DOCSLIB.ORG

Carte Noire IFI French Filmfestival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Carte Noire IFI French Filmfestival Carte Noire IFI French Film Festival November 19th – 30th 2014 www.ifi.ie IFI Principal Funder Lead Partner Title Sponsor Sponsors and Partners by director Pascale Ferran director Pascale by Carte Noire IFI Bird People French Film Festival Mathieu Amalric, Bruno Dumont, Pascale Ferran, Benoît Jacquot, the Larrieu brothers; their films are defined by audacious stories, atypical formal characteristics, rigorous direction and vibrant performances, and by their filiation with previous cinema generations. inema is a mental journey; Things I Know About Her (1967) and his ruptured, full of movement, latest, Goodbye to Language (3D); the displacement and discontinuity. screening of masterwork Hiroshima mon C Films bring about self- amour in tribute to Alain Resnais and the realisation and self-examination, Marguerite Duras centenary. depicting characters under pressure and BooKiNG iNfoRMATioN the vitality of life. We sincerely thank all our guests for travelling here to show their work and we Tickets cost €9.50 each, Membership: is required for all In this year’s Festival, now in its 15th hope you’ll get to share time with them except for the opening films. Daily membership costs year, we see fresh perspectives and along the way. film which includes a post- €1 and annual membership formal freedom; work which flirts with screening reception and costs just €25. Annual Membership genres and cinema’s past (40-Love; Les The Festival is made possible with the €15. entitles the bearer to discounts Combattants; Eastern Boys; Eat Your enduring support of the Embassy of on screenings, free preview Bones; Fool Circle; Girlhood; Tonnerre); France in Ireland and I extend my Packages €40 for 5 films.€ 70 screenings of selected films 6 Eustace St, Temple Bar, Dublin 2 the remarkable and powerful School of gratitude to the French Ambassador in for 10 films. Both packages throughout the year, one Babel and Timbuktu; The Kidnapping of Ireland and his team. We thank all our exclude the opening film. complimentary ticket and a host @IFI_Dub Michel Houellebecq, and Li’l Quinquin sponsors, supporters and partners: the of other benefits. originally created for TV but obviously Institut Français and Unifrance Films, and by director Mathieu Amalric by Loyalty: Get your free loyalty facebook.com/irishfilminstitute with their home in the cinema; comedies, the IFI’s principal funder, the Arts Council. See page 20 for more details card from box office and earn but not in a conventional sense (Elle And finally the Festival’s title sponsor, on IFI Membership. points every time you spend at Programme Notes: l’adore; If You Don’t, I Will; Paris Follies; Carte Noire. Marie-Pierre Richard (MPR), the IFI. The Yellow Eyes of the Crocodiles). Box office Michael Hayden (MH), Antoine de Baecque (ADB), Alicia McGivern (AM) Blue Room The Bon Festival! Free list suspended for Carte 01 679 3477 Festival Director’s Notes: Detours to the Nouvelle Vague: the Marie-Pierre Richard Noire IFI French Film Festival. www.ifi.ie/frenchfest Marie-Pierre Richard (MPR) Cover wonderful contribution of Antoine de Festival Director Baecque; two Godards! Two or Three 2 Carte Noire IFI French Film Festival 2014 design: verso.ie www.ifi.ie3 Schedule (Calendrier / Programme du Festival) WeDNesday (MERCREDI) 19 Monday (LuNDI) 24 20.00 Girlhood (Bande de filles) 18.30 The Blue Room (La Chambre bleue) Followed by reception (Suivi d’une reception) This is an IFI french film club screening where IFI and Alliance française members THursday (JEuDI) 20 pay €7 a ticket. Please ask at IFI Box office. 