Detailed CV Name Dr Ravishankar Rao Educational Qualification M.A

Total Page:16

File Type:pdf, Size:1020Kb

Detailed CV Name Dr Ravishankar Rao Educational Qualification M.A Detailed CV Name Dr Ravishankar Rao Educational Qualification M.A., Ph.D., PGDHRM Designation Professor Address for Correspondence Department of English Studies Mangalore University Mangalagangothri 574199, India E-Mail [email protected] Phone 9448300540 Research Areas Partition Narratives Film Studies Canadian Literature Professional Teaching Experience 37 years Research Guidance Completed students list Dr Mithun Chakravarty Dr Melisa Goveas Dr Subrahmanya Sharma Ongoing registered students list Ms Akshatha M. G. Sr Veena Lobo Mr Kavan Kumar Ms Lizbeth Shine Professional Collaboration Initiated and sustained the Faculty-Student Academic Exchange Programme with Dept of Journalism, Volda University, Norway Research Journal Publications International Bhisham Sahni’s Tamas and Nihalani’s Screen Version: A Study of the Semiotics of the Partition Trauma.” Sharing A Commonwealth. Selected papers from the ACLALS Triennial international conference, Kuala Lumpur, December 1-6, 1998. Ed. C. S. Lim, et al. Kuala Lumpur: ACLALS-U of Malaya, 2001. 314-25. “Canadian Multiculturalism: Making of the Mosaic” in the Canadian Studies Website www.canadastukeralauniv.edu.in/pdf/Section_A.pdf, in Section A : “History of Canada”, UGC Area Studies Centre for Canadian Studies, University of Kerala, June 2008. “Appropriating the Other, or the Appropriatable Other? Yeats, Tagore and the Prize of 1913.” The Literary Criterion XLI: 3-4 (2006). 57-71. “Situating Student-centred Learning in Times of Change: A Literary View.” Proc. of the International Conference on School Education. Brahmavar: STEP-Little Rock, 2004. “Political Stances and Fictional Attitudes: A Comparative Study of the Political Fiction of Boris Pasternak and Shivarama Karantha.” With Sripada Bhat. Indian Journal for Russian Language, Literature and Culture 4:1-2 (June-Dec. 1987): 85-89. “Indian and African Fiction: Points of Convergence.” New Quest 62 (March-Apr. 1987): 36- 43. Research Journal Publications National Video Presentation (equal to Research Paper as per MHRD-UGC Guidelines) on “Satyajit Ray: Pather Panchali and Introduction to Our films, Their Films” for MHRD-UGC- SWAYAM Postgraduate Level Massive Open Online Course (MOOC) in Film Studies. Course Link: https://onlinecourses.swayam2.ac.in/ugc19_hs31/preview. Offered by Central University of Kerala, Periye, Kasaragod., 2020. “The Maple Laughs Forever! But Who Will Hear? A Foray into the Locations of Humour in CanadianPoetry” in Humour Traditions in Australia and Canada, ed. B. Hariharan and Suja Kurup P L, published by the Centre for Australian Studies and Centre for Canadian Studies, University of Kerala. Chennai: Emerald, 2020. 34-45. “Bharathiya Kala Jagathina Meruparvatha: Narahari Gopalakrishna Pavanje” in Kalluraya P., Shripathi et al., eds., Karavali Mahaniyara Baduku Saadhane. Mangalore: Prasaranga, Mangalore University, 2015. 332-39. “Globalisation and the Transformation of Public Spaces in the Indo-Canadian Context of Higher Education” in Hariharan, B. and P. P. Ajayakumar, eds. Convergence and Configurations of Disciplines: Canada and India. New Delhi: Creative Books, 2014. 48-67. ISBN 978-81-8043-106-7. “Literature on Screen: Tamas as Partition Novel/Film” in Partition and Indian Literature: Voices of the Wounded Psyche.” Eds. Neena Arora and R. K. Dhawan. Vol.2. New Delhi: Prestige, 2010. 366-82. “Evolving Ethnicity: Problematising Issues of Matrilineal Identity through Socio-Literary Perspectives on the Canadian Haida First Nation” with Dr Anita Ravishankar. Ethnicity and Identity: Canada and India, ed. M. Dasan. Pencraft, 2009. 79-84. “Milton’s Paradise Lost: The First Invocation.” Radio-Article for Karnataka State Open University, broadcast on 26.8.2009. “Gendering the Nation.” Rev. of Neluka Silva’s book The Gendered Nation: Contemporary Writings from South Asia. New Delhi: Sage, 2004 in The Literary Criterion. XLII: 3-4 (2007). 82-85. “Sangya-Balya.” By Rayappa Pattar. Trans. B. Naikar. Rev. article. The Literary Criterion XXXX:2 (2005). 74-78. “The Indian Imagination of Girish Karnad” Book rev. The Literary Criterion XXXX:2 (2005). 82-84. “Betrayal.” Translation Review. Translation Today 2:1 (March 2005). 307-10. “Rayappa Pattar.” LittCrit 59 (31:1), June 2005. 