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OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony Tahanie Aboushi | New York, New York I am counsel for Dounya Zayer, the protestor who was violently shoved by officer D’Andraia and observed by Commander Edelman. I would like to appear with Dounya to testify at this hearing and I will submit written testimony at a later time but well before the June 15th deadline. Thank you. Marissa Abrahams | South Beach Psychiatric Center | Brooklyn, New York As a nurse, it has been disturbing to see first-hand how few NYPD officers (present en masse at ALL peaceful protests) are wearing the face masks that we know are preventing the spread of COVID-19. Demonstrators are taking this extremely seriously and I saw NYPD literally laugh in the face of a protester who asked why they do not. It is negligent and a blatant provocation -especially in the context of the over-policing of Black and Latinx communities for social distancing violations. The complete disregard of the NYPD for the safety of the people they purportedly protect and serve, the active attacks with tear gas and pepper spray in the midst of a respiratory pandemic, is appalling and unacceptable. Aaron Abrams | Brooklyn, New York I will try to keep these testimonies as precise as possible since I know your office likely has hundreds, if not thousands to go through. Three separate occasions highlighted below: First Incident - May 30th - Brooklyn - peaceful protestors were walking from Prospect Park through the streets early in the day. At one point, police stopped to block the street and asked that we back up. -
QUT Links Alumni Magazine Spring 2012
alumni magazine SPRING 2012 contentsVOLUME 15 NUMBER 2 Profiles Features Wayne Blair’s The QUT’s Outstanding Sapphires lauded by film Alumni Award winners 9 critics and audiences. 1-6 are revealed. Mother-daughter maths Welcome to the future teaching duo go bush. of interactive learning – 14 11 The Cube. Attorney General Jarrod Bleijie has legislative Bouquets of caring 15 reform on his agenda. recognise Queensland 20 community gems. 4 Student leader Erin Gregor is an impressive 19 all-rounder. Research Regulars New frontier opens for NEWS ROUNDUP 8 10 space glass. RESEARCH UPDATE 18 Rats inspire GPS camera ALUMNI NEWS 21-23 9 technology. 12 KEEP IN TOUCH 24 Heart attack care study LAST WORD rates towns nationwide. 13 by Vice-Chancellor Professor Peter Coaldrake Vice-Chancellor fellows lead the pack in - SEE INSIDE BACK COVER 16 innovative research. Transcend physical and spiritual limits 17 through sport. 17 alumni magazine links Editor Stephanie Harrington p: 07 3138 1150 e: [email protected] Contributors Rose Trapnell Alita Pashley Niki Widdowson Mechelle McMahon Rachael Wilson Images Erika Fish In focus Design Richard de Waal Philanthropist Tim Fairfax is QUT’s distinguished QUT Links is published by QUT’s 7 new Chancellor. Marketing and Communication Department in cooperation with QUT’s Alumni and Development Office. Editorial material is gathered from a range of sources and does not necessarily reflect the opinions and policies of QUT. CRICOS No. 00213J QUTLINKS SPRING ’12 1 Outstanding Young Alumnus Award Winner Mark Dutton Thinker WHEN reigning V8 Supercars champion Jamie Whincup speeds off at the start line, Mark Dutton’s FAST feet are planted firmly on the ground. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
The Republican Journal: Vol. 80, No. 27
■■ —1 ■— ■ ■ — ■ ■ ■ _ -" _.The Republican Journal. BELFAST, MAINE, THURSDAY, JULY 2, 1908.__NUMBER 27 land Knowlton, Giles G. Abbott, W. E. ^ BELLS. THE CHURCHES. I Waj MAJ. J. A. FESSENDEN DEAD. vUDDING IHE NEWSOE RELEASE Jones, H. Fair Holmes, Enoch C. Dow, PERSONAL. PERSONAL. Amos Coloord. On motion of F. A. Greer Gallant Record as a Soldier. Served With The marriage of will be services at the St. Francis Bobbins. There were instructed to support Notable Honor in Civil Re- Eddie left Monday for a visit in Miss Maria Andrews went to Carncen last If the person who found the black serge the delegates War, and, llogon ,,( Omaha, Neb., formerly Catholic church next Sunday at 10 o’clock Gardner of Rockland for week to visit friends. with a Hon. Obadiah from Became a Portland. Elizabeth Knowlton coat, gray lining, made at Hovey's, tiring Regular Army, ; Miss a. no The were which was governor. following delegates in Public Affairs in of Mass., ar- Miss Sadie Wright left, of Boston, lost about town or on Conspicuous Figure George Keyes Middleboro, by Saturday's ,Mon, formerly Belfast, Poor’s Mills to attend the county convention: E. Rev. A. E. Luce will speak at Lincolnville avenue morning, chosen Stamford. rived last Sunday. boat, for Pittsfield, Mass. 5 ,.luesiiay evening, June 24th, Wednesday R. F. W. next at 2.30 m. All are cordial- it to S. Pitcher, John Dunton, Brown, Mrs. E. Wallace Sunday p. will return 1 Court street they will Major Joshua A. Fessenden, U. S. A., re- Judsou Jewett of Mass., is visiting 0. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Gender, Tragedy, and the American Dream
