Oliver Hirschbiegel 13 MINUTES
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A New Perspective on Post-Migration German Identity Sandra Digruber
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 A New Perspective on Post-Migration German Identity Sandra Digruber Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES A NEW PERSPECTIVE ON POST-MIGRATION GERMAN IDENTITY By SANDRA DIGRUBER A Thesis submitted to the Department of Modern Languages and Linguistics in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2015 Sandra Digruber defended this thesis on April 3, 2015. The members of the supervisory committee were: Christian Weber Professor Directing Thesis Birgit Maier-Katkin Committee Member A. Dana Weber Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii TABLE OF CONTENTS Abstract .......................................................................................................................................... iv 1. INTRODUCTION ...................................................................................................................... 1 2. ATTEMPTS TO DEFINE GERMAN IDENTITY IN THE 19TH-CENTURY ......................... 3 2.1 Johann Gottlieb Fichte ........................................................................................................ 7 2.2 Richard Wagner ............................................................................................................... -
2009 Sundance Film Festival Announces Films in Competition
Media Contacts: For Immediate Release Brooks Addicott, 435.658.3456 December 3, 2008 [email protected] Amy McGee, 310.492.2333 [email protected] 2009 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Festival Celebrates 25 Years of Independent Filmmaking and Cinematic Storytelling Park City, UT—Sundance Institute announced today the lineup of films selected to screen in the U.S. and World Cinema Dramatic and Documentary Competitions for the 25th Sundance Film Festival. In addition to the four Competition categories, the Festival presents films in five out-of-competition sections to be announced tomorrow. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. "This year's films are not narrowly defined. Instead we have a blurring of genres, a crossing of boundaries: geographic, generational, socio-economic and the like," said Geoffrey Gilmore, Director, Sundance Film Festival. "The result is both an exhilarating and emotive Festival in which traditional mythologies are suspended, discoveries are made, and creative storytelling is embraced." "Audiences may be surprised by how much emotion this year's films evoke," said John Cooper, Director of Programming, Sundance Film Festival. "We are seeing the next evolution of the independent film movement where films focus on storytelling with a sense of connection and purpose." For the 2009 Sundance Film Festival, 118 feature-length films were selected including 88 world premieres, 18 North American premieres, and 4 U.S. premieres representing 21 countries with 42 first-time filmmakers, including 28 in competition. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. -
Stanford Prison Experiment - Wikipedia, the Free Encyclopedia
Stanford prison experiment - Wikipedia, the free encyclopedia Log in / create account Article Discussion Read Edit View history Stanford prison experiment From Wikipedia, the free encyclopedia Main page Contents The Stanford prison experiment was a study of the psychological effects of becoming a Featured content prisoner or prison guard. The experiment was conducted from August 14th to 20th[citation needed], Current events 1971 by a team of researchers led by Psychology professor Philip Zimbardo at Stanford University. Random article Twenty-four students were selected out of 75 to play the prisoners and live in a mock prison in the Donate to Wikipedia basement of the Stanford psychology building. Roles were assigned randomly. The participants adapted to their roles well beyond what even Zimbardo himself expected, leading the "Officers" to Interaction display authoritarian measures and ultimately to subject some of the prisoners to torture. In turn, Help many of the prisoners developed passive attitudes and accepted physical abuse, and, at the request About Wikipedia of the guards, readily inflicted punishment on other prisoners who attempted to stop it. The Community portal experiment even affected Zimbardo himself, who, in his capacity as "Prison Superintendent," lost Recent changes sight of his role as psychologist and permitted the abuse to continue as though it were a real prison. Contact Wikipedia Five of the prisoners were upset enough by the process to quit the experiment early, and the entire Toolbox experiment was abruptly stopped after only six days. The experimental process and the results remain controversial. The entire experiment was filmed, with excerpts made publicly available. -
