, and educati'm"~_ facilities. Our enthusiasm has blossomed into a plan called the CanfIeid West-Wayne Project, because we desire to share with others our discovery of its unique historical phenomenon. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Boheme Cinema Cast Sheet January 2020 ENG ENCORE.Indd
THE ROYAL OPERA Approximate timings MUSIC DIRECTOR SIR ANTONIO PAPPANO Introduction is approximately 15 minutes. DIRECTOR OF OPERA OLIVER MEARS Act I 35 minutes Act II 20 minutes Interval of 30 minutes Act III 25 minutes Act IV 30 minutes Curtain calls approximately 5 minutes There will be short pauses after Act I and after Act III, please remain seated. Tweet your thoughts about tonight’s performance before it starts, LA BOHÈME during the interval or afterwards with #ROHboheme OPERA IN FOUR ACTS MUSIC GIACOMO PUCCINI LIBRETTO GIUSEPPE GIACOSA AND LUIGI ILLICA AFTER HENRI MURGER’S NOVEL SCÈNES DE LA VIE DE BOHÈME CONDUCTOR EMMANUEL VILLAUME DIRECTOR RICHARD JONES 2019/20 Live Cinema Season REVIVAL DIRECTOR JULIA BURBACH DESIGNER STEWART LAING TUESDAY 25 FEBRUARY 2020 DANCES AT A GATHERING / THE CELLIST LIGHTING DESIGNER MIMI JORDAN SHERIN (ENCORE SUNDAY 1 MARCH 2020) MOVEMENT DIRECTOR SARAH FAHIE TUESDAY 17 MARCH 2020 FIDELIO REVIVAL MOVEMENT DIRECTOR DANIELLE URBAS (ENCORE SUNDAY 22 MARCH 2020) SWAN LAKE WEDNESDAY 1 APRIL 2020 ROYAL OPERA CHORUS (ENCORE SUNDAY 5 APRIL 2020) CHORUS DIRECTOR WILLIAM SPAULDING CAVALLERIA RUSTICANA/PAGLIACCI TUESDAY 21 APRIL 2020 ORCHESTRA OF THE ROYAL OPERA HOUSE (ENCORE SUNDAY 26 APRIL 2020) GUEST CONCERT MASTER ANDREW HAVERON THE DANTE PROJECT THURSDAY 28 MAY 2020 (ENCORE SUNDAY 31 MAY 2020) DIRECTED FOR THE SCREEN BY ELEKTRA THURSDAY 18 JUNE 2020 JONATHAN HASWELL (ENCORE SUNDAY 21 JUNE 2020) ORIGINALLY BROADCAST LIVE FROM THE ROYAL OPERA HOUSE roh.org.uk/cinema WEDNESDAY 29 JANUARY 2020 CO-PRODUCTION WITH TEATRO REAL, MADRID, AND LYRIC OPERA OF CHICAGO GENEROUS PHILANTHROPIC SUPPORT FROM THE ROYAL OPERA HOUSE ENDOWMENT FUND Synopsis Cast Act I An attic in the Latin Quarter of Paris, Christmas Eve MARCELLO ANDRZEJ FILOŃCZYK A PAINTER Rodolfo and Marcello complain about the bitter cold. -
A Happy Musical New Year for Dilijan Students
JANUARY 5, 2019 Mirror-SpeTHE ARMENIAN ctator Volume LXXXIX, NO. 24, Issue 4568 $ 2.00 NEWS The First English Language Armenian Weekly in the United States Since 1932 INBRIEF Forbes: Armenia A Happy Among Top Budget Musical Travel Destinations YEREVAN — An article in Forbes magazine named Armenia among the best budget travel des- tinations for 2019. New Year “Set in the Caucasus Mountains, Armenia is a hidden gem that’s still untouched by mass tourism, and yet has so much to offer: rich history, wineries, For Dilijan impressive landscapes, ancient monasteries and breathtaking mountains as far as your eyes can see. The capital, Yerevan, is a lively city with wide Students avenues, delicious restaurants, museums and street markets selling local handicrafts,” the article by Alexandra Talty notes. “For wine lovers, Armenia is the perfect place to By Muriel Mirak-Weissbach try wines made from different fruits such as pome- Special to the Mirror-Spectator granate (Armenia’s national symbol), blackberries and cherries. Outside of the capital is picturesque nature. You can pay a visit to the oldest winery in DILIJAN, Armenia — Students at the the world in Areni, stop by stunning monasteries, State Art College of Dilijan are ringing in or check out the oldest cathedral in the world in the New Year with music, and with brand Echmiadzin.” new instruments, thanks to the initiative of Staff applauds the arrival of new Instruments the Foundation for Armenian Relief (FAR). FAR, established in 1988 as a relief effort President Sarkissian after the earthquake, has continued to part of Armenia) and coordinates 15 music and national instruments. -
