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The Canon Cat After of Release Before Macintosh
LORI EMERSON & FINN BRUNTON THE CANON CAT PROCESSING ADVANCED WORK In the fall of 2014, Finn Brunton, an assistant professor at NYU, contacted Lori Emerson, Director of the Media Archaeology Lab (MAL) at the University of Colorado, Boulder, about a rare fi nd he came across on ebay: a Canon Cat, which billed itself in 1986 as an “advanced work processor.” The MAL wasn’t immediately able to purchase the machine; however, Brunton purchased the Canon Cat with the agreement that he’d experiment with the Canon Cat for six months or so, sell it to the MAL, and then he and Emerson would co-write a piece – now, this piece – on the obscure machine from an ever-more distant past. Here, we hope to give you a glimpse into what computing could have been and still could be. 353 [SHIFT]+[DOCUMENT] [SHIFT]+[DOCUMENT] Who will the user be? The shape that early personal Jef Raskin began to work on designing the Canon Cat after computing takes rests in part on this question, with he left Apple in 1982, two years before release of Macintosh. its implicit temporal paradox. The scenario, or persona, The Cat was then introduced to the public by Canon in 1987 or model, or instance of the user threads through the for $1495 – roughly $3100 in 2015. Although the Cat was production of the machine, from input devices and discontinued after only six months, around 20,000 units performance criteria to software, industrial design, and were sold during this time. The Canon Cat fascinates me marketing. -
Related Links History of the Radio Shack Computers
Home Page Links Search About Buy/Sell! Timeline: Show Images Radio Shack TRS-80 Model II 1970 Datapoint 2200 Catalog: 26-4002 1971 Kenbak-1 Announced: May 1979 1972 HP-9830A Released: October 1979 Micral Price: $3450 (32K RAM) 1973 Scelbi-8H $3899 (64K RAM) 1974 Mark-8 CPU: Zilog Z-80A, 4 MHz MITS Altair 8800 RAM: 32K, 64K SwTPC 6800 Ports: Two serial ports 1975 Sphere One parallel port IMSAI 8080 IBM 5100 Display: Built-in 12" monochrome monitor MOS KIM-1 40 X 24 or 80 X 24 text. Sol-20 Storage: One 500K 8-inch built-in floppy drive. Hewlett-Packard 9825 External Expansion w/ 3 floppy bays. PolyMorphic OS: TRS-DOS, BASIC. 1976 Cromemco Z-1 Apple I The Digital Group Rockwell AIM 65 Compucolor 8001 ELF, SuperELF Wameco QM-1A Vector Graphic Vector-1 RCA COSMAC VIP Apple II 1977 Commodore PET Radio Shack TRS-80 Atari VCS (2600) NorthStar Horizon Heathkit H8 Intel MCS-85 Heathkit H11 Bally Home Library Computer Netronics ELF II IBM 5110 VideoBrain Family Computer The TRS-80 Model II microcomputer system, designed and manufactured by Radio Shack in Fort Worth, TX, was not intended to replace or obsolete Compucolor II the Model I, it was designed to take up where the Model I left off - a machine with increased capacity and speed in every respect, targeted directly at the Exidy Sorcerer small-business application market. Ohio Scientific 1978 Superboard II Synertek SYM-1 The Model II contains a single-sided full-height Shugart 8-inch floppy drive, which holds 500K bytes of data, compared to only 87K bytes on the 5-1/4 Interact Model One inch drives of the Model I. -
Testing Toolkit Phil Koopman, Jr
Forth-83 TESTING TOOLKIT PHIL KOOPMAN, JR. - WEXFORD,- PENNSYLVANIA One ofForth's strong points is its sup port of interactive development and test \ Forth testing support ing. Sometimes, however, interactive test \ By Philip Koopman Jr., for Harris Semiconductor \ Derived from test ing is not enough. code used for the RTX chip family During the development · \ Developed on F-TZ (an F-PC and F-83 derivative) version 3.Xll of low-level software for the RTX family, we wanted a method to create a permanent VARIABLE #STACK -1 #STACK! \ Saves number of stack elements for testing record of test cases for Forth words. This CRE.ATE R-SAVE 8 ALLOT \Note: F-TZ u·ses 32-bit return addresses! record serves as documentation for users and maintainers. In addition, a full suite of GET-DEPTH ( .. stack.stuff •• - .. stack.stuff .. ) DEPTH #STACK test cases for a program provides a way to @ -- #STACK ! ; be sure that a changein one part of the OS (. ( -- $BAD1 $BAD2 ) program does not disturb other parts of the \ !nit RS to -1 so that '-' will know it is a OS input program. \ Uses hex OBADi and hex OBAD2 as sentinel values for OS -1 #STACK ! $BAD1 $BAD2 ; How to Use It Each test case consists of code that RS ( ( -- $BAD3 $BAD4 ) \ Uses hex OBAD3 and hex OBAD4 as sent·inel va1ues for RS places elements on the data and return DEPTH #STACK ! $BAb3 $BAD4 ; stacks, creates and executes a test defini tion, then verifies that ihe correct results ( nl n2 n3 n.n - nl n2 n3 •• n.n sentinel ) were piaced on both stacks. -
Kansasfest 2021 Schedule
