DOCSLIB.ORG

Making New Faces

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Making New Faces MAKING NEW FACES '~ . FROM THE PRESIDENT It is in the profiles of some of the - students who have received scholars hips, which help them to attend Pitzer and thereby enrich all of our lives. And, it was present in the demands of students for greater racial diversity throughout The Claremont Colleges, not only to provide representation and role models for students of color, but also to enhance the entire community by the multiplicity and diversity that constitutes our world. Clearly, the numerous recent achievements of our faculty, staff, n this issue, I am pleased to and alumni reflect Pitzer's share the address I gave at the '. commitment to cultural diversity fa ll convocation. At this and social responsibility. And our Ioccasion, I talked about the value new buildings, about which you of being in a place that allows will find a brief update, wi ll and, indeed, encourages one to provide new academic, cultural "make faces." I chose "making and social opportunities for our faces" as a metaphor for the students and facu lty to tryon new profound empathy that is required ideas and perspectives. to capture the depth and I am increasingly struck by the complexity of multicultural will and energy of Pitzer, and I perspectives. At one level, the thoroughly enjoy being a part of freedom to make faces enables this dynamic community. one to be truly oneself, to express important emotions. At another leve l, making a face in empathy with another's feelings is a skill that is required for us truly to understand one another. Only such understanding can permit us Marilyn Chapin Massey to cross the barriers of history, President tradition, fear, and prejudice that separate cultures. Pitzer is, I believe, a rare place where this liberating capacity to be oneself and to go beyond oneself is allowed and nurtured. This capacity is reflected in many of the articles here. It is found in the volunteer work of our students at the medical clinic for children in Calexico, California, where they met fami lies who taught them much about themselves and the human spirit. 2 INSIDE STORY Jim Lehman to Head Watson several racial incidents in recent Foundation years. The course will continue fa ll semester, with students from Dean of Students Jim Lehman Calderon's and Betty Farrell's will begin a two-year term as classes compiling information and executive director of the Watson developing models for Foundation in Providence, Rhode intercultural appreciation and Island on June 1. The foundation, cooperation, whi ch they wi ll which is celebrating its 25th present at the end of the year at a anniversary this year, offers conference sponsored by Pitzer college seniors the opportunity and the Alhambra School District. for a year of post-graduate study and travel abroad. A Watson In Memoriam: fe ll ow himself in 1973-74, Trustee Nick Williams Lehman termed his experience in Belgium and Zaire, where he Former Los Angeles Times examined vocational and technical editor and Pitzer College Life trustee Nick Wi lli ams passed away education, "an opportuni ty for a focused and disciplined wander­ July 1. Willi ams served as a year of the fellow's own devising." trustee from 1971 to 1986, and was named a Life trustee in 1981. Calderon Receives Grant to Study His daughter, Eli za beth Inter-Ethnic Relations Agajanian, is a 1969 graduate of the coll ege. Jose Calderon, professor of Editor of The Times from sociology and Chicano studies, 1958 to 1971, Williams is has received a grant to involve credited with transforming the Pitzer students in a study of inter­ city's largest daily newspaper ethnic relations within the nearby "fi'om mediocrity to excellence," Alhambra School District. The in the words of staff writer David grant was one of five awarded Shaw. Willi ams saw The Times throughout the country by the open several national and fo reign Ohio Campus Compact. bureaus, expand news and feature This semester, 25 students are sections, win Pulitzer Prizes, visiting the District's three high double its news staff, and greatly schools to obse rve interaction increase its readership, thus among Asian, Latin o and Anglo movin g the newspaper from lists students, who have experienced of the 1 0 worst big city newspapers in America to the 10 best. Lehman Kwassui Women's University Celebrates Tenth Anniversary with PACE Edythe & Eli Broad Center (top), Students from Kwassui Academic I (middle), and Student Women's University exchanged Activity Center. lessons in Japanese language, calli graphy, home furnishings, and priorities as newly appointed etiquette fo r instruction from director of career planning and Claremont students and faculty in placement. "We're working on . English and American culture developing new resource matenal during this sprin g's tenth and making the library more user anniversary program, hosted at friendly," says McConnell, who Pitzer by the Program for also plans to incorporate display American College English space fo r student art work into (PACE). The annual three-week the facility. Software programs for program