Lean on Me Release Edits
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Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Sweet at Top of the Pops
1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) ......................................................................................................................................................... -
100 Songs for Studio Time in Every Issue of in Her Studio, We Ask the Featured Artists to Share Something Helpful Or Fun with Our Readers
100 Songs for Studio Time In every issue of In Her Studio, we ask the featured artists to share something helpful or fun with our readers. As we all know, music and making art often go hand in hand, so it’s no surprise that our artists frequently choose to share their studio playlist in hopes that their favorite songs might inspire you as well. We have compiled 100 songs from the pages of In Her Studio. Give them a listen, add your favorites to your playlist, crank up the volume, and start creating! 1. “Little Yellow Spider” by Devendra Banhart 25. “You get What You Give” by New Radicals 2. “My Old Man” by Mac DeMarco 26. “It’s all About Soul” by Billy Joel 3. “Kewali” by Flamingods 27. “Free Falling” by Tom Petty 4. “Cut Me Down” by Kevin Morby 28. “Wuthering Heights” by Kate Bush 5. “El Condor Pasa” by Simon & Garfunkel 29. “Dancing in the Dark” by Bruce Springsteen 6. “Pink Moon” by Nick Drake 30. “9 to 5” by Dolly Parton 7. “Actually” by Rozi Plain 31. “The Sacred” by Yaima 8. “Blind Willie” by Sonny Sharrock 32. “Just Let it Go” by India Arie 9. “The Ledge” by Fleetwood Mac 33. “Beauty in the World” by Macy Gray 10. “Shark Smile” by Big Thief 34. “Calling all Angels” by KD Lang 11. “Thickets” by Patrick Wolf 35. “I am Light” by India Arie 12. “The Underwood Typewriter” by Fionn Regan 36. “Halo” by Ana Brun 13. “Gethsemane” by Dry the River 37. “Bowl of Light” by Trevor Hall 14. -
Newspaper Coverage of the Sugar Ray Leonard Wife Abuse Story
Sociology of Sport Journal,1993.10, 119-134 O 1993 Human Kinetics Publishers, Inc. Outside the Frame: Newspaper Coverage of the Sugar Ray Leonard Wife Abuse Story Michael A. Messner William S. Solomon University of Southern California Rutgers University This article analyzes the print media's ideological framing of the 1991 story of boxer Sugar Ray Leonard's admission of having physically abused his wife and abused cocaine and alcohol. We examined all news stories and editorials on the Leonard story in two major daily newspapers and one national sports daily. We found that all three papers framed the story as a "drug story," while ignoring or marginalizing the "wife abuse" story. We argue that sports writers utilized an existing ideological "jocks-on-drugs" media package that framed this story as a moral drama of individual sin and public redemption. Finally, we describe and analyze the mechanisms through which the wife abuse story was ignored or marginalized. Cette etude porte sur le cadre idkologique fa~onnbpar les media kcrits en ce qui concerne la nouvelle de I'annonce faite en 1991 par le boxeur Sugar Ray Leonard qu'il avait physiquement abusk de sa femme et abusk de la cocaiize et de I'alcool. Tous les articles et kditoriaux de deux journaux quotidiens et d'une revue sportive nationalefurent analysks. Les rksultats indiquent que les trois sources ont repris la nouvelle pour la presenter duns un cadre accentuant I'aspect "abus de drogue" et marginalisant ou ignorant I'aspect "violence conjugale." I1 est aussi suggkrk que les reporters sportifs ont utilisk un cadre idbologique dkja existant (celui du "sportif dope") qui eut pour effet de presenter la nouvelle en tant que dilemme moral ou il y a pbchk individuel et rkdemption publique. -
San Antonio's West Side Sound
