The Vision – May 2009
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Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
Breaking Benjamin Album Dark Before Dawn Set for Release June 23
FOR IMMEDIATE RELEASE: BREAKING BENJAMIN ALBUM DARK BEFORE DAWN SET FOR RELEASE JUNE 23 NEW SINGLE “FAILURE” AND ALBUM PRE-ORDER AVAILABLE TODAY BAND HITS THE ROAD FOR FESTIVALS/U.S. TOUR DATES THROUGH JULY March 23, 2015 (Burbank, CA) - BREAKING BENJAMIN’s highly-anticipated fifth studio album, DARK BEFORE DAWN will be released June 23rd. Their first single, “Failure,” written and produced by BREAKING BENJAMIN founder Ben Burnley, was released today and is now available (along with the album pre-order) on iTunes. Within an hour of release, the album skyrocketed to iTunes #1 rock single and rock album positions, and is currently in the Top 5 Albums. The first original music from the platinum-selling band since the release of DEAR AGONY in 2009 (certified Gold), Dark Before Dawn marks a new era for the acclaimed band. Burnley is joined by guitarists Jasen Rauch (Red) and Keith Wallen (Adelitas Way), bassist Aaron Bruch, and drummer Shaun Foist (Picture Me Broken). After a string of sold-out club dates, BREAKING BENJAMIN, will hit the road again in April, headlining U.S. tour dates extending through July with performances at this year’s biggest rock festivals including Rock on The Range, Carolina Rebellion, Rocklahoma! and Welcome to Rockville. ABOUT BREAKING BENJAMIN: Over the past decade BREAKING BENJAMIN has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their discography includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia, and 2009’s Dear Agony. The second two—We Are Not Alone and Phobia—yielded spectacular results with each being certified Platinum. -
Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga: -
October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan. -
Andrew Bird Noble Beast a Reverse Chronology of Selected Significant
Andrew Bird Noble Beast A Reverse Chronology of Selected Significant Dates & Events "Bird could be the only performer who's lit up both Lollapalooza and Bonnaroo with a combination of vocals, violin, guitar, glockenspiel and whistling... he uses centuries-old instrumentation to give depth and soul to folk rock."--ESQUIRE "The Masters Are Dead--Long Live The Masters," November 2008 January 20, 2009 - Andrew Bird releases Noble Beast on Fat Possum Records. The self-produced album consists of 14 original songs recorded primarily at the Beech House in Nashville, with additional recording taking place at various Chicago and Minneapolis locations over a period of five months. As usual, Bird handles violin, vocals, whistling and guitar, with back-up from live cohorts Martin Dosh (percussion, looping, keys), Jeremy Ylvisaker (guitar, bass, organ, shortwave) and more recently Mike Lewis, plus a supporting cast including Kelly Hogan, Todd Sickafoose, and the band Loney Dear. November 19, 2008 - An early 2009 theater tour is announced, kicking off January 28 at Carnegie Hall. October 3, 2008 - "Oh No," the opening track of Noble Beast, receives a premiere at Pitchforkmedia.com. September 3, 2008 - Bird plays his largest ever headline show in his hometown of Chicago, drawing 15,000 fans to Chicago's Millennium Park, necessitating the closure of the park's Pritzker Pavilion seating bowl as the crowd overflows onto the concrete steps at the bowl's back section. August 13, 2008 - A series of intimate club shows to preview material from Noble Beast are announced. Two New York shows sell out within two hours. -
Sunday Monday Tuesday Wednesday
SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY MAY 22 MAY 23 MAY 24 MAY 25 MAY 26 MAY 27 MAY 28 Chinese Culture Days, Missouri Eagles of Death Metal, the A Evening With Chicago, Peabody Bloc Party, the Pageant • Cosmic Spring to Dance, May 27-29, Touhill Tech N9ne, the Pageant • The Erin Bode Botanical Garden • “Jersey Boys,” Pageant • Old 97’s and Heartless Opera House • Haim, the Pageant Reunion Music & Art Festival, Performing Arts Center • Art Outside, Group, J. Scheidegger Center • St. Louis Fox Theatre • Jim Brickman, May Bastards, the Ready Room • “La Boheme,” May 25-June 25, May 26-29, Astral Valley Gallery & May 27-29, Schlaly Bottleworks • St. Renaissance Faire preview, May 28-29, 22, Powell Symphony Hall Opera Theatre of St. Louis Orchard in French Village, Mo. Louis County Greek Fest, May 27-30, June 4-5, Rotary Park in Wentzville • St. Assumption Greek Orthodox Church Louis African Arts Festival, May 28-30, • Missouri River Irish Fest, May Forest Park • “Macbeth,” May 28-June 27-29, Frontier