matches 15 students researching graduate sc hools, from the five colleges with 45 career opportunities and Kwassu i students and two practicing tests are also on the professors. menu. New Faces at Career Planning and The new director anticipates Calderon Internship Office in corporating alumni into the program, developin g workshops A face- li ft for the resource library is one of Jon McCoi1l1ell's (continued on page 32) ~ «> r;.. -, .....:::; ... - Ganahl, Gorchow and McConnell Pitzer welcomes Kwassui students DEVELOPMENT NEWS New Buildings Take Shape New York architect Charles Gwathmey has fine-tuned plans for the three new campus buildings, and construction on The Edythe & Eli Broad Center wi ll begin this June. The mixed use gateway building will house the president's and admissions offices, faculty offices, classrooms, a gallery, and a multicultural performance space. Toward summer's end, earth wi ll be moved in the quad to make way for the new academic building, and students will be back on campus for the October start date of the new Student Activity Center. Claremont Environmental Designs, a local landscape consortium, has been working closely with Professor John Rodman to design environmentally sound landscaping, which will integrate the new buildings with the rest of the campus. Only $500,000 remains to complete the funding of the $11.2 million project. The Weingart Foundation contributed a $250,000 grant last fall; trustee Kenneth Pitzer and his wife, Jean, have directed a gift for the computer center, and his son, trustee Russell Pitzer, along with wife, Martha, and brother and sister, directed a pledge to establish the Jean M. Pitzer archeology laboratory in honor of their mother. Trustee Deborah Bach Kallich directed an additional donation for the Student Activity Center. Pitzer Parents Pitch In Each year parents provide much needed support to Pitzer's educational programs through the Parents Annual Fund. We are pleased to recognize Kay and Craig Tuber of Chicago, Illinois, as co-chairs of the 1992-93 Parents Annual Fund campaign. Their daughter Missy is a junior at Pitzer this year. In the past several years, parents have contributed more than $100,000 to sustain Pitzer's outstanding and innovative educational programs. Mayr Foundation Hosts Luncheon for Scholarship Recipients Pitzer joined with Harvey Mudd College in hosting a lunch for 1992-93 recipients of George F. Mayr scholarships February 23. Foundation chairman Benjamin Grier presented the 16 students-eight from each college-with commemorative pens. The scholars then introduced themselves and briefly shared their goals and experiences with the donors. Pitzer invites any alumni who were Mayr Scholars or held a named scholarship of any type to contact the Advancement Office at 909-621-8130 so we can relay your successes to donors. "Where There's a Will .. " Several alumni and friends have provided for a future gift to Pitzer by naming the College in their wills, life insurance policies, or trusts. Please let us know if you have done so. We'd like to include you in the Pitzer Heritage Circle. Of course, if you'd prefer anonymity, that's fine, but we want to thank you for your thoughtfulness and foresight. If you'd like to make such a gift to ensure the quality of future students or a favorite project, please contact Terry Jones, College Advancement, for information . New Communications and Foundations/ Corporations Directors Anna Ganahl joined the College Advancement staff in January as director of communications. She will be working with Pitzer constituents to enhance recognition for the college through campus publications, media exposure and other outreach activities. Prior to joining Pitze r, Ganahl se rved as public relations director at Art Center College of Design, in Pasadena, CA, and as vice president for a regional communications agency. She holds a Ph.D. in English from University of California, Irvine. Sheryl Gorchow was appointed director of foundation and corporate relations in November. She is responsible for bringing Pitzer's message to foundations and corporations, and is presently seeking innovative partnerships within that community which may support scholarship funding, faculty projects and the college's three new buildings. Previously she held fund-raising and public relations positions with The Academy of Natural Sciences and The University Museum of Archaeology/Anthropology in Philadelphia, PA. She holds a master's in journalism from University of Missouri-Columbia. 4 Wachtel Snowiss Goodwin keeping Southern California soil hospitable to native plants. He recently published "Restoring FACULTY FocuS Nature: Natives and Exotics," in Nature/Discourse, eds. Wm. Chaloupka and Jane Bennett. By Lynn Warner Psychology and Anthropology Profs, Students Join Forces James Joyce Divined Thought," and Hertel discussed Professors Ruth and Lee the prospect of bringing Qi Gong Monroe teamed up last semester "One of the wonderful to elderly and other residents of with psychology and discoveries Joyce made," says Western urban areas such as Los anthropology students to examine English professor Al Wachtel, Angeles.
