The Morals, Vol. 1 [1878]
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Didactic Poetry: the Hellenistic Invention of a Pre-Existing Genre
in Richard Hunter, Antonios Rengakos, and Evina Sistakou (eds.), Hellenistic Studies at a Crossroads: Exploring Texts, Contexts and Metatexts, Trends in Classics, Supplementary Volume 25 (Berlin 2014) David Sider Didactic poetry: The Hellenistic invention of a pre-existing genre For all that it is almost a cliché that Hellenistic poets were acutely aware of genre —who before Callimachus would or could have boasted of his πολυείδεια?—,¹ discussions, let alone definitions, of didactic poetry as a genre are scarce. Why bother, when it seems so obvious? Look at Aratus and Nicander, whose model was Hesiod, and nothing more need be said. Nonetheless, that will be my aim here. There have of course been many useful studies of classical didactic poetry,² some of which offer various classifications (see below); yet I have long felt that insufficient attention has been paid, both by the ancients themselves and by us today, to the development of the poems called didactic, although modern termi- nology and the ancients are not in complete agreement as to what constitutes a Bibliography at end. Some earlier poets did in fact write in more than one genre, but could have boasted of it only in particular terms, i.e., by specifying “I write poems of type X and Y,” as we see at the end of the Symposium 223d ὁμολογεῖναὐτοὺςτοῦαὐτοῦἀνδρὸςεἶναι κωμῳδίαν καὶ τραγῳδίαν ἐπίστασθαι ποιεῖν, καὶ τὸν τέχνῃ τραγῳδοποιὸν ὄντα <καὶ> κωμῳδοποιὸνεἶναι (“They agreed that the same man can know how to compose both comedy and tragedy, and that the skilled tragic poet is also a skilled writer of comedies”)—to which one can add that Plato has himself done this within this very dialogue, adding satyrography, as Bacon (1959) shows. -
Teachers' Pay in Ancient Greece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 5-1942 Teachers' Pay In Ancient Greece Clarence A. Forbes Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Teachers' Pay In Ancient Greece * * * * * CLARENCE A. FORBES UNIVERSITY OF NEBRASKA STUDIES Ma y 1942 STUDIES IN THE HUMANITIES NO.2 Note to Cataloger UNDER a new plan the volume number as well as the copy number of the University of Nebraska Studies was discontinued and only the numbering of the subseries carried on, distinguished by the month and the year of pu blica tion. Thus the present paper continues the subseries "Studies in the Humanities" begun with "University of Nebraska Studies, Volume 41, Number 2, August 1941." The other subseries of the University of Nebraska Studies, "Studies in Science and Technology," and "Studies in Social Science," are continued according to the above plan. Publications in all three subseries will be supplied to recipients of the "University Studies" series. Corre spondence and orders should be addressed to the Uni versity Editor, University of Nebraska, Lincoln. University of Nebraska Studies May 1942 TEACHERS' PAY IN ANCIENT GREECE * * * CLARENCE A. -
Aspasian Infidelities. on Aspasius' Philosophical Background (EN I)
apeiron 2016; 49(2): 229–259 António Pedro Mesquita* Aspasian Infidelities. On Aspasius’ Philosophical Background (EN I) DOI 10.1515/apeiron-2015-0028 Abstract: The discussion on Aspasius’ philosophical background has benefited in recent years from a wide consensus. According to this consensus, Aspasius should be regarded as a Peripatetic, or even as an “orthodox Peripatetic” (Barnes’ phrase). It is true that Aspasius’ commentary is generally in tune with Aristotle. It is true that he shows an extensive knowledge of Aristotelian research pertinent for the discussions and that he uses Aristotelian concepts, principles, and doctrines with ease as if they were his own, thus denoting an old assimila- tion of those materials and a long accommodation to them. In a word, it is true that Aspasius is an Aristotelian. He is, however, as I will try to show in this paper, an Aristotelian strongly influenced by Stoicism. I will do so by selecting those points from Aspasius’ commentary on book I of the