104-07. “Situating Child-centred Learning in Times of Change: A Literary View.” New Frontiers in Education XXXV:1 (Jan. – March 2005). 63-68. “Women in Indo-Anglian Fiction: Tradition and Modernity.” Book Rev. The Literary Criterion. XXXIX:2 (2004). 67-69. “Sangya-Balya.” By Rayappa Pattar. Trans. B. Naikar. Rev. article. Journal of Literature and Aesthetics, December 2004. “Sangya-Balya.” By Rayappa Pattar. Trans. B. Naikar. Rev. article The Vedic Path LXII:4 (Dec. 2004). 91-94. “Copyright in the Classroom: Copyight Matters in the Teaching of English at the Post- graduate level: A Critique,” in Somu Giriappa, ed. Copyright Law, Economy and Development. Delhi: Daya, 2002. 202-09. Books Theory As Validation, edited with R. Radhakrishnan, et al, published from Delhi by Pencraft in 2007. Paper Presentations in Conferences/Seminars/Workshops International Seminars On invitation, presented the Keynote paper on “Transcending the Binary: Tagore and Gandhi” at the International Seminar on “Samaj and Freedom(s): The Relevance of Gandhi and Tagore’s Ideas Today”, organised jointly by the Tagore Centre-School of Communication, MAHE, Manipal, and the Edinburgh Napier University, 22-23 February, 2019. On invitation, presented a paper on “Language Planning: Corpus, Status, and Acquisition” at the Global Conclave for Konkani Language Planning organised by the Jagotik Konkani Songhoton at Kalaangann, Mangalore on 24, August 2014. Presented a paper on “Negotiating (Dis)Agreement Freely: the Unique Case of Girish Karnad” at the International Conference on “Translation and Postcolonialities” organised by the Indian Association for Commonwealth Literature and Language Studies, at Karnatak University, Dharwad, February 16-18, 2009. Chaired a session on Translation and Culture at the Seminar. Presented a Paper titled “Of Utopias and Dystopias: Traditions and Transformations in Canadian Fiction” presented at the XXII IACS International Conference on Canadian Studies, Chennai, January 27-29, 2006. Presented a paper titled “The Art and Politics of Subversion: Postcoloniality and the English Canon” at the Eighth International Conference of the Forum on Contemporary Theory at Mangalore University, December 14-17, 2005. Presented a paper titled “Society, Environment, and Technology: the Problem of Contingency in recent Canadian Fiction” at the XXI IACS International Conference on Canadian Studies, Hyderabad, February 26-28, 2005. Presented a paper on “Writing Beyond Borders: Nation and Imagi-nation in Partition Fiction” at ACLALS Triennial International Conference, Hyderabad, August 4-8, 2004. Presented a paper titled “Bala Devo Bhava: Situating Student-centred Learning in Times of Change – A Literary View” at the International Conference on School Education, STEP- Little Rock Indian School, Brahmavar, April 6, 2004. Presented a paper on “Borderless Lands, Disposable People, and Aporias of Pain: the Politics of Globalization and Consumerism in Canadian Science Fiction” at the III Asia-Pacific Conference and XIX IACS International Conference on Canadian Studies, University of Mysore, Mysore, January 9-13, 2003. Presented a paper on “Bhisham Sahni’s Tamas and Nihalani’s Screen Version: A Study of the Semiotics of the Partition Trauma.” at the ACLALS Triennial international conference, Kuala Lumpur, December 1-6, 1998. National Seminars Video Presentation (equal to Research Paper as per MHRD-UGC Guidleines) on “Satyajit Ray: Pather Panchali and Introduction to Our films, Their Films for MHRD-UGC-SWAYAM Postgraduate Level Massive Open Online Course (MOOC) in Film Studies. Course Link: <https://onlinecourses.swayam2.ac.in/ugc19_hs31/preview. Offered by Central University of Kerala, Periye, Kasaragod. On invitation, delivered the Plenary Lecture and paper on “The Maple Laughs Forever! But Who Will Hear? A Foray into the Locations of Humour in Canadian Poetry” at the 3-day National Seminar on Humour Traditions in Australia and Canada, organised by the Centre for Australian Studies and Centre for Canadian Studies, University of Kerala, Trivandrum, 14-16 Nov., 2019. On invitation, delivered the Keynote Address on “The ‘Literary’ in the Teaching of Films” at the 3-day National Workshop on “Teaching Films” organised by the P.G. Dept of English, V K Krishna Menon Government College for Women, Kannur, on 10, January 2017. Presented a paper, as Resource Person, on “Canadian Literature” at the Lecture Series on Canadian Culture and Literature organised by the UGC Area Study Centre for Canadian Studies, University of Kerala, Trivandrum, 5-6 February, 2016. On invitation, was the Guest Speaker at the Valedictory Session of the UGC-sponsored National Seminar on “Contemporary Literary Discourses in Indian English” organised by the Department of English, Sri Bhuvanendra College, Karkala, and presented a paper titled “Look into thy Heart and Write: Contemporary Literary Discourses” on August 29, 2015. On invitation, presented a paper on “Jawaharlal Nehru as a Leader: A Literary Perspective” at the National Workshop on Nehru’s 125th Birth Anniversary, organised by Mangalore University, at Mangalagangothri, on 26 August, 2015. On invitation, presented a Plenary Paper titled “Stuff Happens: Re-negotiating Arab Identity in Life and Literature in the post-9/11 World” at the UGC-sponsored
Recommended publications
  • Introduction
    Introduction Imagine you’re invited to a party. You arrive at the venue, slip past security, and Margaret Atwood is there; so are Michael Ondaatje, Anne Carson, and Dionne Brand. CanLit’s luminaries surround you, and having never brushed elbows with so many prominent writers, you turn paparazzi and start taking photographs in earnest. Point and click—easy to tell who monopolizes the spotlight and who falls back. It’s only once you focus manually, looking for an unconventional angle, that you begin to notice others: a younger, more anonymous crowd pushing at the margins, trying to bypass the guest list. So you raise your camera to include them too, at least those close enough to see clearly. Some of the shots will turn out perfectly—balanced composition, candid expressions that capture the palpable energy of the event. Some won’t. The blur of time will seep in, poor exposure rendering the photographs unusable. You might think I’m describing a Griffin Poetry Prize gala. I am, of course, but this is also the plight of prospective anthologists. Working without the benefit of hindsight, anthologists are responsible for scouting talent in little magazines, hard-to-find books, and critical periodicals. Canonization is a gamble, and time and time again Canadian editors have either gone all in or hedged their bets, offering up both generation defining compilations and remixed versions of established texts. With New Provinces, F.R. Scott curated 13 The Next Wave the first essential anthology of Canadian poetry in 1936. Providing a platform for future icons like E.J.
    [Show full text]
  • THE ROMANTIC POETRY Section a Section B Section C
    DEPARTMENTDEPARTMENT OF ENGLISH OF ENGLISH MANGALOREMANGALORE UNIVERSITY UNIVERSITY CBCSCBCS MA MASYLLABUS SYLLABUS (Passed(Passed in June in June 2016 2016 BoS, BoS, effective effective from fr 2016om 2016) ) Semester 1 (Hard Core 1) THE ROMANTIC POETRY Hard Core 4 credits End Semester Examination 70 Marks Internal Assessment 30 marks – Monthly Tests/ Assignments/ Class Reports Section A The French Revolution, Rousseau and Voltaire Enlightenment Rationality Romantic Subjectivity American War of Independence Early Industrial Revolution Section B Blake: The Tyger; Poison Tree; The Lamb; Chimney Sweeper (both) Coleridge: Kubla Khan; The Rime of the Ancient Mariner Wordsworth: Lines: Composed a Few Miles...; The Prelude Book 1 (Boat Stealing Episode Lines 340-400 – The Norton Anthology of Poetry); Lines: Composed upon Westminister Bridge; Ode: Intimations of Immortality; The World is Too Much with Us Section C Shelley: Ode to the West Wind; To a Skylark Keats: Ode on a Grecian Urn, Ode to Psyche, Ode to a Nightingale DEPARTMENT OF ENGLISH DEPARTMENT OF ENGLISH MANGALORE UNIVERSITY MANGALORE UNIVERSITY CBCSCBCS MA MA SYLLABUS SYLLABUS (Passed in in June June 2016 2016 BoS, BoS, effective effective from 2016 from) 2016 Semester 1 (Hard Core 2) THE NINETEENTH CENTURY NOVELS (Hard Core) Credits: 4 Examination: End-semester examination: 70 Marks; Internal Assessment: 30 Marks) Internal Assessment: Class presentation, Monthly Test, Seminar—separately or in combination Section-A Background 1. Social problems and cultural transformation during industrial revolution. 2. Urbanization and the migrant population 3. Print media, democratic developments and radicalism 4. The Picaresque and Realism 5. Literature and Culture during Nineteenth Century Section-B Novels 1.