18.30 Les Combattants (Séance avec le Ciné-Club Français de l’IFI. Girlhood 20.45 Tonnerre Les membres de l’IFI et de l’Alliance Française payent le billet €7. (Bande de filles) fRiday (VENDREDI) 21 Renseignez-vous à la billetterie de l’IFI.) 18.30 The Blue Room (La Chambre bleue) 20.20 Eastern Boys + Q&A with Mathieu Amalric (Présentation et rencontre: Mathieu Amalric) Tuesday (MARDI) 25 20.30 Two in the Wave (Deux de la vague) 18.15 School Of Babel (La Cour de Babel) introduction by Antoine de Baecque 20.30 Eat Your Bones (Mange tes morts) (Séance présentée par Antoine de Baecque) + Inupiluk Saturday (SAMEDI) 22 WeDNesday (MERCREDI) 26 12.00 Event: Antoine de Baecque 18.30 The Kidnapping of Michel Houellebecq on Nouvelle Vague and Cinephilia (L’Enlèvement de Michel Houellebecq) (Rencontre avec Antoine de Baecque: 20.30 Elle l’adore Nouvelle Vague et Cinéphilie) 13.30 Mississippi Mermaid THursday (JEuDI) 27 (La Sirène du Mississipi) 18.15 Fool Circle/The Lizards introduction by Antoine de Baecque (Tristesse club/Les Lézards) Gala Opening (Séance présentée par Antoine de Baecque) 20.30 Paris Follies (La Ritournelle) 16.00 If You Don’t, I Will (Arrête ou je continue) Alliance française Screening Wednesday, 19th November, 20.00 + Q&A with Mathieu Amalric (Séance avec l’Alliance Française) Director: céline Sciamma (Présentation et rencontre: Mathieu Amalric) 112 minutes // france // 2014 18.15 Bird People fRiday (VENDREDI) 28 Directors’ fortnight Selection, cannes international film festival 2014 + Q&A with Pascale ferran 18.15 Three Hearts (3 Coeurs) (Présentation et rencontre: Pascale Ferran) 20.30 Timbuktu With Water Lilies and Tomboy, céline 21.00 Love is the Perfect Crime Sciamma established herself as an intriguing (L’Amour est un crime parfait) Saturday (SAMEDI) 29 and committed filmmaker, presenting stories + Q&A with Mathieu Amalric 12.00 Li’l Quinquin (P’tit Quinquin) about young women in a distinctive style that (Présentation et rencontre: Mathieu Amalric) 16.00 Love in the Afternoon is observational, unobtrusive and refreshingly (L’Amour l’après-midi) sincere. Girlhood is a potent coming-of-age story measured out in chapters, focusing on a Sunday (DIMANCHE) 23 18.00 The Yellow Eyes of the Crocodiles quartet of black girls living in the tower blocks 12.00 Masterclass with Pascale Ferran (Les Yeux jaunes des crocodiles) of Paris. At the centre of the film is Marieme (Masterclass avec Pascale Ferran) + Q&A with cécile Telerman (a captivating, evolving performance from 14.00 Lady Chatterley (Présentation et rencontre: Cécile Telerman) Karidja Touré), who has troubles at home, + Q&A with Pascale Ferran Kronenbourg 1664 Screening limited job prospects and is intimidated by the boys in her neighbourhood. This all changes (Présentation et rencontre: Pascale Ferran) (Séance avec Kronenbourg 1664) when she is drawn to an uncompromising, 16.30 Two or Three Things I Know About Her… wilful teenage girl gang who eventually take her (Deux ou trois choses que je sais d’elle...) Sunday (DIMANCHE) 30 seriously. (MH) 18.30 Goodbye to Language (3D) 11.00 IFI Family: (Adieu au langage) Minuscule: Valley of the Lost Ants (3D) The screening will be followed by a reception. + introduction by artist Gerard Byrne (Minuscule: La Vallée des fourmis perdues) (Séance présentée par l’artiste Gerard Byrne) 16.00 Hiroshima mon amour Director’s Note: The rise of female identity and 20.15 Diplomacy (Diplomatie) 18.00 40-Love (Terre battue) desire are told through precise direction and sumptuous imagery. 4 Carte Noire IFI French Film Festival 2014 www.ifi.ie5 i r i s h p r e m i e r e s Les Combattants Bird People It’s summer and Arnaud begins work for the family People commute in a transitory world – a no man’s land of business, building garden sheds with his brother. Meeting anonymity. The crowd as an ant hill of activity, a microcosm. under unusual circumstances, he becomes fascinated with Student Audrey (an angelic Anaïs Demoustier) works the surly Madeleine. Obsessed by survival and gripped part-time as a chambermaid in the Hilton at Roissy airport by prophecies of doom, Madeleine determines to join an where she encounters Gary (Josh Charles), an American elite commando unit. Arnaud follows. As they