Nicomachean Ethics where the Stoic influence is most flagrantly evident, namely in his interpretation of art (τέχνη), his conception of continence and incontinence and, especially, his interpretation of the relation between happiness, virtue, and external goods in Aristotle. Keywords: Aspasius, Aristotelianism, Stoicism, happiness, virtue, external goods The Consensus The discussion on Aspasius’ philosophical background has benefited in recent years from a wide consensus. A good example of this consensus is the position Barnes sustains on the matter in his excellent “Introduction to Aspasius”, where he states the following1: Next, Aspasius’ philosophical position. Galen calls him a Peripatetic, and it is plain that his pupil taught Galen Peripatetic philosophy. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
A Literary Sources
Cambridge University Press 978-0-521-82860-4 — The Hellenistic World from Alexander to the Roman Conquest 2nd Edition Index More Information Index A Literary sources Livy XXVI.24.7–15: 77 (a); XXIX.12.11–16: 80; XXXI.44.2–9: 11 Aeschines III.132–4: 82; XXXIII.38: 195; XXXVII.40–1: Appian, Syrian Wars 52–5, 57–8, 62–3: 203; XXXVIII.34: 87; 57 XXXIX.24.1–4: 89; XLI.20: 209 (b); ‘Aristeas to Philocrates’ I.9–11 and XLII.29–30.7: 92; XLII.51: 94; 261 V.35–40: XLV.29.3–30 and 32.1–7: 96 15 [Aristotle] Oeconomica II.2.33: I Maccabees 1.1–9: 24; 1.10–25 and 5 7 Arrian, Alexander I.17: ; II.14: ; 41–56: 217; 15.1–9: 221 8 9 III.1.5–2.2: (a); III.3–4: ; II Maccabees 3.1–3: 216 12 13 IV.10.5–12.5: ; V.28–29.1: ; Memnon, FGrH 434 F 11 §§5.7–11: 159 14 20 V1.27.3–5: ; VII.1.1–4: ; Menander, The Sicyonian lines 3–15: 104 17 18 VII.4.4–5: ; VII.8–9 and 11: Menecles of Barca FGrHist 270F9:322 26 Arrian, FGrH 156 F 1, §§1–8: (a); F 9, Pausanias I.7: 254; I.9.4: 254; I.9.5–10: 30 §§34–8: 56; I.25.3–6: 28; VII.16.7–17.1: Athenaeus, Deipnosophistae V.201b–f, 100 258 43 202f–203e: ; VI.253b–f: Plutarch, Agis 5–6.1 and 7.5–8: 69 23 Augustine, City of God 4.4: Alexander 10.6–11: 3 (a); 15: 4 (a); Demetrius of Phalerum, FGrH 228 F 39: 26.3–10: 8 (b); 68.3: cf. -
Negotiating Identity in the Ancient Mediterranean: the Archaic and Classical Greek Multiethnic Emporia Denise Demetriou Index More Information
Cambridge University Press 978-1-107-01944-7 - Negotiating Identity in the Ancient Mediterranean: The Archaic and Classical Greek Multiethnic Emporia Denise Demetriou Index More information Index Abu Simbel, 112n, 149 emporia, importance of in, 91–2, 94, 103 Adjiyska Vodenitza, 159n, 158–60, 160n Epaktia, 93 Adonia, 222 Epilimenia, 91, 92 Adonis, 84, 222 Euploia, 93, 218 Aegean Galenaia, 93 North, 155, 159–60, 168.SeealsoPistiros, Gravisca, worship of in, 77, 83, 86n, 88–90, trade network 102, 103, 139, 235 Sea, 19–21, 106, 130, 178, 188, 199 Hellenion and, 144, 234 Aeolians, 12–13, 110, 146–7, 236 Kition, worship of at, 222, 237 Aeschylus, 101, 167–8 Kos, worship of at, 92–3, 141 Africa, North, 4, 68, 106 kourotrophos, 101–2, 139 Agathe, 22, 24, 29–30, 37–8, 38n Naukratis, worship of in, 81, 89, 114, 138, Agde.SeeAgathe 139–42, 235 Aigina, 64, 80, 91, 92–3, 103, 145n.Seealso navigation, patron of, 91–5, 234 Gravisca Ourania, 93, 220–1 Athens and, 184, 197 Pandemos, 93, 140, 141 Naukratis and, 80, 110, 129, 135, 142, Peiraieus, worship of in, 92, 218–22, 228 237 Pontia, 93, 141 script of, 64, 78, 80 Pontia kai Limenia, 93 temple of Aphaia in, 68 prostitutes and, 140–1 Aiginetan(s), 80–1, 129, 138–9, 237.Seealso sacred prostitution and, 82, 90–1 Sostratos of Aigina traders and, 93–5 Gravisca, 64, 83, 103 Turan and, 90, 97–8, 102, 103–4, 233 Alexander, 119, 155, 216n Apollo, 70, 89.Seealsocity-ethnic, Apollo Amadokos II, 163, 164, 165n, 182, 183, 185 Aigina and, 64, 80, 83, 103, 211, 237 Amasis, Pharaoh, 7, 148, 150–1 archegetes, 57, 59, -
Loeb Lucian Vol5.Pdf
