Catalonia, Culture and Landscape
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Maestros De Alta Época
Maestros de Alta Época Maestros de Alta Época Agradecimientos: Antoni José i Pitarch, Lourdes de Sanjosé, Santiago Alcolea, Carmen Morte, Isabel Mateo, Pedro Miguel Ibáñez Martínez, Ricardo Centellas, Alberto Velasco. yer era, y hoy la rueda del tiempo nos hace ver que hace ya veinte años que Galería Bernat inció su camino. Era el otoño de 1988 cuando nos establecimos en la calle Johann Sebastian Bach de A Barcelona con la ilusión de empezar una vía profesional, decidida, coherente y especializada en el mundo de las antigüedades, conocedores aunque sin la experiencia suficiente, de los cambios, fluctuacio- nes, modas, dificultades y aciertos que supone este universo que intenta parar el paso del tiempo. Hemos querido ser fieles a nuestros orígenes, lo hemos sido y tenemos la intención de seguir en esta línea. En el transcurso de estos años hemos ido adaptando nuestro gusto y nuestras opciones profesionales y hemos recorrido diferentes campos del arte de los siglos XIX y XX, especialmente de la pintura, hasta recalar en la alta época, atraídos por la singularidad de las obras de escultura y de pintura de los siglos XIII – XVI, por la rareza cada vez mayor de una especialización en esta línea, y por la convicción de qué lejos de suponer una vía agotada, las imágenes pintadas y esculpidas de épocas tan lejanas pueden tener plena vigencia en nuestro mundo contemporáneo. Aún nos acordamos de la primera obra que adquirimos de pintura gótica, una obra del aragonés Martín Bernat, un Calvario que nos pareció maravilloso y que todavía nos continúa cautivando por la fuerza de la composición, por la riqueza cromática y por la luz. -
COAC.1874-1962-En.Pdf
COL·LEGI D’ARQUITECTES DE CATALUNYA 1874-1962 Enric Granell, Antoni Ramon The author of the cover photograph is Klaus Erik Halmburger. Thanks to the donation of Enric Granell, it forms part of the Historical Archive of the Col·legi d’Arquitectes de Catalunya. This book is published at a time of crisis when it is useful to look back at our history and review the role played by the Col·legi d’Arquitectes de Catalunya (Architects’ Institute of Catalonia) at other, equally difficult moments and to see how, in its support to architects as a body, the COAC has been able to evolve by adapting to new situations. It is also positive to see how some constants of the COAC and, by extension, of Catalan architects, have continued throughout inevitable changes. These are values such as the will to undertake the responsibility for constructing a quality environment for our fellow citizens, with social and cultural commitment, incorporating the requirements and needs produced by the rapid transformation of lifestyles and technological means. Since 1874, first the Associació d’Arquitectes de Catalunya and then the Col·legi d’Arquitectes de Catalunya have brought together the architectural profession, becoming its public representative and a link between citizens, professionals and architecture. With the opening of the building in Barcelona’s Plaça Nova, 50 years ago now, these roles acquired a new dimension. Today, at a time of far-reaching global change, the objectives remain the same, and we continue with our search for new ways to make them reality. -
Catalonia Accessible Tourism Guide
accessible tourism good practice guide, catalonia 19 destinations selected so that everyone can experience them. A great range of accessible leisure, cultural and sports activities. A land that we can all enjoy, Catalonia. © Turisme de Catalunya 2008 © Generalitat de Catalunya 2008 Val d’Aran Andorra Pirineus Costa Brava Girona Lleida Catalunya Central Terres de Lleida Costa de Barcelona Maresme Costa Barcelona del Garraf Tarragona Terres Costa de l’Ebre Daurada Mediterranean sea Catalunya Index. Introduction 4 The best destinations 6 Vall de Boí 8 Val d’Aran 10 Pallars Sobirà 12 La Seu d’Urgell 14 La Molina - La Cerdanya 16 Camprodon – Rural Tourism in the Pyrenees 18 La Garrotxa 20 The Dalí route 22 Costa Brava - Alt Empordà 24 Vic - Osona 26 Costa Brava - Baix Empordà 28 Montserrat 30 Maresme 32 The Cister route 34 Garraf - Sitges 36 Barcelona 