Solo Exhibitions
2020/21
• Bannister Gallery, Rhode Island College, RI • TW Fine Art, Brisbane, Australia
2018
• Vec Tor Bel, False Flag Gallery, Long Island City, NY, with the artist collective NonCoreProjector
2017
• Verbolect, The Boiler, Brooklyn, NY, with the artist collective NonCoreProjector
2016
• Thin, Dark Crash (how I dread that blue jay), Pierogi Gallery, LES, NY
2013
• The Machine and the Ghost, Pierogi Gallery, Brooklyn, NY
2011
• What is Toronto?????, Pierogi Gallery, Brooklyn, NY • Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY
2010
• C'OD(e)R, Fleisher Ollman Gallery, Philadelphia, PA
2008
• Flannel Tongue, Pierogi Brooklyn • All of a Sudden, Martin Asbaek Projects, Copenhagen, Denmark
2005
• One Hundred Days in a Year, Pierogi, Brooklyn, NY (catalogue produced)
2002
• Schemes Out, Pierogi, Brooklyn, NY
1999
• Thesis Exhibition, Pratt Institute, Brooklyn, NY
1997
• 1997 Jasper Rand Museum, Westfield, MA
Group Exhibitions
2020
• SUM, Wellin Museum, Hamilton College, Clinton, NY • Hudson Valley Museum of Contemporary Art, Peekskill, NY • First, Second, Third Person, Pierogi Gallery, LES, NY
2019
• The Idiosyncratic Pencil Resharpened, Elizabeth Stone Harper Gallery at Presbyterian College of Clinton, SC
Page 1 2018
• MacDowell Now, Recent Abstraction, The Curator Gallery, Chelsea NYC • USPS, Curated by Dana Frankfort and Vera Iliatova, Free University of Tbilisi, Tbilisi, Georgia • Bear Necessities, Dekalb Gallery, Pratt Institute, Brooklyn, NY
2017
• Double Down, Pierogi Galery, New York, NY • The Armory Show, New York, NY • The Unknown Variable, Local Project, Long Island City, Queens, NY • Dead Drop, Honey Ramka Gallery, Bushwick, Brooklyn
2016
• Another Better World, The Bascom Arts Center, Highlands, NC • Reclaimed, New Jersey City University Art Gallery, Jersey City, NJ • Material Polyphony, The Rubelle and Norman Schafler Gallery, Pratt Institute, Brooklyn, NY • SIX, Regina Rex, New York, NY • Flat Earth, Ship in the Woods, Escondido, CA • Future Past Perfect, Ms Barbers, Los Angeles, CA • Rage for Art (Once Again), Pierogi Gallery, 155 Suffolk Street, New York, NY • This Strange Game, Chelsea Arts Building, New York, NY
2015
• Future Past Perfect, Projekt 722, Brookyln, NY • Human Ecology 101, Ronald Feldman Fine Arts, New York, NY • Abscissus and Ordinates, Honey Ramka Gallery, Bushwick, Brooklyn
2014
• Spaced Out: Migration to the Interior, Curated by Phong Bui, Red Bull Studios, New York, NY • Pierogi XX (20th Anniversary Exhibition), Pierogi Gallery, Brooklyn, NY • Fountains of the Deep, Curated by Darren Aronofsky, filmmaker, SOHO, NY • Far from Now, Regina Rex Gallery, Brooklyn, NY • Horizon, Quint Gallery, La Jolla, CA • Datascapes, Paul Robeson Galleries, Rutgers University, NJ, curated by Anonda Bell (catalogue produced) • Spitball, Storefront Ten Eyck Gallery, Bushwick, Brooklyn, curated by Vince Contarino and Chris Chatterson • Forces of Nature / Natural Forces, The Rubelle and Norman Schafler Gallery, Pratt Institute, Brooklyn, NY, curated by Lisa Banner
2013
• Classless Society, Tang Museum, Saratoga Springs, NY • Unhinged, Pierogi Gallery, Brooklyn, NY • Linda Francis, John O'Connor, Ken Weathersby, Suite 217, Brooklyn, NY • /Len/, Jeff Bailey Gallery, New York, NY; curated by Jered Sprecher • Observer Effect, Gallery 400, University of Illinois at Chicago, Chicago, IL • Diagram, Drive by Projects, Watertown, MA
2012
• Drawing Invitational, Arkansas Center for the Arts, Little Rock, Arkansas, curated by Charlotta Kotic • CLAIM, Neue Berliner Raume, Berlin, Germany • Paper Band, Jason McCoy Gallery, New York, NY • Summer in the City, Martin Asbaek Projects, Copenhagen, Denmark • Paper:Work, Ground Arts, New York, NY
2011
