Marxist Feminism in Alice Walker's Novels: the Temple

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Marxist Feminism in Alice Walker's Novels: the Temple MARXIST FEMINISM IN ALICE WALKER’S NOVELS: THE TEMPLE OF MY FAMILIAR, MERIDIAN AND THE COLOR PURPLE By Muhammad Ismail Abbasi NATIONAL UNIVERSITY OF MODERN LANGUAGES ISLAMABAD July 2015 Marxist Feminism in Alice Walker’s Novels: The Temple of My Familiar, Meridian and The Color Purple By Muhammad Ismail Abbasi M.A (English). 2008 National University of Modern Languages, Islamabad A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In English (Literature) To DEPARTMENT OF ENGLISH STUDIES NATIONAL UNIVERSITY OF MODERN LANGUAGES, ISLAMABAD Muhammad Ismail Abbasi, 2015 Marxist Feminism in Alice Walker’s Novels The Temple of My Familiar, Meridian and The Color Purple By Muhammad Ismail Abbasi M.A (English). National University of Modern Languages, 2008 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Muhammad Ismail Abbasi 2015 4 NATIONAL UNIVERSITY OF MODERN LANGUAGES FACULTY OF ENGLISH STUDIES THESIS AND DEFENSE APPROVAL FORM The undersigned certify that they have read the following thesis, examined the defense, are satisfied with the overall exam performance, and recommend the thesis to the Faculty of English Studies for acceptance: Thesis Title: Marxist Feminism in Alice Walker’s Novels: The Temple of My Familiar, Meridian and The Color Purple Submitted By: Muhammad Ismail Abbasi Registration #: 478-MPhil/lit/Jan10 Name of Student Doctor of Philosophy Degree name in full English Literature Name of Disciplin e Dr. Shaheena Ayub Bhatti ______________________________ Name of Research Supervisor Signature of Research Professor Dr. Muhammad Safeer Awan __________________________ 5 Name of Dean (FES) Signature of Dean (FES) Maj. Gen. Zia Uddin Najam HI(M) (R) ___________________________ Name of Rector Signature of Rector __________ __________ ___ Date CANDIDATE DECLARATION FORM I _Muahmmad Ismail Abbasi_ Son of Amanat Khan__ Registration # _478-MPhil/lit/Jan-10_ Discipline English Candidate of Doctor of Philosophy at the National University of Modern Languages do hereby declare that the thesis Marxist Feminism in Alice Walker’s Novels: The Temple of My Familiar, Meridian and The Color Purple, submitted by me in partial fulfillment of PhD degree, is my original work, and has not been submitted or published earlier. I also solemnly declare that it shall not, in future, be submitted by me for obtaining any other degree from this or any other university or institution. 6 I also understand that if evidence of plagiarism is found in my thesis/dissertation at any stage, even after the award of a degree, the work may be cancelled and the degree revoked. _______________________ ______________ Signature of Candidate Date Muhammad Ismail Abbasi _______________________ Name of Candidate ABSTRACT Thesis Title: Marxist Feminism in Alice Walker’s novels: The Temple of My Familiar, Meridian and The Color Purple The study aims to delineate the idea that women are exploited due to gender and economic oppression and it is possible to bring about their emancipation by removing the causes of their subjugation. One of the causes of women’s subjugation according to the Marxist Feminist ideology is lack of opportunities for women to earn and own sources of production. Men in the role of husbands subjugate their wives and make them victims of physical punishment. They also engage in sexual and extramarital relationships while they demand strict monogamy from their wives. Therefore the study deals with the application of Marxist Feminist theory upon the fictional works of the African American novelist, Alice Walker. The novels selected for this research are The Temple of my Familiar, Meridian and The Color Purple. Walker in these 7 novels highlights the sufferings of the Afro-American community by narrating their oppression due to white and black men at the same time. The female characters in these works belong to the down trodden class. Celie and Sofia in The Color Purple, Meridian in the Meridian, Zede and Carlota in The Temple of My Familiar, are women of the African American community who belong to the working classes. They all struggle for survival and suffer economically as well as physically. Walker depicts the slave-like experiences of Zede and Miss Lissie in The Temple of My Familiar, the virtual slavery of Sofia at the white Mayor’s house in The Color Purple and the struggle of Meridian during the 1960’s Civil Rights Movement in the Meridian. This study seeks to highlight the miseries of African American women at the hands of patriarchy and capitalism consisting of black male relatives as well as white men. Walker suggests practical solutions to the problems of women. Of these economic stability for women is one way out of this oppression. Walker follows Engels’ theoretical stance of economic independence and emancipates her women characters from poverty, patriarchal influence and capitalism. The women, thus, are able to enjoy the blessings of life when provided with equal opportunities of growth. TABLE OF CONTENTS Chapter Page THESIS AND DEFENCE APPROVAL FO ...................................................... 