Olsen: San Antonio's West Side Sound San Antonio’s SideSound West Antonio’s San West Side Sound The West Side Sound is a remarkable they all played an important role in shaping this genre, Allen O. Olsen amalgamation of different ethnic beginning as early as the 1950s. Charlie Alvarado, Armando musical influences found in and around Almendarez (better known as Mando Cavallero), Frank San Antonio in South-Central Texas. It Rodarte, Sonny Ace, Clifford Scott, and Vernon “Spot” Barnett includes blues, conjunto, country, all contributed to the creation of the West Side Sound in one rhythm and blues, polka, swamp pop, way or another. Alvarado’s band, Charlie and the Jives, had such rock and roll, and other seemingly regional hits in 1959 as “For the Rest of My Life” and “My disparate styles. All of these have Angel of Love.” Cavallero had an influential conjunto group somehow been woven together into a called San Antonio Allegre that played live every Sunday sound that has captured the attention of morning on Radio KIWW.5 fans worldwide. In a sense, the very Almendarez formed several groups, including the popular eclectic nature of the West Side Sound rock and roll band Mando and the Chili Peppers. Rodarte led reflects the larger musical environment a group called the Del Kings, which formed in San Antonio of Texas, in which a number of ethnic during the late 1950s, and brought the West Side Sound to Las communities over the centuries have Vegas as the house band for the Sahara Club, where they exchanged musical traditions in a remained for nearly ten years.6 Sonny Ace had a number of prolific “cross-pollination” of cultures. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
International Students Reflect on Floyd Widener ~Ware Campus Closed Due to Floyd's Effects
THE STUDENT .; .... :.;.;.:::::: ::::: ~ :c. .~ NEWSPAPER OF ....... :.: ::.::::::~::: :«0:::::::::: :::. WIDENER UNIVERSITY http://dome.life.nu Covering the good stuff (610) 499'4.421 INSIDE ENTERTAINMENT NEWS SPORTS University 2 Philadelphia 3 NY Surrenders Widener students Women's V Opinion 4 to Chemical Comics/Games 6 Ball p.12 Brothers p.8 abroad p.2 Entertainment 8 WIDENER PROFESSOR PASSES AWAY, Widener Feels Floyd SAYING FAIRWELL TO DR. CLARK. Ben Myers Brian O'Rourke RELATIONS MANAGER The University suffered a terrible first faculty member to participate in the STAFF WRITER defeat two weeks ago, when Dr. Michael German Exchange Program. Clark passed away. Dr. Clark Both teachers and students gave the Hurricane Floyd which passed along joined Widener IS faculty in 1981, same answers in describing- Dr. Clark: after receiving his Ph.D. from the IIFine mind ... very accessible ... down-to the east coast on September 18, 19, and University of Wisconsin-Madison. earth... he was the best in the 20 left devastation everywhere. Causing He was a professor of English and Department. II Dr. Lopota, a colleague for a time, the Associate Dean of hired by Dr. Clark, said, IIHe was the massive flooding and property damage Humanities. type of guy who could write two books Dr. Clark had a hand in just on Dos Passos, and then turn around in the Carolinas, Floyd also caused dam and have a drink with you at WalliolS. 1I about every facet of English at age along the upper east coast. In New Widener University. He did not Dr. Serambis, present Associate Dean speak the English language, he of Humanities, had this to say of his Jersey and Delaware states of emergen commanded it. -
From Cavern to Star-Club
InfoMail Nr. 993: BEATLES-Buch mit Single FROM CAVERN TO STAR-CLUB Hallo M.B.M., hallo BEATLES-Fan, bei uns noch erhältlich: August 1997: BUCH & EP THE BEATLES FROM CAVERN TO STAR-CLUB - THE ILLUSTRATED CHRONICLE, DISCOGRAPHY & PRICE GUIDE 1957 - 1962. 45,00 € Autor: HANS OLOF GOTTFRIDSSON. Verlag: Premium Publishing, Stockholm, Schweden. 30,2 x 21,8 cm, Gebundene Ausgabe; Format: 13,5 cm x 21 cm; 482 Seiten, sehr viele Schwarzweiß-Fotos und -Abbildungen, englischsprachig. EP HAMBURG TWIST. Polydor. Titel auf EP: Sweet Georgia Brown; My Bonnie (Mein Herz ist bei dir nur). / Swanee River; My Bonnie. Übersetzung des Promotion-Textes vom Verlag Premium Publishing: THE BEATLES - FROM CAVERN TO STAR-CLUB ist die peinlich genau erforschte Chronologie und Diskografie der BEATLES-Aufnahmen von 1957 bis 1962. HANS OLOF GOTTFRIDSSON hat unveröffentlichte Bänder und Dokumente erforscht und Interviews mit Zeitzeugen dieser legendären Zeit der BEATLES- Karriere geführt. Zum allerersten Mal wurden alle wichtigen Daten und Aufnahmen erkundet, von dem Zeitpunkt an, als JOHN und PAUL sich auf der WOOLTON GARDEN FETE 1957 getroffen haben bis