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, C.H., LITT.D. litt.d. tE. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, f.e.hist.soc. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., LUCIAN V •^ LUCIAN WITH AN ENGLISH TRANSLATION BY A. M. HARMON OK YALE UNIVERSITY IN EIGHT VOLUMES V LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXII f /. ! n ^1 First printed 1936 Reprinted 1955, 1962 Printed in Great Britain CONTENTS PAGE LIST OF LTTCIAN'S WORKS vii PREFATOEY NOTE xi THE PASSING OF PEBEORiNUS (Peregrinus) .... 1 THE RUNAWAYS {FugiUvt) 53 TOXARis, OR FRIENDSHIP (ToxaHs vd amiciHa) . 101 THE DANCE {Saltalio) 209 • LEXiPHANES (Lexiphanes) 291 THE EUNUCH (Eunuchiis) 329 ASTROLOGY {Astrologio) 347 THE MISTAKEN CRITIC {Pseudologista) 371 THE PARLIAMENT OF THE GODS {Deorutti concilhim) . 417 THE TYRANNICIDE (Tyrannicidj,) 443 DISOWNED (Abdicatvs) 475 INDEX 527 —A LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION Volume I Phalaris I and II—Hippias or the Bath—Dionysus Heracles—Amber or The Swans—The Fly—Nigrinus Demonax—The Hall—My Native Land—Octogenarians— True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Catechized —Zeus Rants—The Dream or The Cock—Prometheus—* Icaromenippus or The Sky-man—Timon or The Misanthrope —Charon or The Inspector—Philosophies for Sale. Volume HI The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite —The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ A COGNITIVE-INFORMED APPROACH TO ‘SACRIFICE’ IN ANCIENT GREECE Crabtree, Charles Rawcliffe Airey Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 A COGNITIVE-INFORMED APPROACH TO ‘SACRIFICE’ IN ANCIENT GREECE Charles Rawcliffe Airey Crabtree Degree of Doctor of Philosophy (Classics) 1 Abstract My thesis presents a significant new understanding of ‘sacrifice’ and demonstrates the applicability of a cognitive-informed approach. -
Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult
ΑΡΣΙΝΟΗ ΕΥΠΛΟΙΑ Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult Carlos Francis Robinson Bachelor of Arts (Hons. 1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2019 Historical and Philosophical Inquiry Abstract Queen Arsinoë II, the Maritime Aphrodite and Early Ptolemaic Ruler Cult By the early Hellenistic period a trend was emerging in which royal women were deified as Aphrodite. In a unique innovation, Queen Arsinoë II of Egypt (c. 316 – 270 BC) was deified as the maritime Aphrodite, and was associated with the cult titles Euploia, Akraia, and Galenaië. It was the important study of Robert (1966) which identified that the poets Posidippus and Callimachus were honouring Arsinoë II as the maritime Aphrodite. This thesis examines how this new third-century BC cult of ‘Arsinoë Aphrodite’ adopted aspects of Greek cults of the maritime Aphrodite, creating a new derivative cult. The main historical sources for this cult are the epigrams of Posidippus and Callimachus, including a relatively new epigram (Posidippus AB 39) published in 2001. This thesis demonstrates that the new cult of Arsinoë Aphrodite utilised existing traditions, such as: Aphrodite’s role as patron of fleets, the practice of dedications to Aphrodite by admirals, the use of invocations before sailing, and the practice of marine dedications such as shells. In this way the Ptolemies incorporated existing religious traditions into a new form of ruler cult. This study is the first attempt to trace the direct relationship between Ptolemaic ruler cult and existing traditions of the maritime Aphrodite, and deepens our understanding of the strategies of ruler cult adopted in the early Hellenistic period. -
Being the Treatises of the First Ennead With
Tufts College Library FROM THE INCOME OF THE SHIPMAN MEMORIAL FUND Digitized by the Internet Archive in 2016 https://archive.org/details/ethicaltreatises01plot I f ; « li s’ I I V Oo dum 5l<5ipe 0(^ i on6fu\ tiA h-6ipe^nn, 1 nDoriin^id-Dpoc t)jiile-^i!;4-CU-iC tioni, Sciopin tTiAC-ennii. TIo'dUaij 1916. LOTINUS: THE ETHICAL TREATISES BEING THE TREATISES OF THE FIRST ENNEAD WITH PORPHYRY’S LIFE OF PLOTINUS, AND THE PRELLER-RITTER EXTRACTS FORMING A CONSPECTUS OF THE PLOTINIAN SYSTEM, TRANSLATED FROM THE GREEK BY STEPHEN MACKENNA CHARLES T. BRANFORD COMPANY BOSTON, MASSACHUSETTS /1>.L % k95 ,E5 ,M-b v.l CONTENTS I'AQP. Porphyry’s Life of Plotinus ....... i THE BOOKS OF THE FIRST ENNEAD I. The Animate and the Man . .29 . II. On Virtue . • 41 III. Dialectic (or The Upward Way) . -.50 IV. On Happiness (or The Authentic Good of Life) . V. On Happiness and Extension of Time . -72 VI. On Beauty . *77 VII. On the Primal Good and its Secondary Forms . .89 VIII. On Evil, Its Nature and Source . .92 IX. On “The Reasoned Dismissal” ...... 