The Gardens Below, Or Sundown
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ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 MAKING MIRRORS Gotye <P>2 ELEV/UMA ELEVENCD101 2 REECE MASTIN Reece Mastin <P> SME 88691916002 3 THE BEST OF COLD CHISEL - ALL FOR YOU Cold Chisel <P> WAR 5249889762 4 ROY Damien Leith <P> SME 88697892492 5 MOONFIRE Boy & Bear <P> ISL/UMA 2777355 6 RRAKALA Geoffrey Gurrumul Yunupingu <G> SFM/MGM SFGU110402 7 DOWN THE WAY Angus & Julia Stone <P>3 CAP/EMI 6263842 8 SEEKER LOVER KEEPER Seeker Lover Keeper <G> DEW/UMA DEW9000330 9 THE LIFE OF RILEY Drapht <G> AYEM/SME AYEMS001 10 BIRDS OF TOKYO Birds Of Tokyo <P> CAP/EMI 6473012 11 WHITE HEAT: 30 HITS Icehouse <G> DIVA/UMA DIVAU1015C 12 BLUE SKY BLUE Pete Murray <G> SME 88697856202 13 TWENTY TEN Guy Sebastian <P> SME 88697800722 14 FALLING & FLYING 360 SMR/EMI SOLM8005 15 PRISONER The Jezabels <G> IDP/MGM JEZ004 16 YES I AM Jack Vidgen <G> SME 88697968532 17 ULTIMATE HITS Lee Kernaghan ABC/UMA 8800919 18 ALTIYAN CHILDS Altiyan Childs <P> SME 88697818642 19 RUNNING ON AIR Bliss N Eso <P> ILL/UMA ILL034CD 20 THE VERY VERY BEST OF CROWDED HOUSE Crowded House <G> CAP/EMI 9174032 21 GILGAMESH Gypsy & The Cat <G> SME 88697806792 22 SONGS FROM THE HEART Mark Vincent SME 88697927992 23 FOOTPRINTS - THE BEST OF POWDERFINGER 2001-2011 Powderfinger <G> UMA 2777141 24 THE ACOUSTIC CHAPEL SESSIONS John Farnham SME 88697969872 25 FINGERPRINTS & FOOTPRINTS Powderfinger UMA 2787366 26 GET 'EM GIRLS Jessica Mauboy <G> SME 88697784472 27 GHOSTS OF THE PAST Eskimo Joe WAR 5249871942 28 TO THE HORSES Lanie Lane IVY/UMA IVY121 29 GET CLOSER Keith Urban <G> CAP/EMI 9474212 30 LET'S GO David Campbell SME 88697987582 31 THE ENDING IS JUST THE BEGINNING REPEATING The Living End <G> DEW/UMA DEW9000353 32 THE EXPERIMENT Art vs. -
The Dazzling Blackness
THE DAZZLING BLACKNESS By Jamie Brisick I’m thinking about Brazilian president Getúlio Vargas, who shot himself in the heart in 1954; I’m thinking about Pepê Lopes, who died in a hang gliding accident while trying to win a second world title in Japan in 1991; I’m thinking about Aryton Senna, the Formula One racer who died on lap seven of the San Marino Grand Prix in Italy in 1994. I am not thinking about death explicitly, but death hangs over all of this. I’m bodysurfing the north end of Barra da Tijuca, a spot called Praia do Pepê, named after the hang glider. The swell is out of the southwest; the waves are a whomping four foot, mostly lefts, with the occasional short burst of right. The water smells of sewage, with a distinctly Rio tang. My romantic self likes to think of it as bathing in the collective DNA of this city of six million. My more practical self fears Hep A. On my feet, Da Fins, recommended by bodysurfing guru Mark Cunningham. At the tip of my fingers, a Danny Hess-shaped hand plane, which I have learned to hold with my inside hand. This is why I love bodysurfing. This is why, in my recent trips to Rio, I end up bodysurfing more than board surfing: I’m still learning new things. At age 47 I may be declining as a surfer, but as a bodysurfer I’m unquestionably improving. The tadpole grows feet and hops across the terra firma. The surfer sheds board and swims off to eternity. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
IN WHATEVER WRECKAGE REMAINS by Maeve Kirk
In whatever wreckage remains Item Type Thesis Authors Kirk, Maeve Download date 24/09/2021 15:50:49 Link to Item http://hdl.handle.net/11122/6617 IN WHATEVER WRECKAGE REMAINS By Maeve Kirk RECOMMENDED: Advisory Committee Chair Richard Carr, PhD Chair, Department of English --- ---^ APPROVED: ------ Todd Sherman, MFA IN WHATEVER WRECKAGE REMAINS A Thesis Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfilment of the Requirements for the degree of Masters of Fine Arts by Maeve Kirk, B.A. Fairbanks, Alaska May 2016 Abstract In Whatever Wreckage Remains is a collection of realistically styled short stories that examines both the danger and potential of change. These pieces are driven by the psychology of the men and woman roaming these pages, seeking to provide insight into the unique weight of their personal wreckage. From a woman craving motherhood who combs through forests searching for the unclaimed body of a runaway to a spitfire retiree’s struggle to accept her husband’s failing health, the individuals in these narratives are all navigating transitional spaces in their lives, often unwillingly. Along the way, they must balance the pressures of familial roles, romantic relationships, and personal histories while attempting to reshape their understanding of self. These stories explore the shifting landscape of identity, belonging, and the sometimes conflicting responsibilities we hold to others and to ourselves. v vi Dedication This manuscript is dedicated to my parents, who read me so many stories. vii viii -
