The Following Publications Were Separated from the Carolee Thea Papers and Individually Cataloged Into the CCS Bard Library Collection
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YING LI American, Born Beijing, China
YING LI American, Born Beijing, China EDUCATION 1987 MFA, Parsons School of Design, New York, NY 1977 BFA, Anhui Teachers University, Wuhu, Anhui, China ONE PERSON EXHIBITIONS 2020 “Ying Li, Blossoms in a Sudden Strangeness”, Cantor Fitzgerald Gallery, Haverford College, Haverford, PA “Ying Li, Alterity”, Pamela Salisbury Gallery, Hudson, NY 2019 “Ying Li, Beyond Trees”, VCAM, Haverford College, Haverford, PA “Efflorescent Gardens” Artist Space, Orient, NY “Ying Li, Peregrination”, Gross McCleaf Gallery, Philadelphia, PA 2018 “Ying Li, Elements,”, Alexander Hogue Gallery of Art, The University of Tulsa, OK 2017 “Ying Li, Expanded Geographies”, Sellars Gallery, Brenau University, Gainesville, Georgia, “Sojourn,Ying Li”, Gross McCleaf Gallery, Philadelphia, PA 2016 “Ying Li, Geographies”, Cantor Fitzgerald Gallery, Haverford College, Haverford, PA; Wilkes University, Wilkes-Barre, PA (catalog) “Variations on Water”, Heliker-LaHotan Foundation, Cranberry Island, Maine 2015 “Ascona Revisited” Centro Incontri Umani Ascona, Switzerland “Ying Li, Paintings”, John Davis Gallery, Hudson, NY “Ying Li, Wonderlust”, Gross McCleaf Gallery, Philadelphia, PA “Ying Li, Landscape Paintings”, Green Field Gallery, Armory Art Center, West Palm Beach, FL 2014 “Foreign Terrain, Paintings and works on Paper”, (catalog) College of Staten Island, City University of New York, NYC, NY “From Michael’s Window”, (catalog) The Painting Center, NYC, NY 2013 “Ying Li recent Paintings”, New York Studio School of Drawing, Painting and Sculpture, NYC, 2012 “Ying Li: Artist-in-Residence -
FOR IMMEDIATE RELEASE Eve Aschheim: Drawings And
FOR IMMEDIATE RELEASE Eve Aschheim: Drawings and Photograms September 8 – October 15, 2016 Lori Bookstein Fine Art is pleased to announce an exhibition of Eve Aschheim’s drawings and photograms – two distinct but related groups of work. This is the artist's fourth solo show with the gallery. With the simplest of tools and a limited palette, Aschheim evokes a domain under pressure in her drawings. In this latest body of work, Aschheim adds tonal washes of ink to her repertoire of graphite, ink and black and white gesso lines and brush strokes. Together, they form tenuous configurations on the verge of dispersal. Indicative of the artist’s interest in states of transition, Aschheim’s work is animated by a sense of motion, lyricism, transference and transformation – something becomes something else. Pictorial structures seem to be disassembling, assembling and re-forming. The result is a dynamic reality that offers the viewer different possibilities of seeing one image and then another without being able to settle on a final picture. In the photograms, exhibited for the first time with the gallery, Aschheim has found a powerful way to capture light and dark, line and space. Initially, working with the photographer Emmet Gowin, Aschheim made photograms directly from her translucent drawings, a kind of X-ray. In the recent photograms, Aschheim adds other processes in which she layers drawn elements and objects, makes multiple exposures, as well as draws with an altered flashlight. Whereas the first process leads to a negative reversal image of her original Mylar drawing, the recent photograms, which are composed in the darkroom, are unique and have no intact source. -
Irving Sandler