    [Show full text]
  • Krishna Sobti: a Writer Who Radiated Bonhomie
    ISSN 2249-4529 www.pintersociety.com VOL: 9, No.: 1, SPRING 2019 GENERAL ESSAY UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 2 | Krishna Sobti: A Writer Who Radiated Bonhomie Krishna Sobti: A Writer Who Radiated Bonhomie Lakshmi Kannan Post Master House, Summer Hill, Shimla. That is where I got to know this legendary writer Krishna Sobti, who carried the weight of her name very lightly. Unlike many famous writers who choose to insulate themselves within a space that they claim as exclusive, Krishnaji’s immense zest for life, her interest in people, her genuine interest in the works of other writers, and her gift for finding humour in the most unlikely situations made her a very friendly, warm and caring person who touched our lives in myriad ways. Krishnaji left us on 25th January this year, leaving behind a tangible absence. Of her it can be truly said that she lived her life to the hilt, scripting a magnificent life for herself while illuminating the lives of many others who had the good fortune to know her.
    [Show full text]
  • परीक्षेचे नांव : सहायक ाध्यापक, इंगर्जी, परीक्षेचा िदनांक : 09 फे बर्ुवारी, 2014 महाराटर् िशक्षण सेवा (महािवद्यालयीन शाखा), गट -अ, चाळणी परीक्षा-2013
    परीक्षेचे नांव : सहायक ाध्यापक, इंगर्जी, परीक्षेचा िदनांक : 09 फे बर्ुवारी, 2014 महाराटर् िशक्षण सेवा (महािवद्यालयीन शाखा), गट -अ, चाळणी परीक्षा-2013 िवषय : इंगर्जी महाराटर् लोकसेवा आयोगामाफर् त सहायक ाध्यापक, इंगर्जी, महाराटर् िशक्षण सेवा (महािवालयीन शाखा), गट -अ, चाळणी परीक्षा-2013 या चाळणी परीक्षेच्या नपितर्के ची उरतािलका उमेदवारांच्या मािहतीसाठी संके तथळावर िसध्द करण्यात आली होती. त्यासंदभार्त उमेदवारांनी अिधमािणत (Authentic) पटीकरण / संदभर् देऊन पाठिवलेली लेखी िनवेदने, तसेच तज्ज्ञांचे अिभाय िवचारात घेऊन आयोगाने उरतािलका सधािरतु के ली आहे. या उरतािलके तील उरे अंितम समजण्यात येतील. यासंदभार्त आलेली िनवेदने िवचारात घेतली जाणार नाहीत व त्याबाबत कोणताही पतर्यवहार के ला जाणार नाही, याची कृ पया नद घ्यावी. उत्तरतािलका - KEY Assessment Knowledge Center MPSC Notations: 1. Options shown in green color are correct. 2. Options shown in red color are incorrect. Group A Number of optional sections to be attempted: 0, Group Maximum duration : 0, Group Minimum duration : 60, Revisit allowed for view? : No, Revisit allowed for edit? : No, Break time: 0 Assistant Professor English Section type : Online, Number of Questions to be attempted:100, Mandatory or Optional: Mandatory Subsection : 1, Question Shuffling Allowed : Yes Question id : 4303 Question Type : MCQ In literary criticism, the term “archetype” denotes Options : 1.
