Fall/Winter 2017/2018

Total Page:16

File Type:pdf, Size:1020Kb

Fall/Winter 2017/2018 FALL/WINTER 2017/2018 ISBN 978-3-95829-357-1 Printed in Germany by Steidl Steidl Fall/Winter 2017/2018 Cover, endpapers and special “Asia Eight” pages designed by Theseus Chan Photography –October 1911 Bellocq talks to me about light, shows me how to use shadows, how to fill the frame with objects—their intricate positions. I thrill to the magic of it—silver crystals like constellations of stars arranging on film. In the negative the whole world reverses, my black dress turned white, my skin blackened to pitch. Inside out, I said thinking of what I’ve tried to hide. I follow him now, watch him take pictures. I look at what he can see through his lens and what he cannot—silverfish behind the walls, the yellow tint of a faded bruise— other things here, what the camera misses. Poem by Natasha Trethewey from Bellocq’s Ophelia STEIDL BOOK AWARD ASIA Woong Soak Teng, Ways to Tie Trees 3 Index Contents Artists/Editors Titles 3 Editorial AFRICA 4 Index 67 Margaret Courtney-Clarke Cry Sadness into the Adams, Robert 99-107 Abstrakt Zermatt 151 Recent Histories: Contemporary African 5 Contents Coming Rain Adolph, Jörg 17 Acido Dorado 159 Photography and Video Art from The 6 How to contact us 69 David Goldblatt Fietas Fractured Badge, Peter 157 and now they know 31 Walther Collection 75 Press enquiries 71 David Goldblatt Ex Offenders at the Scene of Crime. Baltz, Lewis 161 Asia Highway 89 Seeing the Unseen 117 How to contact our imprint partners South Africa and England, 2008–2016 Baumann, Daniela 75 Being Animal 109 Something So Clear 27 73 Ernest Cole House of Bondage Chan, Theseus 37 Black and White 83 STEIDL-WERK No. 24: “Collisions” 41 75 Daniela Baumann, Joshua Chuang and Oluremi C. Chikura, Yukari 25 Books and Films 49 Swiss Rebels 53 DISTRIBUTION Onabanjo (eds.) Recent Histories: Contemporary African Chuang, Joshua 75 Chanel Backstage 145 Tools 115 7 Germany, Austria, Switzerland Photography and Video Art from The Walther Collection Cole, Ernest 73 City Diary #4 63 Unreal Real, The 121 8 USA and Canada Comte, Michel 163 Cottonwoods 103 Ways to Tie Trees 21 9 France Courtney-Clarke, Margaret 67 Cry Sadness into the Coming Rain 67 YEEZY Season 3–4 Zine 119 All other territories AMERICA Cuisset, Thibault 155 Darkrooms of Photography 51 Zaido 25 Danuser, Hans 51 DMZ: Demilitarized Zone of Korea 35 Zoo 61 79 Evelyn Hofer New York 11 Steidl Bookshops Das, Kapil 27 DPA Work, The 141 81 Bruce Davidson Lesser Known 12 Book Awards 2017 Davidson, Bruce 81 Drawings 2015–2017 139 83 William Eggleston Black and White De Pietri, Paola 165 Eight Books for Asia 37 87 William Eggleston Election Eve Diépois, Aline 151 Election Eve 87 89 Luke Powell Asia Highway STEIDL FALL/WINTER 2017/18 LIST Dine, Jim 111-115 Ex Offenders at the Scene of Crime. South 91 Robert Frank Leon of Juda Edgerton, Harold 117 Africa and England, 2008–2016 71 15 Karl Lagerfeld (ed.) Paris Photo by Karl Lagerfeld 93 Robert Frank The Lines of My Hand Eggleston, William 83-87 Fietas Fractured 69 17 Jörg Adolph and Gereon Wetzel How to Make a Book 95 Gordon Parks The Flavio Story Frank, Robert 91-93 Flavio Stor y, The 95 with Carlos Saura & Steidl 97 David Maisel Proving Ground Gizolme, Thomas 151 French Landscapes 155 99 Robert Adams at Steidl Goldblatt, David 69-71 From the Missouri West 105 101 Robert Adams Our Lives and Our Children: Hofer, Evelyn 79 Guide to the Flora and Fauna of the STEIDL BOOK AWARD ASIA Photographs Taken Near the Rocky Flats Nuclear Kapoor, Anish 149 World, A 23 Weapons Plant 1979–1983 21 Woong Soak Teng Ways to Tie Trees Kosorukov, Gleb 153 Hands 57 103 Robert Adams Cottonwoods 23 Robert Zhao Renhui