Load more

Recommended publications
  • Women's Center
    University of North Alabama Women’s Center April 2010 Sexual Assault Awareness Month (excerpted from womenshealth.gov) Sexual assault is defined as any type of sexual activity that you do not agree to. The assault can be verbal, visual, or anything that forces a person to join in unwanted sexual contact or attention. Rape is the most common form of sexual assault and in many situations is committed on a date by a friend or acquaintance. If you or someone you know has been sexually assaulted there are some steps you can take right away after the assault. If you plan to report the assault you should not wash, comb, or clean any part of your body and if possible do not change clothes. You should go to the nearest hospital if possible. If you are afraid of going alone call a friend or family member you trust or you can also call a crisis center or hotline. There are some steps you can take to lower your risk of assault. Some of these steps include: -Be aware of your surroundings. -Walk with confidence, it makes you appear -Be assertive and don't let anyone stronger. violate your space. -Lock doors and windows even if you are -Avoid walking or jogging alone leaving for just for a few minutes. especially at night. If you or someone you know has been assaulted and you want to speak to someone Rape Response offers crisis counseling as well as many other services. To receive counseling you do not have to be a new victim and it can even be an anonymous session over the phone.
    [Show full text]
  • Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
    A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films
    [Show full text]
  • Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism
    Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism By Matthew W. Horton A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Dr. Na’ilah Nasir, Chair Dr. Daniel Perlstein Dr. Keith Feldman Summer 2019 Working Against Racism from White Subject Positions Matthew W. Horton 2019 ABSTRACT Working Against Racism from White Subject Positions: White Anti-Racism, New Abolitionism & Intersectional Anti-White Irish Diasporic Nationalism by Matthew W. Horton Doctor of Philosophy in Education and the Designated Emphasis in Critical Theory University of California, Berkeley Professor Na’ilah Nasir, Chair This dissertation is an intervention into Critical Whiteness Studies, an ‘additional movement’ to Ethnic Studies and Critical Race Theory. It systematically analyzes key contradictions in working against racism from a white subject positions under post-Civil Rights Movement liberal color-blind white hegemony and "Black Power" counter-hegemony through a critical assessment of two major competing projects in theory and practice: white anti-racism [Part 1] and New Abolitionism [Part 2]. I argue that while white anti-racism is eminently practical, its efforts to hegemonically rearticulate white are overly optimistic, tend toward renaturalizing whiteness, and are problematically dependent on collaboration with people of color. I further argue that while New Abolitionism has popularized and advanced an alternative approach to whiteness which understands whiteness as ‘nothing but oppressive and false’ and seeks to ‘abolish the white race’, its ultimately class-centered conceptualization of race and idealization of militant nonconformity has failed to realize effective practice.