FROM THE ARCHIVES: HANS HOFMANN: THE PEDAGOGICAL MASTER By Irving Sandler May 30, 1973 Irving Sandler died on June 2, 2018 at the age of 92. A frequent contributor to A.i.A., Sandler was best known for chronicling the rise and the aftermath of Abstract Expressionism. One of his most significant articles for A.i.A., the impact of Hans Hofmann, who taught such artists as Helen Frankenthaler and Allan Kaprow, thereby influencing not only second- and third-generation Ab Ex painters but other developments in American art after 1945. Sandler highlights Hofmann’s interest in the deep traditions of European art, and his belief that the best abstract painting continues its manner of modeling the world. “It was in this cubic quality, this illusion of mass and space, that the man-centered humanist tradition—or what could be saved of it—was perpetuated,” Sandler wrote, summarizing a central tenet of Hofmann’s teachings. The full essay, from our May/June 1973 issue, is presented below. In June we re-published Sandler’s essay “The New Cool-Art,” on the rise of Minimalism. —Eds. As both a painter and a teacher Hans Hofmann played a germinal part in the development of advanced American art for more than thirty years. This article will deal only with his pedagogical role—a topic chosen with some trepidation, for to treat an artist as a teacher is often thought to demean his stature as an artist. The repute of Hofmann’s painting has suffered in the past because of this bias, but no longer, since he is now firmly and deservedly established as a pathfinding master of Abstract Expressionism. -
Hagar: the Association for the Advancement of Cultural Pluralism
Dr. Tal Ben Zvi CURRICULUM VITAE AND LIST OF PUBLICATIONS 1. Personal Details Dr. Tal Ben Zvi MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem 972-54-7696810 [email protected] 2. Education 2010-2011 Post-doc, Truman Institute for the Advancement of Peace The Hebrew University of Jerusalem 2010 PhD Doctoral thesis at Tel Aviv University on "Representations of the Nakba in the Palestinian art of the 1970s and 1980s, as reflected in the work of artists who belong to the Palestinian minority in Israel" [Supervisors: Profs. Hanna Taragan and Moshe Zuckermann] 1999-2004 MA Summa Cum Lauda, The Yolanda and David Katz Faculty of the Arts - Graduate School, Tel Aviv university. her thesis was titled: “Between Nation and Gender: The Representation of the Female Body in Palestinian Art". 1995-1997 The new seminar for visual culture: Criticism and Curatorship program, Camera Obscura College, Tel Aviv. 1989-1992 B.A. fine arts and art history, Art department , Haifa university. 3. Employment History (a) Positions in academic 2015 Lecturer, MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem Senior lecturer (Tenured position) [Hebrew: "Martze Bakhir"] 2012-2015 Vice President for Academic Affaires Bezalel Academy of Arts and Design, Jerusalem 2009-2010 Head of the School of Arts, Kibbutzim College of Education Kibbutzim College of Education is the largest teaching college in Israel. The School of Arts includes the fields of theatre, dance, media and cinema, design and art. The school is attended by 600 B.Ed and diploma students. -
Rose Art Museum's Sam Hunter Emerging Artists Fund Committee
FOR IMMEDIATE RELEASE Contact: Nina J. Berger, [email protected] 617.543.1595 High-resolution images available on request ROSE ART MUSEUM’S SAM HUNTER EMERGING ARTISTS FUND COMMITTEE SELECTS TWO WORKS BY B. INGRID OLSON TO ENTER THE COLLECTION (Waltham, MA) –The Rose Art Museum has announced that work by B. Ingrid Olson has been selected for acquisition by the Sam Hunter Emerging Artists Acquisition Fund Committee. Inspired by the legacy of the Rose’s founding director, Sam Hunter, the fund is generated annually and administered by a committee that aims to collect the work of promising artists on the cusp of recognition. Two works by Chicago-based Olson–Arched fold, bent of another movement, 2017 and Firing distance, scission, 2017–have been acquired for the Rose Art Museum’s collection. Straddling sculpture and photography, Olson’s work plays fascinating games with perception and vision. Olson was recently featured in a two-person exhibition at The Renaissance Society in Chicago, and her