Guide to the Gay Surfer Collection, 1936-2011 Descriptive Summary
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Unmasking the Right of Publicity
Hastings Law Journal Volume 71 Issue 2 Article 5 2-2020 Unmasking the Right of Publicity Dustin Marlan Follow this and additional works at: https://repository.uchastings.edu/hastings_law_journal Part of the Law Commons Recommended Citation Dustin Marlan, Unmasking the Right of Publicity, 71 HASTINGS L.J. 419 (2020). Available at: https://repository.uchastings.edu/hastings_law_journal/vol71/iss2/5 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Unmasking the Right of Publicity † DUSTIN MARLAN In the landmark 1953 case of Haelan Laboratories v. Topps Chewing Gum, Judge Jerome Frank first articulated the modern right of publicity as a transferable intellectual property right. The right of publicity has since been seen to protect the strictly commercial value of one’s “persona”—the Latin-derived word meaning the mask of an actor. Why might Judge Frank have been motivated to fashion a transferable right in the monetary value of one’s public persona distinct from the psychic harm to feelings, emotions, and dignity rooted in the individual and protected under the rubric of privacy? Judge Frank was a leading figure in the American legal realist movement known for his unique and controversial “psychoanalysis of certain legal traditions” through influential books including Law and the Modern Mind. His work drew heavily on the ideas of psychoanalytic thinkers, like Sigmund Freud and Carl Jung, to describe the distorting effects of unconscious wishes and fantasies on the decision-making process of legal actors and judges. -
Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966). -
U Clinton County News Dewitt Chief Resigns
A- U Clinton County News 15 Cents ST JOHNS, MICHIGAN 48879 117th Year Vol. 52 34 Pages May 2,1973 DeWitt finder \ Q-There is a blind couple in St Johns 1 who used to go bowling in Lansing last Chief year, but were unable to continue because they couldn't find a ride to the' bowling alley. This seems a shame. Can Fact Finder help locate a ride for them? A-We'll sure try. We contacted them, and learned that they would like to join a league which bowls on Friday nights resigns from 6-10 pm in Lansing, beginning right after Labor Day. If there is ' anyone interested, or any group, in DEWITT -- In an April 23 letter to furnishing transportation for the Daniel Elliott, DeWitt city ad would be temporary until the new fiscal ministrator, DeWitt Police Chief year. As far as I'm concerned, I was couple, please contact Fact Finder at mis-led." 224-2361. We will get in touch with them. Charles Anderson announced his 1 resignation, /stating in part, ".. .the Anderson further stated that he was present administration has made it led to believe that the city had no in impossible to.continue to be employed tention of not re-hiring him as chief. County by the city of DeWitt." He indicated the Police Board gave him a list of approximately a half-dozen Appearing before a near capacity crowd at Rodney B. Wilson Junior High last Wednesday night was the Ahrensburg Mayor Raymond DeWitt told the County News Friday that decision had items they felt should be done by the Youth Orchestra from Ahrensburg, Germany. -
Sam Katzman's Switchblade Calypso Bop Reefer Madness Swamp Girl Or
Popular Music (2010) Volume 29/3. Copyright © Cambridge University Press 2010, pp. 437–455 doi:10.1017/S0261143010000255 Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ calypso, beatniks and rock ’n’ roll in 1950s teenpix PETER STANFIELD Film Studies, School of Arts, University of Kent, Canterbury, Kent CT2 7UG, UK E-mail: [email protected] Abstract This essay challenges the received wisdom that teenpix of the 1950s were dominated by a soundtrack of rock ’n’ roll. I argue that this cycle of film production was marked by a diversity of musical genres, styles and types. Not only rock ’n’ roll, but rhythm ’n’ blues, folk, rockabilly, swing, West Coast jazz, bebop, Latin music such as the mambo, the rhumba, the cha cha chá, and Caribbean calypsos were all heavily featured in these films. This study is carried out through a focus on the temporal arrange- ments – fads, cycles, trends – that govern serial production and consumption of movies and popular music. Following Philip Ennis’ thesis that rock ’n’ roll is best defined by its ability to ‘crossover’ musi- cal boundaries – to move, for example, across the pop, country, and rhythm ’n’ blues charts – I argue that the film industry chose not to overly limit the music it had on offer and instead provided a var- ied package, some of which, it expected, would crossover and appeal to diverse and capricious teenage tastes. Introduction ‘I’dsayitwasa‘mixed-up’ rhythm: blues, an’ Latin-American, an’ some hillbilly, a little spiritual, a little African, an’ a little West Indian calypso .. -