    [Show full text]
  • Playing Political Games at the Olympics Cherokee Nation Vs
    A PUBLICATION OF THE NEW JERSEY STATE BAR FOUNDATION FALL 2008 • VOL.8, NO. 1 A NEWSLETTER ABOUT LAW AND DIVERSITY Playing Political Games at the Olympics by Cheryl Baisden The spectacle of the 2008 Summer Olympics, the violent Chinese response to recent demonstrations held in Beijing, China, is probably still fresh in in Tibet, a nation the Chinese have occupied since 1951. your mind. Who could forget Michael Phelps winning a record-setting eight gold medals Oppression in Tibet/Genocide in Darfur or the USA final medal count of 110? Essentially, the issue in Tibet is one of sovereignty. While the Olympics are a great demonstration of In other words, who has power over Tibet. The Chinese sportsmanship and camaraderie, bringing together government believes it maintains sovereignty over Tibet. athletes from more than 200 countries, they also provide Tibet maintains that it has always been an independent an international forum for political causes and issues. state. There have been many Tibetan uprisings against With the world watching, the Olympics have always Chinese rule over the past half century, most notably in been an opportunity to give a voice to global injustices. 1959 when Tibet’s spiritual leader, the Dalai Lama, was When it comes to basic human rights — forced to flee his home. More >continued on page 2 for example, the right to a nationality, the right to own property and the right to voice an opinion — Americans have it Cherokee Nation vs. Freedmen: made. But although the United Nations Civil Rights or Sovereignty? adopted the Universal Declaration of by Phyllis Raybin Emert Human Rights, spelling out the rights In March 2007, members of the Cherokee Nation of Oklahoma deserved by all members of the human voted to remove more than 2,800 Freedmen from its tribal rolls.
    [Show full text]
  • Alvar Aalto. Ken Adam. Ai Weiwei. Doug Aitken. Lawrence Alma-Tadema. Robert Altman
    ALVAR AALTO. KEN ADAM. AI WEIWEI. DOUG AITKEN. LAWRENCE ALMA-TADEMA. ROBERT ALTMAN. MARTIN AMIS. MICHELANGELO ANTONIONI.DIANE ARBUS . AUNTIE MAME. ADAM BARTOS.SAUL BASS. FRANCIS BACON. BILLY BALDWIN. MATTHEW BARNEY. BAUHAUS. AUBREY BEARDSLEY. CECIL BEATON. NORMAN BEL GEDDES.WILLIAM BLAKE.RICARDO BOFILL. HIERONYMOUS BOSCH.ETIENNE LOUIS BOULLEE. GUY BOURDIN. DAVID BOWIE. ROBERT.F. BOYLE. JOHN BOX . ISAMBARD KINGDOM BRUNEL.HENRY BUMSTEAD.ANTHONY BURGESS. EDWARD BURTYNSKY . JOHN LE CARRE.FRANCOIS CATROUX.NICK CAVE.DAVID CHIPPERFIELD. LYNNE COHEN. JOHN CONSTABLE.BENJAMIN CONSTANT.GREGORY CREWDSON. JACQUES LOUIS-DAVID.EUGENE DELACROIX .THOMAS DEMAND .GUSTAVE DORE .EDMUND DULAC.TONY DUQUETTE. WILLIAM EGGLESTON.OLAFUR ELIASSON. DANTE FERRETTI. IAN FLEMING . FLUX.LUCIEN FREUD.FUTURE SYSTEMS. THEODORE GERICAULT .ALEXANDER GIRARD .NAN GOLDIN.ERNO GOLDFINGER . ANDY GOLDSWORTHY . PETER GREENAWAY. NICHOLAS GRIMSHAW.WALTER GROPIUS .ANDREAS GURSKY. FRANS HALS.ROBERT PARKER HARRISON.HAROLD AND MAUDE.THOMAS HEATHERWICK.DAVID HICKS.TODD HIDO.ALFRED HITCHCOCK . CANDIDA HOFER. WILLIAM HOGARTH. HUNDERTWASSER . AXEL HUTTE. IRATA ISOZAKI. TOYO ITO. ALEJANDRO JADOROWSKY. JEAN –PIERRE JEUNET and MARC CARO. A.QUINCY JONES. LOUIS KHAN.REM KOOLHAAS . STANLEY KUBRICK.KENGO KUMA. HENRI LABROUSTE. MORRIS LAPIDUS .DENYS LASDUN. CLAUDE NICOLAS LEDOUX. MING CHO LEE.SERGIO LEONE. IVAN LEONIDOV .RICHARD LESTER .JEAN –JACQUES LEQUEU .EDWIN LONGSDON LONG.BERTHOLD LUBETKIN..EDWIN LUTYENS.DAVID LYNCH. KAZIMIR MALEVICH .ROB MALLET-STEVENS. THE MAN WHO FELL TO EARTH.ANTHONY MASTERS.SYD MEAD.WILLIAM CAMERON MENZIES.RICHARD MISRACH. DON McCULLIN . MORPHOSIS. VLADEMIR NABAKOV.ODD NERDRUM.PIER LUIGI NERVI.OSCAR NIEMEYER.ANDRE LE NOTRE. MIKE NICHOLS. IRWIN OLAF. ONE FROM THE HEART.GABRIEL OROZCO.BILL OWENS. MARTIN PARR.JOHN PAWSON.CHRISTOPHER PAYNE .PIRANESI.ROBERT POLIDORI.GIO PONTI .