    [Show full text]
  • List of Documentary Films Produced by Sahitya Akademi
    Films Produced by Sahitya Akademi (Till Date) S.No. Author Directed by Duration 1. Amrita Pritam (Punjabi) Basu Bhattacharya 60 minutes 2. Akhtar-ul-Iman (Urdu) Saeed Mirza 60 minutes 3. V.K. Gokak (Kannada) Prasanna 60 minutes 4. Takazhi Sivasankara Pillai (Malayalam) M.T. Vasudevan Nair 60 minutes 5. Gopalkrishna Adiga (Kannada) Girish Karnad 60 minutes 6. Vishnu Prabhakar (Hindi) Padma Sachdev 60 minutes 7. Balamani Amma (Malayalam) Madhusudanan 27 minutes 8. Vinda Karandikar (Marathi) Nandan Kudhyadi 60 minutes 9. Annada Sankar Ray (Bengali) Budhadev Dasgupta 60 minutes 10. P.T. Narasimhachar (Kannada) Chandrasekhar Kambar 27 minutes 11. Baba Nagarjun (Hindi) Deepak Roy 27 minutes 12. Dharamvir Bharti (Hindi) Uday Prakash 27 minutes 13. D. Jayakanthan (Tamil) Sa. Kandasamy 27 minutes 14. Narayan Surve (Marathi) Dilip Chitre 27 minutes 15. Bhisham Sahni (Hindi) Nandan Kudhyadi 27 minutes 16. Subhash Mukhopadhyay (Bengali) Raja Sen 27 minutes 17. Tarashankar Bandhopadhyay (Bengali) Amiya Chattopadhyay 27 minutes 18. Vijaydan Detha (Rajasthani) Uday Prakash 27 minutes 19. Navakanta Barua (Assamese) Gautam Bora 27 minutes 20. Mulk Raj Anand (English) Suresh Kohli 27 minutes 21. Gopal Chhotray (Oriya) Jugal Debata 27 minutes 22. Qurratulain Hyder (Urdu) Mazhar Q. Kamran 27 minutes 23. U.R. Anantha Murthy (Kannada) Krishna Masadi 27 minutes 24. V.M. Basheer (Malayalam) M.A. Rahman 27 minutes 25. Rajendra Shah (Gujarati) Paresh Naik 27 minutes 26. Ale Ahmed Suroor (Urdu) Anwar Jamal 27 minutes 1 27. Trilochan Shastri (Hindi) Satya Prakash 27 minutes 28. Rehman Rahi (Kashmiri) M.K. Raina 27 minutes 29. Subramaniam Bharati (Tamil) Soudhamini 27 minutes 30. O.V.
    [Show full text]
  • The Epic Phase in Canadian Poetry
    E. J. PRATI: THE EPIC PHASE IN CANADIAN POETRY Edwin John Pratt ( 1882-1964) dominates Canadian poetry in the first half of the twentieth century and, therefore, he belongs, at least chronologically, toa generation of artists who wit­ nessed two world wars and who, as a result of this appalling experience, set asirle the youthful enthusiasm of the Romantics and the didactic impulse of the Victorians to voice the pes­ simism of the new age. In Europe, the echoes of the old faith in man's ability to achieve a more meaningful existence could still be heard, but the dominant mood was one of scepticism about the progress and future of mankind. Romantic and post-Romantic .poets had generally adopted the role of guides who could provide the right orientation for existence. The most in­ fluential modero artists, on the contrary, chose to highlight man's decadence and frustration Against this, The poetry of E. J. Pratt, seems to be more Romantic than modero because this Canadian artist is essentially optimistic about man's potential and celebrates progress, strength and resilience instead of brooding on life-destructive forces. To a great extent, the reason for this vitality and optimism is to be found in the social and political climate that dominated Canadian life in the frrst decades of this century. In an article entitled ''The 1920s: E. J. Pratt Transitional Modero", the critic Sandra Djwa contrasts the aftermath of World W ar I in Europe and the United States with the effects that the conflict produced in Canada and explains the reasons for the wave of optimism that pervaded Canadian society when peace was restored: In Europe and in the United States, the reaction to the war had been one of profound disillusionment.
