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William Roperroper----2267622676 6 Feb 2011 Page 1
Descendants of William RoperRoper----2267622676 6 Feb 2011 Page 1 1. William RoperRoper----2267622676 (b.1498(b.1498----Canterbury,,Kent,England;d.4Canterbury,,Kent,England;d.4 Jan 1577/15781577/1578----Canterbury,,Kent,England)Canterbury,,Kent,England) sp: Margaret More-22678 (b.1505-Chelsea,,Kent,England;m.2 Jul 1521;d.Abt 25 Dec 1544-Butclose,,Kent,England) 2. Margaret Roper-22683 (b.Abt 1523-Eltham,,Kent,England;d.Aft 1577) sp: William Dawtrey-25482 (b.Abt 1526-Petworth,,Suss,England;m.Abt 1547;d.Abt 1590-Petworth,,Suss,England) 3. William Dawtrey Jr-25483 (b.Abt 1548-Petworth,,Suss,England;d.16 Sep 1589) sp: Dorothy Stanley-35949 (b.Abt 1553-Warwick,,England;m.20 Aug 1574) 4. Henry Dawtrey-35950 (b.Abt 1578-Petworth,,Suss,England) sp: Anne Dunne-35953 (b.Abt 1580-Theydon Gernon,,Essex,England;m.Abt 1620;d.23 Feb 1623/1624) 5. Henry Dawtrey-35956 (b.30 Apr 1621-Petworth,,Suss,England) 5. William Dawtrey-35957 (b.1 Jan 1623/1624-Petworth,,Suss,England;d.Abt 4 Nov 1679) sp: Amy Strutt-35967 (b.Abt 1626-Great Warley,,Essex,England;m.25 Apr 1650) 6. Thomas Dawtrey-35968 (b.Abt 1652-Petworth,,Suss,England;d.Abt 11 Oct 1732) sp: Sarah Bright-35970 (m.28 Nov 1677) 7. William Dawtrey-35971 (b.8 Nov 1678-Petworth,,Suss,England;d.26 Aug 1758-Petworth,,Suss,England) 7. Sarah Dawtrey-35972 (b.Abt 1679-Petworth,,Suss,England) sp: Edward Luther-35973 8. William Luther-35974 8. Richard Luther-35975 (d.28 Dec 1767-Vicars Hill,,,England) sp: Charlotte Chamberlen-35976 (d.1 Feb 1776-Bath,,,England) 9. -
Pride and Penitence in Some Tudor Histories of Thomas Wolsey
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 10 Original Research The conversion of the cardinal? Pride and penitence in some Tudor histories of Thomas Wolsey Author: The life of Cardinal Thomas Wolsey, lord chancellor of England from 1515 to 1529, has inspired 1,2 Patrick Hornbeck no small number of literary, historical, and dramatic retellings. A comprehensive study of Affiliations: these texts remains to be written, but this article seeks to make a start by examining how Tudor 1Chair, Department of writers portrayed the cardinal’s response to his deposition and subsequent disgrace. For some Theology, Fordham authors, Wolsey’s fall only made him more proud, and he began to act erratically and disloyally, University, United States confirming the wisdom of the king’s decision to relieve him of office. For others, deposition moved Wolsey to become philosophical and penitent, and some such writers depict a cardinal 2Research Associate, Faculty of Theology, University of who at the end of his life underwent nothing short of a conversion. This article traces both of Pretoria, South Africa these historiographical trajectories from their origins in writings of the late 1540s and 1550s through a range of late Tudor chronicle accounts. Elements of both narratives about the Corresponding author: cardinal appear, prominently if not always congruously, in one of the best-known theatrical Patrick Hornbeck, [email protected] works about the events of the reign of Henry VIII, the play King Henry VIII (All Is True) by William Shakespeare and John Fletcher. Understanding the interrelationships between Dates: the Tudor texts presented here is essential to grasping later portrayals of Wolsey and his Received: 07 July 2015 contemporaries. -
OPENING of the ROPER VAULT in St. Dunstan's Canterbury and Thoughts on the Burial of William and Margaret Roper
OPENING OF THE ROPER VAULT in St. Dunstan's Canterbury and thoughts on the burial of William and Margaret Roper. by Hugh O. Albin From Saturday 15 July until Wednesday 26 July 1978, the vault of the Roper family remained open in St. Dunstan's Church, Canterbury, for the purpose of making a complete record of its contents. This first archaeological survey ever made was arranged by me to mark the 500th anniversary of the birth of Sir Thomas More. The work was carried out by members of the Canterbury Archaeological Trust under their director Tim Tatton-Brown in conjunction with the church architect Peter Marsh, whose Dutch assistant, Henk Strik made detailed drawings of the Chapel and vault, as well as a complete photographic record. The archaeological report tells us that the present Roper chantry chapel attached to the south-east side of St. Dunstan's Church is almost entirely the building that was erected circa 1524. Of the first chapel, built in 1402, there probably remain only the three arches, one on the west and two on the north, which join the chapel to the main church building. The pilgrim looking at the outside of the Roper Chapel should notice that it is made of fine red bricks with Caen stone quoins and window surrounds. The windows are all typical of the early 16th century. The bricks are large (6.5 x 12 x 25 cms) and each laid entirely in an English bond. Red brickwork of this type does not occur commonly in Canterbury until the late 15th century. -