38 Costa Daurada 40 Delta de l’Ebre 42 Lleida 44 Accessible transport in Catalonia 46 www.turismeperatothom.com/en/, the accessible web 48 Directory of companies and activities 49 Since the end of the 1990’s, the European Union has promoted a series of initiatives to contribute to the development of accessible tourism. The Catalan tourism sector has boosted the accessibility of its services, making a reality the principle that a respectful and diverse society should recognise the equality of conditions for people with disabilities. This principle is enshrined in the “Barcelona declaration: the city and people with disabilities” that to date has been signed by 400 European cities. There are many Catalan companies and destinations that have adapted their products and services accordingly. -
Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral
Structural Assessment of the Roman Wall and Vaults of the Cloister of Tarragona Cathedral Abstract The Mediterranean city of Tarragona was a capital city in Roman times. Nowadays, the remains of the ancient constructions coexist with many subsequent buildings. This is the case of the Gothic Cathedral cloister, whose walls partially take advantage of the remains of the temenos’s wall. This paper focuses on the assessment of that unique overlapping of construction phases. The investigation is performed through an unprecedented topographical survey by means of massive data capture techniques. This information is the basis for the mechanical assessment of the equilibrium conditions of the northern corner of the gallery, which is performed on the well-known theoretical framework of limit analysis by means of thrust lines. The study allowed to enhance the understanding about the equilibrium conditions and the deformation processes of the gallery masonry elements, where the mechanical relation between the Roman and Gothic walls is essential. Keywords 3D model, Structural assessment, Graphic documentation techniques Mª Amparo Núñez-Andrés 1), Felipe Buill 2), Agusti Costa 3), Josep Maria Puche 4) 1) Department of Geotechnical Engineering and Geo-Sciences (ETCG). Universitat Politècnica de Catalunya. [email protected] 2) Department of Geotechnical Engineering and Geo-Sciences (ETCG). Universitat Politècnica de [email protected] 3) Universitat Rovira i Virgili. ETSA Reus, Campus Bellissens. [email protected] 4) ICAC, Institut Català d’Arqueologia Clàssica [email protected] 1 Introduction The city of Tarragona is located at the Mediterranean coast of Catalunya (Spain). Known as Tarraco, it was a capital city in Roman times and until eighth century. -
Tecla, Pablo Y El Frontal Del Altar De La Catedral De Tarragona En El Contexto Creativo Del Tardorrománico Hispano: Propuesta De Datación E Interpretación*
ANUARIO DE ESTUDIOS MEDIEVALES 49/2, julio-diciembre de 2019, pp. 645-682 ISSN 0066-5061 https://doi.org/10.3989/aem.2019.49.2.10 TECLA, PABLO Y EL FRONTAL DEL ALTAR DE LA CATEDRAL DE TARRAGONA EN EL CONTEXTO CREATIVO DEL TARDORROMÁNICO HISPANO: PROPUESTA DE DATACIÓN E INTERPRETACIÓN* THECLA, PAUL AND THE ALTAR FRONTAL OF THE CATHEDRAL OF TARRAGONA IN THE CREATIVE CONTEXT OF LATE SPANISH ROMANESQUE ART: A PROPOSED DATE AND INTERPRETATION ESTHER LOZANO LÓPEZ UNED https//orcid.org/ 0000-0003-0513-4748 CÉSAR GARCÍA DE CASTRO VALDÉS Museo Arqueológico de Asturias https://orcid.org/ 0000-0003-3253-7796 Resumen: El imponente frontal de mármol que ornamenta el altar de la catedral de Tarragona permite ahondar en el dilatado proceso histórico de la restauración de la sede metropolitana. Los confl ictos eclesiásticos generados a partir del proceso de segregación jurisdiccional respecto a la metrópolis de Narbona, la rivalidad con Toledo a propósito de la primacía hispánica y la voluntad de subrayar la fundación apostólica de la sede explican la dedicación a santa Tecla (discípula de Pablo, isoapóstolos y protomártir) y el extraordinario programa iconográfi co que plasma una versión de los Acta Pauli et Teclae. El prestigio de la caput ecclesiarum totius Citerioris Hispaniae (en palabras del arzobispo Oleguer) se refl eja en la creación de una obra de calidad excepcional que se inserta en las innovadoras corrientes escultóricas del tardorrománico hispano. El objetivo principal de este trabajo es ofrecer una datación más temprana y una nueva lectura iconográfi ca para este altar. Palabras clave: frontal de altar; románico; primacía metropolitana; Tecla; exaltación paulina; trans- fi guración; catedral de Tarragona. -
