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CP-Tom-Wood-3.Pdf SIT DOWN………………………………………...……………….……… 4, rue sainte-anastase … 75003 paris … france … www.sitdown.fr … tél. 00 33 (0)1 42 78 08 07 Cynefin, les paysages gallois Photographies de Tom Wood Exposition du 10 novembre au 20 décembre 2015 galerie Sit Down, Paris Vernissage mardi 10 novembre 2015 de 18h à 21h en présence de l’artiste Parallèlement, découvrez au Centre Culturel Irlandais une rétrospective de l’œuvre de Tom Wood en Irlande, réalisée entre 1973 et 2003 (5, rue des Irlandais - 75005 Paris) Paysages intimes de Tom Wood du 13 novembre 2015 au 10 janvier 2016 Vernissage jeudi 12 novembre 2015 de 18h à 21h La série “Men and Women“ sera présentée dans le cadre de la foire What’s up Photo Doc du 12 au 15 novembre 2015 à la Bellevilloise à Paris. Gruff, tenant farmer since 1942 overlooking Dolmelynllyn, 2011 © Tom Wood courtesy galerie Sit Down “Tom Wood est l’un des photographes les plus délicats d’aujourd’hui, tous genres confondus“ Richard B. Woodward, The Wall Street Journal, 14 juin 2013 Tom Wood : à l’affut du paysage Après 30 ans passés à documenter l’Angleterre urbaine de Liverpool et du Merseyside, le maitre de la photographie d’outre-Manche se tourne vers le temps suspendu des paysages du Pays de Galles, où il vit désormais. La galerie Sit Down présente jusqu’au 20 décembre 2015 quelques images de sa série “Cynefin“ : “ce lieu familier“. Comme le battement d’un œil, Tom Wood ne s’arrête jamais de photographier. Ce jour-là, vous ne le connaissez pas, vous ne l’avez pas encore remarqué qu’il vous photographie déjà depuis un SIT DOWN………………………………………...……………….……… 4, rue sainte-anastase … 75003 paris … france … www.sitdown.fr … tél. 00 33 (0)1 42 78 08 07 moment, avec ceux qui vous entourent. Lorsque, entre deux grappes d’images qu’il saisit sans en avoir l’air – le bras en l’air, l’œil vérifiant rapidement l’écran – vous surprenez son regard, il bredouille quelques mots et vous fixe en souriant. Comme si ce sourire énigmatique, mi-poli mi- espiègle, était la meilleure réponse à la question “pourquoi photographier ?“ Se fondre dans son environnement pour mieux le capter. Le principe est celui de la street photography. Aller chercher, si possible tout près, à ordonner dans le cadre ce que le hasard vous met sous le nez. Chez Tom Wood, à la différence d’autres, l’approche ne s’embarrasse pas d’économie de déclenchement : la bonne image surgit du multiple. Pas seulement pour pallier les aléas mais aussi pour s’oublier soi-même : “La seule manière de prendre de bonnes photos, dit-il, c’est de perdre conscience de ce que l’on fait, de s’oublier“ Cette soif d’images, New Brighton et le Merseyside (Liverpool) s’en souviennent tant, à partir de 1978, Tom Wood en a arpenté les rues, épuisé les lignes de bus ou fermé les pubs les samedi soirs, en quête de la moindre étrangeté. En noir et blanc, mais aussi en couleur dont il s’avère très tôt, comme Martin Paar, l’un des plus fervents convertis. Il amasse de cette observation assidue un impressionnant corpus de scènes de genres du monde contemporain, de natures mortes ou de personnages isolés dans leur intimité sur fond de jungle urbaine de l’Angleterre thatchérienne, puis fin de siècle. Il gagne un surnom, forgé auprès des gosses de la rue : “Photieman“. Le type à l’appareil. En déménageant en 2003 dans le verdoyant Pays de Galles, il voulait changer d’air, fuir l’âpreté de la ville et se poser la “question du paysage“. Dans cette région isolée, située à une heure de route de Liverpool, faute de permis de conduire, c’est à pied, à vélo ou grâce aux rares bus qu’il part chaque jour explorer la campagne, posant son trépied parmi les événements de la vie agricole, les bâtiments à l’oubli, les paysages nus. Il livre de ce pays un portrait noueux où, en dehors de rares groupes de touristes croisés au détour d’un panorama, les hommes ont presque disparu ; où les bêtes s’épanouissent dans le bocage. Le photographe semble à l’aise, comme l’indique le titre qu’il choisit pour cette série : “Cynefin“, une expression galloise qui renvoie à la familiarité que l’on éprouve face à un endroit, l’évidence de se retrouver en territoire ami. Cet environnement suscite un formalisme inédit, obtenu à l’aide d’un vieil appareil panoramique argentique “Noblex“ qu’il utilisait jusqu’alors occasionnellement. Le paysage se tord, s’étire. Les arbres majestueux y déploient leurs branches interminables sous lesquelles, comme des vestiges archéologiques, dorment des engins agricoles, les intérieurs des fermes semblent de guingois. Seuls les moutons paraissent indifférents. Parfois, sous l’effet de quelque illusion d’optique offerte par le paysage, l’espace semble se resserrer à la manière d’un objectif “fisheye“. L’œil du photographe. Comme pour rappeler que quelque