37? /VQti N@* 37 & THE AMERICAN EVE: GENDER, TRAGEDY, AND THE AMERICAN DREAM DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kim Martin Long, B.A., M.A. Denton, Texas May, 1993 37? /VQti N@* 37 & THE AMERICAN EVE: GENDER, TRAGEDY, AND THE AMERICAN DREAM DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Kim Martin Long, B.A., M.A. Denton, Texas May, 1993 Long, Kim Martin. The American Eve; Gender. Tragedy, and the American Dream. Doctor of Philosophy (English), May, 1993, 236 pp., works cited, 176 titles. America has adopted as its own the Eden myth, which has provided the mythology of the American dream. This New Garden of America, consequently, has been a masculine garden because of its dependence on the myth of the Fall. Implied in the American dream is the idea of a garden without Eve, or at least without Eve's sin, traditionally associated with sexuality. Our canonical literature has reflected these attitudes of devaluing feminine power or making it a negative force: The Scarlet Letter. Mobv-Dick. Adventures of Huckleberry Finn. The Great Gatsbv. and The Sound and the Fury. To recreate the Garden myth, Americans have had to reimagine Eve as the idealized virgin, earth mother and life-giver, or as Adam's loyal helpmeet, the silent figurehead. But Eve resists her new roles: Hester Prynne embellishes her scarlet letter and does not leave Boston; the feminine forces in Mobv-Dick defeat the monomanaical masculinity of Ahab; Miss Watson, the Widow Douglas, and Aunt Sally's threat of civilization chase Huck off to the territory despite the beckoning of the feminine river; Daisy retreats unscathed into her "white palace" after Gatsby's death; and Caddy tours Europe on the arm of a Nazi officer long after Quentin's suicide, Benjy's betrayal, and Jason's condemnation. -
Keir Nuttall Thesis
I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25 -
“DAS GESTALTLOSE ZUR GESTALT BRINGEN”: REPRESENTATIONS of the MASS in the WORKS of HERMANN BROCH by Brett E. Sterling Disser
“DAS GESTALTLOSE ZUR GESTALT BRINGEN”: REPRESENTATIONS OF THE MASS IN THE WORKS OF HERMANN BROCH By Brett E. Sterling Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in German August, 2013 Nashville, Tennessee Approved: Professor Meike Werner Professor Christoph Zeller Professor John A. McCarthy Professor Barbara Hahn Professor Helmut Walser Smith Copyright © 2013 by Brett E. Sterling All Rights Reserved ii To my beloved wife, Jenny, and to Honeybee. You inspire and sustain me. iv ACKNOWLEDGEMENTS I would like first to express my sincere gratitude to my adviser and committee chair, Dr. Meike Werner. Her keen insights helped give shape to a topic that began as my own personal struggle with the relationship between political/social engagement and the pursuit of academic study. Her guidance and support were instrumental in bringing this dissertation to fruition, and her encouragement at every step of the process helped me to find my voice and become a scholar. I would also like to thank the members of my committee, Dr. Barbara Hahn, Dr. John A. McCarthy, Dr. Helmut Walser Smith, and Dr. Christoph Zeller. Their advice during the conceptual stage of my dissertation was invaluable in opening up new directions in my approach to Hermann Broch’s writings. I am also thankful for the affirmation and intellectual challenge each provided in conversations throughout the writing process and in the dissertation defense. For introducing me to my “Gesinnungsgenosse” Hermann Broch, I would like to thank Dr. Ralf Klausnitzer of the Humboldt-Universität zu Berlin. -
Eurovision Star Kate Miller-Heidke to Perform at Hota This October
MEDIA RELEASE EUROVISION STAR KATE MILLER-HEIDKE TO PERFORM AT HOTA THIS OCTOBER Following her sell out show at the Brisbane Festival, pop icon, Kate Miller-Heidke, will visit HOTA, Home of the Arts on October 5, as part of her national ‘Zero Gravity’ tour. From the woman whose heartfelt performance won first place in her semi-final and placed top ten at the 2019 Eurovision Grand Final with her hit song ‘Zero Gravity’, Kate’s masterful songwriting and ethereal voice will transcend HOTA’s stage. Appearing with collaborator, Keir Nuttall – fresh from their success writing the music and lyrics for Muriel’s Wedding The Musical – Australian music’s brightest star will perform brand new versions of her most beloved material, including hits such as ‘The Last Day on Earth’, ‘Caught in the Crowd’ and ‘O, Vertigo!’, plus a sneak preview of her brand new songs. Opening the show will be singer songwriter, Ainslie Wills, whose music is genre bending, unique and personal that it recently landed her a nomination for APRA’s ‘Song of the Year’ award and has seen her perform sell-out headline shows in Australia and the UK. HOTA CEO, Criena Gehrke, said that as the leading arts and culture hub of the Gold Coast, HOTA works diligently to play host to the great artists of Australia and beyond for all to enjoy. “Eurovision darling and all-round incredible artist Kate Miller-Heidke joins the list of amazing artists that are choosing to perform at HOTA,” said Criena. “It’s clear we’re now on the national touring map and that means more great music coming your way. -
