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Book Production 2019.Xlsm
CustomEyes® Book List Title Author ISBN RRP Publisher Age Synopsis Mr and Mrs Brick are builders, just like their mothers and fathers and grandmothers and grandfathers. But their new baby doesn’t seem to be following in their footsteps. Instead of building things up, she keeps Happy Families - Miss Brick the Builders' Ahlberg, Allan 9780140312423 £4.99 Puffin 06+ knocking things down! Baby Miss Josie Jump the jockey can’t wait to gallop in a race like her mum, her brother and even her grandma, but everyone says she’s too young. But then grandma’s horse gets a sore throat and Jimmy Jump gets a Happy Families - Miss Jump the Jockey Ahlberg, Allan 9780140312416 £4.99 Puffin 06+ splinter in his bottom Mr Biff is a boxer but he likes to eat cream cakes and sit by the fire in his slippers. Mr Bop is a boxer too, but he’s the fittest, toughest man in town. So Mr Biff needs to train hard before their charity match – but will he Happy Families - Mr Biff the Boxer Ahlberg, Allan 9780140312362 £4.99 Puffin 06+ strong enough to swap his cream cakes for carrots? Mr Buzz works hard to look after his bees - and his bees work hard to make lots and lots of lovely honey. But one morning Mr Buzz sees his bees swarming and he knows that when bees swarm and buzz off together Happy Families - Mr Buzz the Beeman Ahlberg, Allan 9780140312447 £4.99 Puffin 06+ they never come back. So the Buzz family put on their bee hats and bee gloves and give chase. -
100 Most Popular Picture Book Authors and Illustrators
Page i 100 Most Popular Picture Book Authors and Illustrators Page ii POPULAR AUTHORS SERIES The 100 Most Popular Young Adult Authors: Biographical Sketches and Bibliographies. Revised First Edition. By Bernard A. Drew. Popular Nonfiction Authors for Children: A Biographical and Thematic Guide. By Flora R. Wyatt, Margaret Coggins, and Jane Hunter Imber. 100 Most Popular Children's Authors: Biographical Sketches and Bibliographies. By Sharron L. McElmeel. 100 Most Popular Picture Book Authors and Illustrators: Biographical Sketches and Bibliographies. By Sharron L. McElmeel. Page iii 100 Most Popular Picture Book Authors and Illustrators Biographical Sketches and Bibliographies Sharron L. McElmeel Page iv Copyright © 2000 Sharron L. McElmeel All Rights Reserved Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Libraries Unlimited, Inc. P.O. Box 6633 Englewood, CO 801556633 18002376124 www.lu.com Library of Congress CataloginginPublication Data McElmeel, Sharron L. 100 most popular picture book authors and illustrators : biographical sketches and bibliographies / Sharron L. McElmeel. p. cm. — (Popular authors series) Includes index. ISBN 1563086476 (cloth : hardbound) 1. Children's literature, American—Biobibliography—Dictionaries. 2. Authors, American—20th century—Biography—Dictionaries. 3. Illustrators—United States—Biography—Dictionaries. 4. Illustration of books—Biobibliography—Dictionaries. 5. Illustrated children's books—Bibliography. 6. Picture books for children—Bibliography. I. Title: One hundred most popular picture book authors and illustrators. -
Language in the Modern Arthurian Novel
Volume 20 Number 4 Article 4 Winter 1-15-1995 Whose English?: Language in the Modern Arthurian Novel Lisa Padol Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Padol, Lisa (1995) "Whose English?: Language in the Modern Arthurian Novel," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 20 : No. 4 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol20/iss4/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Analyzes the use of language, mood/tone, vocabulary, syntax, idioms, metaphors, and ideas in a number of contemporary Arthurian novels. Additional Keywords Arthurian myth; Arthurian myth in literature; Language in literature; Style in literature This article is available in Mythlore: A Journal of J.R.R. -
Predestination As a Motif in Faulkner's Light in August Virginia A
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 Predestination as a Motif in Faulkner's Light in August Virginia A. Riegel Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Riegel, Virginia A., "Predestination as a Motif in Faulkner's Light in August" (1976). Masters Theses. 3441. https://thekeep.eiu.edu/theses/3441 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings • . 11 I respectfully request Booth Library of .Eastern Illinois University not allow my thesis be reproduced because---------------- Date Author pdm Predestination as a Motif in Faulkner' s Light in August (TITLE) BY Virginia A. Riegel- B.S. -
