Making New Faces
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Women's Center
University of North Alabama Women’s Center April 2010 Sexual Assault Awareness Month (excerpted from womenshealth.gov) Sexual assault is defined as any type of sexual activity that you do not agree to. The assault can be verbal, visual, or anything that forces a person to join in unwanted sexual contact or attention. Rape is the most common form of sexual assault and in many situations is committed on a date by a friend or acquaintance. If you or someone you know has been sexually assaulted there are some steps you can take right away after the assault. If you plan to report the assault you should not wash, comb, or clean any part of your body and if possible do not change clothes. You should go to the nearest hospital if possible. If you are afraid of going alone call a friend or family member you trust or you can also call a crisis center or hotline. There are some steps you can take to lower your risk of assault. Some of these steps include: -Be aware of your surroundings. -Walk with confidence, it makes you appear -Be assertive and don't let anyone stronger. violate your space. -Lock doors and windows even if you are -Avoid walking or jogging alone leaving for just for a few minutes. especially at night. If you or someone you know has been assaulted and you want to speak to someone Rape Response offers crisis counseling as well as many other services. To receive counseling you do not have to be a new victim and it can even be an anonymous session over the phone. -
Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films -
Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism
Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism By Matthew W. Horton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Dr. Na’ilah Nasir, Chair Dr. Daniel Perlstein Dr. Keith Feldman Summer 2019 Working Against Racism from White Subject Positions Matthew W. Horton 2019 ABSTRACT Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism by Matthew W. Horton Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory University of California, Berkeley Professor Na’ilah Nasir, Chair This dissertation is an intervention into Critical Whiteness Studies, an ‘additional movement’ to Ethnic Studies and Critical Race Theory. It systematically analyzes key contradictions in working against racism from a white subject positions under post-Civil Rights Movement liberal color-blind white hegemony and "Black Power" counter-hegemony through a critical assessment of two major competing projects in theory and practice: white anti-racism [Part 1] and New Abolitionism [Part 2]. I argue that while white anti-racism is eminently practical, its efforts to hegemonically rearticulate white are overly optimistic, tend toward renaturalizing whiteness, and are problematically dependent on collaboration with people of color. I further argue that while New Abolitionism has popularized and advanced an alternative approach to whiteness which understands whiteness as ‘nothing but oppressive and false’ and seeks to ‘abolish the white race’, its ultimately class-centered conceptualization of race and idealization of militant nonconformity has failed to realize effective practice. -
Playing Political Games at the Olympics Cherokee Nation Vs
A PUBLICATION OF THE NEW JERSEY STATE BAR FOUNDATION FALL 2008 • VOL.8, NO. 1 A NEWSLETTER ABOUT LAW AND DIVERSITY Playing Political Games at the Olympics by Cheryl Baisden The spectacle of the 2008 Summer Olympics, the violent Chinese response to recent demonstrations held in Beijing, China, is probably still fresh in in Tibet, a nation the Chinese have occupied since 1951. your mind. Who could forget Michael Phelps winning a record-setting eight gold medals Oppression in Tibet/Genocide in Darfur or the USA final medal count of 110? Essentially, the issue in Tibet is one of sovereignty. While the Olympics are a great demonstration of In other words, who has power over Tibet. The Chinese sportsmanship and camaraderie, bringing together government believes it maintains sovereignty over Tibet. athletes from more than 200 countries, they also provide Tibet maintains that it has always been an independent an international forum for political causes and issues. state. There have been many Tibetan uprisings against With the world watching, the Olympics have always Chinese rule over the past half century, most notably in been an opportunity to give a voice to global injustices. 1959 when Tibet’s spiritual leader, the Dalai Lama, was When it comes to basic human rights — forced to flee his home. More >continued on page 2 for example, the right to a nationality, the right to own property and the right to voice an opinion — Americans have it Cherokee Nation vs. Freedmen: made. But although the United Nations Civil Rights or Sovereignty? adopted the Universal Declaration of by Phyllis Raybin Emert Human Rights, spelling out the rights In March 2007, members of the Cherokee Nation of Oklahoma deserved by all members of the human voted to remove more than 2,800 Freedmen from its tribal rolls. -