    [Show full text]
  • Download New Glass Review 15
    eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
    [Show full text]
  • Wilma Mankiller Principal Chief of the Cherokee Nation 1985-1995
    Wilma Mankiller Principal Chief of the Cherokee Nation 1985-1995 Chapter 1 — 1:11 Introduction John Erling: Wilma Pearl Mankiller was the first female Principal Chief of the Cherokee Nation. She served as Principal Chief for 10 years from 1985 to 1995. Before that she served as the first woman Deputy Chief of the Cherokee Nation. In this interview, you will hear Wilma talk about life events that motivated her to become active in Cherokee Tribal Affairs. The interview you are about to hear takes a wonderful glimpse into a meaningful and courageous woman’s life. It is exceptionally unique as it’s her story told in her own words. We encourage you to explore her work and become inspired by reading about her life and learning from this very accomplished woman. Please consult our “For Further Reading” Section. Voices of Oklahoma is honored to have captured Wilma Mankiller’s voice so that many generations from now others will be able to benefit from it. Chapter 2 — 2:12 Mankiller Flats John Erling: Today’s date is August 13th, 2009. Wilma Mankiller: My name is Wilma Mankiller. I’m 63. My date of birth is November 18, 1945. JE: And where are we recording this? WM: We’re recording it at the Cherokee Nation Headquarters in Tahlequah, Oklahoma. JE: Tell us where you were born. WM: I was born at Hastings Indian Hospital in Tahlequah, Oklahoma. JE: In 1945. WM: In 1945. JE: Right. You were raised at Mankiller Flats. WILMa MANKILLER 2 WM: Right. JE: Tell us about Mankiller Flats.
    [Show full text]
  • Wages for Housework Pdf
    Wages for housework pdf Continue The global feminist movement The International Wages for Housework Campaign (IWFHC) is a grassroots women's network that campaigns for the recognition and payment of all charitable work, at home and abroad. It was initiated in 1972 by Selma James[1] who first filed the wage demand for domestic chores at the third National Women's Liberation Conference in Manchester, England. The IWFHC says they start with those with less power internationally - homeless workers at home (mothers, housewives, home workers denied pay), and farmers and subsistence workers without waves on land and in the community. They believe that the demand for wages for unpaid charity work is also a perspective and a way of organizing from the bottom up, of the autonomous sectors working together to end the power relations between them. History salaries for household chores were one of six lawsuits in women, unions and labor or what should not be done[2], which James presented as a document at the third National Women's Liberation Conference. The power of women and subversion of the community[3], which James co-authored with Mariarosa Dalla Costa, which opened the domestic labor debate and became a classic of the women's movement, was published shortly after Women, the Unions and Work. The first edition of Power of Women did not come out for salaries for household chores; its third edition, in 1975, did so. After the Manchester conference, James with three or four other women formed the Power of Women Collective in London and Bristol to campaign for domestic chores wages.