Tna Prob 11/28/542
THE NATIONAL ARCHIVES PROB 11/28/542 1 ________________________________________________________________________ SUMMARY: The document below is the Prerogative Court of Canterbury copy of the will, dated 26 June 1539 and proved 5 July 1541, of Sir William Kingston (d. 14 September 1540), brother-in-law of Elizabeth de Vere (d.1537), Countess of Oxford, the second wife of John de Vere (1442-1513), 13th Earl of Oxford. For the testator’s relationship by marriage to the Countess, see Norcliffe, Charles Best, ed., The Visitation of Yorkshire in the Years 1563 and 1564 Made by William Flower, Vol. 16, (London: Harleian Society, 1881), p. 280, available online. In her will, TNA PROB 11/27/144, the Countess leaves these bequests to her sister, Mary, and to her brother-in-law, Sir William Kingston: Item, I give and bequeath to my brother, Sir William Kingston, knight, my Jesus of diamonds set in gold with 3 great pearls hanging at the same, also my 2 flagons of silver having my Lord of Oxenford’s arms in them. Item, I give and bequeath to my sister, Dame Mary, his wife, a basin and an ewer of silver chased gilt of the newest making afore the chance of fire, weighing 92 ounces; my goblet of gold graven with crankettes and mullets, weighing 13 ounces 1 quarter; and also my book of gold set with pearl. Item, I give and bequeath to my sister, Dame Mary Kingston, and to my sister, Jane Brewes, all my samplers, evenly to be divided between them, and I will my said sister Kingston to have the choice. -
The Family and Descendants of Sir Thomas More
The Family and Descendants of Sir Thomas More Grandparents: William More and Johanna Joye: William was a Citizen and Baker of London. He died in 1469. Johanna (d.1470) was the daughter of John Joye, a Citizen and Brewer of London and his wife Johanna, daughter of John Leycester, a Chancery Clerk. Due to the seizure of family documents by Henry VIII following Thomas More‟s execution his ancestry cannot be traced back further than this. He referred to himself as “a Londoner born, of no noble family, but of honest stock”. [Note: It has sometimes been claimed that Sir John More, Thomas More‟s father, said that his ancestors came from Ireland. However, what he actually said was that his ancestors “either came out of the Mores of Ireland, or they came out of us”. No records of any Irish links have been discovered.] Parents: Sir John More (c.1451-1530) and Agnes Graunger (d.1499): John and Agnes were married in the church of St Giles without Cripplegate, London, on 24th April 1474. Agnes was the daughter of Thomas Graunger, an Alderman of London and a Merchant of the Staple of Calais. Agnes was John More‟s first wife, and the mother of all his children. Agnes died in 1499 and was buried in the Church of St. Michael Bassishaw, London. After her death John More married again three times. His second wife was Joan Marshall (the widow of John Marshall) who died in 1505. His third wife was Joan Bowes (the widow of Thomas Bowes) who died in 1520. -
Durham E-Theses
Durham E-Theses The early career op Christopher Goodman and his place in the development of English protestant thought Dawson, Jane E. A. How to cite: Dawson, Jane E. A. (1978) The early career op Christopher Goodman and his place in the development of English protestant thought, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/8005/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 THE EAPiY CAREER OP CHRISTOPHER GOODMAN AND HIS PLACE IN THE DEVELOPMENT OF ENGLISH PROTESTANT THOUGHT JANE E. A. DAWSON Thesis submitted for the degree of Doctor of Philosophy at the University of Durham 1978 The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. JANE E.A. -
The Life and Death of Sir Thomas More, Knight by Nicholas Harpsfield
The Life and Death of Sir Thomas More, Knight by Nicholas Harpsfield icholas Harpsfield (1519–1575) com- Clements, and the Rastells. With Mary’s ac- Npleted this biography ca. 1557, during cession to the throne in 1553, he returned and the reign of Queen Mary, but it was not pub- became archdeacon of Canterbury and worked lished until 1932. Indebted to William Rop- closely with Cardinal Reginald Pole, the Arch- er’s recollections, Harpsfield’s Life presents bishop of Canterbury. With Mary’s and Pole’s More as both a spiritual and secular figure, and deaths in 1558, and with his refusal to take the Harpsfield dedicates his biography to William oath recognizing Queen Elizabeth’s suprem- Roper, presenting More as the first English acy, Harpsfield was imprisoned from 1559 to martyr among the laity, who serves as an “am- 1574 in Fleet Prison where, as he relates in his bassador” and “messenger” to them. Dedicatory Epistle, William Roper supported Harpsfield was born in London, and was ed- him generously. ucated at Winchester and then New College This edition of Harpsfield’s Life is based on at Oxford where he became a perpetual fellow the critical edition published for the Early En- and eventually earned a doctorate in canon glish Text Society (EETS) in 1932 by Oxford law. In 1550, during the reign of Edward VI, University Press, edited by E. V. Hitchcock; he moved to Louvain and come to know many the cross-references in the headnotes refer to in the More circle such as Antonio Bonvisi, the this edition. -