A Guide to the Flora and Fauna of Kuhn, Mona 159 Heroes of Labour 153 105 Robert Adams From the Missouri West the World Lagerfeld, Karl 15 House of Bondage 73 107 Robert Adams Perfect Places, Perfect Company 25 Yukari Chikura Zaido Leiter, Saul 167 How to Make a Book with Carlos Saura & 109 Diana Michener Being Animal 27 Kapil Das Something So Clear Lijie, Zhang 33 Steidl 17 111 Jim Dine Jewish Fate 29 Jake Verzosa The Last Tattooed Women of Kalinga Lim, Broy 31 In My Room 167 113 Jim Dine My Letter to the Troops 31 Broy Lim and now they know Maisel, David 97 Istanbul New Stories 165 115 Jim Dine Tools 33 Zhang Lijie Midnight Tweedle Michener, Diana 109 Jewish Fate 111 117 Harold Edgerton Seeing the Unseen 35 Park Jongwoo DMZ: Demilitarized Zone of Korea Onabanjo, Oluremi C. 75 Last Tattooed Women of Kalinga, The 29 119 Kanye West YEEZY Season 3–4 Zine 37 Theseus Chan (ed.) Eight Books for Asia Park, Jongwoo 35 Leon of Juda 91 121 Liza Ryan The Unreal Real Parks, Gordon 95 Lesser Known 81 135 Richard Serra Notebooks Vol: 2 41 Rose Wylie and Fraser Taylor STEIDL-WERK No. 24: Petersen, Anders 61-63 Light 163 137 Richard Serra Notebooks Vol: 1 “Collisions” Peverelli, Benoît 145 Lines of My Hand, The 93 139 Richard Serra Drawings 2015–2017 Powell, Luke 89 Make New Space. Architectural Projects 149 141 Tom Wood The DPA Work Ryan, Liza 121 Midnight Tweedle 33 145 Benoît Peverelli Chanel Backstage SWITZERLAND Sarfati, Lise 169 My Letter to the Troops 113 149 Anish Kapoor Make New Space. Architectural Projects Serra, Richard 123-139 new Industrial Parks near Irvine, California, 49 Jakob Tuggener Books and Films Smoliansky, Gunnar 57-59 The 161 51 Hans Danuser Darkrooms of Photography Soak Teng, Woong 21 New York 79 53 Karlheinz Weinberger Swiss Rebels PREVIOUSLY ANNOUNCED Taylor, Fraser 41 Nobel Heroes 157 151 Aline Diépois and Thomas Gizolme Abstrakt Zermatt Tuggener, Jakob 49 Notebooks Vol: 2 135 153 Gleb Kosorukov Heroes of Labour Verzosa, Jake 29 Notebooks Vol: 1 137 SWEDEN 155 Thibault Cuisset French Landscapes Weinberger, Karlheinz 53 Oh Man 169 57 Gunnar Smoliansky Hands 157 Peter Badge Nobel Heroes West, Kanye 119 Our Lives and Our Children: Photographs 59 Gunnar Smoliansky Promenade Pictures 159 Mona Kuhn Acido Dorado Wetzel, Gereon 17 Taken Near the Rocky Flats Nuclear 61 Anders Petersen Zoo 161 Lewis Baltz The new Industrial Parks near Irvine, Wood, Tom 141 Weapons Plant 1979–1983 101 63 Anders Petersen City Diary #4 California Wylie, Rose 41 Paris Photo by Karl Lagerfeld 15 163 Michel Comte Light Zhao Renhui, Robert 23 Perfect Places, Perfect Company 107 165 Paola De Pietri Istanbul New Stories Promenade Pictures 59 167 Saul Leiter In My Room Proving Ground 97 169 Lise Sarfati Oh Man 171 Backlist This catalogue is not for sale · © 2017 for this publication by Steidl Publishers, Germany · © 2017 for the images by the artists · © 2017 for the texts by the authors Production and printing by Steidl, Düstere Str. 4, 37073 Göttingen, Germany · Phone +49 551 49 60 60 · Fax +49 551 49 60 649 · [email protected] • steidl.de 4 All rights reserved · Printed in Germany by Steidl · ISBN 978-3-95829-357-1 5 How to contact us Press enquiries How to contact our imprint partners Distribution Germany, Austria and Switzerland Steidl Germany, Austria and Switzerland Edition 7L Paris Verlag Vertrieb Düstere Str. 4 Steidl Verlag Caroline Lebar Gerhard Steidl Matthias Wegener 37073 Göttingen Claudia Glenewinkel 7, rue de Lille GmbH & Co. OHG T +49 551 4 960 616 Germany Düstere Str. 4 75007 Paris Düstere Straße 4 F +49 551 4 960 649 T +49 551 4 960 60 37073 Göttingen France 37073 Göttingen E [email protected] F +49 551 4 960 649 Germany T +33 1 44 502 200 T +49 551 4 960 60 