The Final Days of Anne Boleyn: Why Did She Die?
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Pride and Penitence in Some Tudor Histories of Thomas Wolsey
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 10 Original Research The conversion of the cardinal? Pride and penitence in some Tudor histories of Thomas Wolsey Author: The life of Cardinal Thomas Wolsey, lord chancellor of England from 1515 to 1529, has inspired 1,2 Patrick Hornbeck no small number of literary, historical, and dramatic retellings. A comprehensive study of Affiliations: these texts remains to be written, but this article seeks to make a start by examining how Tudor 1Chair, Department of writers portrayed the cardinal’s response to his deposition and subsequent disgrace. For some Theology, Fordham authors, Wolsey’s fall only made him more proud, and he began to act erratically and disloyally, University, United States confirming the wisdom of the king’s decision to relieve him of office. For others, deposition moved Wolsey to become philosophical and penitent, and some such writers depict a cardinal 2Research Associate, Faculty of Theology, University of who at the end of his life underwent nothing short of a conversion. This article traces both of Pretoria, South Africa these historiographical trajectories from their origins in writings of the late 1540s and 1550s through a range of late Tudor chronicle accounts. Elements of both narratives about the Corresponding author: cardinal appear, prominently if not always congruously, in one of the best-known theatrical Patrick Hornbeck, [email protected] works about the events of the reign of Henry VIII, the play King Henry VIII (All Is True) by William Shakespeare and John Fletcher. Understanding the interrelationships between Dates: the Tudor texts presented here is essential to grasping later portrayals of Wolsey and his Received: 07 July 2015 contemporaries. -
Bring up the Bodies
BRING UP THE BODIES BY HILARY MANTEL ADAPTED FOR THE STAGE BY MIKE POULTON DRAMATISTS PLAY SERVICE INC. BRING UP THE BODIES Copyright © 2016, Mike Poulton and Tertius Enterprises Ltd Copyright © 2014, Mike Poulton and Tertius Enterprises Ltd Bring Up the Bodies Copyright © 2012, Tertius Enterprises Ltd All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BRING UP THE BODIES is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BRING UP THE BODIES are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. -
Wolf Hall Ep 5 Draft 3 Amend.Fdx
WOLF HALL Episode Five "Crows" Written by Peter Straughan WOLF HALL Episode Five “Crows” INT. AUSTIN FRIARS - CROMWELL’S BEDROOM - MORNING Cromwell wakes up, looks to the woman sitting up in bed beside him - LIZ. She is making a silk braid. One end is pinned to the foot of the bed. On each raised finger of her hand she’s spinning loops of thread, so fast it’s hard to follow. Cromwell watches in silence for a moment. THOMAS CROMWELL Slow down, so I can see how you do it. Liz smiles as she works. LIZ I can’t slow down. If I stop to think how I’m doing it, I won’t be able to do it. We CLOSE on her fingers, spinning, blurring... ON CROMWELL ... as he wakes from his dreams and looks to the empty place in the bed beside him. Liz’s place. EXT. KIMBOLTON CASTLE - EARLY EVENING - WINTER 1535 Cromwell, Rafe and their armed escort arrive at the walls of Kimbolton. A sentry halloos from above. RAFE Thomas Cromwell, Secretary to the king. SENTRY (Calling) Show your colours. THOMAS CROMWELL (To Rafe) Tell him to let us in before I show his arse my boot. 2. INT. KIMBOLTON CASTLE - KATHERINE’S CHAMBER - EARLY EVENING An ill Katherine sits huddled by the fire, wrapped in ermine. She puts out a hand for Cromwell to kiss. She turns her face to the light for Cromwell to inspect. KATHERINE OF ARAGON Well, how do I look? That’s why he sent you isn’t it? To see if I really am dying? Cromwell smiles, examines her jaundiced face. -
In This Issue