begin at businessman. Two solitary existences collide. A film in two an army training camp, their bodies and emotions are put chapters, Pascale Ferran radically shifts the tone between to the test. Cailley, part of a new scene in French cinema social realism and fantasy tale. Ferran is influenced byPeter alongside Sciamma (Tomboy, Girlhood) and Zlotowski Pan, ‘a wonderful story on the freedom of the imaginary and (Grand Central) brings us an improbable mix of teen-movie, the temptation to jump into the void’, and by Bong Joon-Ho’s rom-com, and pre-apocalypse film, stretching the limits of The Host, in which realism and the imaginary combine. (MPR) Thursday 20th November 18.30 each genre. (MPR) Saturday 22nd November, 18.15 Director Pascale Ferran will participate in a post- Director: Thomas Cailley Director: Pascale Ferran screening Q&A. 98 minutes // france // 2014 Director’s Note: A manifesto of love, with radiant 128 minutes // France // 2014 Winner: Art Cinema Award; SACD Prize; performances, Madeleine (Adèle Haenel) and Arnaud Official Selection, un Certain Regard, Cannes Director’s Note: A magnificently poetic work on Europa Cinemas Label; FIPRESCI award, (Kévin Azaïs) are as much ‘clenched fists’ as ‘balls of Film Festival 2014 connection and isolation, Bird People is both spectacular Directors’ Fortnight Cannes 2014 emotion’. and experimental, totally in sync with the times. The Blue Room (La Chambre bleue) Love is the Perfect Crime (L’Amour est un crime parfait) Julien (Mathieu Amalric) and Esther (Stéphanie Cléau), both married to other people, indulge in an illicit sexual tryst. The Marc, a professor of literature, is known as a serial seducer. affair leads to Julien being arrested and interrogated by the He lives in a mountain chalet with his hyper-stylish sister police, questioned for motives and alibis. But what has he Marianne (Karin Viard). A few days after the disappearance of been accused of? A clever, knowing noir, The Blue Room is Barbara, his most brilliant student and latest conquest, Anna an adaptation of a Georges Simenon novel, co-scripted by (Maïwenn) appears hoping to find her daughter.
Load more

Recommended publications
  • Promotion 2017 Après Avoir Présenté Leur Court Métrage À Verte De Talents Émergents Par Un Accom- Cannes En Mai, Les Cinéastes Sont Invités À Pagnement Sur Mesure
    Promotion #4 2017 Next Step accueille sa 4e promotion travers son programme Next Step, la formation, le Moulin d’Andé-CÉCI propose À Semaine de la Critique accompagne une résidence d’écriture d’un mois à l’un des vers le long métrage, les réalisateurs sélec- réalisateurs participants et le TorinoFilmLab tionnés pour sa compétition courts mé- invite le producteur de l’un des projets à trages parmi les 1 700 films soumis chaque prendre part à son programme Up&Coming. année. Cette sélection prend le pari que chacun de ces films courts révèle une person- Avec Next Step, la Semaine de la Critique nalité de cinéma qui ambitionne de place le cinéaste et la mise-en-scène au cœur s’exprimer sur le format long. du processus de développement d’un long métrage et prolonge son travail de décou- Promotion 2017 Après avoir présenté leur court métrage à verte de talents émergents par un accom- Cannes en mai, les cinéastes sont invités à pagnement sur mesure. À ce jour, 29 #4 4 – 8 Décembre participer à Next Step au Moulin d’Andé en réalisateurs ont bénéficié du soutien de décembre. Durant cet atelier de formation Next Step et nous nous réjouissons du d’une semaine organisé en collaboration parcours des 3 premiers films terminés : The avec le TorinoFilmLab, ils sont accompagnés Maus de Gerardo Herrero (Festivals de Sitges dans le développement de leur long métrage et Austin), Guarda In Alto (Look Up) de Fulvio par des consultants internationaux qui les Risuelo (Festival de Rome) et A Ciambra de conseillent à la fois sur l’écriture de leur Jonas Carpignano (Quinzaine des Réalisateurs scénario et son lancement sur le marché.