Alvar Aalto. Ken Adam. Ai Weiwei. Doug Aitken. Lawrence Alma-Tadema. Robert Altman
ALVAR AALTO. KEN ADAM. AI WEIWEI. DOUG AITKEN. LAWRENCE ALMA-TADEMA. ROBERT ALTMAN. MARTIN AMIS. MICHELANGELO ANTONIONI.DIANE ARBUS . AUNTIE MAME. ADAM BARTOS.SAUL BASS. FRANCIS BACON. BILLY BALDWIN. MATTHEW BARNEY. BAUHAUS. AUBREY BEARDSLEY. CECIL BEATON. NORMAN BEL GEDDES.WILLIAM BLAKE.RICARDO BOFILL. HIERONYMOUS BOSCH.ETIENNE LOUIS BOULLEE. GUY BOURDIN. DAVID BOWIE. ROBERT.F. BOYLE. JOHN BOX . ISAMBARD KINGDOM BRUNEL.HENRY BUMSTEAD.ANTHONY BURGESS. EDWARD BURTYNSKY . JOHN LE CARRE.FRANCOIS CATROUX.NICK CAVE.DAVID CHIPPERFIELD. LYNNE COHEN. JOHN CONSTABLE.BENJAMIN CONSTANT.GREGORY CREWDSON. JACQUES LOUIS-DAVID.EUGENE DELACROIX .THOMAS DEMAND .GUSTAVE DORE .EDMUND DULAC.TONY DUQUETTE. WILLIAM EGGLESTON.OLAFUR ELIASSON. DANTE FERRETTI. IAN FLEMING . FLUX.LUCIEN FREUD.FUTURE SYSTEMS. THEODORE GERICAULT .ALEXANDER GIRARD .NAN GOLDIN.ERNO GOLDFINGER . ANDY GOLDSWORTHY . PETER GREENAWAY. NICHOLAS GRIMSHAW.WALTER GROPIUS .ANDREAS GURSKY. FRANS HALS.ROBERT PARKER HARRISON.HAROLD AND MAUDE.THOMAS HEATHERWICK.DAVID HICKS.TODD HIDO.ALFRED HITCHCOCK . CANDIDA HOFER. WILLIAM HOGARTH. HUNDERTWASSER . AXEL HUTTE. IRATA ISOZAKI. TOYO ITO. ALEJANDRO JADOROWSKY. JEAN –PIERRE JEUNET and MARC CARO. A.QUINCY JONES. LOUIS KHAN.REM KOOLHAAS . STANLEY KUBRICK.KENGO KUMA. HENRI LABROUSTE. MORRIS LAPIDUS .DENYS LASDUN. CLAUDE NICOLAS LEDOUX. MING CHO LEE.SERGIO LEONE. IVAN LEONIDOV .RICHARD LESTER .JEAN –JACQUES LEQUEU .EDWIN LONGSDON LONG.BERTHOLD LUBETKIN..EDWIN LUTYENS.DAVID LYNCH. KAZIMIR MALEVICH .ROB MALLET-STEVENS. THE MAN WHO FELL TO EARTH.ANTHONY MASTERS.SYD MEAD.WILLIAM CAMERON MENZIES.RICHARD MISRACH. DON McCULLIN . MORPHOSIS. VLADEMIR NABAKOV.ODD NERDRUM.PIER LUIGI NERVI.OSCAR NIEMEYER.ANDRE LE NOTRE. MIKE NICHOLS. IRWIN OLAF. ONE FROM THE HEART.GABRIEL OROZCO.BILL OWENS. MARTIN PARR.JOHN PAWSON.CHRISTOPHER PAYNE .PIRANESI.ROBERT POLIDORI.GIO PONTI . -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
Wilma Mankiller Principal Chief of the Cherokee Nation 1985-1995
Wilma Mankiller Principal Chief of the Cherokee Nation 1985-1995 Chapter 1 — 1:11 Introduction John Erling: Wilma Pearl Mankiller was the first female Principal Chief of the Cherokee Nation. She served as Principal Chief for 10 years from 1985 to 1995. Before that she served as the first woman Deputy Chief of the Cherokee Nation. In this interview, you will hear Wilma talk about life events that motivated her to become active in Cherokee Tribal Affairs. The interview you are about to hear takes a wonderful glimpse into a meaningful and courageous woman’s life. It is exceptionally unique as it’s her story told in her own words. We encourage you to explore her work and become inspired by reading about her life and learning from this very accomplished woman. Please consult our “For Further Reading” Section. Voices of Oklahoma is honored to have captured Wilma Mankiller’s voice so that many generations from now others will be able to benefit from it. Chapter 2 — 2:12 Mankiller Flats John Erling: Today’s date is August 13th, 2009. Wilma Mankiller: My name is Wilma Mankiller. I’m 63. My date of birth is November 18, 1945. JE: And where are we recording this? WM: We’re recording it at the Cherokee Nation Headquarters in Tahlequah, Oklahoma. JE: Tell us where you were born. WM: I was born at Hastings Indian Hospital in Tahlequah, Oklahoma. JE: In 1945. WM: In 1945. JE: Right. You were raised at Mankiller Flats. WILMa MANKILLER 2 WM: Right. JE: Tell us about Mankiller Flats. -
Wages for Housework Pdf
Wages for housework pdf Continue The global feminist movement The International Wages for Housework Campaign (IWFHC) is a grassroots women's network that campaigns for the recognition and payment of all charitable work, at home and abroad. It was initiated in 1972 by Selma James[1] who first filed the wage demand for domestic chores at the third National Women's Liberation Conference in Manchester, England. The IWFHC says they start with those with less power internationally - homeless workers at home (mothers, housewives, home workers denied pay), and farmers and subsistence workers without waves on land and in the community. They believe that the demand for wages for unpaid charity work is also a perspective and a way of organizing from the bottom up, of the autonomous sectors working together to end the power relations between them. History salaries for household chores were one of six lawsuits in women, unions and labor or what should not be done[2], which James presented as a document at the third National Women's Liberation Conference. The power of women and subversion of the community[3], which James co-authored with Mariarosa Dalla Costa, which opened the domestic labor debate and became a classic of the women's movement, was published shortly after Women, the Unions and Work. The first edition of Power of Women did not come out for salaries for household chores; its third edition, in 1975, did so. After the Manchester conference, James with three or four other women formed the Power of Women Collective in London and Bristol to campaign for domestic chores wages. -