Cities and Sites Photograph Collection, Circa 1850-Circa 1949
http://oac.cdlib.org/findaid/ark:/13030/c8fr00x7 No online items Finding Aid for the Cities and Sites Photograph Collection, circa 1850-circa 1949 Beth Guynn Finding Aid for the Cities and 96.R.34 1 Sites Photograph Collection, circa 1850-circa 1949 Descriptive Summary Title: Cities and Sites Photograph Collection Date (inclusive): circa 1850-circa 1949 Number: 96.R.34 Creator/Collector: Getty Research Institute Physical Description: 557 Photographic Prints Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: An assembled collection of photographs of cities, sites, and monuments from around the world. Many views are by early photographers such as Robert Macpherson, James Anderson, Carlo Naya, and Giorgio Sommer. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English, Italian, Spanish; Castilian, and French, with some German Biographical/Historical Note Collection assembled by the repository. Access Open for use by qualified researchers. Publication Rights Contact Library Rights and Reproductions . Preferred Citation Cities and sites collection, circa 1850-circa 1949, Getty Research Institute, Los Angeles, Accession no. 96.R.34 http://hdl.handle.net/10020/cifa96r34 Acquisition Information Collection assembled by repository in 1997 from photographs selected from the repository's Photo Study Collection. Processing History The collection was processed by Beth Ann Guynn in 1997 and further processed by Holly Larson in 2010. The finding aid encoded by Holly Larson from Guynn's inventory, with grant funding from the Council on Library and Information Resources (CLIR). -
The Textile Collection at the Episcopal Museum of Vic
35 OPEN SOURCE LANGUAGE VERSION > CATALÀ A museum within a museum: the textile collection at the Episcopal Museum of Vic by Judit Verdaguer i Serrat, curator of the Episcopal Museum of Vic (MEV) The dignity of clothes that have been consecrated to God, that have received His blessing (...), that have born witness to the celebration of the most venerable Mystery, should be sufficient to prevent their sale as cheap merchandise, so often leading into unworthy hands and to uses not fit for such robes and ornaments. If one piece and another were to find their way to museums, where they could serve to inform under careful conservation, this fault could be excused; but they are all too often converted into decorative items for lounges and workshops , and this when they are not taken apart and condemned to a life as a chair cover or converted into cushions and placed beneath the feet of all manner of people. Who has not seen maniples used as curtain loops?1. 1 GUDIOL I CUNILL, In 1925, Father Josep Gudiol2 expressed in these terms his distaste at the ignoble J., “La Indumentària fate of historical items of sanctified clothing and fabric. The trade of these items Litúrgica”, Anuari dels by “espadrille antiquarians”3, to use the term coined by Joaquim Folch i Torres, amics de l’art litúrgic, Cercle Artístic de Sant Lluc. contributed to the cruel fragmentation and inexorable dispersion of many Barcelona, 1925, p. 155. Catalan textile pieces, erasing their history and roots forever. 2 Father J. Gudiol was The safekeeping of liturgical ornaments, of the ecclesiastical hierarchy, was curator of the Episcopal traditionally a matter for the religious establishment, which considered them Museum of Vic from 1898 sacred objects that must be conserved, protected and handled with respect. -
Romanesque Art