NEWS Issue 1/05 January 2005 Speke Hall, Merseyside; what’s this got to do with Ockwells Manor? (See inside, page 7) In this issue The Norris Families of Ockwells, Speke and Fifield Regular features on talks, outings, the Heritage Centre, Projects and Planning Visit our website! : www.maidenheadcivicsoc.org.uk Registered with the Civic Trust Registered Charity No. 272102 CHAIRMAN’S MESSAGE The last message I wrote for the October 2004 issue was overshadowed by the need to provide a report for the Society’s A.G.M. This one, by contrast seems to be conditioned by the now past merriment of Xmas and New Year celebrations! I trust all members and their families did enjoy the festive season although my personal acquaintances seem to have fallen prey all too often to the influenzal cold doing the rounds-speedy recovery to all who have had this misfortune. The unremitting efforts of developers to acquire existing properties, to demolish them and then to replace them with blocks of flats has continued apace. Combined with proposals for flats instead of offices at three other major in-town sites this may well result in a glut of such accommodation. Moreover much of this is expensive and well beyond the price of what would be called ‘affordable’ housing. So it is possible that the town may well be left with the same oversupply of housing as it currently has of offices. The Planning Group has done its best in considering these applications to maintain a balance between needed and sensible redevelopment and those that simply represent, all too often, a jumping on an opportunistic band-wagon to make money without regard to the appearance and environment of the town. -
A Beginner's Guide to 16 Century German Women's Dress – How To
A Beginner’s Guide to 16 th Century German Women’s Dress – How to look like a Frau. There’s no doubt about it: the German woman had an individualistic way of dressing compared to that of her English or French counterparts. For the most part, there were no corsets or support skirts (farthingale), no outrageous headwear (that is, the gable hood) and a conservatism of fabric that would have had an English woman dying of shock. For the purposes of today’s discussion, I’ll be concentrating mainly on what is known as the Landsknecht style. The Landsknechts were professional soldiers, employed to recruit and train both local men and Dutch refugees to fight in the wars in the Low Countries - as Hans Holbein – Portrait of a woman in a Holland and Flanders are now called. These German- yellow dress speaking mercenaries and their women came from Bavaria, Tyrol, Swabia, and other parts of the Western Holy Roman Empire. Their brightly colored clothing was "flashy" even by the standards of their own time. Sumptuary laws which kept the English from wearing clothing above their station did not apply to Landsknechts. The Emperor Maximilian was infamously quoted as saying the lives of the Landsknechts were so miserable and short that they deserved so wear flashy stuff. As with any outfit from period, there are several layers to consider if you want to look like you just stepped out of a Cranach painting. Let’s go from the inside out, starting from the layer closest to the skin, the hemd (or chemise) to the various accessories that always add the finishing touches to any outfit. -
Tna Prob 11/28/542
THE NATIONAL ARCHIVES PROB 11/28/542 1 ________________________________________________________________________ SUMMARY: The document below is the Prerogative Court of Canterbury copy of the will, dated 26 June 1539 and proved 5 July 1541, of Sir William Kingston (d. 14 September 1540), brother-in-law of Elizabeth de Vere (d.1537), Countess of Oxford, the second wife of John de Vere (1442-1513), 13th Earl of Oxford. For the testator’s relationship by marriage to the Countess, see Norcliffe, Charles Best, ed., The Visitation of Yorkshire in the Years 1563 and 1564 Made by William Flower, Vol. 16, (London: Harleian Society, 1881), p. 280, available online. In her will, TNA PROB 11/27/144, the Countess leaves these bequests to her sister, Mary, and to her brother-in-law, Sir William Kingston: Item, I give and bequeath to my brother, Sir William Kingston, knight, my Jesus of diamonds set in gold with 3 great pearls hanging at the same, also my 2 flagons of silver having my Lord of Oxenford’s arms in them. Item, I give and bequeath to my sister, Dame Mary, his wife, a basin and an ewer of silver chased gilt of the newest making afore the chance of fire, weighing 92 ounces; my goblet of gold graven with crankettes and mullets, weighing 13 ounces 1 quarter; and also my book of gold set with pearl. Item, I give and bequeath to my sister, Dame Mary Kingston, and to my sister, Jane Brewes, all my samplers, evenly to be divided between them, and I will my said sister Kingston to have the choice. -
Thank You So Much for Joining Us Today and a Big Thank You to Anne for Her Wonderful Talk (Beautiful Costume!) and for Coming Into Our Chatroom Today