    [Show full text]
  • L-Amour-Est-Un-Crime-Parfait-Dossier
    PRÉSENTE 0 10080 5 220 046 186C UN FILM DE JEAN-MARIE ET ARNAUD LARRIEU D’APRÈS LE ROMAN DE PHILIPPE DJIAN « INCIDENCES » AUX ÉDITIONS GALLIMARD AVEC MATHIEU AMALRIC KARIN VIARD MAIWENN SARA FORESTIER DENIS PODALYDES SORTIE LE 15 JANVIER 2014 Durée du film : 1h51 DISTRIBUTION / GAUMONT PRESSE CAROLE DOURLENT / QUENTIN BECKER AgNÈS CHABOT 30 avenue Charles de Gaulle - 92200 Neuilly/Seine 25 rue des Mathurins - 75008 Paris Tél : 01 46 43 23 14 / 23 06 [email protected] / 01 44 41 13 48 [email protected] / [email protected] SYNOPSIS Professeur de littérature à l’université de Lausanne, MARC a la réputation de collectionner les aventures amoureuses avec ses étudiantes. Quelques jours après la disparition de la plus brillante d’entre elles qui était sa dernière conquête, il rencontre ANNA qui cherche à en savoir plus sur sa belle fille disparue ... JEAN-MARIE ETARNAUD LARRIEUENTRETIEN L’AMOUR EST UN CRIME PARFAIT EST L’adapTATION D’INCIDENCES (2010), le roman de PHilippe Djian. PourQuoi ce CHoiX ? Jean-Marie Larrieu : La lecture du roman, juste après la sortie de notre précédent film LES DERNIERS JOURS DU MONDE, a immédiatement cristallisé notre envie : les personnages existaient, il y avait une histoire puissante, des éléments comme la présence forte de la nature… Arnaud : … L’atelier de lecture, l’université, ce personnage d’intellectuel… plus ou moins criminel. JM : En rencontrant Philippe Djian, nous avons eu confirmation que le roman se déroulait en Suisse. Nous avons vu cela comme un signe. A l’époque de Peindre ou faire l’amour (2005) nous avions eu cette formule en forme de boutade : « Un jour, on tournera un polar en Suisse ».
    [Show full text]
  • Dossier De Presse Français
    ARCHIPEL 35 PRESENTE BIRD PEOPLE Un film de Pascale Ferran AVEC Anaïs Demoustier, Josh Charles, Roschdy Zem, Camélia Jordana, Geoffrey Cantor, Taklyt Vongdara et Radha Mitchell Durée : 2H08 France • 2014 • Image : DCP – 1.85 • Son : 5.1 SORTIE LE 4 JUIN 2014 DISTRIBUTION PRESSE Diaphana Marie Queysanne 155, Rue du Fbg Saint-Antoine - 75011 assistée de Charly Destombes Tél. 01 53 46 66 66 113, rue Vieille du Temple - 75003 [email protected] Tél. 01 42 77 03 63 www.diaphana.fr [email protected] / [email protected] Photos et dossier de presse téléchargeables sur www.diaphana.fr /BirdPeople.lefilm Hybride : adj et n. m., du latin Hybrida 1. BIOLOGIE. Qui provient du croisement de variétés, de races, d’espèces différentes. 2. Mots hybrides empruntés à des langues différentes. 3. COURANT. Composé de deux éléments de natures différentes anormalement réunis ; qui participe de deux ou plusieurs ensembles, genres, styles. « Une œuvre hybride ». Le Petit Robert SYNOPSIS En transit dans un hôtel international près de Roissy, un ingénieur en informatique américain, soumis à de très lourdes pressions professionnelles et affectives, décide de changer radicalement le cours de sa vie. Quelques heures plus tard, une jeune femme de chambre de l’hôtel, qui vit dans un entre-deux provisoire, voit son existence basculer à la suite d’un événement surnaturel. PASCALE FERRAN Après des études de cinéma à l’IDHEC de 1980 à 1983, Pascale Ferran alterne ensuite une activité d’assistante à la télévision et de co-scénariste pour Pierre Trividic, Arnaud Desplechin, Jean-Pierre Limosin ou Philippe Venault.
    [Show full text]
  • Gilles Lellouche INTERNATIONAL PRODUCTION NOTES
    A FILM BY Gilles Lellouche INTERNATIONAL PRODUCTION NOTES CONTACTS INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Lucie MICHAUT Alexandre BOURG [email protected] [email protected] SYNOPSIS A group of 40-something guys, all on the verge of a mid-life crisis, decide to form their local pool’s first ever synchronized swimming team – for men. Braving the skepticism and ridicule of those around them and trained by a fallen champion trying to pull herself together, the group set out on an unlikely adventure, and on the way will rediscover a little self-esteem and a lot about themselves and each other. After Narco and The Players, Sink or Swim is the first film you’ve made as a solo director. Did you have difficulty launching a solo project, or was it just a question of timing? A little of both! Most of all, I needed to find a subject that really spoke to me and would enable me to make a film even more personal than Narco. As for The Players, that was a group project. I really enjoyed making both of those films, but neither was intimately linked to who I am. All of this took some time because after Narco, my “actors’ films” were the center of attention. How long has it taken to bring Sink or Swim to life? Five years. In fact, it was eight years ago that I began writing a script that already contained a few of the ideas in Sink or Swim. I wanted to examine the weariness – or perhaps the somewhat latent depression – that I sensed in people of my generation or even more generally in France.