Page 2 • So Different, So Appealing, Gramercy Park, NYC; curated by Rachel Churner • The Death Affect, Artblog Artblog, NYC • The Way Things Work, Athens Institute of Contemporary Art, Athens, GA • Spiral Bound, Notebooks from New York to San Diego, UC San Diego, CA
2010
• The Lab, Dublin, Ireland; 3-person exhibition • Drawing Systems, Lafayette College, Easton, PA • Summer in the City, Martin Asbaek Projects, Copenhagen, Denmark • Summer Group Show, Pierogi, Brooklyn, NY • Esopus Exhibition Space, New York, NY • Works on Paper, Big and Small Casual Gallery, Long Island City, NY
2009
• Reaganography, No Globe Gallery, Brooklyn, NY • Cream No Sugar, Pierogi, Brooklyn, NY • Selections from 185 Nassau, Paul Robeson Center for the Arts, Princeton, NJ
2008
• Art on Paper, Weatherspoon Art Museum, Greensboro, NC • Rich Text, Fleisher Ollman Gallery, Philadelphia, PA • Elusive Truths, Firehouse Art Gallery: Burlington City Arts, Burlington, VT (4-person show) • Pierogi et al, Daniel Weinberg Gallery, Los Angeles • Art on Paper, Weatherspoon Art Museum, Greensboro, NC • The Object Direct, Missisippi State University • Apocalyptic Summer", Pierogi, Brooklyn, NY • Psychadelic: Optical and Visionary Art since the 1960s, San Antonio Museum of Art, • San Antonio, TX and Stadtische Galerie Wolfsburg, Wolfsburg, Germany
2007
• Analogous Logic, Brooklyn Fire Proof, Brooklyn, NY • Flatfiling, Artnews Projects, Berlin, Germany
2006
• (Un)Natural Selection, Pierogi Gallery, Brooklyn, NY • Mixed Signals, Ronald Feldman Gallery, New York, NY • Factitious, Pierogi, Brooklyn, NY and Leipzig, Germany • Miami Basel – part of Pierogi/Feldman exhibition space • Collection 2006, curated by Bob Nickas, Rodolphe Janssen Gallery, Brussels, Belgium
2005
• Greater New York, PS1 and Museum of Modern Art, Queens, NY • Looking at Words, Andrea Rosen Gallery, New York, NY • Superfat, Brooklyn Fire Proof, Brooklyn, NY • Armory Show, New York, NY • Seriality, Axel Raben Gallery, New York, NY • Safn Museum, Reykjavik, Iceland • Queens International, Queens Museum, Flushing, NY • Reconfigure, Pierogi, Brooklyn, NY
2004
• Art Basel Miami, Miami FL • Armory Show (Pierogi), New York, NY
Page 3 • Vacation Nation, Pierogi, Brooklyn, NY • Andy Warhol Museum, Pittsburg, PA • Parallel Inclines, University of Central Florida, Orlando, FL (2-person show) • Thought Patterns, Kent Place Gallery, Summit, NJ • Fear of an Abstract Planet, King Fisher Projects, Queens, NY
2003
• Art Basel Miami (Pierogi), Miami, FL • On the Wall, OH+T Gallery, Boston, MA • Brooklyn Showcase, Maine College of Art, Portland, ME • High and Inside, Marlborough Gallery, New York, NY • In Heat, Pierogi, Brooklyn, NY • Random Order, White Columns, New York, NY • The Altoids Curiously Strong Collection, Traveling Exhibition: • New Museum of Contemporary Art, New York, NY; Consolidated Works, Seattle, WA; Soo Visual Arts, Minneapolis, MN; • Art Center of South Florida, Miami Beach, FL; Atlanta College of Art, Atlanta, GA • Armory Show (Pierogi), New York, NY • Detonation, Anthology Film Archives, New York, NY
2002
• D'Artiste's American's, La Miroterie, Paris • Artforum Berlin (Pierogi), Berlin, Germany • Slide Slam, Art in General, New York, NY • Boiled or Fried, Pierogi, Brooklyn, NY • Armory Show (Pierogi), New York, NY • New Drawing 2002, The College of New Jersey, Ewing, NJ • Process on Paper, OH+T Gallery, Boston, MA
2001
• Artforum Berlin (Pierogi), Berlin, Germany • Artist of the Week, Pierogi, Brooklyn, NY • Mapping Cultures, Edinboro University, Edinboro, PA • Systematic, Nicholas Davies Gallery, New York, NY • Brooklyn-New Work, Cathedral Church of Saint John the Divine, New York, NY • Systems: Past, Present and Future, Teacheras Insurance Corporation, New York, NY