'Absent and Yet Somehow Present': Idealized Landscapes and The
‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing Lehner, S. (2017). ‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing. Review of Irish Studies in Europe, 1. http://www.imageandnarrative.be/index.php/rise/article/view/1438/1168 Published in: Review of Irish Studies in Europe Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:30. Sep. 2021 ‘Absent and yet Somehow Present’: Idealized Landscapes and the Counter-historical Impulse in Contemporary Northern Irish Photography and Writing Stefanie Lehner This article explores how three artists are responding to the idealized landscape that is contemporary Northern Ireland. I argue that the rural/urban dichotomy which implicitly or explicitly forms a point of departure in the photographic collections of David Farrell’s Innocent Landscapes (2001) and John Duncan’s Trees from Germany (2003) is also evident in David Park’s 2008 novel, The Truth Commissioner, offering a new lens to explore the play of absences and presences that constitute the peace process. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
List of Surveillance Feature Films
Surveillance Feature Films compiled by Dietmar Kammerer, Berlin Sources of plot descriptions and details: allmovie.com; imdb.com 1984 (Nineteen Eighty-Four) UK 1956 dir: Michael Anderson. George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-104070 http://www.imdb.com/title/tt0048918/ 1984 (Nineteen Eighty-Four) UK 1984 dir: Michael Radford Second adaptation of George Orwell's novel. keywords: literary adaptation; dystopic future http://www.allmovie.com/work/1984-91 http://www.imdb.com/title/tt0087803/ 23 [23 – Nichts ist wie es scheint] Germany 1998 dir: Hans-Christian Schmid The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB. http://www.imdb.com/title/tt0126765/ http://www.allmovie.com/work/23-168222 keywords: conspiracy; internet; true story The Anderson Tapes USA 1971 dir: Sidney Lumet This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. -
2016 Film Festival Programme
TAKE THE FORM OF COMMODITIES, VANISHES THEREFORE, SO SOON AS WE COME TO OTHER FORMS OF PRODUCTION THE FORM OF COMMODITIES, VANISHES TAKE SURROUNDS THE PRODUCTS OF LABOUR AS LONG THEY OF COMMODITIES, ALL THE MAGIC AND NECROMANCY THAT THE WHOLE MYSTERY k k belfast Belfast Film Festival film festival 14th-23rd April 2016 16 OUR FUNDERS ACCOMMODATION OFFICIAL MEDIA PARTNER PARTNERS OFFICIAL DRINKS SPONSOR VENUE PARTNERS INTRODUCTION The 16th Belfast Film Festival like any self-loathing teenager – has attitude! It is packed with premieres, guests, documentaries, shorts and much more. This year we present our biggest programme ever, with more than 133 films and events from 30 countries around the world. We welcome as our special guest, a man who is arguably the greatest living British filmmaker, Terence Davies. Belfast Film Festival is delighted to be honouring Terence with our Outstanding Contribution to Cinema award. Programme highlights include Stephen Frears’ hilarious new feature starring Hugh Grant with Meryl Streep as ‘Florence Foster Jenkins’; the Oscar-nominated must-see Turkish film ‘Mustang’; a 6 hour marathon watch with ‘Arabian Nights’, the mastery of Alan Clarke; the brilliant Icelandic tale ‘Virgin Mountain’, and the 2016 Oscar Winner Son of Saul. We have an exciting celebration of the artistry of sound in film in partnership with SARC; films on 1916; discussions; music; fancy dress; film installations, and a plethora of new talent in our short film and NI Independents sections; And perhaps most exciting of all we have a programme of new film showcasing more female directors than ever before. Michele Devlin. -
September 2019 Dreharbeiten in Wuppertal Für Kino- Und TV