4 CANDIDATE DECLARATION FORM ………………………… .................. 5 ABSTRACT ………………………………………………………… ................. 6 TABLE OF CONTENTS ………………………………………………. V ACKNOWLEDGEMENT………………………………………………. Viii DEDICATION ………………………………………………………….. xi 8 I INTRODUCTION---------------------------------------------------------------- 1 1.1 Women’s Oppression a Social Construct------------------------------ 3 1.2 Introduction to Marxist Feminism ------------------------------------- 4 1.3 Frederick Engels’ Theory: Finance and Social Relation ------------ 5 1.4 Introduction to Alice Walker ------------------------------------------- 6 1.5 Representative Authors of Afro-American Literature --------------- 6 1.6 Condition of Black Women in America ------------------------------ 7 1.7 Statement of Problem --------------------------------------------------- 9 1.8 Significance of Study --------------------------------------------------- 10 1.9 Delimitation -------------------------------------------------------------- 14 1.10 Research Objectives ----------------------------------------------------- 14 1.11 Research Questions ------------------------------------------------------ 14 1.12 Key Terms ---------------------------------------------------------------- 15 II LITERATURE REVIEW ----------------------------------------------------- 18 2.1 Marxism and Marxist Feminism -------------------------------- ------ 18 2.2 Difference between Engels’ and Marx’s theory --------------------- 21 2.3 Engels’ Role in Highlighting Women’s Oppression ---------------- 23 2.4 Protection of Women by Gens System -------------------------------- 26 2.5 Family in Historical Perspective --------------------------------------- 28 2.6 Socioeconomic Exploitation in the Civilization Era ---------------- 32 2.7 Economy and Slavery --------------------------------------------------- 34 2.8 Subjugation of Women with Emergence of Private Property ----- 36 2.9 Three Classes of Women ------------------------------------------------ 45 2.10 Emancipation of Women ------------------------------------------------ 47 2.11 Postmodernism and Black Women ------------------------------------- 52 2.12 Origin of African American Literature -------------------------------- 53 2.13 Harlem Renaissance ------------------------------------------------------ 57 2.14 Exploitation of Women in Afro-American Women’s Writings ----- 61 2.14.1 Zora Neale Hurston’s Their Eyes were watching God---------------- 61 2.14.2 Toni Morrison’s The Bluest Eye and Beloved ------------------------ 62 9 2.14.3 Paule Marshall’s Brown Girl, Brownstones---------------------------- 64 2.14.4 Female Characters of Alice Walker ------------------------------------- 65 III RESEARCH METHODOLOGY--------------------------------------------- 68 3.1 Methodology ------------------------------------------------------------- 68 3.2 Textual Analysis as a Research Method ------------------------------- 69 3.3 Critics versus Readers --------------------------------------------------- 69 3.4 Reader vs Author and Intertextuality in Literary Texts ------------- 72 3.5 Marxist Feminist Theory and Frederick Engels --------------------- 73 3.5.1 Framework of Analysis -------------------------------------------------- 73 3.5.2 Private Property ----------------------------------------------------------- 73 3.5.3` Men’s Tendency of Going to Old Consanguine and Punaluan family 74 3.5.4 Use of Women’s Physique for Men’s Gratification in Return for Financial Assistance------------------------------------------------------- 74 3.5.5 Enslavement of Majority by the Small Minority for Economic Profits- -------------------------------------------------------------------- ----------- 75 3.5.6 Women’s Enslavement and Physical punishment -------------------- 75 3.5.7 Polygamy vs Monogamy ------------------------------------------------ 76 3.5.8 Unpaid Household Labor ------------------------------------------------ 76 3.5.9 Women’s Emancipation -------------------------------------------------- 77 3.5.10 Women’s Resistance and Liberation ----------------------------------- 77 3.5.11 Financial improvement of women and Men’s Acceptance of Responsibility----------- t--------------------------------------------------- 77 3.5.12 Harmony in Relations of women and men ---------------------------- 78 3.6 Three Approaches to Qualitative Content Analysis------------------ 78 3.6.1 Directed Content Analysis
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