================ FRIDAY JULY 23 ================ All times: CDT, GMT–5 modes, they also suffer from colour interference effects that can be difficult to understand. In order 0945–1000 to make sense of this, we’ll do a deep dive into DHGR Welcome to Virtual KFest colour, coming up with some simple rules for under- Introduction of committee members; standing the colour interactions, and answering the tips and tricks for having two fantastic days. question: How many colours does Double Hi-Res support, anyway? With this deeper understanding, 1000–1030 we can turn the complexities of the colour model Nox Archaist: A look back and the road ahead to our advantage, and use them to produce higher Mark Lemmert & Chris Torrence quality images than had previously been possible. Mark Lemmert and Chris Torrence talk about some of the challenges and excitement during the devel- 1200–1230 opment of Nox Archaist, and share their thoughts on The first IIGS game: The Creation of Tass Times in future projects from 6502 Workshop. Tonetown Rebecca Heineman, aka Burger Becky 1030–1045 How did a game for the Apple ][ get ported to a brand Remote Key Control of Your Hardware Apple IIe new platform, using a new CPU and new graphics and IIGS and sound, and get done in 4 weeks? I’ll tell you. You Jay Craft may go mad. Jay Craft will describe the hardware and software required for remote keyboard control of your Apple 1230–1245 //GS or //e from a modern-day computer. He will Maximizing Apple Color Bit by Bit demonstrate use cases in testing, development, Lucia Grossberger Morales controlling multiple Apple // systems simultaneously, In 1979, Lucia Grossberger Morales was devastat- and sharing the hardware Apple //’s keyboard with ed when she became allergic to her artistic medium someone in a remote location. -
A Spiritual Heir to the Macintosh
PRODUCT PREVIEW Ezra Shapiro A Spiritual Heir to the Macintosh The Canon Cat may be Jef Raskin's long-sought "information appliance" Editor's note: The following is a BYTE workers at Information Appliance and is the keyboard at a comfortable viewing product preview, It is not a review. We now being manufactured and sold by angle; the screen is slightly to the left of provide an advance look at this new prod Canon U.S.A. under a series of technol center. A 3'h-inch floppy disk drive is uct because we feel it is significant. ogy licenses. mounted vertically next to the screen in the right-hand section of the integrated he Canon Cat is being ad At First Glance housing. vertised as a piece of of The 17 -pound Cat takes about as much Outputs include a Centronics parallel fice equipment-the next space as an Apple He with a monitor, port, a 25-pin RS-232C serial port, and step beyond the memory standing 10"/'6 inches tall with a foot two Telco RI-Il jacks to connect the typewriter-but there's print 13 Ys inches wide and I Hi inches Cat's internal 30011200-bit -per-second some real computer muscle under this fe deep. The CRT display is tilted back from cOllli/wcd line's skin. It's lef Raskin's first machine since he left Apple, where he headed the original Macintosh development team. And, as you might expect from this pedi gree, the Cat takes an innovative ap proach to computing in the business envi ronment. -
The Canon Cat Computer: Jef Raskin's “Work Processor”
The Canon Cat Computer: Jef Raskin’s “Work Processor” Copyright (c) 1994 David T. Craig 21 Nobember 1994 941 Calle Mejia, Apt. 509, Santa Fe, NM 87501 (USA) CompuServe 71533,606 ************** DRAFT ************** This paper was originally written for Historically Brewed, the newsletter of the Historical Computer Society of El Paso, Texas. Refer to issue # 6, July/August 1994, for an earlier version of this paper. Contact Mr. David Greelish at Internet address [email protected] if you’re interested in old computers and want to read fascinating stories about these computers and the people behind them. For additional information about HCS see the article “Machine Dreams” as published in Texas Monthly magazine, July 1994, pp. 46+. If many faultes in this paper you fynde, Yet think not the correctors blynde; If Argos heere hymselfe had beene, He should perchance not all have seene. Paraphrase from Richard Shacklock (1565) ————————————————————————————————— Special thanks are due to the following people: Jef Raskin, Doug McKenna, Paul Baker, Owen Linzmayer, Hugh Hazelrigg ————————————————————————————————— Note: The Shacklock paraphrase was “borrowed” from the Apple INTEGER BASIC manual that Jef Raskin wrote around 1978. Jef Raskin credits Brian Howard, a skilled and long-time writer at Apple Computer, with discovering this quote. do - mention where I found “work processor”, in leap paper, p. p170 - add more info on leap usage from leap paper (search, move) - design awards for Cat - ask raskin for list, same for patents (get actual patents) -
