Concept on Mission: Bulgarian Orthodox Church
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Images of Devotion
IMAGES OF DEVOTION Russian Icons from the DePauw University Art Collection INTRODUCTION Initially conceived in the first century, religious icons have a long history throughout the Christian world.1 The icon was not simply created to mirror the physical appearance of a biblical figure, but to idealize him or her, both physically and spiritually.2 Unlike Western Christianity where religious art can be appreciated solely for its beauty and skill alone, in the Orthodox tradition, the icon becomes more than just a reflection – it is a vehicle for the divine essence contained within.3 Due to the sacred nature of the icon, depictions of biblical figures became not only desirable in the Orthodox tradition, but an absolute necessity. Religious icons were introduced to Russia during the official Christianization of the country under Vladimir, the Great Prince of Kiev, in 988. After this period, many regional schools developed their own indigenous styles of icon painting, such as: Pokov, Novgorod, Moscow, Suzdal, and Jaroslavl.4 Upon Moscow’s emergence as Christ with Twelve Apostles the religious and political capital of Russia in the Russian Artist, Date Unknown Tempura Paint on Panel sixteenth century, it cemented its reputation as DePauw Art Collection: 1976.31.1 the great center for icon painting. Gift of Earl Bowman Marlatt, Class of 1912 The benefactor of this collection of Russian This painting, Christ with Twelve Apostles, portrays Jesus Christ iconography, Earl Bowman Marlatt (1892-1976), reading a passage from the Gospel of Matthew to his Apostles.7 was a member of the DePauw University class Written in Old Church Slavonic, which is generally reserved of 1912. -
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Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section II: Conference papers, pp. 83-97 ISSN 2342-1258 https://journal.fi/jisocm Stifling Creativity: Problems Born out of the Promulgation of the 1906 Tserkovnoje Prostopinije Fr Silouan Sloan Rolando [email protected] At the beginning of the twentieth century, the Greek Catholic Bishop of the city of Mukačevo in what is now Ukraine promulgated an anthology of Carpatho- Rusyn chant known as the Церковноє Простопѣніє (hereafter, the Prostopinije) or Ecclesiastical Plainchant. While this book follows in the tradition of printed Heirmologia found throughout the Orthodox and Greek Catholic churches of Belarus, Ukraine, and Russia starting in the sixteenth century, this book presents us with a number of issues that affect the quality and usability of this chant in both its homeland and abroad as well as in the original language, Old Church Slavonic, and in modern languages such as Ukrainian, Hungarian and English. Assuming that creativity is more than just producing new music out of thin air, the problems revealed in the Prostopinije can be a starting point the better to understand how creativity can be unintentionally stifled and what can be done to overcome these particular obstacles. A Brief History Heirmologia in this tradition are anthologies of traditional chant that developed in the emergence of the Kievan five-line notation in place of the older Znamenny neums. With the emergence of patterned chant systems variously called Kievan, Galician, Greek and Bulharski, each touting unique melodies for each tone and each element of liturgy, the Heirmologia would be augmented with these chants often replacing the older Znamenny, especially for the troparia, stichera and prokeimena of the Octoechos. -
Orthodox Churches
Orthodox Churches The Cross of the Romanian Orthodox Church is the symbol of the Irish branch of the Church and one of a number of crosses venerated across the Orthodox Traditions. ORTHODOX CHURCHES Orthodox Churches trace their roots to the twelve male apostles who, according to Christian teaching, were chosen by Christ to continue his teaching. The Orthodox movement comprises a group of independent churches that follow particular teachings, each having the right to elect its own leaders. The Christian Bible is the key holy book of the Orthodox Churches, who share the principal beliefs of other traditions of Christianity (described on page 16). The Orthodox movement is the largest Christian community in the Middle East and Eastern Europe, while it is the second largest Christian community in the world. Clergy are referred to as priests. 145 Summary of Essential Practice Points: Please refer to the full text of the highlighted points related to the following summary points. Profile of the Orthodox Churches of a threat to the life of an infant the Orthodox 1 in Ireland: Churches prefer that the child is baptised. This should ideally be done by an Orthodox priest. If Orthodox Churches in Ireland correspond to two none is immediately available then the Orthodox main traditions who share core Christian beliefs, Churches would wish that the parents baptise the ceremonies and rituals. The membership of each child themselves using the guidance given under church is highly culturally diverse. In summary, Initiation ritual/infant baptism below. members come from Ireland, European and Eastern European countries, parts of the Middle East, parts of Asia, parts of Africa and North America. -
Globalization and Orthodox Christianity: a Glocal Perspective