THIS WEEK in TEXAS February 17-23,1989
\\VI THIS WEEK IN TEXAS February 17-23,1989 TWT NEWS Ft.Worth Outreach SPECIAL REPORT Hampton Demonstration TRAVEL Venezuela Escape HIGHLIGHT Black History Month TELEVISION Grammy Awards W :r: f-- ~QblI~ljI~ 17 NEWS Fort Worth Community OJtreach Center 27 SPECIAL REPORT Austin Demonstration Over Judge Hampton 29 COMMENT Letters to the Editor 35 HIGHLIGHT February Is Bbck History Month by Lars EIQhner 38 BACKSTAGE Leslie Nielsen, Pia Zadora, Harvey by Donalevan Maines 40 TELEVISION Music: Grammy Awards by Donalevan Maines 43 CLASSIC TwT 8 Years Ago This Week in Texas by Donalevan Maines 46 HOT TEA After-Mardi Gras Weekend Mayhem and Parties 54 TRAVEL Winter Escape to Venezuela by Dovld Meunier 57 STARSCOPE The Eclipse of the Full Moon by Milton von Stem 61 SPORTS Tririty River Aquatic Members to Ccmpete In IGLAC by Bobby Miller 62 COVER FEATURE Roger McClintock of Fort Worth photos by Doran Robertson 67 CALENDAR Special One-Time Only and Non-Profit Community Events 68 CLASSIFIED Want Ads and Notices 76 THE GUIDE Texas Business/Club Directory TWT (This Week In Texas) is published by Texas Week" Publishing Co" at 3900 Lemmon In Dallas, Texas 75219 and en Westhelmer In Houston Texas 77CXJ6. OpInions expressed by cdumnists are not necessarl" those of TWT or of ~s staff, Publcatlon of the name or photograph of any person Q( oroorszoton in articles or advertising In TWT Is not to be construec as any Indication of the sexual orientation of said person or Q(garjzatlon. suoscroton rates: $69, per year, $55. per ho~ year. Back Issues available at $2 each. -
Faulkner's God
FAULKNER’S GOD & Other Perspectives To My Brother Arne "Memory believes before knowing remembers ....” –Light in August CONTENTS: Preface 2 1. Faulkner and Holy Writ: The Principle of Inversion 4 2. Music: Faulkner's “Eroica" 20 3. Liebestod: Faulkner and The Lessons of Eros 34 4. Between Truth and Fact: Faulkner’s Symbols of Identity 61 5. Transition: Faulkner’s Drift From Freud to Marx 79 6. Faulkner’s God: A Jamesian Perspective 127 SOURCES 168 INDEX 173 * For easier revision and reading, I have changed the format of the original book to Microsoft Word. 2 PREFACE "With Soldiers' Pay [his first novel] I found out writing was fun," Faulkner remarked in his Paris Review interview. "But I found out afterward that not only each book had to have a design but the whole output or sum of an artist's work had to have a design." In the following pages I have sought to illuminate that larger design of Faulkner's art by placing the whole canon within successive frames of thought provided by various sources, influences, and affinities: Holy Writ, music, biopsychology, religion, Freud/Marx, William James. In the end, I hope these essays may thereby contribute toward revealing in Faulkner's work what Henry James, in "The Figure in the Carpet," spoke of as "the primal plan; some thing like a complex figure in a Persian carpet .... It's the very string . .my pearls are strung upon.... It stretches ... from book to book." I wish to acknowledge my debt to William J. Sowder for his discussion of the "Sartrean stare" in "Colonel Thomas Sutpen as Existentialist Hero" in American Literature (January 1962); to James B. -
Online Explicit Content and Teens
White Paper: Online Explicit Content and Teens Wes Crenshaw, PhD ABPP Family Psychological Service 2601 W 6th STE A Lawrence, KS 66049 785-371-1414 www.dr-wes.com Bio Dr. Wes Crenshaw is a Kansas Licensed Psychologist and Board Certified in Family and Couples Psychology by the American Board of Professional Psychology (ABPP). He specializes in working with teens and young adults from all over the Kansas City, Lawrence and Topeka area from his practice in Lawrence. He’s coauthored the weekly Double Take column in the Lawrence Journal World since 2004 and is author of the Dear Dr. Wes series of books for parents and teens (http://www.dr- wes.com/index-4.html). He is a frequent guest on Kansas City Public Radio and the Fox4 Morning Show. He holds a PhD in Counseling Psychology from The University of Kansas, as well as a bachelor’s degree in political science, sociology and history from