Park in St. Charles 26, Opera Theatre of St. Louis • “Future “JERSEY BOYS” Play,” May 28-Sept. 5, the Magic House MAY 29 MAY 30 MAY 31 JUNE 1 JUNE 2 JUNE 3 JUNE 4 Dave Matthews Band, Hollywood MEMORIAL DAY Kris Allen, Old Rock House The Neighbourhood, the Pageant Picnic on the Riverfront, Gateway Keith Urban, Hollywood Casino Mary Chapin Carpenter, Casino Amphitheatre • St. Louis Gypsy Caravan, the Family Arena • St. Louis Piano Festival, • An Evening With Howard Arch riverfront • Circus Flora’s Amphitheatre • Boston, Family Arena • Powell Symphony Hall Chamber Chorus’ “In Memoriam,” BB’s Jazz, Blues & Soups Jones, Old Rock House “Pastime,” June 2-July 3, Grand “A Midsummer Night’s Dream,” June St. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
College Voice Vol. 31 No. 7
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 11-3-2006 College Voice Vol. 31 No. 7 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 7" (2006). 2006-2007. 2. https://digitalcommons.conncoll.edu/ccnews_2006_2007/2 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class U.S. Postage PAID Permit #35 e New London, cr PUBLISHED WEEKLY BY THE STUDENTS OF CONNECTICUT COUEGE VOLUMEXXXI' NUMBER 6 FRIDAY, NOVEMBER 3, 2006 CONNECTICUT COLLEGE, NEW LoNDON, CT ..hoda Unger Speaks At Conn Catharsis: Dance Club Kicks Off Fall Show ," ~...=======================~".. ~uthor Addresses Psychology Of Women year, there were eleven symposia of the psychology of women. Some of Staff Writer the titles were: The Evolution of Women and The Fall and Rise of On Monday, October 30, Rhoda Feminism. All these happened Unger spoke in Bill Hall about the because of the integration of the evolution of the field of Psychology activism happening at the time. of Women. Unger began her speech Such activist groups include the y talking about the lack of women AWP (Association for Women in in areas that dealt with psychology. Psychology) in 1965, CWP Not only were there no women in (Committee for Women in the' professional fields, but women as subjects were absent in most Psychology) in 1970 and Division 35 in 1973, which is now the i "feas studied by psychologists as Society for the Psychology of :~!!-Additionally, the language ff. -
20 Ticket Offer - Participating Events
$20 Ticket Offer - Participating Events Offer valid for qualifying purchases between 8am local time on 5/2/17 and 11:59pm local time on 5/9/17 for participating shows only, while supplies last. All ticket purchases are subject to the Purchase Policy found here. Additional costs may apply, such as ticket delivery fees, depending on delivery method selected, ticket upgrades, parking, and other goods or services not explicitly included in the Offer. Resale of tickets prohibited. Venue Name Artist Name Show Date The Fillmore Detroit (Detroit) 311 6/25/2017 Huntington Bank Pavilion at Northerly Island (Chicago) 311 7/2/2017 Maine State Pier (Portland) 311 7/8/2017 Hammerstein 311 7/11/2017 Stone Pony Summer Stage 311 7/15/2017 Blue Hills Bank Pavilion (Boston) 311 7/16/2017 Festival Pier at Penn's Landing (Philadelphia) 311 7/21/2017 Charlotte Metro Credit Union Amphitheatre (Charlotte) 311 7/26/2017 House of Blues (North Myrtle Beach) 311 7/30/2017 St. Augustine Amphitheatre (St. Augustine) 311 8/2/2017 Bold Sphere Music at Champions Square (New Orleans) 311 8/4/2017 Revention Music Center (Houston) 311 8/5/2017 South Side Ballroom (Dallas) 311 8/8/2017 Levitt Pavilion (Denver) 311 8/11/2017 USANA Amphitheatre (Salt Lake City) 311 08/12/2017 Cal Coast Credit Union Open Air Theatre (San Diego) 311 8/20/2017 Hollywood Casino Amphitheatre (St. Louis) 105.7 The Point Presents: WayBack Pointfest 9/10/2017 Michigan Lottery Amphitheatre at Freedom Hill (Sterling Heights) 105.9 Kiss Fest 2017 7/8/2017 Massey Hall (Toronto) 2017 Rock & Roll HOF Inductees YES feat. -
News Release
3625 North Hall Street Suite 740 Dallas, Texas 75219 214.720.0555 www.DallasFilm.org News Release FOR IMMEDIATE RELEASE The Dallas International Film Festival presented by Boardwalk Auto Group Volkswagen Dealers Announces United Artists and Orion Pictures’ Eric Pleskow to be honored at the Dallas Film Society Honors PANAVISION to award the winners of the Texas Competition with a $30,000 camera rental package for their next production Full Schedule including all Features and Shorts Star-laden films include James Cromwell, Zac Efron, Danny Glover, Richard Jenkins, Diane Keaton and Elizabeth Olsen Dallas, TX, March 15, 2012 – The Dallas International Film Festival presented by Boardwalk Auto Group Volkswagen Dealers announced today that the past president and CEO of United Artists and Orion Pictures