religions Article Globalization and Orthodox Christianity: A Glocal Perspective Marco Guglielmi Human Rights Centre, University of Padua, Via Martiri della Libertà, 2, 35137 Padova, Italy; [email protected] Received: 14 June 2018; Accepted: 10 July 2018; Published: 12 July 2018 Abstract: This article analyses the topic of Globalization and Orthodox Christianity. Starting with Victor Roudometof’s work (2014b) dedicated to this subject, the author’s views are compared with some of the main research of social scientists on the subject of sociological theory and Eastern Orthodoxy. The article essentially has a twofold aim. Our intention will be to explore this new area of research and to examine its value in the study of this religion and, secondly, to further investigate the theory of religious glocalization and to advocate the fertility of Roudometof’s model of four glocalizations in current social scientific debate on Orthodox Christianity. Keywords: Orthodox Christianity; Globalization; Glocal Religions; Eastern Orthodoxy and Modernity Starting in the second half of the nineteen-nineties, the principal social scientific studies that have investigated the relationship between Orthodox Christianity and democracy have adopted the well-known paradigm of the ‘clash of civilizations’ (Huntington 1996). Other sociological research projects concerning religion, on the other hand, have focused on changes occurring in this religious tradition in modernity, mainly adopting the paradigm of secularization (in this regard see Fokas 2012). Finally, another path of research, which has attempted to develop a non-Eurocentric vision, has used the paradigm of multiple modernities (Eisenstadt 2000). In his work Globalization and Orthodox Christianity (2014b), Victor Roudometof moves away from these perspectives. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Russian Copper Icons Crosses Kunz Collection: Castings Faith
Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review. -
The Slavic Akathistos Hymn
Slavistische Beiträge ∙ Band 224 (eBook - Digi20-Retro) Antonina F. Gove The Slavic Akathistos Hymn Poetic Elements of the Byzantine Text and Its Old Church Slavonic Translation Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 Sl a v is t ic h e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER• JOSEF SCHRENK REDAKTION PETER REHDER Band 224 VERLAG OTTO SAGNER MÜNCHEN Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 ANTONINA FILONOV GOVE THE SLAVIC AKATHISTOS HYMN Poetic Elements of the Byzantine Text and Its Old Church Slavonic Translation VERLAG OTTO SAGNER • MÜNCHEN 1988 Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access Ваувгіз^в Staatsbibliothek Mönchen ISBN 3-87690-393-9 ©Verlag Otto Sagner, München 1988 Abteilung der Firma Kubon & Sagner, München Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 Dedicated to the memory of my parents Aleksandr Filonov (1901-1975) and Klavdija Andreeva Filonova (1913-1964) Antonina F. -
The Embodied Spirituality of Church Slavonic
Stephen Pax Leonard THE WORD AS AN ICON: THE EMBODIED SPIRitUALitY OF CHURCH SLAVONIC abstract How do Russian Orthodox Christians frame their understanding of semiotic ideologies of worship? That is to say, how do worshippers interpret liturgical language ‘signs’ and how do these interpretations colour their views as to which language is ‘right’ for the Church? There are to be found two semiotic ideologies of worship in Moscow. There are traditionalists for whom the liturgical language is embodied; it becomes the language of God through its vocalisation and enactment. Then, there are those who believe that Church Slavonic is not an indelible part of Russian Orthodox life and that in terms of its semiotic status its relation to the world it represents is an arbitrary one. Those who invoke the former, folk understandings of semiotic praxis perceive the Holy language as an icon or experiential portal that makes the presence of God more presupposable. Conceptions of language and linguistic register vary intra-culturally. Fieldwork showed how different perceptions of form map onto consciousness, raising questions of intentionality as assumptions about who is speaking (God or the priest) are bound up with the form that is used. Keywords: liturgical language, embodiment, semiotic ideology, worship, icon ‘I am interested in the power of words from an interlocutor can set the ethnographer and images over their beholders. I am off on a long journey of epistemological interested in the voice of the word, not the discovery. For this interlocutor, Church Slavonic meaning of the word’ (Husserl 1958: 242). (what he called старый русский ‘old Russian’) words spoken by a priest during a church service INTRODUCTION were experiential portals for they facilitated a closer relationship with the divinity. -
Hymnographica & Liturgica
Hymnographica & Liturgica 1 Downloaded from Brill.com09/27/2021 04:01:58AM via free access . 2 Downloaded from Brill.com09/27/2021 04:01:58AM via free access Roman Krivko Moscow, Russia [email protected] A TYPOLOGY OF BYZANTINE OFFICE MENAIA OF THE NINTH — FOURTEENTH CENTURIES* I. Introduction I.1. The Research Goal and Classifi cation Criteria This article aims at describing the structure of Byzantine offi ce Menaia of the 9th–14th cc. from a historical point of view. The typo- logical classifi cation of sources will be based on a) genre content, and b) structure, i. e. the order in which the genres are arranged. The fol- lowing classifi cation criteria are taken into consideration: 1) the use of (*) This article was wri en as a part of the research project “Sprache der altkirchenslavischen liturgischen Denkmäler” carried out at the Seminar für Slavische Philologie der Georg-August-Universität Gö ingen (2009-2010) and fi nanced by the Alexander von Humboldt Foundation. For the invitation to Gö ingen and for every support provided during my research stay in Göt- tingen, I am deeply grateful to Prof. em. Dr. Dr. h.c. Werner Lehfeldt. The manuscripts from the collections of the Bibliotheca Apostolica Vaticana were consulted according to the microfi lms held by the Vatican Film Library — Center for Medieval and Renaissance Studies at St. Louis University (St. Louis, MO, USA); the research in the Vatican Film Library was supported by the NEH — National Endowment for the Humanities Fellowship (October 2008). For numerous bibliographical consultations regarding Vatican manuscripts I am obliged to Dr. -
