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History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
KODAK EKTAR KODACOLOR •••1' GOLD FILMS HONORS Namic Negative
by Jack and Sue Drafahl EKTAR If you liked the first two Ektar films Ko- dak released earlier this year, then you're going to love the two newest additions to this exciting film family. Kodak just released Ektar 25 Professional, and the medium-speed Ektar 125. Both films are modeled after the first two films, qi Ektar 25 and Ektar 1000, but boast An Unqualified, \ several improvements. EKTAR 25 PROFESSIONAL FILM Categorically Loud, § The best way to describe the differ- Rave Review! \ Ektar 125 is an extremely practical film, with much wider exposure latitude than the slower 25-speed Ektars. ence between Ektar 25 and the new professional version is to use a correla- tion we sometimes give our photo stu- dents. If you went to the finest winery, and selected their top-of-the-line vin- tage, you would be selecting Ektar 25. Now, if you were to select those few bottles that were aged to absolute per- fection, then you would be selecting Ektar 25 Professional. Kodak's manufacturing plant sees to it that all Ektar 25 film must fall within the tight tolerances they set for each distinct layer of film. When the specifications on a certain emulsion are found to be a perfect match in all areas, it becomes Ektar 25 Profession- al, and is refrigerated at that point. This better-than-best film is recom- mended for the professional photogra- pher demanding large enlargements from a 35mm negative. The serious 80 PHOTOgraphic/September 1989 EKTAR its exposure latitude than Kodak's Ko- dacolor Gold films. -
Kodakery; Vol. 6, No. 34; Aug. 26, 1948
KODAK COMPANY Vol. 6, No. 34 Copyr ight 1948 by Eastman Kod ak Com pany, Rochester, N.Y. August 26. 1948 Prince 'Shoots' Olympic Eventj Company Lists 3 New Models In l(odak Tourist Camera Line Bodies Pattern ed After Rugged Oriainal ~ Three new m odels of the K odak T ourist Camera - K oda k's n ew strea mlined folding camera - are a n nounced by the Compa ny. T hey are the K odak T ourist f/ 6.3 Cam era, the Kodak Tourist f/8.8 Cam era and the Kodak T ourist Ca mera with K odet Lens. These three additions to t he K odak Tour ist Camera line are patterned a fter the origina l m odel, the K odak Tourist Came ra with K oda k Anaston f/4.5 Le ns, a n nounced last May . Basic d iffer ences in t he cameras are in t he le nses and shutters. Many Features Like t he ir more expensive pred ecessor, the new m odels a re styled around a rugged, cast a luminum body ; removable back ; Kodadur fin ish, a nd d ura ble Tenite top trim. T hey have the same built-in shut Another Tourist_ Mary Flaherty of Dept: 75 a t Camera Works ter release, enclosed e y e - I e v e 1 brushes lens and mountings on the new Kodak viewfinder a nd ·built-in fl ash syn Tourist f/ 6.3 Camera, now in production. It' s one of three new models. chronization. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
14. Envelopes and Sleeves for Films and Prints
485 The Permanence and Care of Color Photographs Chapter 14 14. Envelopes and Sleeves for Films and Prints Envelopes, sleeves, and other enclosures for long-term Recommendations storage of photographs must meet three fundamental re- quirements: Enclosure Materials: 1. The design of an enclosure — and the surface charac- • Recommended: Uncoated transparent polyester teristics of the materials used to make it — must not (e.g., DuPont Mylar D and ICI Melinex 516). Also cause scratches and abrasion to films and prints during suitable are uncoated polypropylene (e.g., Her- cules T500 film) and certain nonbuffered 100% storage and use. This requirement is not met by most cotton fiber papers (e.g., Atlantis Silversafe Pho- currently available photographic enclosures because it tostore). Probably satisfactory is high-density is necessary to slide films and prints against the enclo- polyethylene (recommended as the best avail- sure material during insertion and removal. able low-cost material for amateur photofinishing applications). 2. Materials and adhesives used to make the enclosures must not be hygroscopic (attracting moisture from the • Should be avoided: Low-density polyethylene surrounding air), nor contain any chemicals that could (e.g., Print File, Vue-All, and Clear File notebook cause, or contribute to, fading or staining of black-and- pages and sleeves); cellulose acetate (e.g., Kodak white or color photographs during the intended storage Transparent Sleeves); polyvinyl chloride [PVC] period. In museum collections, most photographs -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
The Rise and Fall of Eastman Kodak: Looking Through Kodachrome Colored Glasses