Issue IX the Bolitho Newsletter Is Published and Copyrighted by Highseas Authors Ltd
Issue IX The Bolitho Newsletter is published and copyrighted by Highseas Authors Ltd. This issue was originally released in 1981. Contents PART ONE The Fighting Ship PART TWO Invasion PART THREE A Tradition of Victory Douglas Reeman / Alexander Kent PART FOUR with Cutty Sark in the background. Douglas Reeman 2 Part One The Fighting Ship he square-rigged fighting T ship of the 18th century and early 19th century has often been described as the most beautiful thing ever created by man. But in her day she was seen very differently by those who served, commanded and depended on her. To the citizen ashore the occasional sighting of a man- of-war making sail, dropping anchor, or tacking gracefully around a headland before heading out to sea represented ‘A Tradition of Victory’ by English marine artist security, pride and a sure Chris Mayger defence against the country’s enemies, and in those troubled times there were ship was something familiar, demanding and hard, many. but one which could be mastered and used to good To government planners and the strategists at advantage with a certain amount of luck. In the the Admiralty a fighting ship was a floating gun frightened eyes of a man dragged from his home platform which had to be in the right place at the street or tavern by the press gang a ship-of-war right time to be of any use. Theirs was a different with its towering and mysterious web of rigging war from that faced by the men who served in the and shrouds, spars and canvas might be seen as a King’s ships, an endless struggle to maintain the nightmare. -
UNIVERSITY of CALIFORNIA, IRVINE Waterways
UNIVERSITY OF CALIFORNIA, IRVINE Waterways of Bangkok: Memory and Landscape DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Michael Hurley Dissertation Committee: Professor Tom Boellstorff, Chair Professor Leo Chavez Associate Professor Keith Murphy 2015 © 2015 Michael Hurley DEDICATION แด กรงเทพมหานคร To Bangkok ii Moment after moment, life, gloriously improbable, advances. Michel Serres iii TABLE OF CONTENTS ACKNOWLEDGMENTS v CURRICULUM VITAE vi ABSTRACT OF THE DISSERTATION vii INTRODUCTION 1 CHAPTER 1: Origins 20 CHAPTER 2: Loss 50 CHAPTER 3: Forgetting 75 CHAPTER 4: Trajectories 102 CHAPTER 5: Belonging 134 CONCLUSION 163 BIBLIOGRAPHY 172 iv ACKNOWLEDGMENTS First, I would like to thank all of my informants and friends in Bangkok. When I think of Bangkok, and the people who live there, I sometimes feel an almost dizzying nostalgia. I would like to thank professor Tom Boellstorff, who has given me so much guidance and support over the years, and who continues to amaze me. I am honored to be his student. I am also grateful to the other members of my oral exam committee: Gabriele (Gaby) Schwab, Leo Chavez, Kris Peterson, and Keith Murphy. I have learned so much from all of them. I would like to give special recognition to Gaby, an incredible teacher with an unusual radiance. I am grateful to professor Robert Garfias. I was his assistant for four quarters and I really enjoyed these journeys in ethnomusicology. He inspired me, and our students, with his stories. Ather Zia has been one of my closest friends in graduate school. -
The Aeneid with Rabbits
The Aeneid with Rabbits: Children's Fantasy as Modern Epic by Hannah Parry A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2016 Acknowledgements Sincere thanks are owed to Geoff Miles and Harry Ricketts, for their insightful supervision of this thesis. Thanks to Geoff also for his previous supervision of my MA thesis and of the 489 Research Paper which began my academic interest in tracking modern fantasy back to classical epic. He must be thoroughly sick of reading drafts of my writing by now, but has never once showed it, and has always been helpful, enthusiastic and kind. For talking to me about Tolkien, Old English and Old Norse, lending me a whole box of books, and inviting me to spend countless Wednesday evenings at their house with the Norse Reading Group, I would like to thank Christine Franzen and Robert Easting. I'd also like to thank the English department staff and postgraduates of Victoria University of Wellington, for their interest and support throughout, and for being some of the nicest people it has been my privilege to meet. Victoria University of Wellington provided financial support for this thesis through the Victoria University Doctoral Scholarship, for which I am very grateful. For access to letters, notebooks and manuscripts pertaining to Rosemary Sutcliff, Philip Pullman, and C.S. Lewis, I would like to thank the Seven Stories National Centre for Children's Books in Newcastle-upon-Tyne, and Oxford University. Finally, thanks to my parents, William and Lynette Parry, for fostering my love of books, and to my sister, Sarah Parry, for her patience, intelligence, insight, and many terrific conversations about all things literary and fantastical. -