Grade Twelve: Theology Course: Western Philosophy Text: a Man for All Seasons Author: Robert Bolt
Grade Twelve: Theology Course: Western Philosophy Text: A Man for All Seasons Author: Robert Bolt Main Characters The Common Man Margaret More William Roper Sir Thomas More Cardinal Wolsey King Henry VIII Richard Rich Thomas Cromwell Cranmer, Archbishop of The Duke of Norfolk Signor Chapuys, the Canterbury Alice More Spanish Ambassador Character Reflections 1. Who is the Common Man? What different roles does he play? What do they all have in common? 2. What is Thomas More's occupation? What virtues is he known for? Describe his relationship with King Henry at the beginning of the play. 3. Who is King Henry VIII? What is his predicament? Why does this present a problem for his ministers? 4. How does Thomas More's family look at him? What is his relationship with his daughter, Margaret, like? 5. What is the nature of Thomas More's friendship with the Duke of Norfolk? How are they different from each other? How does their friendship change by the end of the play? 6. Who is Richard Rich? What advice does Thomas give him? Why does he refuse to take this advice? How does he “lose his innocence”? 7. Why does King Henry so greatly desire Thomas's approval of his divorce from Catherine of Aragon? 8. Why does Thomas refuse to share with his family and friends his opinion about the King's actions? 9. Who is William Roper? Why does Thomas initially refuse to give his daughter to him in marriage? In what way are he and Thomas very different? How are they the same? 10. -
Sir Thomas More (1478-1535)
The following text was originally published in Prospects: the quarterly review of comparative education (Paris, UNESCO: International Bureau of Education), vol. XXIV, no. 1/2, 1994, p. 185–202 ©UNESCO:International Bureau of Education, 2000 This document may be reproduced free of charge as long as acknowledgement is made of the source SIR THOMAS MORE (1478-1535) Keith Watson1 Sir Thomas More, or more accurately Saint Thomas More, since he was beatified by the Roman Catholic Church in 1886 and canonized as a saint in 1935, has been variously described as ‘the most attractive figure of the early sixteenth century’,2 ‘the voice of conscience’ of the early English Reformation3 and ‘one of the three greatest figures of the English Renaissance’.4 He was a scholar, lawyer, theologian, statesman and eventual martyr, whose influence was less on the development of the Reformation in England as upon creating a particular genre of futuristic and idealistic writing about society. His most famous book, Utopia, has come to be accepted as an everyday term in the English language and ‘utopian’ is often used to refer to an idea or concept that is idealistic and highly desirable, but which at the same time is completely impracticable and unrealistic. In terms of political science, both liberals and socialists lay claim to Thomas More as a founder of some of their ideas. There has even been a room in the Kremlin devoted to Thomas More because of his apparent espousal of communism as a political ideal.5 He was born into a period of intense political and social turmoil in English history as the House of York was overthrown by Henry Tudor in 1485 and as a new, ruthless dynasty was established, a dynasty that was to have a profound influence not only on the future shape of Church/State relations, and consequently on the development of parliamentary democracy in England and Wales, but above all on the future development of the Reformation in England. -
A Study Guide, with Theatrical Emphasis, for Robert Bolt's Play a Man for All Seasons For