American Journal of Humanities and Social Sciences Research (AJHSSR) 2020 American Journal of Humanities and Social Sciences Research (AJHSSR) e-ISSN : 2378-703X Volume-4, Issue-12, pp-219-224 www.ajhssr.com Research Paper Open Access The Rise and Fall of Eastman Kodak: Looking Through Kodachrome Colored Glasses Peter A. Stanwick1, Sarah D. Stanwick2 1Department of Management/Auburn University, United States 2School of Accountancy/Auburn University, United States Corresponding Author: Peter A. Stanwick ABSTRACT:Eastman Kodak is a truly iconic American brand. Established at the end of the nineteenth century, Kodak revolutionized the photography industry by letting every consumer have the ability to develop their own personal pictures at a low cost. However, Kodak stubbornly continued to embrace film photography long after consumers had shifted to digital based photography. In 2012, Kodak was forced to declare Chapter 11 bankruptcy due to its inability to generate positive cash flows in an industry which had moved beyond film photography. In an attempt to reverse its declining financial performance, Kodak introduced products such as the revised Super 8 camera, a smart phone, cryptocurrency, bitcoin mining and the development of chemicals for generic drugs. All of these new product introductions have failed or have been suspended. In addition, there are questions as to whether the real motive of these “new” product innovations was to be used to aid in the financial recovery of Kodak or were these actions based on manipulating Kodak‟s stock price for the personal gain of its executives. This article concludes by asking the question whether or not it is now time for Kodak to permanently close down its operations. -
Kodacolor Gold Films
Kodacolor Gold 400 Kodacolor Gold 1600 I [{•] »7iW«]" Kodacolor Gold 400 Kodacolor Gold 1600 78 PHOTOgraphic/September 1989 welcome addition. sharpness between the 400 Gold and by Jack and Sue Drafahl We noticed a tremendous difference its slower siblings. When we look at when color printing this new film. The the ISO 400 color films of ten years previous emulsions tended to be denser ago, it's hard to believe that the only Everyone has a fami- and printed much cooler than the oth- difference today between the ISO 400 ly tree, which ex- er Gold films. The appearance of the and 100 films is in the degree of en- pands and spreads in ISO 100, 200 and 400 films is so much largement recommended. different directions alike that you must read the film edge with each new addition. Kodak is to verify the emulsion type when print- NEW 1600 GOLD proud to announce it is adding two ing the negatives. A welcome surprise is the high- new members to its Gold family of speed ISO 1600. Kodak states that this films. With over 100 million color neg- new addition has borrowed technology atives taken by consumers every year, from the Ektar 1000, but we suspect there comes a need to provide a variety that some help also was derived from of color negative films in order to sat- the Ektapress 1600 research. As the isfy every photographic situation. newer cameras increase their shutter Presently the Gold family tree in- speeds to '/sooo, there comes the poten- cludes ISO 100, 200, 400, and 1000 tial of photographing very-high-speed members. -
PREVIEW COPY Table of Contents Click Or Tap on the Page Numbers to Jump to That Section
PREVIEW COPY Table of Contents Click or tap on the page numbers to jump to that section Introduction ...............................................................5 Exposure compensation ..................................................73 Metering modes.................................................................74 Choosing a Film Format...............................................8 Metering for specific scenes...............................................76 35mm...................................................................................9 Reciprocity failure ............................................................101 Medium format..................................................................10 Exposure without a meter ............................................102 Large format.......................................................................12 Camera types ................................................................. 14 Filters .....................................................................103 Medium format aspect ratios.............................................15 Filter kit options .............................................................104 Polarizing filters................................................................108 Large Format Tips .....................................................18 Color correction filters .....................................................110 Lens movements explained................................................20 Black and white contrast filters ......................................112 -