respectively, Eric Pleskow, will be honored for his lifetime achievements in the film industry at the Dallas Film Society Honors on April 20. Also revealed is the full schedule of features and shorts that will be screened through the Festival’s 11-day run (April 12 – 22, 2012). Finally, the lucky filmmakers who win the Texas Competition category will enjoy a camera rental package worth $30,000 for their next production, courtesy of PANAVISION. In a year where key industry players and their achievements are celebrated and put under the spotlight, Austrian native, Eric Pleskow will be honored for the work he has done in advancing the film industry through his incredible tenures as president and CEO of both United Artists and Orion Pictures. During Pleskow’s time at United Artists (1951 – 1978), their market share of motion picture revenues, among the major film companies, rose from last place in 1951 to first place in 1977. -
105.7 the Point March Music Mayhem Contest OFFICIAL CONTEST RULES NO PURCHASE NECESSARY to ENTER OR WIN 1
105.7 The Point March Music Mayhem Contest OFFICIAL CONTEST RULES NO PURCHASE NECESSARY TO ENTER OR WIN 1. The Contest Description The Contest is based upon an entrant’s predictions of which bands will receive the most votes during the Contest Period for each bracket (each a “Bracket Challenge”). The Contest allows you to select which bands you think will receive the most votes during the Bracket Challenge. From all eligible entries received, the winners will be determined according to the scoring rules set forth in these Official Rules. The Contest is intended for recreational purposes only and may not be used for any form of gambling. This Contest is operated by Sponsor. 2. Eligibility The 105.7 The Point March Music Mayhem Contest (the “Contest”) is open only to legal residents of Missouri and Illinois who are eighteen (18) years or older at the time of participation. Void outside of MO and IL, and where prohibited by law. No purchase necessary to enter the Contest. In order to be eligible to win a prize in this Contest, you cannot have won any prize within thirty (30) days prior to the awarding of a prize to you in this Contest from any Hubbard Radio St. Louis station (KSHE, KPNT, 106.5 The Arch, 101ESPN, New Country 92.3). These restrictions apply even if you reject the prize. Employees of Hubbard Radio St. Louis, LLC and its station 105.7 The Point, 11647 Olive Boulevard, Creve Coeur, MO 63141 (the "Sponsor"), the venues hosting the concerts listed in the prize section (collectively, the “Promotional Participants”) and Hubbard Radio, LLC, or any of their respective affiliates, subsidiaries, advertising agencies, or any other company or individual involved with the design, production execution or distribution of the Contest (collectively with Sponsor, the "Released Parties”) and their immediate family (spouse, parents and step-parents, siblings and step-siblings, and children and step-children) and household members of each such employee are not eligible to enter or win. -
An Ethnolexicography of the Skateboarding Subculture
AN ETHNOLEXICOGRAPHY OF THE SKATEBOARDING SUBCULTURE By HO’OMANA NATHAN HORTON Bachelor of Arts in English Oklahoma Wesleyan University Bartlesville, OK 2013 Master of Arts in English Oklahoma State University Stillwater, OK 2015 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY July, 2020 AN ETHNOLEXICOGRAPHY OF THE SKATEBOARDING SUBCULTURE Dissertation Approved: Dennis R. Preston Adviser Carol Moder Chair Nancy Caplow G. Allen Finchum ii ACKNOWLEDGEMENTS This work is dedicated to the memory of my grandfather, Hershall "Jigger" Horton, a true craftsman, who taught me that there are so many important, valuable skills and tools that can’t be learned in a classroom alone. And to Mrs. Carol Preston, the most welcoming and genuine person I think I've ever known, who always kept my desk well- stocked with humanitarian literature, and who cared so sincerely about everyone she met, and taught me to care for people and our planet more deeply every day. First and foremost, I want to thank my adviser, Dr. Dennis Preston, whose encouragement and mentorship have fueled this project from the start. When I started graduate school, I don't think I would ever have imagined I'd be writing a dissertation about skateboarding, but your genuine interest in this topic, and all that you've done to help me go beyond description and into a deeper understanding of language and society have enabled this work. I thank you also for bringing me on as a lab assistant in 2014 when I was just a grungy little skater with very little idea of what I was doing in academia.