Southwestern College. WARNING This paper provides additional content on topics discussed during my appearance on the September 16, 2013 edition of Up to Date with Steve Kraske on 89.3 FM KCUR and the Tuesday (9/10/13) Double Take column. It is intended to clarify and extend that discussion, which was carefully edited to be informative while protecting the listening audience and readers from specifics. This paper will discuss an array of sexual practices portrayed online, which are within three click access of any device having unfiltered access to the Internet. I have attempted to be as tactful as possible in this paper and have kept the language clinical, but I will describe the types of material available to your teen. -
Thesis Final Final Draft
A Look Rather than a Reality: Feminism, Bras and the Politics of Commodification By Cecily Larison Thesis Submitted to the Faculty of the Department of History of Vanderbilt University In partial fulfillment of the requirements For Honors in History April 2016 On the basis of this thesis defended by the candidate on ______________________________ we, the undersigned, recommend that the candidate be awarded_______________________ in History. __________________________________ Director of Honors – Samira Sheikh ___________________________________ Faculty Adviser – Paul Kramer ___________________________________ Third Reader – Bonnie Dow 1 A Look Rather than a Reality: Feminism, Bras, and the Politics of Commodification History Honors Thesis by Cecily Larison Table of Contents Introduction……………………………………………..1 Chapter One: Sex, Gender and Money: What Bras Symbolized in Women’s Lib…………….21 Chapter Two: Bras and the “Natural Look:” Appropriating Women’s Liberation Dialogue into the Fashion Industry………………………………………41 Chapter Three: “They Find the No-Bra Look Unsupportable:” Bras and the Ridicule of Women’s Liberation……..62 Conclusion…………………………………………….81 Works Cited…………………………………………...86 1 Figures Figure 1………………………………………………………………………..29 “Brick in a bra” Off Our Backs, Vanderbilt University Special Collections and University Archive Library. Figure 2………………………………………………………………………..33 “Annotated Planning Notes for the Miss America Protest” Women’s Liberation Movement Print Culture, Duke University Libraries. Figure 3………………………………………………………………………..49 “How -
Real, Truly Live Places: Notes Toward the Queer Uncanny
REAL, TRULY LIVE PLACES: NOTES TOWARD THE QUEER UNCANNY By Copyright 2011 Milton W. Wendland Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson: Dr. Ann Schofield ________________________________ Chairperson: Dr. Kathryn Conrad ________________________________ Dr. Doreen Fowler ________________________________ Dr. L. Ayu Saraswati ________________________________ Dr. Adrianne Kunkel Date Defended: July 18, 2011 The Dissertation Committee for Milton W. Wendland certifies that this is the approved version of the following dissertation: REAL, TRULY LIVE PLACES: NOTES TOWARD THE QUEER UNCANNY ________________________________ Chairperson: Dr. Ann Schofield ________________________________ Chairperson: Dr. Kathryn Conrad Date approved: July 18, 2011 ii Abstract This dissertation problematizes contemporary ideas of epistemological dependability and advances queer theory’s critique of heteronormativity by reading the psychoanalytic concept of the uncanny in conjunction with the critical concept of the queer to produce the queer uncanny. The first chapter analyzes the The Wizard of Oz (1939) and introduces the disruptive interpretive potential of the queer uncanny in several of its manifestations: the compulsion to repeat, doubling, and dislogic. The second chapter focuses on the novel Mysterious Skin (Scott Heim) and of redemption in light of childhood sexual molestation, demonstrates the ability of the queer uncanny to broaden available interpretative ranges vis-à- vis cultural discourses surrounding traumatic events like child sexual abuse. The final chapter applies the lens of the queer uncanny to a municipal domestic partnership registry ordinance that by its own terms provides no rights to registrants but which upon further analysis turns out to offer evidence of the performative potential of the queer uncanny. -
“Pin the Macho on the Man”: Mediations of Gay Male Masculinity in the Body Politic, 1971-1987