The First 2¼ X 3¼ Speed Graphic and Its Lenses by Jim Chasse…...……1 Different Choices, Just for the Miniature Speed Graphic
SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 2, 2017 shutter combinations would be needed for all the cameras FEATURES being made. The August 1939 Graflex catalog listed 10 The First 2¼ x 3¼ Speed Graphic and Its Lenses by Jim Chasse…...……1 different choices, just for the Miniature Speed Graphic. Graflex Strobomatic by John Fleming……...…………………….…...….…...4 Over the lifespan of the camera, over 30 lens/shutter op- Graflex Identification Cameras by Ken Metcalf…………………...………….6 tions were available. Graflex Ads by George Dunbar…………………………………..……...…...11 5x7 Bare-wood Graflex by Doug Frank....………………………...………...12 THE FIRST 2¼ x 3¼ SPEED GRAPHIC AND ITS LENSES By Jim Chasse In January 1947, Graflex introduced the Pacemaker se- ries, but that's a story for another day. This article will cover just the original miniature and some of the many, many lenses available, as almost all were fitted to the Miniature at the Graflex factory. The 2¼ x 3¼ Miniature Speed Graphic will now be referred to as the “2x3 mini.” I just recently located a very unusual lens and shutter combina- tion mounted on a Graflex 2x3 mini lens- In October 1938, in the middle of a world-wide depres- board. It is an f/3.7 sion, Folmer Graflex introduced the 2¼ x 3¼ Miniature 107mm Kodak Anas- Speed Graphic, above. Over 47,000 were manufactured tigmat Ektar number by December 1946. 22,000 were made between May 1313, with no letter 1938 and November 1941. 2,000 more were made be- date code, mounted in tween January 1942 to late 1944. From July 1945 a No. -
Photo.Net Learn Photography
photo.net Learn Photography featuring 303,881 images with 199,756 comments Sign in | Search: www.photo.net : Learn Beginners Taking Pictures ● Making Photographs: ● Portraits ❍ Light ● Gardens ❍ Lens ● Architecture ❍ Film ● Interiors ❍ Exposure ● Ruins ❍ Camera ● Macro ● Good photography with a point and shoot ● Studio camera ● Nudes ● Underwater Learn from other photo.net users ● Sports and Action ● the photo.net discussion forums ● Concerts ● chat ● Astrophotography ● Star trails Technique ● Infrared and Ultraviolet ● Book Reviews ● Pinhole Photography ● Workshops, esp. ● Street Photography ● Film Recommendations ● Subsection: Nature ● Using Filters ● Using Tilt-Shift Lenses Post-Exposure Caring for Equipment ● Choosing a Computer System for ● Cleaning Cameras and Lenses Digital Imaging ● Camera Repair ● Darkroom ● Insurance ● Labs: where to get film developed, printed, or scanned to PhotoCD Buying Equipment and Camera Reviews ● Evaluating photographs: using a lightbox ● Separate section: Equipment and loupe to find the winners ● Storing slides, negs, photos Interviews ● Notes on framing ● Portrait photograher Elsa Dorfman ● Slide Projectors ● Professional photographer David Julian ● Subsection: Digital Editing (PhotoShop) Background ● History of Photography (timeline) Publishing and Sharing ● Optics ● Scanning and Publishing on the Web http://www.photo.net/learn/ (1 of 2) [5/15/2002 7:15:35 PM] photo.net Learn Photography ● the photo.net image sharing service ● Consider Contributing articles to photo.net These are examples from Nudes -
Kodak Magazine; Vol. 20, No. 9; Sept. 1941
"PASTORAL" IN THIS ISSUE In Charge of the City's Money Page 1 New Color Processes Are Announced Page 11 The Department of Finance Kotavachrome Professional, Kodak M inicolor A Snapshot from Palestine Page 2 Brownie Reflex, Synchro Model Page 11 Kodak dealer in Beersheba Latest addition to a famous line F arty Years of Kodak Service Page 3 Don't Take this Gamble! Page 12 Mr. Sulzer is interviewed A Medical Department warning Panorama Page 4 Suggestion Scores Page 12 Varied, as usual Ring-change idea rings bell Cameras Click and Capture Clouds Page 5 Two Tax-Savings Plans Page 13 Some good examples, helpful hints Save for that "drainy day" Westward to the Isles of Spice Page 6 Kodak Milestones Page 13 On the greatest voyage in history Listing significant "firsts" The Kodak Choral Society Page 7 From Atop a Famous Chimney Page 13 Songsters set for eighth season The bicycle still held sway Activities Calendar Page 7 Activities In and Around the Plants Page 14 What's a-coming Jottings from the recreation clubs Another Roll of Retired Employees Page 8 Escape from Poland: a Tale of War Page 15 . to each of whom go our best wishes A Kodak employee relates experiences The Editor's Page Page 10 Out of the Hat Page 16 Notable career Visitor from Shanghai Copyright, 1941, hy the Eastman Kodak Company Trade-i\Iark KoDAK R egistered United States Patent Office Volume 20 SEPTEMBER 1941 Number 9 In Charge of the City's Money HOW THE CITY GOVERNMENT GETS AND SPENDS ITS MONEY (1941 BUDGET) STATf BORROWING $19,545,068 $1 , 465,000 $2,802,500 $ 7,053,771 $4,580,000 $2,539,000 $4,182,326 $8,500.118 $1 ,373,252 $1 ,356,779 DE BT.