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The Epic Imagination in Contemporary Indian Literature
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber. -
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Understanding Draupadi As a Paragon of Gender and Resistance
start page: 477 Stellenbosch eological Journal 2017, Vol 3, No 2, 477–492 DOI: http://dx.doi.org/10.17570/stj.2017.v3n2.a22 Online ISSN 2413-9467 | Print ISSN 2413-9459 2017 © Pieter de Waal Neethling Trust Understanding Draupadi as a paragon of gender and resistance Motswapong, Pulane Elizabeth University of Botswana [email protected] Abstract In this article Draupadi will be presented not only as an unsung heroine in the Hindu epic Mahabharata but also as a paragon of gender and resistance in the wake of the injustices meted out on her. It is her ability to overcome adversity in a venerable manner that sets her apart from other women. As a result Draupadi becomes the most complex and controversial female character in the Hindu literature. On the one hand she could be womanly, compassionate and generous and on the other, she could wreak havoc on those who wronged her. She was never ready to compromise on either her rights as a daughter-in-law or even on the rights of the Pandavas, and remained ever ready to fight back or avenge with high handedness any injustices meted out to her. She can be termed a pioneer of feminism. The subversion theory will be employed to further the argument of the article. This article, will further illustrate how Draupadi in the midst of suffering managed to overcome the predicaments she faced and continue to strive where most women would have given up. Key words Draupadi; marriage; gender and resistance; Mahabharata and women 1. Introduction The heroine Draupadi had many names: she was called Draupadi from her father’s family; Krishnaa the dusky princess, Yajnaseni-born of sacrificial fire, Parshati from her grandfather side, panchali from her country; Sairindhiri, the maid servant of the queen Vitara, Panchami (having five husbands)and Nitayauvani,(the every young) (Kahlon 2011:533). -
Términos Y Condiciones Legales Izzi Residencial
Términos y Condiciones legales izzi residencial Reglas y políticas comerciales: Anticipo: • La contratacin de los servicios izzi requieren la entrega de un Anticipo para que se pueda realizar la instalacin del servicio contratado; dicho Anticipo, será igual al monto de una mensualidad de los productos o servicios contratados y podrá ser cubierto a eleccin del Suscriptor, mediante cargo a tarjeta de crédito o débito, depsito bancario en efectivo o por cualquier otro medio disponible en izzi (“Anticipo”). • En caso de que el Suscriptor, cancele su solicitud y requiera la devolucin del Anticipo antes de la instalacin del servicio, o en su caso, no se pueda concretar dicha instalacin por falta de factibilidad técnica, deberá solicitarlo en una sucursal izzi de la localidad donde solicit el servicio en aquellos casos en que el Anticipo lo haya realizado mediante depsito, presentando su comprobante de pago e identificacin para recibir la devolucin; y en aquellos casos que el cargo se hubiese realizado con cargo a tarjeta de crédito o débito, deberá llamar al Centro de Atencin al Cliente para que la devolucin se abone a la tarjeta mediante la cual se realiz el pago del Anticipo. • Montos y tarifas aplicables de acuerdo con lo registrado ante IFT. Plazo forzoso o Cargo por exencin de plazo: • La contratacin de los servicios izzi está sujeta a un plazo forzoso de 12 (doce) meses contados a partir de la fecha de instalacin del servicio. No obstante lo anterior, el Suscriptor podrá elegir un esquema de contratacin sin plazo forzoso, siempre y cuando el Suscriptor cubra el “Cargo por exención de plazo” correspondiente al servicio izzi contratado. -
Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita
Pepperdine Dispute Resolution Law Journal Volume 7 Issue 2 Article 7 2-1-2007 ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand Follow this and additional works at: https://digitalcommons.pepperdine.edu/drlj Part of the Dispute Resolution and Arbitration Commons, Law and Society Commons, Legal Ethics and Professional Responsibility Commons, Other Law Commons, and the Religion Law Commons Recommended Citation Aalok Sikand, ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita , 7 Pepp. Disp. Resol. L.J. Iss. 2 (2007) Available at: https://digitalcommons.pepperdine.edu/drlj/vol7/iss2/7 This Article is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Pepperdine Dispute Resolution Law Journal by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Sikand: ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution fro [Vol. 7: 2, 2007] PEPPERDINE DISPUTE RESOLUTION LAW JOURNAL ADR Dharma: Seeking a Hindu Perspective on Dispute Resolution from the Holy Scriptures of the Mahabharata and the Bhagavad Gita Aalok Sikand INTRODUCTION On the plains of Hastinapura, India, the great warrior, Arjuna, stands in his chariot awaiting battle. He is blessed to have Lord Krishna, the incarna- tion of God, to be his charioteer. Arjuna asks Krishna to drive him to the center of the battlefield. -