108 BIBLIOGRAPHY AND EXPLANATORY MATTER Text, Previous Tr.\nslations . -113 Method of this Translation . .114 Commentaries ......... 116 Terminology ......... 117 The Divine Names ........ 118 The One .......... n8 The Intellectual-Principle ....... 119 The All-Soul ......... 120 The Divine-Triad as a Unity ....... 120 The Gods and Daimones ....... 121 • Man ; His Nature, Powers and Destiny ..... 121 Evil and Matter ........ 123 Morality ......... 123 The Term and the Way ....... 124 Minor Points of Terminology ....... 124 THE PRELLER-RITTER CONSPECTUS OF THE PLOTINIAN SYSTEM I. -
Fuglesang Til Trykk.Indd
Ornament and Order Essays on Viking and Northern Medieval Art for Signe Horn Fuglesang Edited by Margrethe C. Stang and Kristin B. Aavitsland © Tapir Academic Press, Trondheim 2008 ISBN 978-82-519-2320-0 This publication may not be reproduced, stored in a retrieval system or transmitted in any form or by any means; electronic, electrostatic, magnetic tape, mechanical, photo-copying, recording or otherwise, without permission. Layout: Tapir Academic Press Font: 10,5 pkt Adobe Garamond Pro Paper: 115 g Multiart Silk Printed and binded by 07-gruppen as This book has been published with founding from: Professor Lorentz Dietrichson og hustrus legat til fremme av kunsthistorisk forskning Department of Culture Studies and Oriental Languages, University of Oslo Fritt Ord – The Freedom of Expression Foundation, Oslo Tapir Academic Press NO–7005 TRONDHEIM Tel.: + 47 73 59 32 10 Fax: + 47 73 59 84 94 E-mail: [email protected] www.tapir.no Table of Contents Preface . 7 Tabula Gratulatoria . 9 Erla Bergendahl Hohler Signe Horn Fuglesang – an Intellectual Portrait . 13 Eloquent Objects from the Early Middle Ages David M. Wilson Jellinge-style Sculpture in Northern England . 21 Anne Pedersen and Else Roesdahl A Ringerike-style Animal’s Head from Aggersborg, Denmark . 31 James Graham-Campbell An Eleventh-century Irish Drinking-horn Terminal . 39 Ornament and Interpretation Ulla Haastrup The Introduction of the Meander Ornament in Eleventh-century Danish Wall Paintings. Thoughts on the Symbolic Meaning of the Ornament and its Role in Promoting the Roman Church . 55 Kristin B. Aavitsland Ornament and Iconography. Visual Orders in the Golden Altar from Lisbjerg, Denmark . -
Syllabus for Classics 140 (#20821) Introduction to Classics
SYLLABUS FOR CLASSICS 140 (#20821) INTRODUCTION TO CLASSICS Fall 2014 Semester, San Diego State University Brett Robbins, PhD., Department of Classics & Humanities Class Hours: M/W 2-3:15 PM, Classroom: PSFA-310 Office Hours (AL-672): MW 12:30-1:45 PM (or by appointment) Phone: 805-444-2393, E-Mail: [email protected] 1) COURSE DESCRIPTION If you’re curious about your own society, you should also be curious about the ancient Greeks and Romans, because they were the inventors of western culture and you should be curious about where so much of what you take for granted comes from. It’s inherently pleasurable to trace so much of what we think and do today to their roots in ancient Greece and Rome, to make sense of their world and our own world through their world and of both worlds through their interrelationships with each other. That is, I believe, what is most special about the study of antiquity: we find, if we look closely, so many firsts in western culture: the first epic and lyric poems, the first plays, the first theaters, the first histories, even the first cinema (huh?). And through the literature of ancient Greece and Rome we encounter the first expression of certain ideas like community, democracy, and imperialism and of certain emotions like courage, curiosity, and love. If tracing things back to their roots, their origins in the past, excites you, you are in the right place, because that is what I am primarily interested in: getting back to the roots. There is more.