Filmstadt Wuppertal _______________________________________________________________________________________________________________________________________________________________________ Stand: September 2019 Dreharbeiten in Wuppertal für Kino- und TV- Produktionen und Dokumentarfilme The Flying Train (1902) Das Abenteuer eines Journalisten (1914) mit Ludwig Trautmann, R.: Harry Piel (Kinokop-Film) Der Schritt vom Weg (1939) mit Marianne Hoppe, Karl Ludwig Diehl, Elisabeth Flickenschild, R.: Gustav Gründgens (Terra Filmkunst) Madonna in Ketten (1949) mit Elisabeth Flickenschild, Lotte Koche, Willi Millowitsch, R.: Gerhard Lamprecht Inge entdeckt eine Stadt (1954) mit Horst Tappert, R.: Erni und Gero Priemel La Valse du Gorille (1959) mit Charles Vanel, Roger Hanin, Jess Hahn, René Havard, R.: Bernard Borderie Die Wupper (1967) Fernsehfilm mit Ilde Overhoff, Horst-Dieter Sievers, Peter Danzeisen, R.: Kurt Wilhelm, Hans Bauer Acht Stunden sind kein Tag (1972) mit Gottfried John, Hanna Schygulla, Luise Ullrich, Werner Finck; R.+D.:Rainer Werner Fassbinder, P.: Peter Märthesheimer (WDR, 5-teilige Fernsehserie) Alice in den Städten (1973) mit Yella Rottländer, Rüdiger Vogler, Lisa Kreuzer, R.: Wim Wenders (Filmverlag der Autoren/ WDR) Zündschnüre (1974) mit Michael Olbrich, Bettina Porsch, Thomas Visser, Kurt Funk, Tilli Breidenbach, R.: Reinhard Hauff (WDR) Stellenweise Glatteis (1975) mit Günther Lamprecht, Ortrud Beginnen, Giuseppe Coniglio, R.: Wolfgang Petersen Der starke Ferdinand (1976) mit Heinz Schubert, Vérénice Rudolph, Joachim -
The End of Imperialism Was the Birth of Nationalism, a Wave of Rising
New German Identity: Reworking the Past and Defining the Present in Contemporary German Cinema Constance McCarney Dr. Robert Gregg Spring 2008 General University Honors McCarney 2 The end of imperialism was the birth of nationalism, a wave of rising consciousness that swept over the conquered areas of the world and brought them to their feet with a defiant cry, “We are a Nation!” These new nations, almost all multiethnic states, struggled in defining themselves, found themselves locked in civil wars over what the citizen of this nation looked like and who s/he was. The old nations, locked in a Cold War, looked on, confident in their own national cohesion and unity. But the end of the Cold War proved to be the birth of complicated new identity concerns for Europe. Yugoslavia splintered in terrible ethnic conflict. France rioted over the expression of religious affiliation. Germany tried desperately to salvage the hope that brought down the Wall and stitch itself back together. For Germany the main questions of identity linger, not only who is a German, but what does it mean to be German? In the aftermath of the great upheavals in Germany’s recent past, the Second World War and the fall of the Third Reich, German films did their best to ignore these questions of identity and the complications of the past. But in the late 1960s and throughout the 1970s, a New German Cinema arose that sought to work through the complex issues of West Germany: the legacy of the Nazi Past, American occupation, the Berlin Wall and divided Germany, the radicalism of the time period in a global context, and the civil rights movements, particularly the women’s movement. -
Quarterly 3 · 2009
cover_GFQ_3_2009heller.qxp:cover_GFQ_3_2009heller 24.07.2009 15:06 Uhr Seite 1 German Films Quarterly 3 · 2009 AT LOCARNO THE TWO HORSES OF GENHIS KHAN by Byambasuren Davaa AT MONTREAL ALIAS by Jens Junker ANNE PERRY-INTERIORS by Dana Linkiewicz CEASEFIRE by Lancelot von Naso AT VENEDIG DESERT FLOWER by Sherry Hormann SOUL KITCHEN by Fatih Akin PORTRAITS Almut Getto, Niko von Glasow, UFA Cinema, Alice Dwyer Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 1 German Films Quarterly 3 · 2009 directors’ portraits 4 A STROKE OF LUCK A portrait of Almut Getto 6 SHAKING AND STIRRING A portrait of Niko von Glasow producers’ portrait 8 NEW KIDS ON THE BLOCK A portrait of UFA Cinema actress’ portrait 12 SENSUALITY WITH PRINCIPLES A portrait of Alice Dwyer 14 news in production 18 BIS AUFS BLUT Oliver Kienle 18 BLACK DEATH Christopher Smith 20 FRECHE MAEDCHEN 2 Ute Wieland 20 GLUECKSRITTERINNEN Katja Fedulova 21 HABERMANN Juraj Herz 22 DER HUNGERWINTER 1946/47 Gordian Maugg 23 DIE JAGD NACH DER HEILIGEN LANZE Florian Baxmeyer 24 LUKS GLUECK Ayse Polat 25 NANGA PARBAT Joseph Vilsmaier 26 ORIENT EXPRESS THEATRE TRAIN Martin Andersson, Steffen Duevel 27 ORLY Angela Schanelec 27 RUMPE & TULI Samy Challah, Till Nachtmann, Stefan Silies 29 DER SANDMANN Jesper Moeller, Sinem Sakaoglu, Helmut Fischer 30 SATTE FARBEN VOR SCHWARZ Sophie Heldman 31 DAS SCHWEIGEN Baran bo Odar 32 THEMBA Stefanie Sycholt new german films 34 ALIAS Jens Junker 35 ANNE PERRY – INTERIORS Dana Linkiewicz 36 AYLA Su Turhan Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 2 37 BERLIN ’36 Kaspar Heidelbach 38 CHI L’HA VISTO Claudia Rorarius 39 DEUTSCHLAND NERVT MADE IN DEUTSCHLAND Hans-Erich Viet 40 DER ENTSORGTE VATER THE DISCARDED FATHER Douglas Wolfsperger 41 FLIEGEN FLY Piotr J.