JACQUES PEPIN: CHEF, AUTHOR ARTIST ACTIVE ADVENTURES IN NEW ZEALAND TIME TRAVEL THROUGH SPAIN’S ROMANESQUE ART FABULOUS FALL FARE RECIPES FALL 2019 www.healthyaging.net DISCOVER ROMANESQUE ART IN THE PYRENEES: AN AUTHENTIC ADVENTURE By Carolyn Worthington C. Worthington C. Aspe of Sant Andreu de Salardu in the village of Salardu. 62 WWW.HEALTHYAGING.NET FALL 2019 FALL 2019 WWW.HEALTHYAGING.NET 43 “Art is the expression of your relationship with the world. Art opens up the soul.*” — Pascale Montandon, artist Sightseeing for sightseeing’s sake has So, if you are interested in art, culture, never been the way I travel. Meaningful and religious history, and European history; love purposeful travel is more my style. A week- to seek out chef-owned restaurants in the long cooking course across the pond, hiking country; sample artisan foods, wine, and craft a pilgrimage route, ski lessons to move beyond beer; and being active by hiking, kayaking, the bunny trail, or a guided birding trip to or canoeing, then discovering Romanesque art a national park are rewarding, experiential, in the Pyrenees might just be your next trip. totally different, and fun. Probably like you, I often make a museum First, A Little Bit of History: visit a must-do while on any trip. I tend to check out the museum’s most famous art What Is Romanesque Art? Romanesque “in the manner of the Romans” pieces, zip through the other collections, and art was created from around the second half then make a beeline for a local restaurant, of the 11th century through the 12th when winery, craft brewery, or artisan shop. -
IMAGO TEMPORIS Medium Aevum
SUMMARY I PART. THE PAST INTERROGATED AND UNMASKED 27-44 Free Fathers, Slave Mothers and their Children: A Contribution to the Study of Family Structures in Al-Andalus Cristina de la Puente 45-58 “Paradise is at the Feet of the Mothers”. Some Preliminary Remarks concerning the Figuration of Motherhood in Medieval Arab Literature Isabel Toral-Niehoff 59-75 Paternity and Filiation according to the Jurists of al-Andalus: Legal Doctrines on Transgression of the Islamic Social Order Delfi na Serrano 77-94 Islamic Rural Land Use Refl ected in Past and Present Catalan Toponymy Pere Balañà II PART. THE PAST STUDIED AND MEASURED 97-137 Notes and Considerations on the Importance of St. Patrick’s Epistola Ad Milites Corotici as a Source on the Origins of Celtic Christianity and Sub-Roman Britain Fausto Iannello 139-174 San Sebastián de Silos: the Church dedicated or consecrated around 1088 through the Documentation and Archaeological Remains Félix Palomero and Irene Palomero 175-224 Tracking down the Glitter of Gold in the Diplomatari de Santes Creus Arnald Puy IMAGO TEMPORIS Medium Aevum 225-269 On the Origins of Crusading in the Peninsula: the Reign of Alfonso VI (1065-1109) Carlos de Ayala 271-297 Sancha Raimúndez: An Infanta in the Exercise of her Power Gregoria Cavero 299-322 The Hospitallers of Rhodes and their Vow of Poverty in the 15th Century (1420-1480) Pierre Bonneaud 323-341 Sodomy and the Sick Body of Women Rafael M. Mérida 343-353 Coinage and Papal Policy in Umbria in the early 15th Century Manuel Vaquero IMAGO TEMPORIS 355-373 Cicero in the Late-Medieval tractatus nauticus Carlos Medina-Hernández III PART. -
Tarragona Spain Travel Guide City Routes
TARRAGONA SPAIN City Routes Photo credit: Plaça de la Font © Manel Antolí (RV Edipress) courtesy of Tarragona Tourism BY JACKIE DE BURCA TARRAGONA SPAIN City Routes - Travel Inspires Table Of Contents Roman Route: Tàrraco – UNESCO World Heritage 2 Site Since 2000 Tarragona Medieval Route 5 Tarragona Modernist Route 8 Welcome to Travel Inspires Unique Family Travel 12 Guides SIGN UP FOR NEW GUIDES 12 Tarragona City Routes - Travel Inspires TARRAGONA SPAIN City Routes - Travel Inspires Maqueta de la Tàrraco Romana – Model of Roman Route: Tàrraco – UNESCO Roman Tarraco – Antiga Audiencia, Plaça del World Heritage Site Since 2000 Pallol, 3 – This is a detailed model of what Tarraco was like at its peak. Tàrraco was founded in 218 BC, and this was the capital of the Roman Empire in Hispania Citerior. This was the Romans logistical base Muralles – Walls – Avenida Catalunya, Phone: here, and covered an impressive space of 60 977 245 796 to 70 hectares, which included its own circus, a Roman amphitheatre, the provincial forum, amongst many other elements. In 2000 this was declared a UNESCO World Heritage Site, and below is a breakdown of the Tarragona Roman Route. The Walls (Archaeological Promenade) © Manel Antolí (RV Edipress) 3500 metres of walls were built in the 2nd century BC, of which around 1100 metres remain today. The Passeig Arqueològic is the highlight of the remaining wall, which Plaça del Fòrum (Forum Square) © Alberich borders with the old quarter of Tarragona. Fotògrafs Unusual megalithic foundations are revealed in these very well preserved sections. Please note: In Tarragona city, on Mondays all monuments are closed except for the Model Temple – Temple – Pla de la Seu of Roman Tarraco, the Cathedral and Diocesan Museum The construction of the Roman circus and provincial forum had gained the city Follow in the footsteps of the Romans, and monumental status in the second half of the nd out about life during the Roman Era. -