    [Show full text]
  • Art 381 Repeat Perform Record
    Sculpture 381 Fall 2013 T/Th 1-4 Repeat, Perform, Record Billy Culiver E.A.T. 9 Evening in Art and Technology A Class Exploring the Intersection Between Theater, Dance and Visual Art The studio art course, Repeat, Perform, Record we will consider the dynamic of live bodies in physical spaces and read critical text and philosophical ideas about performance art. You will have 3 assignment: 1. Work Ethic-Duration/Record, 2. Work Ethic Labor and a collaborative work done with dancers, 3. Spaces Created by Action/Action Created by Spaces. Each assignment is directly aligned to a set of readings and visiting artists who will join the class. In this class, I attempt to honor the radical roots of Performance Art, with its history of expanding notions of how we make art, how we witness art, and what we understand the function of art to be. Performance art in the studio art context emerged from the visual and plastic arts rather than the traditional categories of dance and theater. From the beginning “Performance” was part of the modernist movements such as Futurism, Dada. With the emergence of Fluxus, Situationalism, Happenings, and Conceptualist practices the correspondence with the conscious use of space, time and process became central to Performance Art. With in the last decade, the concept of space, time and process have blended to expand Performance Art, making it a contemporary tool for expression with diverse directions of visual art, theater, dance, music and social practices. Contemporary live art now employs many different forms of experimentation diminishing the known or rehearsed dynamics of performance by opening it to improvisation and chance operations.
    [Show full text]
  • Some Limitations and Possibilities of Image and Form
    Rochester Institute of Technology RIT Scholar Works Theses 7-30-2003 Some limitations and possibilities of image and form Susan Forster Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Forster, Susan, "Some limitations and possibilities of image and form" (2003). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. ROCHESTER INSTITUTE OF TECHNOLOGY A Thesis Submitted to the Faculty of The College of Imaging Arts and Sciences In Candidacy for the degree of MASTER OF FINE ARTS SOME LIMITATIONS AND POSSIBILITIES OF IMAGE AND FORM By Susan Elizabeth Forster July 30, 2003 Approvals ChiefAdvisor - Bruce Sodervick Date: ¥3&3. 7 7 Associate Advisor- Keith Howard Date: mil!] .IE- 0 S Associate Advisor- Judy Levy Date: Department Chairperson- Tom Lightfoot Date: ~b , ;Ie.l I herby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproductions will not be for commercial use or profit. Datd\ ~()3 CONTENTS I. TITLE PAGE II. SIGNATURE PAGE III. CONTENTS V. CONCEPT VI. MEDIA -TECHNICAL SEARCH VII. ILLUSTRATIONS OF BODYOF WORK VIII. CONCLUSION IX. BIBLIOGRAPHY CONCEPT The primary goal for this thesis experience is to examine the connections and correlations between two-dimensional imagery and three- dimensional form. The concept for this exploration came from genuine personal interest and sensitivity for multiple materials, techniques, and the dynamics and energy they create in relation to each other and their environment.
    [Show full text]
  • James Turrell, Architect (Of Light)
    James Turrell, Architect (of Light) When we encounter artists like James Turrell working outside the traditional mediums and institutional entities, we struggle to define them in words. We try to resort to the proven labels, but none really apply in Turrell’s case. It is surprising how critics and scholars usually refer to him simply as a light and space artist. But does that give justice to the person and his accomplishments? Yes, his work is about light and seeing, relating to perception and space, but how about architecture, science, psychology, astronomy, sculpture, expanded filmmaking, mythology? Aristotle described the educated person as being knowledgeable in the arts, languages, philosophy, mathematics, history and science. In more recent times, Leonardo da Vinci fits that Aristotelian ideal and is often considered the archetype of the Renaissance Man. Can we, for lack of a better word, ascribe this label to James Turrell, a person that is unknown outside the art world? The more we discover about his art and his search for answers, the more complex it becomes to define this remarkable artist. As it would be impossible within the scope of this paper to explore all the different attributes of Turrell’s work, I will try to shed some light on the architectural side of his art. “I like to say that my work is architecture of light into space. But on the other hand, I had to move a lot of material. Even Roden Crater, just to get this celestial vaulting to happen above you, we moved 1.2 million cubic yards of earth.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]