Claire Ridgway23:59 Hi everyone! Thank you so much for joining us today and a big thank you to Anne for her wonderful talk (beautiful costume!) and for coming into our chatroom today. We're here to talk about Anne's talk on costume and social status, or her books and research. Welcome Anne! Anne Clinard Barnhill0:00 Yikes, Lorna, you are a brave woman! Sharon Conrad0:00 I loved riding. Anne Clinard Barnhill0:00 Thanks Claire. I'm excited to be here! Charlotte Donovan0:00 I’m excited to be here with everyone Claire Ridgway0:00 Anne, what got your interested in Tudor costume in particular? ADMIN Tim0:01 Can I ask, Anne, where do you wear your costume? Renaissance fairs? Anne Clinard Barnhill0:01 Well, I've always loved them. And when I got my book contract, I knew I had the perfect excuse to have one made. Charlotte Donovan0:01 Hi Lorna ! Anne Clinard Barnhill0:02 Tim, I wear it to give talks at libraries, civic clubs, and yes, I do go to the NC Ren Faire in CHarlotte, NC. It's great fun! Lorna Wanstall0:02 I can answer how Anne got into writing historical novels.. it was actually Alison Weir Anne Clinard Barnhill0:02 Do any of you have a Tudor outfit? Libby0:02 In your talk it was so fascinating to see you wearing your beautiful costume as you explained everything. Anne Clinard Barnhill0:02 Ha! Yes, I do love her, Lorna. Charlotte Donovan0:02 I wish I had a Tudor outfit to wear :’) Anne Clinard Barnhill0:03 Thanks, Libby and welcome! I love talking about it. -
Muhlenberg College Digital Repository
Muhlenberg College Digital Repository Tighe, William J. “Five Elizabethan Courtiers, Their Catholic Connections, and Their Careers.” British Catholic History 33.02 (2016): 211–227. NOTE: This is the peer-reviewed post-print (author’s final manuscript), identical in textual content to the publisher PDF available at https://www.cambridge.org/core/journals/british- catholic-history . Copyright 2016 Cambridge UP. The post-print has been deposited in this repository in accordance with publisher policy. Use of this publication is governed by copyright law and license agreements. COVER SHEET William J. Tighe, Ph.D. History Department Muhlenberg College 2400 Chew Street Allentown, PA 18104-5586 UNITED STATES E-mail: [email protected] Telephone: 001.1.484.664.3325 Academic affiliation: Associate Professor, History Department, Muhlenberg College ABSTRACT This article briefly surveys men and women holding positions in the Privy Chamber of Elizabeth I and men holding significant positions in the (outer) Chamber for evidence of Catholic beliefs, sympathies or family connections before going on to discuss the careers of five men who at various times in her reign were members of the Band of Gentlemen Pensioners and whose court careers were decisively affected for weal or for woe by their Catholic beliefs (or, in one case, temporary repudiation of Catholicism) or connections. The men’s careers witness both to a fluidity of religious identity which might facilitate their advancement at Court, but also to its narrowing over the course of the reign. KEY WORDS Elizabethan Catholic courtiers. Religious identity. 1 FIVE ELIZABETHAN COURTIERS, THEIR CATHOLIC CONNECTIONS, AND THEIR CAREERS This article is a preliminary investigation of the careers of known or suspected Catholics in the upper reaches of the Elizabethan Court, among those closest to the Queen in the Privy Chamber and Chamber. -
Annals of an Old Manor-House
A N N A L S OF A N O L D M A N O R - H O U S E SU TTON P LACE GU I LDFORD , F R E D E R I C H A R R I S O N I “ New an d Aéridged Edition 10 11110 11 LL ' A M T D MA C M A N N D C O . I , LI I E NEW YOR K : THE MACMI LLAN COMP ANY 1899 %>inn ep !batman LESS E E OF S UTTON P LA C E WH I CH H E H A S OCCUP I E D FOR A G E N E R AT IO N A ND H A S DO N E SO M UCH P R E S E R V E TH IS E D ITIO N OF ITS A N N A LS IS I NSCR I B E D B Y B HIS ROTHER , THE AUTHOR P R E FA C E O NE by one the old buildings of our country are perishing accide n t e r m m by , n glect, or wanton dest uction their e ory t m m W passes away, and heir place knows the no ore . hen the passion for covering this island with railways and - r factories shall have done its worst, our great g andchildren will hardly possess a fragment of the older work to recall to their eyes the beauty and the life of England in the s m pa t . And so it beco es a sort of social duty for those to whom chance has thrown it in their path to preserve such wreckage of old things as the tempest of change has left - any relic that they find still mouldering in the flotsam m m and jetsa of ti e . -
Preface: the Mirror & the Light. This Story Begins Seconds After The