National Geographic
DISCOVER EUROPE’S Explore Palaces and Gardens Discover the Hidden Underground WORLD HERITAGE SITES Experience Romantic Views Celebrate Ancient Wonders EXPERIENCE EUROPEAN HISTORY AND CULTURE AND EXPLORE ITS CROWN JEWELS AND HIDDEN GEMS THROUGH WORLD HERITAGE JOURNEYS OF THE EUROPEAN UNION. Travel Differently... Travel Deeper World Heritage Europe is packed with history JOURNEYS and culture and overflows with stories and legends... so much that it’s hard to know where to start your European journey or how best to experience and understand its rich heritage. WORLD HERITAGE JOURNEYS OF EUROPE JOURNEYS HERITAGE WORLD To help, National Geographic EUROPE and UNESCO, with the support Explore European History and Culture of the EU, have created a new online guide to help you plan an epic European holiday... beyond bucket lists and selfie shots VisitWorldHeritage.com features rich profiles of iconic and less-known World Heritage sites, including their history and significance and insider tips on the best things to see and do to truly experience these places of outstanding universal value. SPECIAL PUBLICATION The National Palace of Pena in the Cultural Landscape of Sintra NIO M O UN M D RI T IA A L • P • W L near Lisbon, Portugal O A VISITEUWORLDHERITAGE @ I VISITEUWORLDHERITAGE R D L D N H O E M R I E T IN AG O E • PATRIM VISITEUWORLDHERITAGE @ VISITEUHERITAGE United Nations World Educational, Scientific and Heritage Cultural Organization Convention Co-funded by the EUROPEAN UNION © 2019 National Geographic Partners, LLC and UNESCO World Heritage JOURNEYS EUROPE The high altar made of gilded CONTENTS bronze is the work of Corneille Van Clève and is one of the trea- sures of the Palace of Versailles. -
PASOS. Revista De Turismo Y Patrimonio Cultural. Volumen 11
Articles | Artículos Geoffrey Skoll Tourism, art and urban neighborhoods Maximiliano E. Korstanje Disasters, tourism and mobility, Peter Tarlow the case of Japan earthquake J. Carlos Monterrubio Destination image and crime in Mexico: An analysis of foreign government travel advice Babu P George, PhD The internal structure of destination visitation model Tony L Henthorne, PhD and implications for image management VOLUMEN 11 | NÚMERO 3 - SPECIAL ISSUE | JULIO 2013 | ISSN: 1695-7121 Alvin J Williams, PhD Maximiliano E. Korstanje The sense, landscape and image. How the tourist destination is replicated in postmodernist times R Rajesh Impact of Tourist Perceptions, Destination Image and Tourist Satisfaction on Destination Loyalty: A Conceptual Model Margarita Barretto Aesthetics and Tourism VOLUMEN 11 | NÚMERO 3 - SPECIAL ISSUE JULIO 2013 ISSN: 1695-7121 VOLUMEN Agustín Santana Talavera “Imaginando la imagen en turismo: un viaje de ida y vuelta” Matthew Smith O turismo acessível como vantagem competitiva: Ericka Amorim implicações na imagem do destino turístico Cláudia Soares Image, aesthetIc Revista de Turismo Bingjie Liu, M.S. Images of safe tourism destinations y Patrimonio Cultural in the United States held by African Americans & tourIsm Susana Gastal Imagem, Paisagem e Turismo: a construção do olhar romântico In Post modern tImes Dolors Vidal Casellas Structuration and branding of a religious tourism Sílvia Aulet Serrallonga product: catalonia sacra Neus Crous Costa Jaime Álvarez de la Torre Riesgo y percepción en el desarrollo de la imagen Diego Rodríguez-Toubes Muñiz turística de Brasil ante los mega-eventos deportivos Revista de Turismo y Patrimonio Cultural y Patrimonio Turismo de Revista Página Web: www.pasosonline.org Correo electrónico: www.pasosonline.org [email protected] Correo postal P.O.