first solo museum show will open at the Albright-Knox Art Gallery in March 2018. Her work will also be included in Being: New Photography 2018, at the Museum of Modern Art, New York (March 2018) and in a group show at the MCA Chicago, Picture Fiction: Kenneth Josephson and Contemporary Photography (April 28– December 30, 2018). “Ingrid is an extraordinary photographer, pushing the bounds of the medium while engaging with pressing issues of gender identity and representation,” say Leslie Aronzon, a member of this year’s committee. “Her work fits in well with the Rose collection, and we are so excited to add her impressive and fresh works to our permanent collection.” Joining Aronzon on this year’s committee are Kim Allen-Niesen, Steven Bunson, Tory Fair, Betsy Pfau, and Lisa Wyett. -
The End of History Commentary & Interchange Hamburg 2011
The End of History Commentary & Interchange Hamburg 2011 Ein Ausstellungsprojekt mit Künstlern aus Hamburg und Tel Aviv Im Gängeviertel, Galerie Speckstrasse & Kutscherhaus Speckstraße 83-85 und Valentinskamp 28 a+b, 20355 Hamburg 9. Juni – 2. Juli 2011 Kurator: Avi Lubin In Zusammenarbeit mit schir – art concepts www.schir.net Website: http://www.schir.net/1212/the-end-of-history.html www.das-gaengeviertel.info Kontakt: Dagmar Rauwald, Tel.: 040 8813345 E-Mail: [email protected] Vernissage 9. Juni 2011 ab 19 Uhr Führungen mit anschließender Diskussion: Sa 11. Juni 16 Uhr, Sa 18. Juni 16 Uhr, Sa 25. Juni 16 Uhr Finissage 1. Juli 2011 ab 19 Uhr Öffnungszeiten z.B. Do -So 15 - 19 Uhr und nach Vereinbarung 01704082165 oder 040 8813345 Mit dem Projekt „The End of History“ schließt der Tel Aviver Kurator Avi Lubin an die sehr erfolgreiche Ausstellung „Grandfather Paradox“ aus dem letzten Jahr an: zu den damaligen vier israelischen Künstlern hat er nun weitere Künstler aus Hamburg eingeladen, sich mit dem Themenkomplex Zeit, Zeitwahrnehmung und Geschichtsschreibung zu befassen. Das Projekt zeichnet sich durch ambitionierte künstlerische Positionen und deren Potential, aktuelle Diskurse mit zu gestalten, aus. Es ist als großes, kollaboratives Experimentierfeld zu anspruchsvollen, zeitgenössischen Überlegungen, die unseren Umgang mir Realität, Geschichtsschreibung und das Fassen von Wirklichkeit in Begriffsgebäuden behandeln, konzipiert. Die Idee, 1989 von Fukuyama vorgebracht, mit dem Ende der Sowjetunion und der nun umfassenden Verbreitung -
201-371-3212 • September 17, 2015 • 4 Tishrei, 5776 77
201-371-3212 • WWW.JEWISHLINKNJ.COM September 17, 2015 • 4 Tishrei, 5776 77 78 September 17, 2015 • 4 Tishrei, 5776 201-371-3212 • WWW.JEWISHLINKNJ.COM Linking Bergen, Essex & Union Counties Issue #99 Happy Birthday Sept 20th 201-833-0200 SHOSHANA 172 West Englewood Ave. POLONER! Teaneck, NJ 07666 See coupon on Page 56 Order on-Line at www.chopstixusa.com JEWISH LINK Sept 18 - 5 Tishrei 5776 Parashat Vayeilech December 18, 2014 - September 17, 2015 | 4 Tishrei, 5776 CANDLE Light Candles: 6:42 PM OF NEW JERSEYIssue #61 LIGHTING 26 Kislev, 5775 Shabbat Ends: 7:50 PM Richard Joel: Time to Identify a Successor By Phil Jacobs “I just celebrated we now are poised to ad- Joel, in an interview with the my 65th birthday,” Joel vance, I have asked chair- Jewish Link, said “I’m in the 12th- He saved perhaps the most im- wrote. “I am well into man Moshael Straus to and-a-half year of a 15-year agree- Check out portant piece of information for my 13th year of the pres- begin the process of tran- ment. I don’t know why it’s a big last. idency and the 28th year sition and to identify deal. I wanted the board to start our Produce Richard Joel, in an email to Ye- of leading Jewish educa- and recruit my successor. thinking transition and succes- shiva University staff, students and tional institutions. When This wonderful and com- sion. I knew how long it took for & Prices! alumni, announced near the letter’s I accepted a third term as mitted lay leadership de- them to get me.” end that he would not seek a future president, I informed our serves to have the time to SEE AD ON BACK COVER contract when his current agree- chair, Henry Kressel, that YU President be deliberate in that pro- Â CONTINUED ON P. -