    [Show full text]
  • The Companion Film to the EDITED by Website, Womenfilmeditors.Princeton.Edu)
    THE FULL LIST OF ALL CLIPS in the film “Edited By” VERSION #2, total running time 1:53:00 (the companion film to the EDITED BY website, WomenFilmEditors.princeton.edu) 1 THE IRON HORSE (1924) Edited by Hettie Gray Baker Directed by John Ford 2 OLD IRONSIDES 1926 Edited by Dorothy Arzner Directed by James Cruze 3 THE FALL OF THE ROMANOV DYNASTY (PADENIE DINASTII ROMANOVYKH) (1927) Edited by Esfir Shub Directed by Esfir Shub 4 MAN WITH A MOVIE CAMERA (CHELOVEK S KINO-APPARATOM) (1929) Edited by Yelizaveta Svilova Directed by Dziga Vertov 5 CLEOPATRA (1934) Edited by Anne Bauchens Directed by Cecil B. De Mille 6 CAMILLE (1936) Edited by Margaret Booth Directed by George Cukor 7 ALEXANDER NEVSKY (ALEKSANDR NEVSKIY) (1938) Edited by Esfir Tobak Directed by Sergei M. Eisenstein and Dmitriy Vasilev 8 RULES OF THE GAME (LA RÈGLE DU JEU) (1939) Edited by Marguerite Renoir Directed by Jean Renoir 9 THE WIZARD OF OZ (1939) Edited by Blanche Sewell Directed by Victor Fleming 10 MESHES OF THE AFTERNOON (1943) Edited by Maya Deren Directed by Maya Deren and Alexander Hammid 11 IT’S UP TO YOU! (1943) Edited by Elizabeth Wheeler Directed by Henwar Rodakiewicz 12 LIFEBOAT (1944) Edited by Dorothy Spencer Directed by Alfred Hitchcock 13 ROME, OPEN CITY (ROMA CITTÀ APERTA) (1945) Edited by Jolanda Benvenuti Directed by Roberto Rossellini 14 ENAMORADA (1946) Edited by Gloria Schoemann Directed by Emilio Fernández 15 THE LADY FROM SHANGHAI (1947) Edited by Viola Lawrence Directed by Orson Welles 16 LOUISIANA STORY (1948) Edited by Helen van Dongen Directed by Robert Flaherty 17 ALL ABOUT EVE (1950) Edited by Barbara “Bobbie” McLean Directed by Joseph L.
    [Show full text]
  • ABDERRAHMANE SISSAKO Not Far from Timbuktu, Now Ruled by the Religious Shadows but Resist with Dignity
    LES FILMS DU WORSO AND DUNE VISION PRESENT A FILM BY ABDERRAHMANE SISSAKO Not far from Timbuktu, now ruled by the religious shadows but resist with dignity. Every day, the new improvised courts SYNOPSIS fundamentalists, Kidane lives peacefully in the dunes issue tragic and absurd sentences. with his wife Satima, his daughter Toya, and Issan, their twelve-year-old shepherd. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes when Kidane accidentally kills Amadou, In town, the people suffer, powerless, from the regime of terror imposed the fisherman who slaughtered «GPS», his beloved cow. He now has to by the Jihadists determined to control their faith. Music, laughter, face the new laws of the foreign occupants. cigarettes, even soccer have been banned. The women have become On July 29th, 2012 in Aguelhok, SHORT DIRECTOR’S STATEMENT a small city in northern Mali – FILMOGRAPHY ABDERRAHMANE SISSAKO more than half of which was being occupied by men who were mostly FEATURES-FILMS, SHORTS and DOCUMENTARIES outsiders – an unspeakable crime took place to which the media 1989 THE GAME (short) largely turned a blind eye. A thirty-something couple, blessed with two children, were stoned to death. 1992 OCTOBRE (short) 1995 (short) Their crime: they weren’t married. The video of their killing, which was LE CHAMEAU ET LES BÂTONS FLOTTANTS posted online by the perpetrators, is horrid. The woman dies struck 1996 SABRYA (short) by the first stone, while the man lets out a hollow rasp of a cry. Then 1997 ROSTOV-LUANDA (documentary) silence.