    [Show full text]
  • Questions of Religion and Alienation in Bhisham Sahni's Pali
    www.galaxyimrj.com Galaxy: International Multidisciplinary Research Journal ISSN 2278-9529 Confused Identities: Questions of Religion and Alienation in Bhisham Sahni’s Pali Dr. Anil Sehrawat & Diler Singh Jaypee University of Information and Technology Waknaghat, Solan. Himachal Pradesh. India Pin-173234 The Partition of India-Pakistan was one of the most traumatic events experienced by people in the recent times. The massacre that followed the event was barbaric. The violence provoked by a handful of selfish and insensible people made Hindus, Muslims and Sikhs commit various inhuman crimes on each other. As the two countries were formed largely on the basis of religion, the people who were in minority in a region were forced to leave their homes and all their life-long possessions. The partition resulted in creation of approximately ten million refugees and at least one million deaths. The literature that has been written about the partition has very realistically portrayed the violence and the killings on both the sides. It deals with a variety of themes woven around the event. While some writers have talked about the massacre during the refugee migration, others have written about the difficulties that people had to face during their rehabilitation in a new country. Short story ‘Pali’ by Bhisham Sahani deals with the trauma of a child named Pali, who gets separated from his parents during the partition. Pali finds himself bewildered when he is converted to different religions twice. Also, he finds himself at crossroads when he is expected to forget his past life and accept the new one immediately.
    [Show full text]
  • The Publishing of a Poet: an Empirical Examination of the Social Characteristics of Canadian Poets As Revealed in Small Press Literary Magazines
    The Publishing of a Poet: An Empirical Examination of the Social Characteristics of Canadian Poets as Revealed in Small Press Literary Magazines by Diane Monique Barlee B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Sociology ! Diane Monique Barlee, 2011 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Publishing of a Poet: An Empirical Examination of the Social Characteristics of Canadian Poets as Revealed in Small Press Literary Magazines by Diane Monique Barlee B.A., University of Victoria, 2008 Supervisory Committee Dr. Richard Ogmundson (Department of Sociology) Supervisor Dr. Peyman Vehabzadeh (Department of Sociology) Departmental Member Dr. Iain Macleod Higgins (Department of English) Outside Member iii Abstract Supervisory Committee Dr. Richard Ogmundson (Department of Sociology) Supervisor Dr. Peyman Vehabzadeh (Department of Sociology) Departmental Member Dr. Iain Macleod Higgins (Department of English) Outside Member This thesis is an exploratory examination of the social characteristics of 139 poets featured in a selection of five small press Canadian literary journals. The investigation charts and analyzes the demographics of 64 poets who were published in 1967, and 75 poets who were published in four small press literary magazines in 2010. The 2010 magazines were purposely sampled as representatives of specific geographical areas in Canada (i.e., the West Coast, the Prairies, Central Canada, and the East Coast). The results indicate that in 1967 female poets were less likely to be published; however, 43 years later, this bias has been rectified.
    [Show full text]
  • Summer 2016 Vol
    $4.95 SUMMER 2016 VOL. 39 NO. 2 RECOMMENDED BOOKS + OPINIONS + PROFILES + NEWS + REVIEWS A Shout Out for Sarah Ellis: A Major Bookmark! Poetry, Canadian Poetry Player in Kidslit Rhyme, Free Verse Reviews of over 35 books by Dennis Lee, Lisa Moore, Shane Peacock, Arthur Slade and more PRINTING OF THIS ISSUE DONATED BY FRIESENS Reading, naturally. friesens.com 1.866.324.6401 CONTENTS THIS ISSUE booknews Summer 2016 Volume 39 No.2 16 TD Canadian Children’s Book Week 2016 Editor Sandra O’Brien Copy Editor and Proofreader Mary Roycroft Ranni Storyteller Donna Dudinsky visits North Battleford Library Design Perna Siegrist Design in Saskatchewan. Advertising Michael Wile This informative magazine published quarterly by the Canadian Children’s Book Centre is available by yearly subscription. Single subscription – $24.95 plus sales tax (includes 2 issues of Best Books for Kids & Teens) Contact the CCBC for bulk subscriptions and for US or overseas subscription rates. Summer 2016 (August 2016) Canadian Publication Mail Product Sales Agreement 40010217 Published by the Canadian Children’s Book Centre ISSN 1705 – 7809 For change of address, subscriptions, or return of undeliverable copies, contact: The Canadian Children’s Book Centre 40 Orchard View Blvd., Suite 217 Toronto, ON M4R 1B9 Tel 416.975.0010 Fax 416.975.8970 Email [email protected] Website www.bookcentre.ca Review copies, catalogues and press releases should be sent to the Editor at: [email protected] or to Sandra O’Brien c/o the above address. For advertising information, contact: Michael Wile at [email protected] or 416.531.1483 4 16 A Tribute: Gillian O’Reilly TD Canadian Children’s Book Week 2016: Friends and colleagues talk about working with A Photo Spread former CCBN editor Gillian O’Reilly.