Susanne Schmidt E [email protected] T +49 551 4 960 650 F +33 1 44 502 205 F +49 551 4 960 649 T +49 551 4 960 612 www.steidl.de F +49 551 4 960 644 E [email protected] E [email protected] F +49 551 4 960 649 E [email protected] www.steidl.de E [email protected] Sales Steidl Dangin Publishers Matthias Wegener USA and Canada Box Ltd. T +49 551 4 960 616 Monika Condrea Attn.: Marion Liang F +49 551 4 960 649 39 Ainslie Street 267 Douglass Street Auslieferungen Außendienst E [email protected] Brooklyn, NY 11211 Brooklyn, NY 11217 Susanne Schmidt USA USA Deutschland Deutschland T +1 646 226 6828 T +1 212 965 9555 T +49 551 4 960 612 Gemeinsame Verlagsauslieferung E [email protected] F +1 212 965 9555 Schleswig-Holstein, Hamburg, Baden-Württemberg F +49 551 4 960 649 Göttingen (GVA) E [email protected] Bremen, Niedersachsen Tilmann Eberhardt E [email protected] Postfach 2021 France Bodo Föhr Verlagsvertretungen Verlagsvertretungen 37010 Göttingen Ludwigstr. 93 Submissions Patrick Remy Steidl David Zwirner Lattenkamp 90 T +49 551 487 177 70197 Stuttgart 22, Place Charles Fillion Julia Joern 22299 Hamburg Holger Feroudj F +49 551 41 392 T +49 711 615 28 20 75017 Paris 525 West 19th Street T +49 40 51493667 E [email protected] E [email protected] F +49 711 615 31 01 France New York, NY 10011 F +49 40 51493666 Lieferanschrift: E [email protected] E [email protected] Catalogue / Editorial T +33 1 42 632 167 T +1 212 7 272 070 F +33 1 42 265 518 F +1 212 7 272 072 Anna-Vandenhoeck-Ring 36 Holger Feroudj E [email protected] E [email protected] 37081 Göttingen Berlin, Mecklenburg- Bayern T +49 551 49060 621 www.davidzwirner.com Auftragsbearbeitung: Vorpommern, Brandenburg Günter Schubert E [email protected] Brunnenstraße 20a All other territories Leonore Frester Vera Grambow 85598 Baldham Steidl Verlag Steidl Miles T +49 551 487 177 Liselotte-Herrmann-Straße 2 Export Management / Shipping T +49 8106 377 23 97 Claudia Glenewinkel Peter Miles Studio F +49 551 41 392 10407 Berlin Jan Menke ns F +49 8106 377 23 98 Düstere Str.
Recommended publications
  • Memphis, Eggleston, About 1965
    J. Paul Getty Museum Education Department Exploring Photographs Information and Questions for Teaching Memphis, William Eggleston Memphis William Eggleston American, Memphis, Tennessee, about 1965–1970 Gelatin silver print 9 1/2 x 6 1/4 in. 2002.38.8 William Eggleston made this image from a two-person table in a Memphis diner; the collection of shakers and condiment jars on the tabletop in front of him are blurred by the camera's close proximity. Eggleston focused on an older woman having coffee at the next table, who returns his gaze. A bright stripe on the wall behind her and a nearby neon clock sign also vie for the camera's attention. The sign's message, "Payroll checks cashed free," addresses the diner's working-class patrons—a friendly message in an alienating interior. Diners are ubiquitous places, fixtures of American road culture where inexpensive food can be had quickly. The diner is also an iconic subject of twentieth-century American art; it featured in Edward Hopper's paintings of the 1930s and Robert Frank's photographs in The Americans, published in the 1950s. Eggleston's image extends their theme of lone city-dwellers sitting forlornly in harshly lit © Eggleston Artistic Trust eating establishments, looking as if they are trapped there. About the Artist William Eggleston (American, b. 1939) William Eggleston assumes a neutral gaze and creates his art from commonplace subjects: a farmer's muddy Ford truck, a red ceiling in a friend's house, the contents of his own refrigerator. In his work, Eggleston photographs "democratically"—literally photographing the world around him.