Orthodox Mission Methods: a Comparative Study
ORTHODOX MISSION METHODS: A COMPARATIVE STUDY by STEPHEN TROMP WYNN HAYES submitted in fulfilment of the requirements for the degree of DOCTOR OF THEOLOGY in the subject of MISSIOLOGY at the UNIVERSITY OF SOUTH AFRICA Promoter: Professor W.A. Saayman JUNE 1998 Page 1 ACKNOWLEDGMENTS I would like to thank the University of South Africa, who awarded the Chancellor's Scholarship, which enabled me to travel to Russia, the USA and Kenya to do research. I would also like to thank the Orthodox Christian Mission Center, of St Augustine, Florida, for their financial help in attending the International Orthodox Christian Mission Conference at Holy Cross Seminary, Brookline, MA, in August 1996. To Fr Thomas Hopko, and the staff of St Vladimir's Seminary in New York, for allowing me to stay at the seminary and use the library facilities. The St Tikhon's Institute in Moscow, and its Rector, Fr Vladimir Vorobiev and the staff, for their help with visa applications, and for their patience in giving me information in interviews. To the Danilov Monastery, for their help with accom modation while I was in Moscow, and to Fr Anatoly Frolov and all the parishioners of St Tikhon's Church in Klin, for giving me an insight into Orthodox life and mission in a small town parish. To Metropolitan Makarios of Zimbabwe, and the staff and students of the Makarios III Orthodox Seminary at Riruta, Kenya, for their hospitality and their readiness to help me get the information I needed. To the Pokrov Foundation in Bulgaria, for their hospitality and help, and to the Monastery of St John the Forerunner in Karea, Athens, and many others in that city who helped me with my research in Greece. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title “We’re Not Ethnic”: Ethnicity, Pluralism, and Identity in Orthodox Christian America Permalink https://escholarship.org/uc/item/9f61p9hw Author Sokoll, Aaron J Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara “We’re Not Ethnic”: Ethnicity, Pluralism, and Identity in Orthodox Christian America A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Religious Studies by Aaron Josef Sokoll Committee in charge: Professor Wade Clark Roof, Chair Professor Catherine Albanese Professor Kathleen Moore March 2018 The dissertation of Aaron Josef Sokoll is approved. ____________________________________________ Catherine Albanese ____________________________________________ Kathleen Moore ____________________________________________ Wade Clark Roof, Committee Chair March 2018 “We’re Not Ethnic”: Ethnicity, Pluralism, and Identity in Orthodox Christian America Copyright © 2018 by Aaron Josef Sokoll iii VITA OF AARON JOSEF SOKOLL March 2018 EDUCATION Present Ph.D., Religious Studies, UC Santa Barbara, (March 2018) “We're Not Ethnic”: Race, Ethnicity, and Identity in Eastern Orthodox America 2007 M.A., Religious Studies, University of Denver American Civil Religion and American Empire 1999 B.A., Philosophy, Cedarville University RESEARCH AND TEACHING INTERESTS Religion & Culture, American Religious -
Translation and Transformation of John Chrysostom's Urban Imagery Into Old Church Slavonic
Studia Ceranea 10, 2020, p. 63–82 ISSN: 2084-140X DOI: 10.18778/2084-140X.10.04 e-ISSN: 2449-8378 Aneta Dimitrova (Sofia) https://orcid.org/0000-0003-1973-8462 Translation and Transformation of John Chrysostom’s Urban Imagery into Old Church Slavonic John Chrysostom preached for 20 years in the two major cities of the East- St ern Roman empire – Antioch (386–397) and Constantinople (398–404). He delivered hundreds of sermons, some of these were written down at the time of preaching, others were edited and published later. More than 800 are consid- ered genuine, another thousand texts bear his name as the author1. His works were widely popular in all the neighbouring cultures from the 5th century onwards. In the 9th century, the Slavonic tradition joined this trend. The title of my present research suggests mainly a survey on literary and cul- tural reception, but it also allows a discussion on several broader questions, such as the history of rhetoric and preaching, the use of literary sources as historical evidence, late antique and medieval architecture, city planning, and everyday life. John Chrysostom’s extensive and diverse body of work provides a large number of examples and theoretical models in various study domains. Here I will focus on his depictions of the city and urban life and their rendition in the early Slavonic tradition. John Chrysostom was a preacher and a writer – many of his sermons were both oral performances in an actual reality, and written works meant for reading in posterity, outside of their immediate context.