Impex Records and Audio International Announce the Resurrection of an American Classic
Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
Safety on Stairs
d Div. 100 ! i I 1 ' L BS BUILDING SCIENCE SERIES 108 afety on Stairs S DEPARTMENT OF COMMERCE • NATIONAL BUREAU OF STANDARDS NATIONAL BUREAU OF STANDARDS The National Bureau of Standards' was established by an act of Congress March 3, 1901. The Bureau's overall goal is to strengthen and advance the Nation's science and technology and facilitate their effective application for public benefit. To this end, the Bureau conducts research and provides: (1) a basis for the Nation's physical measurement system, (2) scientific and technological services for industry and government, (3) a technical basis for equity in trade, and (4) technical services to promote pubUc safety. The Bureau's technical work is performed by the National Measurement Laboratory, the National Engineering Laboratory, and the Institute for Computer Sciences and Technology. THE NATIONAL MEASUREMENT LABORATORY provides the national system of physical and chemical and materials measurement; coordinates the system with measurement systems of other nations and furnishes essential services leading to accurate and uniform physical and chemical measurement throughout the Nation's scientific community, industry, and commerce; conducts materials research leading to improved methods of measurement, standards, and data on the properties of materials needed by industry, commerce, educational institutions, and Government; provides advisory and research services to other Government Agencies; develops, produces, and distributes Standard Reference Materials; and provides calibration services. -
Beyond Good and Evil
Beyond Good and Evil Friedrich Nietzsche Helen Zimmern translation PREFACE SUPPOSING that Truth is a woman—what then? Is there not ground for suspecting that all philosophers, in so far as they have been dogmatists, have failed to understand women—that the terrible seriousness and clumsy importunity with which they have usually paid their addresses to Truth, have been unskilled and unseemly methods for winning a woman? Certainly she has never allowed herself to be won; and at present every kind of dogma stands with sad and discouraged mien—IF, indeed, it stands at all! For there are scoffers who maintain that it has fallen, that all dogma lies on the ground— nay more, that it is at its last gasp. But to speak seriously, there are good grounds for hoping that all dogmatizing in philosophy, whatever solemn, whatever conclusive and decided airs it has assumed, may have been only a noble puerilism and tyronism; and probably the time is at hand when it will be once and again understood WHAT has actually sufficed for the basis of such imposing and absolute philosophical edifices as the dogmatists have hitherto reared: perhaps some popular superstition of immemorial time (such as the soul-superstition, which, in the form of subject- and ego-superstition, has not yet ceased doing mischief): perhaps some play upon words, a deception on the part of grammar, or an audacious generalization of very restricted, very personal, very human— all-too-human facts. The philosophy of the dogmatists, it is to be hoped, was only a promise for thousands of years afterwards, as was astrology in still earlier times, in the service of which probably more labour, gold, acuteness, and patience have been spent than on any actual science hitherto: we owe to it, and to its "super- terrestrial" pretensions in Asia and Egypt, the grand style of architecture. -
Wedding Ringer -FULL SCRIPT W GREEN REVISIONS.Pdf