Preface: The Mirror & The Light. This story begins seconds after the death of Anne Boleyn, second wife of Henry VIII. The gruesome and sensational events of May 1536 had shocked Europe and left the English court seething with rumour and fearful of more arrests. Anne had been accused of treason, having plotted against the king with her lovers. They were named as five men: her brother George, Lord Rochford: three gently-born courtiers, Henry Norris, Francis Weston and William Brereton: and Mark Smeaton, a musician. Thomas Wyatt had also been arrested; he remained alive, but in custody in the Tower. Many of the negotiations of the Tudor court took place face to face and off the record, so at this distance it is hard to understand the process of Anne’s fall. One mystery is the position of the king himself. Did he originate the charges against Anne and her lovers? Did he believe them? Was he persuaded by others to believe them? Or were they a cynical invention to allow him to rid himself of a wife who had failed to provide the son he needed to secure his line, and who had become a political embarrassment to him? Henry could , and did, have his marriage to Anne dissolved; it was not necessary to kill her. But there were many people who wanted to see her dead. She was a religious reformer, and many regarded her as a heretic. She was a mere gentleman’s daughter who had reached the throne by trampling on the rights of her predecessor, Katherine of Aragon — a princess of Spain. -
The Breretons of Cheshire, England
The Breretons of Cheshire Page 1 of 68 The Breretons of Cheshire, England Researched and Written by Faye Brereton-Goodwin, Ontario, Canada [email protected] Copyright © Faye Brereton-Goodwin 2001 (February 2018 revision) The Breretons of Cheshire Page 2 of 68 This history is part of a larger 2002 document, titled ‘In Search of My Ancestors” which I dedicated to my father Albert Lionel (Bert) Brereton who served in the Navy, during the First World War and as a Sergeant in the 3rd Canadian Infantry, Princess Patricia's Regiment, during the Second World War. He returned to Canada in 1945, on a hospital ship and died when I was eight years of age. Unable to learn about my Brereton ancestors from my father or his parents over the years I searched for links to the past; at times travelling to Brereton sites. My journey has been both fun and rewarding. On our first trip to England, in 1993, my husband Bob and I visited Royal Leamington Spa in England and saw the home of my Great Aunt Ina Glass at 2 Clarendon Crescent (my Grandmother Brereton- Smallwood also resided there until her death at the age of 101 years). We also visited Brereton Hall in Cheshire, England and met with the owners of the property Mary and Derrick Creigh. For many years, under their ownership Brereton Hall had functioned as a private girl’s school. However, by the 1990’s much updating was needed to continue as a school and the decision was made to return the hall to its original function, as a private residence. -
The University of Hull the Early Career of Thomas
THE UNIVERSITY OF HULL THE EARLY CAREER OF THOMAS, LORD HOWARD, EARL OF SURREY AND THIRD DUKE OF NORFOLK, 1474—c. 1525 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Susan Elisabeth Vokes, B.A. September, 1988 Acknowledgements I should like to thank the University of Hull for my postgraduate scholarship, and the Institute of Historical Research and Eliot College, the Universiy of Kent, for providing excellent facilities in recent years. I am especially grateful to the Duke of Norfolk and his archivists for giving me access to material in his possession. The staff of many other archives and libraries have been extremely helpful in answering detailed enquiries and helping me to locate documents, and / regret that it is not possible to acknowledge them individually. I am grateful to my supervisor, Peter Heath, for his patience, understanding and willingness to read endless drafts over the years in which this study has evolved. Others, too, have contributed much. Members of the Russell/Starkey seminar group at the Institute of Historical Research, and the Late Medieval seminar group at the University of Kent made helpful comments on a paper, and I have benefitted from suggestions, discussion, references and encouragement from many others, particularly: Neil Samman, Maria Dowling, Peter Gwynn, George Bernard, Greg Walker and Diarmaid MacCulloch. I am particularly grateful to several people who took the trouble to read and comment on drafts of various chapters. Margaret Condon and Anne Crawford commented on a draft of the first chapter, Carole Rawcliffe and Linda Clerk on my analysis of Norfolk's estate accounts, Steven Ellis on my chapters on Surrey in Ireland and in the north of England, and Roger Virgoe on much of the thesis, including all the East Anglian material.