    [Show full text]
  • Monster Roster: Existentialist Art in Postwar Chicago Receives First Major Exhibition, at University of Chicago’S Smart Museum of Art, February 11 – June 12, 2016
    Contact C.J. Lind | 773.702.0176 | [email protected] For Immediate Release “One of the most important Midwestern contributions to the development of American art” MONSTER ROSTER: EXISTENTIALIST ART IN POSTWAR CHICAGO RECEIVES FIRST MAJOR EXHIBITION, AT UNIVERSITY OF CHICAGO’S SMART MUSEUM OF ART, FEBRUARY 11 – JUNE 12, 2016 Related programming highlights include film screenings, monthly Family Day activities, and a Monster Mash Up expert panel discussion (January 11, 2016) The Smart Museum of Art at the University of Chicago, 5550 S. Greenwood Avenue, will mount Monster Roster: Existentialist Art in Postwar Chicago, the first-ever major exhibition to examine the history and impact of the Monster Roster, a group of postwar artists that established the first unique Chicago style, February 11–June 12, 2016. The exhibition is curated by John Corbett and Jim Dempsey, independent curators and gallery owners; Jessica Moss, Smart Museum Curator of Contemporary Art; and Richard A. Born, Smart Museum Senior Curator. Monster Roster officially opens with a free public reception, Wednesday, February 10, 7–9pm featuring an in-gallery performance by the Josh Berman Trio. The Monster Roster was a fiercely independent group of mid-century artists, spearheaded by Leon Golub (1922–2004), which created deeply psychological works drawing on classical mythology, ancient art, and a shared persistence in depicting the figure during a period in which abstraction held sway in international art circles. “The Monster Roster represents the first group of artists in Chicago to assert its own style and approach—one not derived from anywhwere else—and is one of the most important Midwestern contributions to the development of American art,” said co-curator John Corbett.
    [Show full text]
  • I Am a Miner
    EARCH 1. Mine Try finding this artwork and fill in the missing SPOT THE DIFFERENCE! S CAN YOU READ D 2. Photograph details by looking at the LABEL. The label tells us Find the 5 ways the image on the le has been changed! R 3. Label more information about the artwork, such as the O S A M B S O U C T M 4. Museum AN ARTWORK? TITLE THE NAME of the work, the year it was W 5. Camera made and the MEDIUM (what was used to make T D G J Y A N A G I the artwork): H J M U S E U M W N Y G C U L A B E L E I was made by David Goldbla K N L B Z T R R O I P H O T O G R A P H My title is Miner, Consolidated J H B F K M E L O T Mine Reef, Roodepoort I am a ______________________ (medium) I was made in the year ______________ HELP VINCENT FIND THE GOLD! Photographs like the ones Goldbla made were taken with a film camera, and the images are stored on a roll of film rather than a memory card! Can you complete this image this complete you Can half?the second drawing by MIRROR–MIRROR E? ON MY WAY HOME DAVID GOLDBLATT: I SE O Draw some memorable things in the circles below! ON THE MINES I AM A MINER D T Write down all the things you Name Age School A The best thing I saw at My guide looked H can name in this photograph! Norval Foundation: like this: Hard hat W WHAT DO I SEE? This type of artwork is called a PHOTOGRAPH.