THE WEDDING RINGER FKA BEST MAN, Inc. / THE GOLDEN TUX by Jeremy Garelick & Jay Lavender GREEN REVISED - 10.22.13 YELLOW REVISED - 10.11.13 PINK REVISED - 10.1.13 BLUE REVISED - 9.17.13 WHITE SHOOTING SCRIPT - 8.27.13 Screen Gems Productions, Inc. 10202 W. Washington Blvd. Stage 6 Suite 4100 Culver City, CA 90232 GREEN REVISED 10.22.13 1 OVER BLACK A DIAL TONE...numbers DIALED...phone RINGING. SETH (V.O.) Hello? DOUG (V.O.) Oh hi, uh, Seth? SETH (V.O.) Yeah? DOUG (V.O.) It’s Doug. SETH (V.O.) Doug? Doug who? OPEN TIGHT ON DOUG Doug Harris... 30ish, on the slightly dweebier side of average. 1 REVEAL: INT. DOUG’S OFFICE - DAY 1 Organized clutter, stacks of paper cover the desk. Vintage posters/jerseys of Los Angeles sports legends adorn the walls- -ERIC DICKERSON, JIM PLUNKETT, KURT RAMBIS, STEVE GARVEY- DOUG You know, Doug Harris...Persian Rug Doug? SETH (OVER PHONE) Doug Harris! Of course. What’s up? DOUG (relieved) I know it’s been awhile, but I was calling because, I uh, have some good news...I’m getting married. SETH (OVER PHONE) That’s great. Congratulations. DOUG And, well, I was wondering if you might be interested in perhaps being my best man. GREEN REVISED 10.22.13 2 Dead silence. SETH (OVER PHONE) I have to be honest, Doug. This is kind of awkward. I mean, we don’t really know each other that well. DOUG Well...what about that weekend in Carlsbad Caverns? SETH (OVER PHONE) That was a ninth grade field trip, the whole class went. -
Death Cab for Cutie Ðлбуð¼
Death Cab for Cutie ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Plans https://bg.listvote.com/lists/music/albums/plans-16419/songs Transatlanticism https://bg.listvote.com/lists/music/albums/transatlanticism-16418/songs Narrow Stairs https://bg.listvote.com/lists/music/albums/narrow-stairs-16420/songs Something About Airplanes https://bg.listvote.com/lists/music/albums/something-about-airplanes-16415/songs https://bg.listvote.com/lists/music/albums/we-have-the-facts-and-we%27re-voting- We Have the Facts and We're Voting Yes yes-16416/songs The Photo Album https://bg.listvote.com/lists/music/albums/the-photo-album-16417/songs Codes and Keys https://bg.listvote.com/lists/music/albums/codes-and-keys-16421/songs The Forbidden Love EP https://bg.listvote.com/lists/music/albums/the-forbidden-love-ep-7734738/songs Kintsugi https://bg.listvote.com/lists/music/albums/kintsugi-18786450/songs Thank You for Today https://bg.listvote.com/lists/music/albums/thank-you-for-today-55080329/songs https://bg.listvote.com/lists/music/albums/itunes-originals-%E2%80%93-death-cab- iTunes Originals – Death Cab for Cutie for-cutie-3146983/songs The John Byrd EP https://bg.listvote.com/lists/music/albums/the-john-byrd-ep-7743362/songs Studio X Sessions EP https://bg.listvote.com/lists/music/albums/studio-x-sessions-ep-7628265/songs Drive Well, Sleep Carefully – On the https://bg.listvote.com/lists/music/albums/drive-well%2C-sleep-carefully- Road with Death Cab for Cutie %E2%80%93-on-the-road-with-death-cab-for-cutie-5307925/songs https://bg.listvote.com/lists/music/albums/directions%3A-the-plans-video-album- Directions: The Plans Video Album 5280453/songs https://bg.listvote.com/lists/music/albums/you-can-play-these-songs-with-chords- You Can Play These Songs with Chords 2517302/songs https://bg.listvote.com/lists/music/albums/you-can-play-these-songs-with-chords- You Can Play These Songs with Chords 2499825/songs. -
Sundown Fun Pass Terms and Conditions of Use 2019
Sundown Fun Pass Terms and Conditions of use 2019 • A Fun Pass will only be valid when it is used and/or presented by the named holder, it displays a photograph which must be a true likeness of the holder and it is within the validity period. Photocopies of the Fun Pass will not be accepted. Any use or attempted use of a Fun Pass in breach of these terms or Sundown Adventureland regulations will result in the Fun Pass being revoked without compensation. • A Fun Pass entitles the holder admission to the attractions for a period of 12 months from the date of issue (validity period) and is subject to the operating calendar and any application exclusion dates. The valid until date is printed on the Fun Pass. Please check attractions opening and closing dates/times before you visit. • Fun passes can be used up to and including the ‘valid date’. • To use a Fun Pass the authorised holder must show it at the admission kiosk on arrival at the attraction. Entry to the park by use of the Fun Pass will only be permitted if a valid Fun Pass can be presented. Failure to present a valid Fun Pass (due to it being lost, stolen or forgotten) will result in a charge of the ‘’on the day’’ admission rate which is non-refundable. • In the event of a lost, stolen and/or damaged Fun Pass Sundown will re-issue a replacement at an administration fee of £5 each. • Your Fun Pass includes ONE DISCOUNTED VISIT to see father Christmas (please see website for pricing).