“Pin the Macho on the Man”: Mediations of Gay Male Masculinity in The Body Politic, 1971-1987 by Nicholas Andrew Hrynyk A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Carleton University Ottawa, Ontario 2018 Nicholas Andrew Hrynyk ii Abstract As the largest Canadian gay and lesbian newspaper from 1971 to 1987, The Body Politic not only shaped the political landscape of gay liberation but also mediated understandings and assumptions around gay male masculinity. The editorial collective behind The Body Politic addressed masculinity in myriad ways, sometimes directly in editorials on gender and sexuality, but more often indirectly as part of discussions around race, desire, the body, space, and HIV/AIDS. In doing so, The Body Politic served an important role in mediating the gendered, racial, sexual, and spatial politics of desire and identity in Toronto’s gay male community. The newspaper was an important interactive platform for collective members and readers alike to explore and express apprehensions around heteronormative, ableist, and racial influences on gay male masculinity as a performative style. This dissertation thematically examines masculinity in The Body Politic. Each chapter focuses on a different topic: pornography and visual culture, the hypersexualized white able-bodied “macho clone,” the navigation of space and place, the inscription of colonial values of effeminancy or hypermasculinity on racialized bodies, and the marginalization of disabled bodies and bodies debilitated by HIV/AIDS that did not “perform” a sexualized idea of masculinity. By visualizing gay masculinity in particular and often contradictory ways, The Body Politic reinforced and challenged the self- regulation of hegemonic masculinity in gay male culture. -
The Thesis Committee for Steven Vern Reddicliffe
The Thesis committee for Steven Vern Reddicliffe Certifies that this is the approved version of the following thesis Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Janet Staiger __________________________________________ Michael Kackman Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, B.S.J. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, MA The University of Texas at Austin, 2010 SUPERVISOR: Janet Staiger An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included “The Honeymooners,” ‘The Phil Silvers Show,” “The Red Skelton Hour,” Bob Hope specials, “Here’s Lucy,” “All in the Family,” and “Maude.” These five writers were working in the earliest days of the medium and spent years writing for the personalities—from performers to producers—who pioneered and defined it. Most of them also wrote scripts during one of broadcast television’s greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. iii Table of Contents Introduction ……………………………..….……………….……..……1 Chapter One: Sydney Zelinka ……………………………....…..….…..15 Chapter Two: Larry Rhine ……………………………………......……32 Chapter Three: Milt Josefsberg ……………………...…….…...…....…58 Chapter Four: Seaman Jacobs and Fred S. -
Sex Sells: Sex, Class, and Taste in Commercial Gay and Lesbian Media
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 1-1-2003 Sex Sells: Sex, Class, and Taste in Commercial Gay and Lesbian Media Katherine Sender University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Sender, K. (2003). Sex Sells: Sex, Class, and Taste in Commercial Gay and Lesbian Media. GLQ: A Journal of Lesbian and Gay Studies, 9 (3), 331-365. Retrieved from https://repository.upenn.edu/asc_papers/113 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/113 For more information, please contact [email protected]. Sex Sells: Sex, Class, and Taste in Commercial Gay and Lesbian Media Abstract A teenage girl kneels on the backseat of a car in short shorts, turning toward the camera with a look both innocent and wanton. A young man lounges shirtless, his top fly button open, gazing with lazy invitation through the frame. "What’s the story in these ads?" I ask students. "Well, you know," they shrug, "sex sells." Frustrated at how this aphorism closes down discussion, I have begun to consider its status as a commonsense response to some advertising. Antonio Gramsci and others have written about how "commonsense" beliefs become naturalized, taken for granted as "the way things are," and thereby obscure their own ideological foundations. "Sex sells" precludes further analysis: "Well, what can you say? We all know that sex sells and that advertisers use sexualized images of women/men/ teens/whomever to market products." The common sense of "sex sells" masks the relationship between sexuality and commerce, discouraging analysis of the particular ways that sex is articulated to marketing and ignoring the limits placed on visible manifestations of sexuality in advertising and commercial media.