    [Show full text]
  • Coney Island: Visions of an American Dreamland, 1861–2008 Jan
    Coney Island: Visions of an American Dreamland, 1861–2008 Jan. 31 – May 31, 2015 Exhibition Checklist DOWN AT CONEY ISLE, 1861-94 1. Sanford Robinson Gifford The Beach at Coney Island, 1866 Oil on canvas 10 x 20 inches Courtesy of Jonathan Boos 2. Francis Augustus Silva Schooner "Progress" Wrecked at Coney Island, July 4, 1874, 1875 Oil on canvas 20 x 38 1/4 inches Manoogian Collection, Michigan 3. John Mackie Falconer Coney Island Huts, 1879 Oil on paper board 9 5/8 x 13 3/4 inches Brooklyn Historical Society, M1974.167 4. Samuel S. Carr Beach Scene, c. 1879 Oil on canvas 12 x 20 inches Smith College Museum of Art, Northampton, Massachusetts, Bequest of Annie Swan Coburn (Mrs. Lewis Larned Coburn), 1934:3-10 5. Samuel S. Carr Beach Scene with Acrobats, c. 1879-81 Oil on canvas 6 x 9 inches Collection Max N. Berry, Washington, D.C. 6. William Merritt Chase At the Shore, c. 1884 Oil on canvas 22 1/4 x 34 1/4 inches Private Collection Wadsworth Atheneum Museum of Art Page 1 of 19 Exhibition Checklist, Coney Island: Visions of an American Dreamland, 1861 – 2008 12-15-14-ay 7. John Henry Twachtman Dunes Back of Coney Island, c. 1880 Oil on canvas 13 7/8 x 19 7/8 inches Frye Art Museum, Seattle, 1956.010 8. William Merritt Chase Landscape, near Coney Island, c. 1886 Oil on panel 8 1/8 x 12 5/8 inches The Hyde Collection, Glens Falls, N.Y., Gift of Mary H. Beeman to the Pruyn Family Collection, 1995.12.7 9.
    [Show full text]
  • Goldblatt 1830 Metres (5000 to 6000 Feet) Elevation, on Which Lies South Africa’S Largest Conurbation
    ons after 1834 to escape British domination. Also the Afrikaner youth movement. Whites A collective term for light-skinned people predomi- David nantly of European stock. Witwatersrand Afrikaans Wit = white + waters = waters + rand = ridge. Geographical east-west formation at between 1500 and Goldblatt 1830 metres (5000 to 6000 feet) elevation, on which lies South Africa’s largest conurbation. See Reef. Fifty-one years Xhosas An Nguni African people who live mainly along the southeastern rain belt. Zulus An Nguni African people who live mainly in KwaZulu- 8 February - 14 April 2002 Natal. ACTIVITIES AROUND THE EXHIBITION ROUNDTABLE DISCUSSION FRIDAY 8 FEBRUARY AT 7.30 PM The photographer David Goldblatt, Pepe Baeza, journalist and lecturer at the Universitat Autònoma de Barcelona, and Alfred Bosch, professor of African History at the Universitat Pompeu Fabra, will discuss Goldblatt’s work and the South African historical and cultural context. Auditorium. Limited number of seats. For further information: Tel. 93 412 14 13 [email protected] The provincial and homeland names and borders used in this exhibition are those that applied during most of the years of Goldblatt's photography and before South Africa's transition to democratic government in 1994. © Courtesy of Edicions Bellaterra ing the National Party to power in 1948 and keeping it there Soweto From “South Western Townships”, Johannesburg’s for more than 40 years. “location”, the extensive series of townships in which African 2 pass laws Laws controlling the movements and residential rights residents of Johannesburg were required to live in terms of seg- of Africans, principally by means of a “pass” or pass book, signed regation laws regulating African access to urban areas.