A Study Guide, with Theatrical Emphasis, For Meg for Robert Bolt’s Play A Man for All Seasons by Arthur Kincaid V. Questions for Discussion and Essay Writing…..….…....…105 Contents VI. List of Works Consulted……………….………..………..109 I. Introduction…………………………..……….………..….5 II. General Background 1. Thomas More…………………………..….……...……..6 2. Henry VIII and Thomas More…...……….…….….…..10 3. Renaissance Humanism…...……………....…….….…..12 4. Robert Bolt…………………………………...….…..…13 5. Theatrical Influences………………………….......…....15 III. Classroom & Theatre Performance 1. What Is Theatre?……………...………….….…….....…19 2. Aspects of a Play...……………………………………..22 3. Classroom Performance………...………………..…......30 4. Full Performance………………………………………31 5. Acting Exercises……………….……..………….....…..37 IV. Notes and Questions for Study and Performance 1. Act 1, A Man for All Seasons……………...…….....…..….47 2. Act 2, A Man for All Seasons……………....……..…....….74 5 www.thomasmorestudies.org Kincaid’s Guide: A Man for All Seasons 6 II. General Background I. Introduction 1. Sir Thomas More This guide is designed to give a performance orientation to the study of Robert Bolt’s A Man for All Seasons. It attempts to encourage teachers Nobody wants to be a hero. You go through life giving up and students to discover the work as a play to be performed. You can use parts of yourself – a hope, a dream, an ambition, a belief, a liking, this guide for inactive classroom study if you wish, but it would be much a piece of self-respect. But in every man there is something he more interesting and productive to use it as a stimulus to performance cannot give up and still remain himself – a core, an identity, a work of some sort, whether it be rehearsing a scene in class or a full thing that is summed up for him by the sound of his own name on his own ears. -
The University of Hull the Early Career of Thomas
THE UNIVERSITY OF HULL THE EARLY CAREER OF THOMAS, LORD HOWARD, EARL OF SURREY AND THIRD DUKE OF NORFOLK, 1474—c. 1525 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Susan Elisabeth Vokes, B.A. September, 1988 Acknowledgements I should like to thank the University of Hull for my postgraduate scholarship, and the Institute of Historical Research and Eliot College, the Universiy of Kent, for providing excellent facilities in recent years. I am especially grateful to the Duke of Norfolk and his archivists for giving me access to material in his possession. The staff of many other archives and libraries have been extremely helpful in answering detailed enquiries and helping me to locate documents, and / regret that it is not possible to acknowledge them individually. I am grateful to my supervisor, Peter Heath, for his patience, understanding and willingness to read endless drafts over the years in which this study has evolved. Others, too, have contributed much. Members of the Russell/Starkey seminar group at the Institute of Historical Research, and the Late Medieval seminar group at the University of Kent made helpful comments on a paper, and I have benefitted from suggestions, discussion, references and encouragement from many others, particularly: Neil Samman, Maria Dowling, Peter Gwynn, George Bernard, Greg Walker and Diarmaid MacCulloch. I am particularly grateful to several people who took the trouble to read and comment on drafts of various chapters. Margaret Condon and Anne Crawford commented on a draft of the first chapter, Carole Rawcliffe and Linda Clerk on my analysis of Norfolk's estate accounts, Steven Ellis on my chapters on Surrey in Ireland and in the north of England, and Roger Virgoe on much of the thesis, including all the East Anglian material. -
Mary Roper Basset's English Rendering Of
Translating Devotion: Mary Roper Basset’s English Rendering of Thomas More’s De tristitia … Christi brenda m. hosington Université de Montréal/University of Warwick La dernière œuvre de Thomas More, composée en 1534–1535 dans la Tour de Londres alors qu’il attendait son exécution, retrace l’agonie du Christ à Gethsémani dans les heures précédant son arrestation. Le De tristitia, tedio, pauore, et oratione Christi ante captionem eius, texte d’une grande intensité dévotionnelle et émotionnelle, n’en est pas moins marqué par les traits d’esprit et l’humour ironique caractéristiques de More. L’œuvre est traduite en anglais quelque temps après le décès de More par sa petite-fille, Mary Roper, mais c’est seulement en 1557, après le mariage de cette dernière à James Basset, et alors qu’elle tient l’office de dame de compagnie (« lady of the privy chamber ») de la reine Marie Tudor, que la traduction est publiée. On la retrouve en effet dans l’édition des English Works de More par William Rastell (1557), qui présente Mary Basset comme une femme « tout à fait experte en latin et en anglais ». Bien que les notices biographiques et les ouvrages de référence sur l’écriture féminine anglaise à la Renaissance fassent mention de cette œuvre — quoique parfois de manière erronée —, ainsi que des passages tirés de l’Histoire de l’Église d’Eusèbe que Basset avait précédemment traduits en latin et en anglais, ces textes n’ont jamais été étudiés. Afin de remédier à cette situation, cet article offre dans un premier temps une analyse détaillée de l’œuvre remarquable que représente Of the sorowe, werinesse, feare, and prayer of Christ before hys taking.