Apple Confidential 2.0 the Definitive History of the World's Most Colorful
vi Reviewers love Apple Confidential “The Apple story itself is here in all its drama.” New York Times Book Review “An excellent textbook for Apple historians.” San Francisco Chronicle “Written with humor, respect, and care, it absolutely is a must-read for every Apple fan.” InfoWorld “Pretty much irresistible is the only way to describe this quirky, highly detailed and illustrated look at the computer maker’s history.” The Business Reader Review “The book is full of basic facts anyone will appreciate. But it’s also full of interesting extras that Apple fanatics should love.” Arizona Republic “I must warn you. This 268-page book is hard to put down for a MacHead like me, and probably you too.” MacNEWS “You’ll love this book. It’s a wealth of information.” AppleInsider “Rife with gems that will appeal to Apple fanatics and followers of the computer industry.” Amazon.com “Mr. Linzmayer has managed to deliver, within the confines of a single book, just about every juicy little tidbit that was ever leaked from the company.” MacTimes “The most entertaining book about Apple yet to be published.” Booklist i …and readers love it too! “Congratulations! You should be very proud. I picked up Apple Confidential and had a hard time putting it down. Obviously, you invested a ton of time in this. I hope it zooms off the shelves.” David Lubar, Nazareth, PA “I just read Apple Confidentialfrom cover to cover…you have written a great book!” Jason Whong, Rochester, NY “There are few books out there that reveal so much about Apple and in such a fun and entertaining manner. -
1988 Real-Time Programming Convention
1988 REAL.TIME PROGRAMMING c0iluE1{Tt0N Sponsored by the Forth Interest Group NOUEMBER 18-19, 1988 GRAND H0TEL - ANAHHTY1 CALIF0RN|A $1000 BEwTBD for the World's Fastest Programmer. 1 988 REAL-TIME PROGRAMMING CONVENTION Sponsored by the Forth Interest Group The 1988 Real-Time Programmint Convention will be held trida, November 18 and Saturda, November 19, 1988 at the Crand Hotel in Anaheim, California. Program sessions run f rom 12:45pm to 6:00pm on Friday and 1 1:00am to 5:00pm on Saturday- All sessions will be held in the Crystal Eallroom unless otherwise specified. Cost to attend all pro8ram sessiont exhibit and contest is $5 for tlC members, $'10 othels. REGISTRATION HOURS HARRIS REAL-TIME D(PRESS SEMINAR (Slryroom) triday, November'l8th 8:0oam -4:0opm Friday, November 18th, seating is limited to 50 per session Saturday, November 19th 8:OOam -4:00pm Session l 9:00am -Noon Session 2 1:00pm - 4:O0pm tXHlBlT HOURS (Premier Room) friday, November 18th Noon - 6;0opm "\dORLD'S fASTEST PROGRAMMER" CONTEST (Skyroom) Saturday, November 19th g:Ooam - 5:00pm Saturday, November 19th l(}ooam - Noon (approx.) COMPANION ARTS & CRAFTS TOUR BANqUET IEATURING JEt RASKIN (Regency Rooms) Saturday, November 19th 9:3oam - 3:3opm (135 per person) Saturday, November 19th 7:30pm (S35 per person) PR.OGRAA4 SESSIONS Frldan Nonember 18, 1988 Saturday, November 19, 1988 12:.45 Wclcome 1Oj.2O Rhcalstoncs: A Rc.l-Timc Benchmark Specitication Robert R. Reiling Kent Porter, Rabindra Kar and lriends President of the torth Interest Croup 1l:0O LantuatcPcrformrncc 1:00 tqrth and Rcal-Time Protrammint Ron Eraithwaite Ray Duncan David Fox High-Lwel Languagcs and High-End Proccssorc t1:0O Bach Organ Rccit.l (Slryroom) for Rcal-Time Progremmin6 Dr. -
From Apple to Archy: the Visionary Journey of Jef Raskin
BOOK REVIEW From Apple to Archy: The Visionary Journey of Jef Raskin The Humane Interface By Jef Raskin Addison Wesley, 2000 Reviewed by Charlie Kreitzberg Jef Raskin, who headed the Macintosh project from 1979 to 1982, died on February 26, 2005, at age 61. Like many of the pio- neers in personal computing, Raskin was a Renaissance man—a musician, composer, and conductor. His sculptures have been exhibited at New York’s Museum of Modern Art; one is included in the permanent collection. easy-to-use computer for consumers. When he became convinced that it would The fog that surrounds corporate history According to Wired News, Raskin recalled, work and that it would be an exciting new has created several versions of the origins of “There was this thing that I’d been dreaming product, he started to take over.” the Macintosh and Raskin’s role in it. of for some time, which I called Macintosh. To honor Jef Raskin’s contributions to the According to Arik Hesseldahl’s 2005 Forbes The biggest thing about it was that it would field of interface design, User Experience is article, Raskin wrote his 1967 master’s thesis be designed from a human-factors perspec- publishing this review of his book, The on GUIs and then encountered the Xerox Star tive, which at that time was totally Humane Interface: New Directions for at the Palo Alto Research Center in the incomprehensible.” Designing Interactive Systems. 1970s. After visiting the garage in which It was not an easy sell. “[Steve] Jobs hated Jef Raskin spent a large part of his life pas- Jobs and Wozniak were building their upstart the idea,” Raskin said. -