    [Show full text]
  • Books Keeping for Auction
    Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean
    [Show full text]
  • Notable Photographers Updated 3/12/19
    Arthur Fields Photography I Notable Photographers updated 3/12/19 Walker Evans Alec Soth Pieter Hugo Paul Graham Jason Lazarus John Divola Romuald Hazoume Julia Margaret Cameron Bas Jan Ader Diane Arbus Manuel Alvarez Bravo Miroslav Tichy Richard Prince Ansel Adams John Gossage Roger Ballen Lee Friedlander Naoya Hatakeyama Alejandra Laviada Roy deCarava William Greiner Torbjorn Rodland Sally Mann Bertrand Fleuret Roe Etheridge Mitch Epstein Tim Barber David Meisel JH Engstrom Kevin Bewersdorf Cindy Sherman Eikoh Hosoe Les Krims August Sander Richard Billingham Jan Banning Eve Arnold Zoe Strauss Berenice Abbot Eugene Atget James Welling Henri Cartier-Bresson Wolfgang Tillmans Bill Sullivan Weegee Carrie Mae Weems Geoff Winningham Man Ray Daido Moriyama Andre Kertesz Robert Mapplethorpe Dawoud Bey Dorothea Lange uergen Teller Jason Fulford Lorna Simpson Jorg Sasse Hee Jin Kang Doug Dubois Frank Stewart Anna Krachey Collier Schorr Jill Freedman William Christenberry David La Spina Eli Reed Robert Frank Yto Barrada Thomas Roma Thomas Struth Karl Blossfeldt Michael Schmelling Lee Miller Roger Fenton Brent Phelps Ralph Gibson Garry Winnogrand Jerry Uelsmann Luigi Ghirri Todd Hido Robert Doisneau Martin Parr Stephen Shore Jacques Henri Lartigue Simon Norfolk Lewis Baltz Edward Steichen Steven Meisel Candida Hofer Alexander Rodchenko Viviane Sassen Danny Lyon William Klein Dash Snow Stephen Gill Nathan Lyons Afred Stieglitz Brassaï Awol Erizku Robert Adams Taryn Simon Boris Mikhailov Lewis Baltz Susan Meiselas Harry Callahan Katy Grannan Demetrius
    [Show full text]
  • Photographer David Goldblatt Chronicled Apartheid in Profoundly Intimate Images - Artsy
    07/09/2020 Photographer David Goldblatt Chronicled Apartheid in Profoundly Intimate Images - Artsy Search by artist, gallery, style, theme, tag, etc. Advertisement Art Photographer David Goldblatt Chronicled Apartheid in Profoundly Intimate Images Charlotte Jansen Sep 4, 2020 2:18pm David Goldblatt, Self-portrait at Consolidated Main Reef David Goldblatt Mines, Roodepoort, 1967. Courtesy of Goodman Gallery. Shop assistant, Orlando West, 1972 Goodman Gallery How can we understand violence? Over six decades and an extraordinary body of work, the legendary late photographer David Goldblatt sought to understand forms of violence—structural and primordial, visible and invisible—inicted not only human bodies and culture, but on the Earth itself. Goldblatt was born in 1930 in the gold-mining town of Randfontein; his grandparents had ed persecution of Jews in Lithuania and settled in South Africa in the late 19th century. He began taking photographs, Skip to Main Conatlebent it as an amateur, in 1948; that same year, South Africa’s right-wing https://www.artsy.net/article/artsy-editorial-photographer-david-goldblatt-chronicled-apartheid-profoundly-intimate-images 1/15 07/09/2020 Photographer David Goldblatt Chronicled Apartheid in Profoundly Intimate Images - Artsy SearchN bya atritoisnt, agla llPerayr, styty lew, tahse meele, tcatge, edtc. .It was the beginning of nearly 50 years of apartheid. David Goldblatt David Goldblatt Rochelle and Samantha Adkins, Hillbrow, 1972 Anna Lebako, a washerwoman from Goodman Gallery Soweto carrying the week's laundry to a … Goodman Gallery By the time Goldblatt began his professional career in photography in 1962, South Africa was segregated in every sense—80% of the land was legally claimed for white people, forcing millions of Black South Africans from their homes.
    [Show full text]
  • The Hilltop 2-12-1954
    Howard University Digital Howard @ Howard University The iH lltop: 1950-60 The iH lltop Digital Archive 2-12-1954 The iH lltop 2-12-1954 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_195060 Recommended Citation Staff, Hilltop, "The iH lltop 2-12-1954" (1954). The Hilltop: 1950-60. 26. http://dh.howard.edu/hilltop_195060/26 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1950-60 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. I - • • • •• • - . ' • . ---- Seniors Start Boom for ADLAI GrG'duation Speec,.. P. 1 · •g 180TllT IS A MAN WHO TAUCI IO MUCH "THE FIRE YOU KINOlE AIOUT MllWllf, nlAf HI r FOi YOUl ENEMY OFTEN 81VU Ml NO nMI TO IURNS YOUlSElF MOltE TA&ll MOur MTllU.,. THAN HIM." ' ,. -CHINESE PlOYEM -r ,., .., I "Th Cap4lfll'• Prfse.Finnbaf Collete Paper'' . VOL S6;~ NO. 5 ll BOWARD UNIVERSITY, WASHINGTON, D. C. FEBRUARY 12, 1954 CO:UNCIL MOVES· TO SPEED ·ELECTIONS • .. • • By !\larch 22: .... don Plana Denied: FROSH WOMEN PNs. ""8son PICK . LEADERS Deadline Set · The frahmen women o! Fra· rr t?/ 1 For Early Choice Wll WCri for 1ier Hall held election of ita hoUH pvernment ~tly. The -· · ·~ Of May Queen Anoll1er 20 YrL newly elected oftken take the places of the aeoior mentors, who · ~ In order to avoid last mi.Dute Reporta cireulated by two na­ held the posts during the first se­ l1itches in elections which would tional publications recently that me.ter.