soit l’environnement où ils évoluent, Tom Wood et sa curiosité restent à l’affut. Amaury Chardeau INFORMATIONS PRATIQUES Cynefin, les paysages gallois de Tom Wood Paysages intimes, Tom Wood Galerie SIT DOWN Centre culturel Irlandais Exposition du 10 novembre au 20 décembre 2015 Exposition du 13 novembre 2015 au 10 janvier 2016 Vernissage mardi 10 novembre de 18h à 21h 5, rue des Irlandais - 75005 Paris du mardi au samedi de 14h à 19h et sur R.V. Tél : +33 1 58 52 10 30 4, rue Sainte Anastase - 75003 Paris http://www.centreculturelirlandais.com/ Tél : +33 (0)1 42 78 08 07 e-mail : [email protected] - www.sitdown.fr CONTACT PRESSE : Rosetta Beaugendre Visuels presse sur demande [email protected] CONTACT PRESSE : Tél : +33 1 58 52 10 34 Catherine Philippot & Prune Philippot - Relations Media Tél : + 33 1 40 47 63 42 [email protected] [email protected] SIT DOWN………………………………………...……………….……… 4, rue sainte-anastase … 75003 paris … france … www.sitdown.fr … tél. 00 33 (0)1 42 78 08 07 Biographie 1951 naissance dans l’ouest de l’Irlande 1973 -1976 études au Leicester Polytechnic B.A. (Hons) Fine Art (Painting) 1978 -2003 vit et travaille à Liverpool/Merseyside 2003 s’installe dans le nord du Pays de Galles Publications : A venir 2015/16 : "Landscapes" (3 vols), Steidl Verlag, Göttingen, Allemagne “The DPA Work” (Rainhill Hospital, Cammell Laird Shipyard) Steidl Verlag, Göttingen (2 vols) 2015 “Looking for Looking for Love” Sorkika, Londres (Edition spéciale) 2013 “Men and Women” Steidl Verlag, Göttingen (2 vols) 2011 “F/M” Editions 205, Villeurbanne, France 2005 “Photie Man” Steidl Verlag, Göttingen 2004 “Not Only Female…” (Exhibit Cat.) Schaden, Cologne, Allemagne 2001 “Bus Odyssey” Hajte Cantz, Ostfildern-Ruit, Allemagne 2000 “Tom Wood” (Exhibit Cat.) Galerie im Buergerhaus Neunkirchen/Saar, Allemagne 1999 “People” Wienand Verlag, Cologne, Allemagne 1998 “All Zones off Peak” Dewi Lewis Publishing, Stockport, Royaume-Uni 1989 “Looking for Love” Cornerhouse, Manchester & Aperture, New York Expositions personnelles (sélection) : 2014 “Tom Wood – Landscapes“ Mostyn Gallery, Llandudno, Fotogallery Cardiff “Women“ La Fondation d’enterprise Hermes, Berne, Suisse 2013 “Tom Wood. Britain 1973 – 2012“, Ekaterina Cultural Foundation, Moscou “Tom Wood: Photographs 1973-2013“ National Media Museum, Bradford, Angleterre “Men and Women“ Thomas Erben Gallery, New York 2012 “Men and Wome“ The Photographers’ Gallery, Londres Galerie Albrecht, Berlin, Allemagne Image Singulières, Sète, France “F/M“, Le Bleu du ciel, Lyon, France Le Centre d’Art, GwinZegal, Guingamp, France 2010 “Facts of Life. Photography in Britain 1974-1997” National Museum, Cracovie, Pologne 2009 Museum 52, Londres 2006 “HyperDesign” Shanghai Biennale, Chine “Chelsea Reach“ The Approach, Londres 2005 The National Museum of Photography, Copenhague, Danemark 'Photieman' Le Chateau d’Eau, Toulouse, France Foam Museum, Amsterdam 2004 “Ruestrasse“ Le Centre Cultural Suisse, Paris, (en assoc. avec Paris Photo) Kunsthalle, Bremen, Allemagne Centre de la Photographie, Genève, Suisse 2003 C/O, Berlin, Allemagne 2002 Thomas Erben Gallery, New York Kasseler Kunstverein, Cassel, Allemagne Stadtische Galerie, Wolfsbourg, Allemagne Kunsthalle, Wilhelmshaven, Allemagne 2001 “Bus Odyssey“ Suermondt-Ludwig Museum, Aachen, Allemagne 2000 “People“ Galerie im Buergerhaus, Neunkirchen/Saar Kunstverein, Ulm, Allemagne Thomas Erben Gallery, New York 1998 “All Zones Off Peak“ Museum of Modern Art, Oxford, Royaume-Uni Galerie F.M. Schwartz/Photokina, Cologne, Allemagne 1996 International Centre of Photography, New York 1989 'Looking for Love' The Photographers' Gallery, Londres SIT DOWN………………………………………...……………….……… 4, rue sainte-anastase … 75003 paris … france … www.sitdown.fr … tél. 00 33 (0)1 42 78 08 07 Expositions (associées) : 2014 l’Été photographique de Lectoure, France (avec Matthais Bruggmann) 2012 Mönchehaus Museum, Goslar, Allemagne (avec Martin Parr + Antanas Sutkus) 2009 Tom Wood and Padraig Timoney, Museum 52, Londres 2004 Musee de l’Elysee, Lucanne, Switzerland (avec Larry Sultan) 2003 “Gary Winogrand and Tom Wood” Galerie Thomas Zander, Cologne, Allemagne 1996 “Inside Out” Galerie du Jour Agnes b., Paris (avec Richard Billingham et Paul Seawright) Expositions collectives (sélection) : 2015 “Work, Rest, Play: British Photography from 1960s to Today” Shenzen and Minsheng Art Museum Shanghai, Chine “Eyes Wide Open” Fotografie Forum Frankfurf. Also Berlin, Vienne et Munich. 2014 “Augen Auf!” Deichtorhallen Internationale Kunst und Photographie, Hambourg “Punctum: Reflections on Photography” Salzburger Kunstverein, Allemagne 2011 “Resonance 2011” La Biennale de Lyon, France “Nothing in the Place” Bunkier Sztuki Contemporary Art Gallery, Cracovie, Pologne Brighton
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