2000
• Snapshot, Museum of Contemporary Art, Baltimore, MD • Viridian Gallery, Curated by Charlotta Kotic, Brooklyn Museum, New York, NY • Showcase 2000, Hammerstein Ballroom, New York, NY • DFN Gallery, New York, NY • Art and Math, Mariboe Gallery, Hightsown, NJ
1999
• Pleiades Gallery of Contemporary Art, Curated by Donald Kuspit, New York, NY • Citicorp Exhibition, Citicorp Plaza, New York, NY • Annual Juried Exhibition, Pratt Manhattan Gallery, New York, NY • Two works selected by Stefan Stux, Stefan Stux Gallery, New York, NY
1998
• Contemporary Abstraction, East Gallery, Pratt Institute, Brooklyn, NY • 61st Annual National Juried Exhibition, Cooperstown Art Association, Cooperstown, NY
Page 4 Select Awards & Residencies
2019
• Sherman Fairchild Arts and Technology Grant, Sarah Lawrence College, NY
2017
• The MacDowell Art Colony Residency, Peterborough, NH
2015
• New York Foundation for the Arts Grant in Drawing
2014
• Elizabeth Foundation Studio Residency
2012
• Marie Walsh Sharpe Space Foundation Residency Award
2008
• New York Foundation for the Arts Grant in Painting
2007
• Pollock-Krasner Foundation Artist Grant • Resident Artist, Farpath Foundation, Dijon, France
2004
• Artist in Residence, Flying Horse Press, University of Central Florida, Orlando, FL
2002
• Artist in Residence, Brigham Young University, Provo, Utah
2000
• Full Fellowship, Skowhegan School of Painting and Sculpture, Skowhegan, ME • Kress Foundation Fellowship, Brooklyn Museum of Art • Drawing, Prints and Photographs Department, Brooklyn, NY • Excellence in Art History, Pratt Institute, Brooklyn, NY
1997
• Fellowship, Vermont Studio Center, Johnson, VT
1996
• Award of Excellence, Cover Art Competition, Manhattan Arts International, New York, NY
Bibliography
2018
• Interview on Gorky's Grandaughter
2017
The New York Times, Review of "Verbolect", Martha Schwendener
Artnet News, Review of "Double Down", Sarah Cascone
Page 5 ArtCritical, Review of "Double Dawn"
2016
Artforum, Print Review of "Thin Dark Crash", Jeff Gibson
James Kalm Report, Video Review of "Thin Dark Crash"
2015
Huffington Post, “13 Artists to Love”, Review of work from Armory Show
Ephemera NYC, Interview with Brian Chidester
Smithsonian Archives of American Art, “Artists on Diaries”
Ephemera NYC, Review of “Human Ecology 101”, Brian Chidester
2014
Art in America, Review of "The Machine and the Ghost", Charles Schulz
ARTPULSE Magazine, Review of "The Machine and the Ghost", Stephanie Buhmann
NY Arts Magazine, Essay by Ken Weathersby titled "The Phantom: John O'Connor's Machine and the Ghost"
2013
The Brooklyn Rail, Review of "The Machine and the Ghost", Brian Chidester
The Villager, Review of "The Machine and the Ghost", Stephanie Buhmann
Huffington Post Interview with Ridley Howard
Arts in Bushwick, Essay and Review of "The Ghost and the Machine", Etty Yaniv
Catalogue (97 pages, hardcover) published, essays by Robert Storr, John Yau, Rick Moody, Susan Swenson
Drawing Center Interview, Kate Smith
Wagmag, Review of "Unhinged", Enrico Gomez
Bushwick Daily, Review of Suite 217 Exhibition, Etty Yaniv
James Kalm Video review of Suite 217 Exhibition
The Boston Globe, Review of “Diagram”, Cate McQuaid
Time Out Chicago, Review of “Observer Effect”
Artslant, Review of “Observer Effect”, Alicia Chester
2012
Information Graphics, Taschen, Sandra Rendgen, author - image reproduced
Art Connect Berlin, Review of “CLAIM”, Mattias Planitzer
Artfridge, Review of “CLAIM”
2011
Bomb Magazine, Essay (Artist on Artist) by Bruce Pearson - images reproduced
James Kalm, Video Studio Visit: Marie Walsh Sharpe Studio Page 6 Brooklyn Rail, Review of “What is Toronto?????”, Charles Shultz
WNYC, Review and recommendation, “What is Toronto?????”