    [Show full text]
  • Film 8 19 - 29 Novembre 2010
    Fiche n° 879 Film 8 19 - 29 novembre 2010 http://cinemateur01.com Film 8 de huit réalisateurs 1h43 - VO - sortie février 2010 8 films pour défendre les Objectifs du Millénaire pour le Développement Message "politique" envoyé aux gouvernants de la planète, le film Huit interpelle et parfois dérange avec huit histoires militantes tour- nées par des grands noms du cinéma, qui plaident pour le respect des objectifs du Millénaire fixés par l'ONU en 2000. Jane Campion, Gus Van Sant, Wim Wenders, Mira Nair, Gaspar Noé, Gael Garcia Bernal, Abderrahmane Sissako et Jan Kounen signent cette palette de courts-métrages, dévoilés hors compétition et en avant- première en octobre 2009 au Festi- val de Rome. 10 ans déjà que les Objectifs du Millé- Huit réalisateurs se sont mobili- naire pour le Développement (OMD) sés pour partager leur vision sur ont été mis en place, et plus que 5 les OMD. ans pour les réaliser. LDM Films a initié et produit ce Il faut se dépêcher. C'est donc logi- long métrage. quement que la campagne du film huit s'intitule « le temps presse ». 8 n'est pas un film de commande, 8 réalisateurs de renommée interna- mais un film indépendant de toute tionale : Gus Van Sant, Abderrahmane institution, qui donne une véritable Sissako, Jane Campion, Gael Garcia "carte blanche" à chaque réalisateur. Bernal, Wim Wenders, Mira Nair, Gas- par Noé et Jan Kounen ont exprimé à "8" veut essayer de sensibiliser l'opi- leur manière l'importance de soutenir nion publique à l'existence de cette les Objectifs du Millénaire.
    [Show full text]
  • Stories on Human Rights by Filmmakers, Artists and Writers
    Stories on Human Rights by Filmmakers, Artists and Writers •MARINA ABRAMOVIC •CHARLES DE MEAUX •HANY ABU-ASSAD •TONI MORRISON •CHIMAMANDA NGOZI ADICHIE •MURALI NAIR •ARMAGAN BALLANTYNE •IDRISSA OUEDRAOGO •SERGEI BODROV •RUTH OZEKI •ASSIA DJEBAR •PIPILOTTI RIST •NURUDDIN FARAH •DANIELA THOMAS •DOMINIQUE GONZALEZ-FOERSTER •SAMAN SALOUR & ANGE LECCIA •JOSÉ SARAMAGO •KHALED HOSSEINI •SARKIS •RUNA ISLAM •ROBERTO SAVIANO •ELFRIEDE JELINEK •BRAM SCHOUW •FRANCESCO JODICE •TERESA SERRANO •ETGAR KERET •ABDERRAHMANE SISSAKO & SHIRA GEFFEN •PABLO TRAPERO •ZHANG-KE JIA •APICHATPONG WEERASETHAKUL •NAGUIB MAHFOUZ •MO YAN •GABRIEL GARCIA MARQUEZ •JASMILA ZBANIC Concept and Curatorship : An initiative of : A Project of : Adelina von Fürstenberg OFFICE FOR THE HIGH UNITED NATIONS COMMISSIONER FOR HUMAN RIGHTS Stories on Human Rights by Filmmakers, Artists and Writers SUMMARY The Partners p. 3 Press release p. 4 The genesis of a worldwide artistic project p. 5 A film of six themes and 22 short-movies p. 6 1 / Culture p. 7 2 / Development p. 8 3 / Dignity and Justice p. 9 4 / Environment p. 10 5 / Gender p. 11 6 / Participation p. 12 List of screenings p. 13 Stories on Human Rights, the book p. 14 History: The Universal Declaration of Human Rights p. 16 Human Rights today p. 17 ART for The World p. 18 Partners p. 19 CONTACTS Faits&Gestes : Sébastien Bizet / Laurent Delarue 10, rue des Messageries – 75010 Paris [email protected] / [email protected] 00 33 (0)1 53 34 65 84 00 33 (0)6 07 55 54 81 / 00 33 (0)6 30 25 34 66 ART for
    [Show full text]
  • Cultural and Scientific Service Embassy of France in Ireland 4Th
