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(Anesthesia) Pulling Teeth Metallica
(Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Wade Gordon James Nelson Concordia University May 1997
Never Mind The Authentic: You Wanted the Spectacle/ You've Got The Spectacle (And Nothing Else Matters?) Wade Gordon James Nelson A Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts ai Concordia University Montreal, Quebec, Canada May 1997 O Wade Nelson, 1997 National Library Bibliothèque nationale 191 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Weliington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada Your hie Votre réference Our file Notre reldrence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fh, de reproduction sur papier ou sur fomat électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in thi s thesis. Neither the droit d'auteur qui protège cette thése. thesis nor substantiai extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. ABSTRACT Never Mind The Authentic: You Wanted The Spectacle/ Y ou've Got The Spectacle (And Nothing Else Matters?) Wade Nelson This thesis examines criteria of valuation in regard to popular music. -
CLUTCH 26. Januar 2013 Stuttgart Universum Seit Gut Zwei
CLUTCH 26. Januar 2013 Stuttgart Universum Seit gut zwei Jahrzehnten befindet sich das US-amerikanische Quartett CLUTCH auf einer spannenden musikalischen Expedition. Ihr Ziel, die drückende Schwere des Stoner Rock mit der kantigen Ursprünglichkeit des Blues zu vereinen, blieb dabei immer im Fokus. Zugleich hat sich die Band aus Germantown/Maryland konsequent weiterentwickelt. Ihre zahlreichen Veröffentlichungen – darunter neun Studio- und fünf Live-Alben – stießen in der Rockwelt immer auf beachtlichen messbaren Erfolg. Noch bedeutender ist jedoch ihre weltweite Fangemeinde, die ihnen geradezu kultisch verfallen ist. Entsprechend euphorisch dürfte die Ankündigung aufgenommen werden, dass sich CLUTCH Anfang 2013 mit ihrem zehnten Studioalbum zurückmelden und zwischen dem 26. Januar und 2. Februar für fünf Konzerte in Stuttgart, München, Berlin, Köln und Hamburg nach Deutschland kommen. CLUTCHs Debütalbum „Transnational Speedway League“ platzte 1993 mitten in die erste Hysterie um den frisch entstandenen Grunge. Auch CLUTCH bedienten sich auf ihrem ersten Album bei einigen Elementen des Grunge. Noch mehr im Zentrum ihrer Arbeit standen aber die wuchtigen Grooves des Stoner Rock, die sie erfolgreich und immer wieder anders mit dem Feeling und dem Songwriting- Verständnis des Blues koppelten. Im Schnitt brachte die Band mit wachsendem Erfolg jedes zweite Jahr ein neues Album auf den Markt: „The Elephant Riders“ (1998), „Pure Rock Fury“ (2001) und „Blast Tyrant“ (2004) stiegen alle in die Top 5 der US-Heatseekers Charts. Im Zuge ihrer endlosen Welttourneen – CLUTCH spielen oft mehr als 100 Konzerte im Jahr – konnten sie eine internationale Fanschar für sich gewinnen, die jeden Schritt der Band mit großer Begeisterung verfolgt. Viele dieser Fans reisen ihnen auf Tourneen hinterher, weil sich jeder Konzertabend anders gestaltet. -
Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Kilroy Entertainment 'Silver' Song List
Kilroy Entertainment ‘Silver’ Song List www.kilroyent.com A 1) Andrews Sisters, The - Boogie Woogie Bugle Boy.mp3 2) Andrews Sisters, The - Don't Sit Under The Apple Tree.mp3 3) Andrews Sisters, The - Rum And Coca Cola.mp3 4) Andy Williams - Born Free.wma 5) Andy Williams - Can't Take My Eyes Off You.wma 6) Andy Williams - Danny Boy.wma 7) Andy Williams - Feelings.wma 8) Andy Williams - Hawaiian Wedding Song.wma 9) Andy Williams - Moon River.wma 10) Andy Williams - The Impossible Dream.wma B 11) Barry Manilow - Copa Cobana.mp3 12) Barry Manilow - Even Now.mp3 13) Barry Manilow - I Can't Smile Without You.mp3 14) Barry Manilow - I Write The Songs.mp3 15) Barry Manilow - Looks Like We Made It.mp3 16) Barry Manilow - Mandy.mp3 17) Barry Manilow - When Will I See You Again.mp3 18) Benny Goodman - Fascinating Rhythm.mp3 19) Benny Goodman - Let's Dance.mp3 20) Benny Goodman - Puttin' On The Ritz.mp3 21) Benny Goodman - Sing, Swing, Sing.mp3 22) Benny Goodman & Artie Shaw - And The Angels Sing.mp3 23) Benny Goodman & Peggy Lee - We'll Meet Again.mp3 24) Billy Vera & The Beaters - At This Moment.mp3 25) Bing Crosby & Andrews Sisters, The - Get Your Kicks On Route 66.mp3 26) Bobby Darin - Beyond the Sea.mp3 27) Bobby Darin - Mack The Knife.mp3 28) Bobby Vinton - Blue Velvet.wma 29) Bobby Vinton - I Love How You Love Me.wma 30) Bobby Vinton - Just As Much As Ever.wma 31) Bobby Vinton - Mr. Lonely.wma 32) Brian Setzer Orchestra - The Dirty Boogie - 01 - This Cat's On A Hot Tin Roof.mp3 33) Brian Setzer Orchestra - The Dirty Boogie - 02 - The Dirty -