Art 381 Repeat Perform Record
Sculpture 381 Fall 2013 T/Th 1-4 Repeat, Perform, Record Billy Culiver E.A.T. 9 Evening in Art and Technology A Class Exploring the Intersection Between Theater, Dance and Visual Art The studio art course, Repeat, Perform, Record we will consider the dynamic of live bodies in physical spaces and read critical text and philosophical ideas about performance art. You will have 3 assignment: 1. Work Ethic-Duration/Record, 2. Work Ethic Labor and a collaborative work done with dancers, 3. Spaces Created by Action/Action Created by Spaces. Each assignment is directly aligned to a set of readings and visiting artists who will join the class. In this class, I attempt to honor the radical roots of Performance Art, with its history of expanding notions of how we make art, how we witness art, and what we understand the function of art to be. Performance art in the studio art context emerged from the visual and plastic arts rather than the traditional categories of dance and theater. From the beginning “Performance” was part of the modernist movements such as Futurism, Dada. With the emergence of Fluxus, Situationalism, Happenings, and Conceptualist practices the correspondence with the conscious use of space, time and process became central to Performance Art. With in the last decade, the concept of space, time and process have blended to expand Performance Art, making it a contemporary tool for expression with diverse directions of visual art, theater, dance, music and social practices. Contemporary live art now employs many different forms of experimentation diminishing the known or rehearsed dynamics of performance by opening it to improvisation and chance operations. -
Some Limitations and Possibilities of Image and Form
Rochester Institute of Technology RIT Scholar Works Theses 7-30-2003 Some limitations and possibilities of image and form Susan Forster Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Forster, Susan, "Some limitations and possibilities of image and form" (2003). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY A Thesis Submitted to the Faculty of The College of Imaging Arts and Sciences In Candidacy for the degree of MASTER OF FINE ARTS SOME LIMITATIONS AND POSSIBILITIES OF IMAGE AND FORM By Susan Elizabeth Forster July 30, 2003 Approvals ChiefAdvisor - Bruce Sodervick Date: ¥3&3. 7 7 Associate Advisor- Keith Howard Date: mil!] .IE- 0 S Associate Advisor- Judy Levy Date: Department Chairperson- Tom Lightfoot Date: ~b , ;Ie.l I herby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproductions will not be for commercial use or profit. Datd\ ~()3 CONTENTS I. TITLE PAGE II. SIGNATURE PAGE III. CONTENTS V. CONCEPT VI. MEDIA -TECHNICAL SEARCH VII. ILLUSTRATIONS OF BODYOF WORK VIII. CONCLUSION IX. BIBLIOGRAPHY CONCEPT The primary goal for this thesis experience is to examine the connections and correlations between two-dimensional imagery and three- dimensional form. The concept for this exploration came from genuine personal interest and sensitivity for multiple materials, techniques, and the dynamics and energy they create in relation to each other and their environment. -
James Turrell, Architect (Of Light)
James Turrell, Architect (of Light) When we encounter artists like James Turrell working outside the traditional mediums and institutional entities, we struggle to define them in words. We try to resort to the proven labels, but none really apply in Turrell’s case. It is surprising how critics and scholars usually refer to him simply as a light and space artist. But does that give justice to the person and his accomplishments? Yes, his work is about light and seeing, relating to perception and space, but how about architecture, science, psychology, astronomy, sculpture, expanded filmmaking, mythology? Aristotle described the educated person as being knowledgeable in the arts, languages, philosophy, mathematics, history and science. In more recent times, Leonardo da Vinci fits that Aristotelian ideal and is often considered the archetype of the Renaissance Man. Can we, for lack of a better word, ascribe this label to James Turrell, a person that is unknown outside the art world? The more we discover about his art and his search for answers, the more complex it becomes to define this remarkable artist. As it would be impossible within the scope of this paper to explore all the different attributes of Turrell’s work, I will try to shed some light on the architectural side of his art. “I like to say that my work is architecture of light into space. But on the other hand, I had to move a lot of material. Even Roden Crater, just to get this celestial vaulting to happen above you, we moved 1.2 million cubic yards of earth. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.