    SPECIAL EVENT CAFÉ LITTÉRAIRE WITH PHILIPPE DJIAN 18 OCTOBER 2012 French novelist, Philippe Djian was born in Paris in 1949. He is considered to be the heir to the “Beat Generation” in France. He is best known for his novel adapted for the cinema: 37°2 le matin (English title Betty Blue), filmed by Jean-Jacques Beineix, starring Béatrice Dalle and Jean-Hughes Anglade, and for Bleu comme l'enfer (1986; English title Blue Hell) directed by Yves Boisset. Philippe Djian has published 12 novels with Gallimard including Impardonnables, Incidences and recently Oh…. which is a genuine contender for the Médicis Prize and Flore Prize for 2013. We are proud to welcome Philippe Djian with whom the Alliance Française and the Cultural Service of the French Embassy will launch this very first Café Littéraire. Presented by the Alliance Française Dublin in association with the Cultural Service of the French Embassy @ Alliance Française, 1 Kildare Street, Dublin 2 Thursday 18 October, 6.30pm Talk in French, Q&A with Loïc Guyon (ADEFFI) in French & English. ADMISSION FREE - RSVP essential www.alliance-francaise.ie CINEMA FRENCH CINEMA AT TRINITY COLLEGE DUBLIN FROM 4 OCTOBER 2012 The French Department is pleased to launch a series of lectures and film screenings. The themes explored will include love, trauma, war, childhood, fortune, the role of the Resistance, colonialism, and memory. Each screening will be preceded by a short lecture. All films have English subtitles. 4 October 2012 Du Rififi chez les hommes (Jules Dassin, 1955), Dr Sarah Alyn Stacey 18 October 2012 Nuit et Brouillard (Alain Resnais, 1955), Dr Sarah Alyn Stacey 1 November 2012 Le Roman d'un Tricheur (Sacha Guitry, 1938), Ms Donna Canada-Smith 15 November 2012 Caché (Michael Haneke, 2005), Dr James Hanrahan 29 November 2012 L’Armée des ombres (Jean-Pierre Melville, 1969), Dr Sarah Alyn Stacey 13 December 2012 Pierrot Le Fou (Jean-Luc Godard, 1965), Ms Donna Canada-Smith @ The Swift Theatre (Arts Building), Trinity College Dublin - 7.00 pm ALL WELCOME, there is NO CHARGE for this course.
    [Show full text]
  • Cinemas on the Move
    NETWORK REVIEW N°27 CANNES 2016 CINEMAS ON THE MOVE STATISTICAL YEARBOOK 2015 Contents 05 04 EDITORIAL 28 ROMANIA Cinema Victoria, Cluj-Napoca by Nico Simon & Claude-Eric Poiroux 30 SLOVAK REPUBLIC ArtKino Metro Trenčín, Trenčín 05 32 SPAIN 10 2015: FILMS, Cinemes Texas, Barcelona FACTS & FIGURES 34 SWEDEN Biografcentralen (Borås, Karlstad, Skövde) 36 SWITZERLAND 08 Arthouse Cinemas, Zürich CINEMAS 38 UNITED KINGDOM ON THE MOVE Curzon Bloomsbury, London 12 08 BULGARIA “Lucky” Home of cinema, Plovdiv 40 10 DENMARK STATISTICAL 20 Øst For Paradis, Aarhus YEARBOOK 2015 12 ESTONIA Kino Sõprus, Tallinn 42 14 FRANCE Les Carmes, Orléans TOP 16 GERMANY 42 TOP 50 Atlantis, Gondel & Schauburg, Bremen European films by admissions in the Europa Cinemas Network 28 18 HUNGARY Urania and Béke Art Cinemas, Miskolc 44 TOP 15 European films by admissions 20 IRELAND in the Network by country Light House Cinema, Dublin 22 ITALY 51 Cinema Beltrade, Milan Cinema Oberdan, Mantua EUROPA CINEMAS LABEL Europa Cinemas Network Review 24 THE NETHERLANDS President: Nico Simon. General Director: Claude-Eric Poiroux. Head of International Relations - Network Review LantarenVenster, Rotterdam 51 2016 Directors' Fortnight: Editor: Fatima Djoumer – [email protected]. Press: Charles McDonald – [email protected]. Deputy Editors: Sonia Welcome to the Jury Ragone, Jérôme Tyl. Contributors to this Issue: Rémi Bigot, Irene Angel Echeverri, Claudia Droc, Raphaëlle Gondry, Marketa 26 POLAND Hodouskova, Marie Lanne-Chesnot, Adrian Preda, Menem Richa, Jean-Baptiste Selliez, Alexandre Tchernookov, Daniel Tirado. Translation: Kino Muza, Poznań 51 28 Times Cinema Cinescript. English Proofreader: Tara Judah. Design:H Bronx agence - www.bronx.fr. Client Director: Gisela Blanc.