Jef Raskin Papers, 1975-1997
http://oac.cdlib.org/findaid/ark:/13030/tf0199n441 No online items Preliminary Inventory of the Jef Raskin Papers, 1975-1997 Processed by James Kent; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc/ © 2001 The Board of Trustees of Stanford University. All rights reserved. Preliminary Inventory of the Jef Special Collections M1147 1 Raskin Papers, 1975-1997 Preliminary Inventory of the Jef Raskin Papers, 1975-1997 Collection number: M1147 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc/ Processed by: James Kent Date Completed: 2000 Nov. Encoded by: Steven Mandeville-Gamble © 2001 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Jef Raskin Papers, Date: 1975-1997 Collection number: Special Collections M1147 Creator: Raskin, Jef Extent: 8 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Gift of Jef Raskin, 1999. Preferred Citation: [Identification of item], Jef Raskin Papers, M1147, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. -
The New Media Handbook
1111 2 3 4 5 1116 The New Media 7 8 9 Handbook 11110 11 12 13 14 15 16 17 11118 The New Media Handbook deals with the essential diversity of new media by combining 19 critical commentary and descriptive and historical accounts with a series of edited inter- 20 views with new media practitioners, including young web developers, programmers, 21 artists, writers and producers. 22 The New Media Handbook provides an understanding of the historical and theoretical 23 development of new media, emphasising the complex continuities in the technological 24 developments associated with particular cultural uses of media, rather than understanding 25 new media as replacing or breaking what has gone before. 26 The New Media Handbook focuses upon the key concerns of practitioners and how 27 they create their work and develop their projects – from artists to industry professionals, 28 web designers to computer programmers. It includes a discussion of key concepts 29 such as digital code, information, convergence, interactivity and interface and, finally, 30 identifies key debates and locates the place of new media practice within contemporary 31 culture. 32 The New Media Handbook includes: 33 34 • interviews with new media practitioners 35 • case studies, examples and illustrations 36 • a glossary of technical acronyms and key terms 37 38 • a bibliography and list of web resources. 39 40 Andrew Dewdney is Professor of Media Education and Head of the Department of 41 Arts, Media and English at London South Bank University. He is the Chair of the Digital 42 Arts Development Agency (DA2) and the Director of the New Media Gallery at London 43 South Bank University. -
March 9Th 1987
Something close to them than 1,600 listed stocks. After launched as the "Canon Cat" in less than a second 's delay, a March 9th 1987. Its innovative interface recorded voice would speak the attracted some interest, but the latest bid-ask and last sale data. machine wasn't a commercial The service could handle as success. Jef (Jeff) Raskin many as 400,000 telephone Born: March 9, 1943; inquiries per day – an increase of 60% over the old service. New York City Died: Feb. 26, 2005 Each spoken message was automatically composed from Raskin helped persuade the pre-recorded words. The voice Apple team to transform the Lisa belonged to Robert Rew, a 31- [Jan 19] from a text-based year-old senior associate computer to one incorporating engineer at IBM. graphics features similar to those he'd seen at Xerox PARC Rew and his wife, Lois, a [July 1]. phoneticist, had worked on the system together. The Rews had Raskin also founded the tried assigning the speaking role Macintosh project, although his to IBM secretaries but the vision for the Mac was very results had been disappointing. different from what Steve Jobs’ Finally, Mrs. Rew convinced her team finally produced [Jan 24]. husband to audition, and later Raskin wanted a simple Jef Raskin holding a model of the remarked: “Phonetically “information appliance," selling Canon Cat. Photo by Aza Raskin. speaking, his easy-to- for about $1,000. The machine CC BY 2.5. understand Midwest accent got was to be similar in power to the him the job.” Apple II [June 5] but include a 9- Raskin was a former conductor inch black-and-white character of the San Francisco Chamber display built into the case along Opera Society, and could play with a floppy disk drive.