And Solidarity
Contingency,rencYrlfooY, andsolidarity RICHARD RORTY U niaersityProfessor of Hamanities, Uniaersityof Virginia ry,,,*-_qCaUBRTDGE WP uNrvERsrrY PREss Published by the PressSyndicarc of dre University of Cambridge The Pitt Building Trumpington Street, Cambridge CB2 IRP 40 Vest 20th Suect, New York, NY 10011-4211,USA l0 Stamford Road, Oakleigh, Melbourne 3166, Australia @ Cambridgc University Press1989 First published 1989 Reprinted 1989 (thrice), 1990, l99l (cwice), 1992, 1993, 1994, r995 Printed in the United Sratesof America Library of Congess Catdoging-in-Publication Daa is available British Library Cataloging in Publication applied for ISBN0-521 -3538r -5 hardback ISBN0-52 I -1678l -6 paperback In memory of six liberals: my parentsand grandparents The agdlasrer lRabelais's word for those who do not laughJ, the non- thought of received ideas, and kitsch are one and the same, the three- headed enemy of the art born as the echo of God's laughter, the art that created the fascinating imaginative realm where no one owns the truth and everyone has the right to be understood. That imaginative realm of tolerance was born with modern Europe, it is the very image of Europe- of at least our dream of Europe, a dream many times betrayed but nonetheless strong enough to unite us all in the fraternity that stretches far beyond the little European continent. But we know that the wodd where the individual is respected (the imaginative world of the novel, and the real one of Europe) is fragile and perishable. if European culture seems under threat today, if the threat from within and without hangs over what is most precious about it - its respect for the individual, for his original thought, and for his right to an inviolable private life - then, I believe, that precious essenceof the European spirit is being held safe as in a treasure chest inside the history of the novel, the wisdom of the novel. -
Ancient Origins
Prehistoric Europe & —Sarah by Marek Halter North America (Canaan Trilogy #1/Women in the Bible/ Romance/Biblical Fiction) —The Clan of the Cave Bear by Jean Auel (Earth’s Children Series #1/Epic History) —Mary of Nazareth by Marek Halter Ancient —People of The Morning Star by W. Michael Gear (Women in the Bible/Biblical Fiction/New Take on Old Tale) and Kathleen O'Neal Gear (People of Cahokia Series #1/ Fantasy Elements) —The Book of Abraham by Marek Halter —People of the Canyons by Kathleen O’Neal Gear (Biblical Fiction/Multiple Time Periods) Origins (Fantasy Elements/Ancient Artifacts) —The Dovekeepers by Alice Hoffman —The Inheritors by William Golding (Jewish History/Family Relationships/Woman (End of an Era/Nobel Prize Winner) Warrior/Famous Places) —Shaman by Kim Stanley Robinson —Barabbas by Pär Lagerkvist (Coming of Age) (Biblical Fiction/New Take on Old Tale) —Beyond the Gap by Harry Turtledove —Havah: The Story of Eve by Tosca Lee (Gap Series #1/Historical Fantasy) (Women in the Bible/Biblical Fiction/ New Take on Old Tale/Biographical Fiction) Ancient Asia —The Rock by Kanan Makiya (Famous Places/ Multi-Faith Perspectives) —The Palace of Illusions by Chitra Banerjee Divakaruni (New Take on Old Tale/Epic Adventure/ —Joseph and his Brothers by Thomas Mann Indian Mythology) (Biblical Fiction/Biographical Fiction/Nobel Prize Winner) —Siddhartha by Hermann Hesse (Classic/Ancient Buddhism/Quest for Enlightenment) —Christ the Lord: Out of Egypt by Anne Rice (Life of Christ Series #1/Biblical Fiction/ —Genghis: Birth of an Empire -
Global Infatuation: Explorations in Transnational Publishing and Texts. the Case of Harlequin Enterprises and Sweden