CHARITY by W. S. Gilbert a Drama in Four Acts Opened January 3
CHARITY by W. S. Gilbert A Drama in Four Acts Opened January 3, 1874, Haymarket Theatre DRAMATIS PERSONAE DR. ATHELNEY a Colonial Bishop-elect TED ATHELNEY his son, aged 38 MR. JONAS SMAILEY a Country Gentleman, aged 60 FRED SMAILEY his son, aged 22 MR. FITZ-PARTINGTON a Private Inquiry Officer BUTLER FOOTMAN MRS. VAN BRUGH a widow, aged 35 EVE her daughter, aged 17 RUTH TREDGETT a tramp, aged 37 ***** ACTS I & II Boudoir in Mrs. Van Brugh's country house. ACT III Room in Mr. Smailey's House. ACT IV Library at Dr. Athelney's. [A few days' interval between each Act.] 1 CHARITY ACT I SCENE - A PRETTY BOUDOIR IN MRS. VAN BRUGH'S COUNTRY-HOUSE. [FREDERICK DISCOVERED ON CHAIR, DICTATING TO EVE WHO IS ON FOOTSTOOL. SHE WRITES IN A MEMORANDUM BOOK AT HIS FEET.] FRED (DICTATING): Let me see. Three hundred oranges, six hundred buns, thirty gallons of tea, twelve large plum cakes. So much for the school-children's bodies. As for their minds ... EVE: Oh, we've taken great care of their minds. In the first place, the amateur minstrel from Locroft are coming, with some lovely part songs. FRED: Part songs. Come, that's well. Dr. Watts? EVE: Oh dear, no. Doctors Moore and Burgess! - Much jollier. [HE SHAKES HIS HEAD GRAVELY.] Then we have a magic lantern. Here are the views. [HANDING THEM.] FRED (EXAMINING THEM): A person on horseback, galloping at full speed. Here he is again. Probably the flight of Xerxes. EVE: No - the flight of John Gilpin. FRED: Very trivial, Eve dear; very trivial. -
JUMP for JOY for Duke, to Get Much Other Work Done
238 DUKE ELLINGTON ment which he has gathered toward the shaping of a piano concerto to gather dust in his rented room in an apartment at 545 Edgecombe Avenue. His routine is well established now: he cabarets all night and often through the early morning, drinks CHAPTER SEVENTEEN talks, sometimes eats; after a brief sleep he will get up to work or to play piano battles with Aaron or to come down to an Ellington rehearsal or record session. He doesn't have time be- tween the cabareting, the sleeping and his actual assignments JUMP FOR JOY for Duke, to get much other work done. He can be quite late in turning in those assignments, and he usually is, following a //• *VE GOT THE GIRL," DUKE SAID. "SHE'LL SUN-TAN THE FIRST pattern set by Duke himself. Duke will forgive him anything, I ten rows." for, after all, when he feels the strength of God within him and I This was in the early summer of 1941. Duke and the the sense of doom evanescing without, he writes such mag- movie writers who formed the American Revue Theatre were nificent music or goes over to Duke's apartment, at five in the talking over possible stars and featured players for a new type morning, to talk about it. And he is still the remarkable little of revue. It was to atone for the guilt feelings of the movie man who, after an evening's "sashaying" around the town of writers. It was to atone for the serious mistakes and grievous Buffalo, eating here, drinking there, got "jus' loaded enough" errors, of omission and commission, in the treatment of Negroes so he wasn't quite sure what had happened to his drinking com- in the American theater. -
Made Locally! Enjoyed Nationally!
December 2007 Inside this Issue: Q Happenings with MIDSUMMA and the 1st Asia Pacific OUT Games, Q People with David Campbell and Guy Sebastian, Q International, Q Travel, plus loads more. From all of us at Q Magazine, we hope you get all that your heart desires this Festive Season. Q Magazine - Made Locally! Enjoyed Nationally! DECEMBER 2007 Official Website Official Television Partner Partner Issue 42 q comment: ‘TIS THE SEASON I always miss my son at this time of the year (although Publisher & Editor I don’t miss the celebratory insincerity I had to endure Brett Hayhoe at his Grandparent’s place). Living on your own without 0422 632 690 family is not always great - but what can you do. [email protected] Editorial We, of course, understand that family does not always [email protected] mean the traditional mum, dad, and 3.2 children. Single mums, single dads, lesbian couples with or Sales and Marketing [email protected] without children, gay dads with or without children, gay men and women with pets, or the family you have Design created through your close circle of friends. They all UB Design matter and none are more important than another. Contributing Writers Luke Huggard, David Boundy, Lauren Schipp, Whether you are religious or not, the Festive Season Ben Angel, George Alexander, Pete Dillon, tends to make you reflect on the year past and start Addam Stobbs, Brett Hayhoe, Shek Graham, planning on the one ahead. It makes you realise how David Westlake, Anna Hooker, Luke Adam- Allder, Dr.