Liz Phair the Poptimist by Carrie Courogen
Liz Phair the Poptimist By Carrie Courogen HE EARLY AUGHTS WEREN'T exactly a medic}. landscape that Tendeared itself to my parents. It was the heyday of Total Request Live, when Britney became a ~'bad girl" and Christina joined her, when Hilary Duff turned her TV starpower into a music career, and Jessica Simpson turned her music career-into a TV show. Our TV was enforced by parental controls, and once Britney held that snake, my music television access was·limited to VHl, whose programming was heavy on aging seventies rock stars' safe, adult contemporary output and not much else. MTV had to be consumed in bits and pieces, after school a( friends' houses or sleepovers. It was during one of those covert viewings that I heard Liz Phair's "Extraordinary" for the first time. It felt like a revelation. ' . , h d fl t rodamation of Ph airs confidence was infectious; er e an P b · · · essage I'd yet to emg flawed but still spectacular was a nveting m re · c. • d and I consumed as ceive from a song. Toe pop music my inen s . • I5 tw l . 1h closest thing gir e Ve-year-olds lacked this sort of fe~hng. e . 5 Kelly our h . h at the tiOle wa age ad to an empowerment ant em . usic was Clarkso , " " B t Clarkson, whose Ill d ns Miss Independent. u as Iaunche fizzy . Her career w . and fun, was a reality show winner. · ) and call-in in p Of thern rnen art by a panel of three judges (two . -
Brian Setzer Nitro Burnin' Funny Daddy Mp3, Flac, Wma
Brian Setzer Nitro Burnin' Funny Daddy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nitro Burnin' Funny Daddy Country: US Released: 2003 Style: Rock & Roll, Rockabilly MP3 version RAR size: 1911 mb FLAC version RAR size: 1698 mb WMA version RAR size: 1978 mb Rating: 4.9 Votes: 452 Other Formats: DMF MP1 AU DXD AUD ADX MOD Tracklist Hide Credits 1-1 Sixty Years 1-2 Don't Trust A Woman (In A Black Cadillac) 1-3 When The Bells Don't Chime 1-4 That Someone Just Ain't You 1-5 Rat Pack Boogie 1-6 Ring, Ring, Ring 1-7 Drink Whiskey And Shut Up 1-8 Smokin' N' Burnin' Wild Wind 1-9 Written-By – Terry Gilkyson 1-10 St. Jude To Be Loved 1-11 Written-By – McGinnis*, Jones*, Goodloe*, Munson*, Goodloe* 1-12 When The Bells Don't Chime (Banjo Mix) 2-1 Luck Be A Lady Credits Bass – Johnny "Spaz" Hatton* Drums – Bernie Dresel Guitar, Guitar [Banjo] – Brian Setzer Mixed By – Chris Lord-Alge Producer – Dave Darling Vocals – Brian Setzer Other versions Category Artist Title (Format) Label Category Country Year Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 US 2003 Setzer (CD, Album) Records Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 Russia 2003 Setzer (CD, Album, Unofficial) Records Brian Nitro Burnin' Funny Daddy Surfdog PR-4022-2 PR-4022-2 US 2003 Setzer (CD, Album, Promo) Records Brian Nitro Burnin' Funny Daddy Surfdog 44022-2 44022-2 Russia 2003 Setzer (CD, Album, Unofficial) Records Brian Nitro Burnin' Funny Daddy TFCK-87313 Toy's Factory TFCK-87313 Unknown Setzer (CD, Album, Unofficial) Related Music albums to Nitro Burnin' Funny Daddy by Brian Setzer Brian Setzer - The Strayed Cat Various - Surfdog Records Film & TV Priorities 2004 The Brian Setzer Orchestra - Vavoom! Brian Setzer Orchestra - Jump Jive an' Wail The Brian Setzer Orchestra - Dig That Crazy Christmas The Brian Setzer Orchestra - Live In Japan Brian Setzer - The Knife Feels Like Justice The Brian Setzer Orchestra - The Dirty Boogie Stray Cats - Rumble In Brixton Brian Setzer Orchestra - Dig That Crazy Christmas. -
Name Artist Composer Album Grouping Genre Size Time Disc