Brooklyn Based, Review of “What is Toronto?????”, Stephanie Buhmann
hyperallergic.com, Review and recommendation, “What is Toronto?????”
2010
Artforum, review of “Hands Tide”, Zachery Cahill
Artforum, review of “COD(e)R”, Nell McClister
Review of “COD(e)R”, Huffington Post
Philadelphia Inquirer, review of “COD(e)R”
Philadelphia City Paper, review of “COD(e)R”
Work reproduced in Psychadelic: Optical and Visionary Art since the 1960’s
2009
Skowhegan Talks, New Museum, NYC; discussion with Fred Tomaselli
Work reproduced in The Judith Rothschild Collection Catalogue Raisonne, MOMA
Town Topics, Review of "Selections", Ellen Gilbert
2008
Southern Review - works reproduced with writings
Art Papers, Review of "Art on Paper", Max Halperin
Greensboro News & Record, Review of "Art on Paper", Robert C. Lopez
Winston-Salem Journal, Review of "Art on Paper", Tom Patterson
Village Voice, Review (Best in Show) of "Flannel Tongue"
Brooklyn Rail, Interview with Eve Aschheim
Seven Days Newspaper, Review of "Elusive Truths"
The Burlington Free Press, Review of "Elusive Truths"
Artscope Magazine, Review of "Elusive Truths"
2006
Village Voice, Review of "One Hundred Days in a Year"
New Yorker, Review of and Reproduction from "One Hundred Days in a Year"
Gay City News, Review of "One Hundred Days in a Year", Gregory Montreuil
Brooklyn Eagle, Review of "Superfat", Nicole Oncina
2004
• The New York Times, Review of "Queens International", Holland Cotter (image reproduced)
2003
Page 7 New York Times, Review of "Random Order", Ken Johnson
The New York Sun, Review of "High and Inside", David Cohen
Art Papers, Review of "Schemes Out", Gregory Montreuil
Brooklyn Rail, Review of "Schemes Out", John Hawke
2002
The New Yorker, Review of "Schemes Out"
Village Voice, online review of "Schemes Out"
Artforum, Criticas Picks, Review of "Boiled or Fried", Frances Richard
Time Out New York, Review of "Boiled or Fried", Sarah Schmerler
New York Times, Review of "Snapshot", Sarah Boxer
Boston Pheonix, Review of "Process on Paper", Christopher Millis
retrorocket.com, Review of "Process on Paper", Paul Parcellin
2001
New York Times, Review of "Systematic", Ken Johnson
New American Painting, Northeast Edition
2000
Washington Post, November 17, Michael O'Sullivan
U.S.1, Review of "Art and Math", Nicole Plett
Manhattan Arts International, Renee Philips
1999
• TCHADA, Pratt Institute, July
Current Employment
Sarah Lawrence College
Pratt Institute
Princeton University
Education
2000
• Skowhegan School of Painting and Sculpture Skowhegan, ME • Master of Fine Arts Pratt Institute, Brooklyn, NY • Master of Theory, Criticism, and History of Art Pratt Institute
1995
• Bachelor of Arts, Westfield State College, Westfield, MA
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