Jaume Plensa Jaume Plensa Biography
Yorkshire Sculpture Park RESOURCE FILE Jaume Plensa Jaume Plensa biography Jaume Plensa is a leading international sculptor, born in Barcelona in 1955. Since 1980, the year when he made himself known with his first exhibition in Barcelona, Plensa has worked across the world and currently resides between Barcelona and Paris. He has taught at the École Nationale des Beaux-Arts in Paris and in The School of the Art Institute of Chicago during 2009-2010. Since 1992 Plensa has obtained various distinctions and awards, both national and international, notably his investiture as a Chevalier des Arts et des Lettres by the French Ministry of Culture (1993), the National Award for Plastic Arts – National Culture Awards of the Government of Catalonia 1997, Barcelona, and an Honorary Doctorate from the School of the Art Institute of Chicago, USA, 2005. His work has been exhibited in many of the world's leading contemporary art institutions in Europe, the United States and Japan including Fundació Joan Miró, Barcelona, Spain; the Jeu de Paume, Paris, France; Henry Moore Sculpture Trust, Halifax, UK; BALTIC The Centre for Contemporary Art, Gateshead, UK; the Centro de Arte Reina Sofía, Madrid, Spain; IVAM Institut Valencià d’Art Modern, Valencia, Spain; The Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan, USA and The Nasher Sculpture Center, Dallas, USA. Plensa’s career has progressed throughout various stages, involving innovative use of many different materials. In the early 1980s the central material of his work was wrought iron, making anthropomorphic shapes, often with recovered materials iron, bronze, and copper. In 1986 Plensa began a series of sculptures in cast iron, which he melted using the oldest technique of casting metals. -
David Smith Sculpture on View
FOR RELEASE Wednesday, Sept. 11, 1957 Press preview: THE MUSEUM OF MODERN ART Tuesday, Sept. 10, 1957 11 WEST 53 STREET, NEW YORK 19, N. Y. 11 a.m. - h p.m. TELEPHONE: CIRCLE 5-8900 No. 8^ SCULPTURE BY DAVID SMITH ON VIEW AT MUSEUM Ihe first one-nan exhibition of the sculpture of David Smith will be on view at the Museum of Modern Art, 11 West 53 Street, from September 11 through October 20. Or ganized and installed by Sam Hunter, Associate Curator of the Department of Painting and Sculpture, it includes J>k sculptures and a limited number of paintings and draw ings. Nine sculptures in the show have never before been exhibited: Chicago II and The Five Spring of 1956; and Sentinel III, Sentinel IV, 0 Drawing, Pilgrim, Portrait of a Lady Painter, Detroit Queen and Personage of May, all from 1957• Covering the period from 1936 to the present, but concentrating on the last decade of the artist's activity, the exhibition is part of a series devoted to middle-generation artists in America and Europe, entitled "Artists in Mid-Career." Now 51, David Smith has been one of the important innovators in contemr porary American sculpture, and a pioneer in welded iron and steel constructions. His first iron sculpture was made in 1933. Mr. Hunter says in the catalog* accompanying the exhibition that in his use of metals, "Smith is distinguished from his American contemporaries...by an adherence to strict forms, by his almost exclusive use of the more obdurate materials, iron and steel, and by a basically constructivist esthetic, which is re lieved -
Widening Circles | Photographs by Reginald Eldridge, Jr