The Mahabharata
VivekaVani - Voice of Vivekananda THE MAHABHARATA (Delivered by Swami Vivekananda at the Shakespeare Club, Pasadena, California, February 1, 1900) The other epic about which I am going to speak to you this evening, is called the Mahâbhârata. It contains the story of a race descended from King Bharata, who was the son of Dushyanta and Shakuntalâ. Mahâ means great, and Bhârata means the descendants of Bharata, from whom India has derived its name, Bhârata. Mahabharata means Great India, or the story of the great descendants of Bharata. The scene of this epic is the ancient kingdom of the Kurus, and the story is based on the great war which took place between the Kurus and the Panchâlas. So the region of the quarrel is not very big. This epic is the most popular one in India; and it exercises the same authority in India as Homer's poems did over the Greeks. As ages went on, more and more matter was added to it, until it has become a huge book of about a hundred thousand couplets. All sorts of tales, legends and myths, philosophical treatises, scraps of history, and various discussions have been added to it from time to time, until it is a vast, gigantic mass of literature; and through it all runs the old, original story. The central story of the Mahabharata is of a war between two families of cousins, one family, called the Kauravas, the other the Pândavas — for the empire of India. The Aryans came into India in small companies. Gradually, these tribes began to extend, until, at last, they became the undisputed rulers of India. -
Bhagavad Gita Free
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Mahabharata, Ramayana, Sita, Draupadi, Gandhari
Education 2014, 4(5): 122-125 DOI: 10.5923/j.edu.20140405.03 Sita (Character from the Indian epic –Ramayana), Draupadi and Gandhari (Characters from another Indian epic – Mahabharata) - A Comparative Study among Three Major Mythological Female Characters - Gandhari: An exception- Uditi Das1,*, Shamsad Begum Chowdhury1, Meejanur Rahman Miju2 1Institute of Education, Research and Training, University of Chittagong, Chittagong, Bangladesh 2Institute of Education, Research and Training (IERT), University of Chittagong, Chittagong, Bangladesh Abstract There are lots of female characters in Mahabharata and Ramayana but few characters enchant people of all ages and all classes. Mass people admit that Sita should be the icon of all women. Draupadi though a graceful character yet not to be imitated. Comparatively, Gandhari’s entrance into the epic is for a short while; though her appearance is very negligible, yet our research work is to show logically that Gandhari among these three characters is greater than the greatest. We think and have wanted to prove that Gandhari with her short appearance in the epic, excels all other female characters- depicted in Mahabharata and Ramayana. Keywords Mahabharata, Ramayana, Sita, Draupadi, Gandhari eighteen chapters. Again these chapters have been divided 1 . Introduction into one hundred sub-chapters. There are one lac (hundred thousand) verses in Mahabharata. Pandu, Kunti, Draupadi Ramayana: Ramayana is an epic composed by Valmiki and her five husbands, Dhritarastra, Gandhari and their one based on the life history of Ram-the king of the then Oudh hundred tyrannic sons – all are some of the famous and and is divided into seven cantos (Kanda). Sita was Ram’s notorious characters from this great epic. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication. -
Selected Films by Michael Tobias Writer, Director, Producer And/Or Executive Producer
Selected Films by Michael Tobias Writer, Director, Producer and/or Executive Producer “YASUNÍ – A MEDITATION ON LIFE,” (Writer, Director, Executive Producer), for the UNDP Yasuní-ITT Initiative. A twenty-minute film for the Rio+20 U.N. Earth Summit, 2012. “STATE OF THE EARTH,” (Director), Three one-hour documentaries in studio hosted by Alexandra Paul and Peter Kreitler, a Dancing Star Foundation and Earth Service Production, 2011. “HOTSPOTS,” A Dancing Star Foundation feature documentary (Writer, Director, Producer, Executive Producer, Co-Director of Photography) – Saving the most endangered species and habitats on Earth, 2008. “NO VACANCY,” A Dancing Star Foundation feature documentary, with Population Communication (Writer, Director, Producer, Executive Producer, Director of Photography) – The human population explosion and its impact on the environment, Hosted by Bob Gillespie, 2006. “MAD COWBOY,” A Dancing Star Foundation feature documentary, with Voice for a Viable Future (Writer, Director, Executive Producer) – The tragedy of industrial agriculture and animal rights, Hosted by Howard Lyman, Based upon Lyman’s book by the same title, Produced by Dr. Patrick Fitzgerald, 2005. “THE HYDROGEN AGE,” A World Watch Special, One-hour documentary, (Co-Writer) - The alternative energy revolution, focusing on hydrogen and fuel cells, Produced and Directed by Geoff Holland and Marc Griffith, Narrated by Leonard Nimoy, 2004. “Y.M.I.,” Dramatic feature film, Temple 4 Films (Co-Executive Producer),- Unflinchingly demystifying teen suicide, it is a study of dark forces lurking in the lives of teenagers today, 2003. “DUBAI 24 HOURS,” Feature documentary, Alarabiya, Dubai Committee and the International Monetary Fund (Writer, Director) – A lyrical day in the life of the Emirate Dubai, 2002. -
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PROVIDER DIRECTORY Cigna-HealthSpring STAR+PLUS CIGNA-HEALTHSPRING STAR+PLUS DIRECTORIO DE PROVEEDORES Summer 2019 Verano 2019 Tarrant Service Area: Tarrant Área de servicio: Denton, Hood, Johnson, Parker, Condados de Denton, Hood, Johnson, Parker, Tarrant, and Wise Counties Tarrant, y Wise Member Services Department: Departamento de Servicios para Miembros: 1-877-653-0327 (TTY 7-1-1) 1-877-653-0327 (TTY 7-1-1) Monday to Friday, 8 a.m. to 5 p.m. Central Time De lunas a viernes, de 8 a.m. a 5 p.m. Hora del centro http://starplus.mycignahealthspring.com http://starplus.mycignahealthspring.com MCDTX_19_74975 NA © 2019 Cigna TASP6C-0619 Table of Contents Section 1 Introduction ii Primary Care Provider Information ii OB/GYN Provider Information ii Family Planning Information iii Behavioral Health Provider and Facilities Information iii Long-Term Services and Support Information iii Pharmacy Information iii Texas Health Steps Provider Information iii Ancillary Provider Information iv How to Find Providers in Your Area iv Section 2 Network Providers iv How to Choose a Primary Care Provider iv How to Choose a Specialty Care Provider iv How to Choose Other Plan Providers iv Description of Provider Specialties v Section 3 List of Providers Primary Care Providers (PCP) 1 Urgent Care and After Hour Providers 32 Specialty Care Providers 37 Hospital Providers 101 Behavioral Health Providers and Facilities 103 Long-Term Services and Supports Providers 116 Pharmacy Providers 125 Dental Providers 126 Vision Providers 127 Nursing Facility Providers 128 Ancillary Service Providers 129 Section 4 Provider Index 143 SECTION 1 INTRODUCTION WELCOME TO CIGNA-HEALTHSPRING! You will get most of your medical services through Cigna-HealthSpring. -
Vodavi Starplus DHS-DHSE User Guide
Feature Package 3 DHSTM/DHS-ETM The Answer To Your Company’s Growing Communication Needs User Guide Feature Package 3 STARPLUS®DHS/DHS-E™ User Guide Issue #1 - March 2000 P/N: 7052-03 I Release Date Changes 1 12-95 Initial release of product. 27-97 Includes Feature Package 2 <FP2> enhancements. 33-00 Includes Feature Package 3 <FP3> enhancements. Content contains extensive revisions. LIFE SUPPORT APPLICATIONS POLICY VODAVI Technology, Inc. products are not authorized for and should not be used within Life Support applications. Life Support systems are equipment intended to support or sustain life and whose failure to perform when properly used in accordance with instructions provided can be reasonably expected to result in significant personal injury or death. VODAVI Technology, Inc. warranty is limited to replacement of defective components and does not cover injury to persons or property or other consequential damages. Copyright © 2000 VODAVI Technology, Inc. All Rights Reserved This material is copyrighted by VODAVI Technology, Inc. Any unauthorized reproductions, use or disclosure of this material, or any part thereof, is strictly prohibited and is a violation of the Copyright Laws of the United States (17 U.S.C. Section 101 et. seq.). VODAVI reserves the right to make changes in specifications at any time and without notice. The information furnished by VODAVI in this material is believed to be accurate and reliable, but is not warranted to be true in all cases. STARPLUS® and DHS/DHS-E™ are registered trademarks of VODAVI Technology, Inc. CLD/2000 Contents General Description ...............................................................1 Digital Key Telephones ...............................................................................1 Basic Key Telephone ..........................................................