World Premiere of Angels' Atlas by Crystal Pite
World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Downtown Detroit Self-Guided Walking Tour D N O C E S
DOWNTOWN This self-guided tour is a great intro to downtown! Be sure to join us on one of our public tours or contact DETROIT us to a create a customized experience that fits your schedule. DOWNTOWN DETROIT SELF-GUIDED WALKING TOUR SECOND C H E R R Y P L U M Midtown M O N T C A L M J N O E L I Z A B E T H H N GRAND RIVER AVE C P L U M C O L U M B I A L WOODWARD AVE C H U R C H O MICHIGAN AVE THIRD D TRUMBULL G E L I Z A B E T H E E L I Z A B E T H COMERICA PARK BRUSH FORD FIELD ADAMS TENTH B E E C H C L FORD FIELD I P SECOND F A Corktown F R F O F I R S T O K U R P L A Z A R A BEAUBIEN B A G L E Y T D V EIGHTH H E M BROOKLYN A R D 13 11 I S N O N 12 H O B A G L E Y J GRATIOT AVE L A B R O S S E RANDOLPH 12 BROADWAY M U L L E T MICHIGAN AVE 1 TIMES SQUARE 10 P O R T E R WASHINGTON BLVD E A V DETROIT EXPERIENCE C L I N T O N E R G R A N D R I V LIBRARY9 FACTORY Lafayette Park A B B O T T A B B O T T STATE S T A N T O I N E M A C O M B PA R K P L A C E GRISWOLD 11 2 F A H O W A R D WASHINGTON BLVD R M O N R O E 8 TENTH BROOKLYN 10 M 10 375 E R FIFTH TRUMBULL E LAFAYETTE W LAFAYETTE BLVD W LAFAYETTE BLVD SHELBY SIXTH EIGHT 1 BRUSH 3 C A S S AV E S F O R T E RANDOLPH WOODWARD AVE F O R T 9 F O R T T PEOPLE MOVER A (ELEVATED MONORAIL) B BEAUBIEN E C O N G R E S S E C O N G R E S S W C O N G R E S S W J E F F E R S O N A V E 4 2 E L A R N E D RIVARD 6 3 4 7 COBO CENTER E JEFFERSON AVE W JEFFERSON AVE 5 7 5 8 RivertownW O O D B R I D G E W O O D B R I D G E RIOPELLE JOE LOUIS ARENA S T A U B I N O R L E A N S F R A N K L I N D U B O I S C I V I C C E N T E R AT W AT E R RIVARD PLAZA Detroit River 6 AT W AT E R AT W AT E R MILLIKEN STATE PARK DETROIT RIVER People Mover Tour Stops MAP LEGEND DXF Welcome Center Stations DXF creates experiences that are enlightening, entertaining and led by Detroiters. -
Giacomo Puccini Krassimira Stoyanova
Giacomo Puccini Complete Songs for Soprano and Piano Krassimira Stoyanova Maria Prinz, Piano Giacomo Puccini (1858-1924) 5 Ave Maria Leopolda (Giacomo Puccini) Conservatory. It is introduced by solemn organ harmonies (Milan, 20 May 1896) with strong treble line. The melody is shaped by slow Songs This short song is a setting of one of the composer’s letters lingering inflections of considerable emotional intensity. The Giacomo (Antonio Domenico Michele Seconda Maria) Gramophone Company (Italy) Ltd. The tone of this song, to the conductor Leopoldo Mugnone (who conducted hymn moves on to a more questioning phase, and concludes Puccini (1858-1924) was born into a family with long musical by the famous librettist Illica, a man of exuberant and violent Manon Lescaut and La Bohème in Palermo). It is a jocular with a smooth organ postlude. The tune was used by the traditions. He studied with the violinist Antonio Bazzini passions, celebrates the positivism of the late 19th century. salutation, offering greetings to his spouse Maria Leopolda, composer in his first opera Le Villi (1883) as the orchestral (1818-1897) and the opera composer Amilcare Ponchielli The text reflects that, although life is transient, we sense the from the dark Elvira (Bonturi, Puccini’s wife) and the blonde introduction to No. 5 and the following prayer Angiol di Dio. (1834-1886), and began his career writing church music. existence of an ideal that transcends it, conquering oblivion Foschinetta (Germignani, Puccini’s stepdaughter), who He is famous for his series of bold and impassioned operas and death. The musical setting is confident and aspirational, send kisses and flowers.