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Plays Last Played Skips Last Ski ppedDancing MyQueen Rating ABBA LocationBenny Andersson/Björn Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3715072 231 1 1 1 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 1Knowing Dancing me, Queen.mp3 knowing you ABBA Benny Andersson/Björn Ulvaeus/Stig Anderson ABBA Forever Gold I Rock 3885158 241 1 1 2 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 2Take Knowing a chance me, knowingon me you.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 3924028 244 1 1 3 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:56 PM Audio:ABBA:ABBA ForeverMamma mia Gold I:03 ABBA Take a Bennychance Andersson/Björn on me.mp3 Ulvaeus/Stig Anderson ABBA For ever Gold I Rock 3428328 213 1 1 4 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file 2 9/10/11 10:59 PM Audio:ABBA:ABBA ForeverLay all Goldyour I:04love Mammaon me mia.mp3 ABBA Benny Andersson/Björn Ulvaeus ABBA Forever Gol d I Rock 4401337 274 1 1 5 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBA Forever Gold I:0 5Super Lay alltrouper your love ABBA on me.mp3 Benny Andersson/Björn Ulvaeus ABBA Forever Gold I Rock 4081599 254 1 1 6 1998 10/9/08 3:03 PM 8/21/11 8:54 AM 128 44100 MPEG audio file Audio:ABBA:ABBAI -
Recent Sexual Assault Raises Safety Issues by Melissa Nielsen CAMPUS EDITOR
Eastern Illinois University The Keep October 2002 10-25-2002 Daily Eastern News: October 25, 2002 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2002_oct Recommended Citation Eastern Illinois University, "Daily Eastern News: October 25, 2002" (2002). October. 17. http://thekeep.eiu.edu/den_2002_oct/17 This Article is brought to you for free and open access by the 2002 at The Keep. It has been accepted for inclusion in October by an authorized administrator of The Keep. For more information, please contact [email protected]. N “Tell the truth October 25, 2002 FRIDAY and don’t be afraid.” VOLUME 87, NUMBER 44 THEDAILYEASTERNNEWS.COM Panthers reborn Women’s soccer team turns around season, wins six of eight. Page 8 SECTION A Recent sexual assault raises safety issues By Melissa Nielsen CAMPUS EDITOR The recent sexual assault of woman on cam- pus has reiterated the need for police and cam- pus sexual assault services for the ongoing problem of rape. On Oct. 9, at about midnight, an unidentified woman said a man she knew sexually assaulted her in Thomas Hall, a police report said. Though the report was filed, no charges will be filed, said Adam Due, chief public safety officer. He said the woman wanted to make police aware of the situation, but did not want to take the case any further. Due said the victim knew the offender, did not seek medical attention and police were not aware of any alcohol use. Tom Edwards, president of the board for Sexual Assault Crisis and Information Center, said going to police is one option sexual assault victims have, but victims who feel they need help should call professional help lines in their area after an assault. -
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School of Music McGill University, Montreal August 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Michael Ethen, 2011 Table of Contents List of Musical Examples / iv List of Illustrations / v List of Tables / vi Abstract / vii Abrégé / ix Acknowledgements / xi Introduction / 1 Genealogy of Arena Rock / 13 “Arena Rock”: Ambiguity Before 1977 / 26 1977 and “Arena Rock” / 30 Literature / 35 The Spatial Turn / 37 Space and Music / 41 Chapter Outlines / 46 Chapter One: In the Beginning Was the Beatles: Security and Intimacy of Live Performance, 1964–66 Introduction / 50 Security / 53 Expansion and Extension / 56 Expansion, Extension, and Intimacy / 60 Intimacy and the Washington Coliseum / 63 Security and Carnegie Hall / 70 Security and Empire Stadium / 74 Intimacy and Spectacular Transportation / 79 Shea Stadium, 1965 / 82 Shea Stadium, post-1965 / 86 Conclusion / 89 ii Chapter Two: Sounding Live: Led Zeppelin and the Echo-poetics of Arena Rock Introduction / 91 Context / 92 Live Performance as Self-promotion / 100 Studio Recordings as Concert Recreations / 115 Manufactured Audience Participation / 122 Compensating for Intimacy Lost / 127 Conclusion / 135 Chapter Three: An American Beauty: Grateful Dead, “Truckin',” and a Question of Routine Introduction / 137 Context / 141 Commercialism and Routine / 145 Forging a Routine / 156 Formal properties of the Routine / 157 The Crescendo-climax / 164 Extra-musical Technologies / 173 “Wall of Sound” as Prop / 174 Conclusion / 180 Chapter Four: The Festival is Dead, Long Live the “Festival” Introduction / 182 Context: 1969 Festivals and Security / 184 “Free Music” / 193 “Woodstock Laws” / 198 Innovation after Altamont / 203 Goose Lake / 208 Erie Canal: A Case Study / 211 Long Live the “Festival” / 220 Conclusion / 224 iii Chapter Five: “Spend a Week in St.