JOAN MITCHELL FOUNDATION MITCHELL JOAN WIDENING CIRCLES CIRCLES WIDENING | PHOTOGRAPHS REGINALD BY ELDRIDGE, JR. Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Sonya Kelliher-Combs Shervone Neckles Widening Circles Portraits from the Joan Mitchell Foundation Artist Community at 25 Years PHOTOGRAPHS BY REGINALD ELDRIDGE, JR. Widening Circles: Portraits from the Joan Mitchell Foundation Artist Community at 25 Years © 2018 Joan Mitchell Foundation Cover image: Joan Mitchell, Faded Air II, 1985 Oil on canvas, 102 x 102 in. (259.08 x 259.08 cm) Private collection, © Estate of Joan Mitchell Published on the occasion of the exhibition of the same name at the Joan Mitchell Foundation in New York, December 6, 2018–May 31, 2019 Catalog designed by Melissa Dean, edited by Jenny Gill, with production support by Janice Teran All photos © 2018 Reginald Eldridge, Jr., excluding pages 5 and 7 All artwork pictured is © of the artist Andrea Chung I live my life in widening circles that reach out across the world. I may not complete this last one but I give myself to it. – RAINER MARIA RILKE Throughout her life, poetry was an important source of inspiration and solace to Joan Mitchell. Her mother was a poet, as were many close friends. We know from well-worn books in Mitchell’s library that Rilke was a favorite. Looking at the artist portraits and stories that follow in this book, we at the Foundation also turned to Rilke, a poet known for his letters of advice to a young artist. -
Es Un Proyecto De
Es un proyecto de Una publicación del ICAS – Instituto de la Cultura y las Artes de Sevilla ISBN: 978-84-9102-020-2 DEPÓSITO LEGAL: SE 1454-2015 2 PRESENTACIÓN JUAN ESPADAS ALCALDE DE SEVILLA Pensar en cine europeo es pensar en Sevilla. Son ya doce los años que lleva celebrándose nuestro Festival de Cine Europeo, y cada edición confirma y amplía To think of European cinema is to think of Seville. We las expectativas y el éxito del anterior, consolidando have been celebrating our European Film Festival una oferta cultural que cada año reúne a decenas de for twelve years now, and each edition confirms miles de espectadores en las salas de cine de nuestra and increases the expectations and the success of ciudad. the previous one, consolidating a cultural offer that La cultura es la mejor forma de la que disponemos each year draws thousands of spectators to our city’s para proyectarnos al mundo y para reflexionar cinemas. sobre nosotros mismos, es eje y motor de nuestro Culture is the best way we have to show ourselves crecimiento. Gracias a ella nos observamos en los to the world and to think about ourselves, it is the demás. Nuestra ciudad debe ser una ciudad abierta a axes and the engine of our growth. Thanks to it we nuevas gentes y nuevas tendencias, una ciudad que can observe ourselves in others. Our city must be aproveche todo el dinamismo y la vida de una cultura a city that is open to new people and new trends, a activa y siempre cambiante. -
The Theories of Hans Hofmann and Their Influence on His
THE THEORIES OF HANS HOFMANN AND THEIR INFLUENCE ON HIS WEST-COAST CANADIAN STUDENTS by ROGER LEE B.A., University of British Columbia, 1964 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Fine Arts We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1966 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of ^IXSL r\ V \<, The University of British Columbia Vancouver 8, Canada Date f\^il *3 j -13 66 TABLE OF CONTENTS CHAPTER PAGE I. HANS HOFMANN, A SHORT BIOGRAPHICAL STUDY . 1 II. THE THEORIES OF HANS HOFMANN 8 III. THE WEST-COAST CANADIAN STUDENTS OF THE HANS HOFMANN SCHOOL OF ART 91 ILLUSTRATIONS 127 BIBLIOGRAPHY 131 ABSTRACT The topic of my thesis is an analysis of Hans Hofmann's theoretical writings on art and their possible influence on his West-Coast Canadian students. I have included a short biography of Hofmann in order that the reader may become aware of the events that led up t o his theoretical development. Through all available published material on and by Hans Hofmann, I have endeavoured to analyze and to explain his theories which are often quoted but seldom understood.