GlobalGlobal Infatuation InfatuationExplorations in Transnational Publishing and Texts the case of harlequin enterprises and sweden HemmungsEvaEva Hemmungs Wirtén Wirtén Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala Publications from the Section for Sociology of Literature at the Department of Literature, Uppsala University Nr 38 Global Infatuation Explorations in Transnational Publishing and Texts the case of harlequin enterprises and sweden Eva Hemmungs Wirtén Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala Section for Sociology of Literature at the Department of Literature, Uppsala University Uppsala 1998 Till Mamma och minnet av Pappa Dissertation for the Degree of Doctor of Philosophy in literature presented at Uppsala University in 1998 Abstract Hemmungs Wirtén, E. 1998: Global Infatuation: Explorations in Transnational Publishing and Texts. The Case of Harlequin Enterprises and Sweden. Skrifter utgivna av Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen i Uppsala. Publications from the Section for Sociology of Literature at the Department of Literature, Uppsala University, 38. 272 pp. Uppsala. ISBN 91-85178-28-4. English text. This dissertation deals with the Canadian category publisher Harlequin Enterprises. Operating in a hundred markets and publishing in twenty-four languages around the world, Harlequin Enterprises exempliıes the increasingly transnational character of publishing and the media. This book takes the Stockholm-based Scandinavian subsidiary Förlaget Harlequin as a case-study to analyze the complexities involved in the transposition of Harlequin romances from one cultural context into another. Using a combination of theoretical and empirical approaches it is argued that the local process of translation and editing – here referred to as transediting – has a fundamental impact on how the global book becomes local. -
Nya Talböcker Augusti 2018
Nya talböcker augusti 2018 Litteratur för vuxna .................................................................................................................... 5 Skönlitteratur ..................................................................................................................................... 5 Svenska noveller från Almqvist till Stoor .................................................................................................................... 5 Darling Mona .............................................................................................................................................................. 5 Hon tackade gudarna, [thriller] .................................................................................................................................. 5 I hjärtat av hjärtat av ett annat land ........................................................................................................................... 6 Nu i ro slumra in, [en Helen Grace-deckare] .............................................................................................................. 6 Dolda spår ................................................................................................................................................................... 6 Morden i Baronville, [en Amos Decker-thriller] .......................................................................................................... 6 Holländarn ................................................................................................................................................................. -
Issue XIV the Bolitho Newsletter Is Published and Copyrighted by Highseas Authors Ltd
Issue XIV The Bolitho Newsletter is published and copyrighted by Highseas Authors Ltd. This issue was originally released in 1990. Contents PART ONE Articles of War PART TWO Crossroads by Kim Reeman PART THREE Pipe All Hands! PART FOUR ‘The Only Victor’ Douglas Reeman / Alexander Kent Photo by Kimberley Reeman 2 Part One Articles of War ‘Articles of War are certain regulations for the betterment of the navy, and may be altered at the pleasure of the King. They are printed and hung up in the most public place in every ship of the Royal Navy and are ordered to be read aloud at least every month to the ship's company.’ his was how the opening T instruction of the Act of Parliament was worded, and what was to become the unwavering guidance in the fleet, and all ships, whether in company or ‘The Only Victor’ by English marine artist sailing alone, perhaps thousands Geoffrey Huband of miles from any senior authority. a reminder of the consequences. Passed in 1749, the Articles, and there were ‘If any officer, mariner, soldier, or other person some thirty-six of them, were intended to support in the fleet shall strike any of his superior officers, every commander and sea officer, whether he be in draw, or offer to draw, or lift up any weapon charge of a tiny armed transport like the ill-fated against him, being in the execution of his office, on Bounty or the flagship of some powerful and any pretext whatsoever, every such person being distinguished admiral. convicted of any such offence by the sentence of a Ships sailing alone were always at risk, and not court-martial, shall suffer death .