zu den letzten STAR-CLUB-Aufnahmen in Hamburg vom Dezember 1962. Das Buch beinhaltet eine komplette Übersicht über alle Veröffentlichungen der Aufnahmen aus dieser Zeit in Deutschland, England, Frankreich, Schweden und den USA und alle Wiederveröffentlichungen bis einschließlich 1970. Alle Singles, EPs and LPs sind abgebildet. Jede Veröffentlichung ist mit dem jetzigen Wert für Sammler und ihrem Sammler-Status vermerkt. Der Autor hat die Original-POLYDOR-Aufnahmeprotokolle wiederentdeckt - von denen man glaubte, sie gäbe es nicht mehr. Diese Aufnahmeprotokolle belegen eindeutig, dass die BEATLES Swanee River aufgenommen haben. -
Here Information Was Modified Due to One of the Error Types Noted Above
The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum The Beatles Recording Reference Manual Volume 1 My Bonnie through Beatles For Sale (1961-1964) Corrigendum Jerry Hammack Edited by Gillian G. Gaar The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum Copyright © 2021 Jerry Hammack All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author, except by reviewers, who may quote brief passages in a review. Library of Congress Control Number: 2017909370 CreateSpace Independent Publishing Platform, North Charleston, SC Hammack, Jerry, 1961- The Beatles Recording Reference Manual: Volume 1: My Bonnie through Beatles For Sale (1961-1964) Corrigendum Gearfab Books, Ltd. Toronto, Ontario, Canada The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum iii The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum About this Corrigendum ____________________________________________________________________________________________________________ It’s clear, I’m not perfect. In researching, writing, editing and producing The Beatles Recording Reference Manuals, I made some errors. Some of these errors were of omission, some were of misinterpretations of information that I was challenged on and found my conclusions wanting, and others were bothersome copy/paste issues that were not caught in the proofing stage of book production. Regardless of their type or nature, I take responsibility for them all. I know these books are not cheap to own, and I also know that Beatles fans interested in this material are some of the most detail-oriented fans in the world. -
Code Title Artists Composer 8664 (Just Like) Starting Over John Lennon John Lennon (Shake, Shake, Shake) Shake Your K.C
CODE TITLE ARTISTS COMPOSER 8664 (JUST LIKE) STARTING OVER JOHN LENNON JOHN LENNON (SHAKE, SHAKE, SHAKE) SHAKE YOUR K.C. & THE SUNSHINE 8699 CASEY / FINCH BOOTY BAND 8094 10,000 PROMISES BACKSTREET BOYS SANDBERG 8001 100 YEARS FIVE FOR FIGHTING ONDRASIK, JOHN 8563 1-2-3 GLORIA ESTEFAN G. ESTEFAN/ E. GARCIA 8572 19-2000 GORILLAZ ALBARN/HEWLETT 8642 2 BECOME 1 JEWEL KILCHER/MENDEZ 9058 20 YEARS OF SNOW REGINA SPEKTOR SPEKTOR MICHAEL LEARNS TO 8865 25 MINUTES JASCHA RICHTER ROCK WATKINS/GAZE/RICHARDSO 8767 4 AM FOREVER LOSTPROPHETS N/OLIVER/LEWIS JAMES HARRIS/TERRY 8208 4 SEASONS OF LONELINESS BOYZ II MEN LEWIS 9154 5, 6, 7, 8 STEPS LIPTON AND CROSBY 9370 5:15 THE WHO PETE TOWNSHEND 9005 500 MILES PETER, PAUL & MARY HEDY WEST 8140 52ND STREET BILLY JOEL BILLY JOEL JOEM FAHRENKROG- 8927 99 RED BALLOONS NENA PETERSON/CARLOS KARGES 8674 A CERTAIN SMILE JOHNNY MATHIS WEBSTER/FAIN 8554 A FIRE I CAN'T PUT OUT GEORGE STRAIT DARRELL STAEDTLER 8594 A FOOL IN LOVE IKE & TINA TURNER TURNER 8455 A FOOL SUCH AS I ELVIS PRESLEY BILL TRADER 9224 A HARD DAY'S NIGHT THE BEATLES LENNON/ MCCARTNEY 8054 A HORSE WITH NO NAME AMERICA DEWEY BUNNEL 9468 A LIFE ON THE OCEAN WAVE P.D. 9469 A LITTLE MORE CIDER TOO P.D. DURITZ/BRYSON/MALLY/MIZ 8320 A LONG DECEMBER COUNTING CROWS E/GILLINGHAM/VICKREY 9112 A LOVER'S CONCERTO SARAH VAUGHAN LINZER / RANDEL 9470 A MAIDENS WISH P.D. ENGELBERT LIVRAGHI/MASON/PACE/MA 8481 A MAN WITHOUT LOVE HUMPERDINCK RIO 9183 A MILLION LOVE SONGS TAKE THAT GARY BARLOW GERRY GOFFIN/CAROLE 8073 A NATURAL WOMAN ARETHA FRANKLIN KING/JERRY WEXLER 9157 A PLACE IN THE SUN STEVIE WONDER RON MILLER/BRYAN WELLS 9471 A THOUSAND LEAGUES AWAY P.D. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
Download Our 2019 Annual Report
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