    [Show full text]
  • Charles Berling, André Dussolier Režie: Frédéric Schoenderffer 2001 / GABRIELA KLIKOVÁ
    SCENES DE CRIMES Scény zlo čin ů Hrají: Charles Berling, André Dussolier Režie: Frédéric Schoenderffer 2001 / GABRIELA KLIKOVÁ UN JUIF AU BONNET DE FOURRURE ŽID S KOŽEŠINOVOU ČAPKOU Autor a režie: Marc Van Dessel 2001 / GABRIELA KLIKOVÁ DIEU SEUL ME VOIT JEN B ŮH M Ě VIDÍ Hrají: Denis Podalydes, Jeanne Balibar, Isabelle Candelier, Cécile Bouillot, Michel Vuillermoz, Jean-Noel Brouté Režie: Bruno Podalydes 2001 / GABRIELA KLIKOVÁ TOUT VA BIEN, ON S´EN VA Hrají: Miou-Miou, Sandrine Kiberlain, Natacha Régnier, Michel Piccoli Režie: Claude Mourieras 2001 / GABRIELA KLIKOVÁ Kirikou et la sorciere - (kreslená pohádka) Animace: Michel Ocelot 2001 / GABRIELA KLIKOVÁ Didier (komedie o psovi-fotbalistovi) Hrají: Jean-Pierre Bacri, Elliot, Isabelle Gélinas, Caroline Célier Režie: Alain Chabat (1997) 2001 / GABRIELA KLIKOVÁ La chambre des magiciennes - Hrají: Anne Brochet, Mathilde Seignier, Annie Noel, Yves Jacques Režie: Claude Miller (2001) 2001 / GABRIELA KLIKOVÁ Les diaboliques Ďábelské ženy Hrají: Simone Signoret, Véra Clouzot, Paul Meurisse Režie: Henri-Georges Clouzot (p řeprac. dle TV titl. 95) 2001 / GABRIELA KLIKOVÁ Mercredi, folle journée St ředa, bláznivý den Hrají: Vincent Lindon, Alessandra Martines, Olivier Gourmet Režie: Pascal Thomas (2001) 2001 / GABRIELA KLIKOVÁ Le harem de Madame Osmane Harém paní Osmane Hrají: Carmen maura, Biyouna, Myriam Amaroucheme, Linda Slimani Režie: Nadir Mokneche (2000) 2001 / GABRIELA KLIKOVÁ 1 La saison des hommes Sezona muž ů Hrají: Rabia ben Abdallah, Sabah Bouzouita, Ghali ben Ali Režie: Moufida Tlatli (2000) 2001 / GABRIELA KLIKOVÁ Samia Hrají: Lynda Benahouda, Mohamed Chaouch, Kheira Oualhaci Režie: Philippe Faucon (2001) 2001 / GABRIELA KLIKOVÁ Ali Zaoua Hrají: Said Taghmaoui, Abdelhak, Hicham, Mustapha Hansali Režie: Nabil Yaouch (2001) 2001 / GABRIELA KLIKOVÁ Mademoiselle (4.
    [Show full text]
  • Musical Resistance in Abderrahmane Sissako's Timbuktu
    Observatorio (OBS*) Journal, (2020, special issue), 108-122 1646-5954/ERC123483/2020 108 Musical Resistance in Abderrahmane Sissako’s Timbuktu Katy Stewart* *University of Sheffield Abstract When Abderrahmane Sissako’s film Timbuktu was released in 2014, it attracted a great deal of controversy – as well as an Oscar nomination. Was lauded as an exceptionally artistic, poetic film which brought the world’s attention to the plight of Timbuktu under jihadi rule, but the way in which Sissako chose to humanise jihadists, and the elliptical way in which he constructs the film – missing many of the finer details of the political and military situation – was criticised by some, and it was almost withdrawn from competition at FESPACO, the world’s largest African film festival. This article argues that much is missed in such readings of the film, and proposes that an intermedial approach to analysing the film offers a new understanding of it. By exploring the intermedial and intercultural borders and connections in Timbuktu, it will be shown how Sissako combines diverse influences, including Italian Westerns and the Wassoulou music of southern Mali, to create a film that does not merely represent resistance, but is itself an act of resistance against extremism, in Mali. Intermedial borders between film, music and social media are of particular significance in this regard. With a focus on the diegetic and extra-diegetic performances of Malian singer Fatoumata Diawara, the article demonstrates how such intermediality can engage the spectator’s “symbolic participation” (Manthia Diawara, 2015) and contributes to a movement of artistic resistance against extremism in Mali.
    [Show full text]