    [Show full text]
  • This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
    “This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.
    [Show full text]
  • Exegesis. Christopher Shawne Brown East Tennessee State University
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2008 Exegesis. Christopher Shawne Brown East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art Practice Commons, Fine Arts Commons, and the Photography Commons Recommended Citation Brown, Christopher Shawne, "Exegesis." (2008). Electronic Theses and Dissertations. Paper 1903. https://dc.etsu.edu/etd/1903 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. EXEGESIS A thesis presented to the faculty of the Department of Art & Design East Tennessee State University in partial fulfillment of the requirements for the degree Master of Fine Arts ________________________ by Christopher Shawne Brown May 2008 ___________________ Mike Smith, Committee Chair Dr. Scott Contreras-Koterbay Catherine Murray M. Wayne Dyer Keywords: photography, family album, color, influence, landscape, home, collector A B S TRACT Exegesis by Christopher Shawne Brown The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer’s home in East Tennessee. The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown’s work formally and conceptually.
    [Show full text]
  • Steidl WWP SS18.Pdf
    Steidl Spring/Summer 2018 3 Index Contents Artists/Editors Titles Adams, Shelby Lee 63 1968 99 Paris Reconnaissance 113 3 Editorial 81 Orhan Pamuk Balkon Adams, Bryan 93 200 m 123 Paris, Novembre 95 4 Index 85 Christer Strömholm Lido Adolph, Jörg 14-15 42nd Street, 1979 61 Park/Sleep 49 5 Contents 87 Guido MocaficoLeopold & Rudolf Blaschka, The Bailey, David 103-109 8 Minutes 107 Partida 51 6 How to contact us Marine Invertebrates Baltz, Lewis 159 Abandoned Moments 133 Pictures that Mark Can Do 105 Press enquiries 89 Timm Rautert Germans in Uniform Bolofo, Koto 135-139 Abstrakt 75 Pilgrim 121 How to contact our imprint partners 91 Sory Sanlé Volta Photo Burkhard, Balthasar 71 Andreas Gursky 69 Poolscapes 131 93 Bryan Adams Homeless Callahan, Harry 151 Asia Highway 167 Printing 137 95 Sze Tsung, Nicolás Leong Paris, Novembre Clay, Langdon 61 B, drawings of abstract forms 25 Proving Ground 169 DISTRIBUTION 97 Shelley Niro Cole, Ernest 157 Bailey’s Democracy 104 Reconstruction. Shibuya, 2014–2017 19 99 Robert Lebeck 1968 7 Germany, Austria, Switzerland Collins, Hannah 149 Bailey’s East End 108 Regard 127 101 Andy Summers The Bones of Chuang Tzu 8 USA and Canada Davidson, Bruce 165 Bailey’s Naga Hills 109 Seeing the Unseen 153 103 David Bailey’s 80th Birthday 9 France Devlin, Lucinda 147 Balkon 81 Shelley Niro 97 104 David Bailey Bailey’s Democracy All other territories Dine, Jim 113 Ballet 145 Stories 5–7, Soweto—Dukathole—Johannesburg David Bailey Havana Edgerton, Harold 153 Balthasar Burkhard 71 129 105 David Bailey NY JS DB 62 11 Steidl Bookshops Eggleston, William 37-41 Binding 139 Structures of Dominion and Democracy 73 David Bailey Pictures that Mark Can Do 13 Book Awards 2017 Elgort, Arthur 145 Bones of Chuang Tzu, The 101 Synchrony and Diachrony, Photographs of the 106 David Bailey Is That So Kid Fougeron, Martine 119 Book of Life, The 63 J.
    [Show full text]