    [Show full text]
  • Stamps of India - Commemorative by Prem Pues Kumar [email protected] 9029057890
    E-Book - 26. Checklist - Stamps of India - Commemorative By Prem Pues Kumar [email protected] 9029057890 For HOBBY PROMOTION E-BOOKS SERIES - 26. FREE DISTRIBUTION ONLY DO NOT ALTER ANY DATA ISBN - 1st Edition Year - 1st May 2020 [email protected] Prem Pues Kumar 9029057890 Page 1 of 76 Nos. YEAR PRICE NAME Mint FDC B. 1 2 3 1947 1 21-Nov-47 31/2a National Flag 2 15-Dec-47 11/2a Ashoka Lion Capital 3 15-Dec-47 12a Aircraft 1948 4 29-May-48 12a Air India International 5 15-Aug-48 11/2a Mahatma Gandhi 6 15-Aug-48 31/2a Mahatma Gandhi 7 15-Aug-48 12a Mahatma Gandhi 8 15-Aug-48 10r Mahatma Gandhi 1949 9 10-Oct-49 9 Pies 75th Anni. of Universal Postal Union 10 10-Oct-49 2a -do- 11 10-Oct-49 31/2a -do- 12 10-Oct-49 12a -do- 1950 13 26-Jan-50 2a Inauguration of Republic of India- Rejoicing crowds 14 26-Jan-50 31/2a Quill, Ink-well & Verse 15 26-Jan-50 4a Corn and plough 16 26-Jan-50 12a Charkha and cloth 1951 17 13-Jan-51 2a Geological Survey of India 18 04-Mar-51 2a First Asian Games 19 04-Mar-51 12a -do- 1952 20 01-Oct-52 9 Pies Saints and poets - Kabir 21 01-Oct-52 1a Saints and poets - Tulsidas 22 01-Oct-52 2a Saints and poets - MiraBai 23 01-Oct-52 4a Saints and poets - Surdas 24 01-Oct-52 41/2a Saints and poets - Mirza Galib 25 01-Oct-52 12a Saints and poets - Rabindranath Tagore 1953 26 16-Apr-53 2a Railway Centenary 27 02-Oct-53 2a Conquest of Everest 28 02-Oct-53 14a -do- 29 01-Nov-53 2a Telegraph Centenary 30 01-Nov-53 12a -do- 1954 31 01-Oct-54 1a Stamp Centenary - Runner, Camel and Bullock Cart 32 01-Oct-54 2a Stamp Centenary
    [Show full text]
  • 20Years of Sahmat.Pdf
    SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
    [Show full text]
  • Azadi: Partition Holocaust
    https://doi.org/10.24113/ijellh.v7i11.10092 Azadi: Partition Holocaust N. Ravi Vincent Teaching Assistant Dept. of English Andhra University Campus Vizianagaram, Andhra Pradesh, India [email protected] Abstract Chaman Nahal’s Azadi, concludes on a note of forgiveness as the only means through which Indians can recover their sanity. And Lala Kanshi Ram, the protagonist of the novel, feels that to live at peace with oneself, one must cease to hate and learn to forgive. Thus humanism is very transparent in Nahal’s Novels. Azadi by Chaman Nahal accepts the partition as a fact, an inevitable happening and he does not blame anybody for the partition but he effectively showcases the excruciating pain, repercussions after independence in 1947 and halocaust experienced by people around. Keywords: Azadi, Sanity, Inevitable Happening, Excruciating Pain, Holocaust And Repercussions. SMART MOVES JOURNAL IJELLH ISSN: 2582-3574 Vol. 7, Issue 11, November 2019 33 https://doi.org/10.24113/ijellh.v7i11.10092 ‘Azadi’ is a significant contribution to the body of creative literature which has sprung round the theme of partition. The Partition of India in 1947 was such a cataclysmic event for the country. The people who were eye witnesses to the horror and violence of those sad happening. No other event in the history of this country had created so tremendous an impact on India’s intellectuals and writers who continue to be haunted by it even today, after more than 7 decades.“K. R. Srinivas Iyengar opines that “ Novels on the ‘partition ’horrors and bestiality are religion, but it is not often they transcend sensationalism and achieve the discipline of if art.” ( Iyengar, 2008)1 There are countless writers who have expounded on the theme of partition.
    [Show full text]