The Power of Bass
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr
20.06.2018 LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr Veranstalter handwerker promotion e.GmbH LIMP BIZKIT Live 2018 Mittwoch, 20.06.2018 – Dortmund, Westfalenhalle Beginn: 20:00 Uhr Support: Blvck Ceiling Große Sommer-Tournee der Nu Metal-Pioniere im Juni 2018 Nach ihrer erfolgreichen Tournee im Sommer 2015 haben LIMP BIZKIT ihre erneute Rückkehr nach Deutschland angekündigt. Die Mitbegründer des Nu Metal sind für sieben Shows im Juni 2018 hierzulande bestätigt. Das Quintett um Frontmann Fred Durst wird am 20. Juni 2018 in der Westfalenhalle in Dortmund zu sehen sein. Der einzige Auftritt in NRW! LIMP BIZKIT gehören zu den innovativsten Bands ihres Genres und sind mit über 40 Millionen verkauften Tonträgern eine der erfolgreichsten dazu. Seit ihrer Gründung 1994 in Jacksonville/Florida beeinflussen LIMP BIZKIT im Laufe der letzten beiden Jahrzehnte eine Unzahl von Nachwuchsmusikern. Ihr innovativer, mitreißender Mix aus peitschenden Rhythmen, massiven Gitarrenwänden und funkigen HipHop-Elementen, der Nu Metal, ist eine Neuinterpretation der Crossover-Musik aus den frühen 90ern. Damals gründet Bandleader Fred Durst mit dem Bassisten Sam Rivers und John Otto am Schlagzeug sein erstes Musikprojekt, einige Monate später stößt Gitarrist Wes Borland hinzu. Mithilfe der befreundeten Band Korn touren sie mit den Deftones und House Of Pain. Von letzteren steigt DJ Lethal von House Of Pain ein. Das im Juli 1997 veröffentlichtes Debüt „Three Dollar Bill, Y’all“ wird mit über zwei Millionen Verkäufen zum überwältigenden Erfolg. Die Nachfolger „Significant Other“ (1999) und „Chocolate Starfish And The Hot Dog Flavored Water“ (2000) verkaufen sich zusammen über 16 Millionen Mal, es folgen drei Grammy-Nominierungen, die Singlehits wie „Nookie“, „Rollin’“, „Take A Look Around“ oder die Coverversion von George Michaels „Faith“ untermauern ihre Stilbreite und Experimentierfreude. -
The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
THE “SECOND QUINTET”: MILES DAVIS, THE JAZZ AVANT-GARDE, AND CHANGE, 1959-68 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kwami Taín Coleman August 2014 © 2014 by Kwami T Coleman. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/vw492fh1838 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. MichaelE Veal, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Heather Hadlock I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Charles Kronengold Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. -
Renewal Journal Vol 4
Renewal Journal Volume 4 (16-20) Vision – Unity - Servant Leadership - Church Life Geoff Waugh (Editor) Renewal Journals Copyright © Geoff Waugh, 2012 Renewal Journal articles may be reproduced if the copyright is acknowledged as Renewal Journal (www.renewaljournal.com). Articles of everlasting value ISBN-13: 978-1466366442 ISBN-10: 1466366443 Free airmail postage worldwide at The Book Depository Renewal Journal Publications www.renewaljournal.com Brisbane, Qld, 4122 Australia Logo: lamp & scroll, basin & towel, in the light of the cross 2 Contents 16 Vision 7 Editorial: Vision for the 21st Century 9 1 Almolonga, the Miracle City, by Mell Winger 13 2 Cali Transformation, by George Otis Jr 25 3 Revival in Bogatá, by Guido Kuwas 29 4 Prison Revival in Argentina, by Ed Silvoso 41 5 Missions at the Margins, Bob Ekblad 45 5 Vision for Church Growth, by Daryl & Cecily Brenton 53 6 Vision for Ministry, by Geoff Waugh 65 Reviews 95 17 Unity 103 Editorial: All one in Christ Jesus 105 1 Snapshots of Glory, by George Otis Jr. 107 2 Lessons from Revivals, by Richard Riss 145 3 Spiritual Warfare, by Cecilia Estillore Oliver 155 4 Unity not Uniformity, by Geoff Waugh 163 Reviews 191 Renewal Journals 18 Servant Leadership 195 Editorial: Servant Leadership 197 1 The Kingdom Within, by Irene Alexander 201 2 Church Models: Integration or Assimilation? by Jeanie Mok 209 3 Women in Ministry, by Sue Fairley 217 4 Women and Religions, by Susan Hyatt 233 5 Disciple-Makers, by Mark Setch 249 6 Ministry Confronts Secularisation, by Sam Hey 281 Reviews 297 19 -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
Sundayiournal
STANDING STRONG FOR 1,459 DAYS — THE FIGHT'S NOT OVER YET JULY 11-17, 1999 THE DETROIT VOL. 4 NO. 34 75 CENTS S u n d a yIo u r n a l PUBLISHED BY LOCKED-OUT DETROIT NEWSPAPER WORKERS ©TDSJ JIM WEST/Special to the Journal Nicholle Murphy’s support for her grandmother, Teamster Meka Murphy, has been unflagging. Marching fourward Come Tuesday, it will be four yearsstrong and determined. In this editionOwens’ editorial points out the facthave shown up. We hope that we will since the day in July of 1995 that ofour the Sunday Journal, co-editor Susanthat the workers are in this strugglehave contracts before we have to put Detroit newspaper unions were forcedWatson muses on the times of happiuntil the end and we are not goingtogether any another anniversary edition. to go on strike. Although the companess and joy, in her Strike Diarywhere. on On Pages 19-22 we show offBut four years or 40, with your help, nies tried mightily, they never Pagedid 3. Starting on Page 4, we putmembers the in our annual Family Albumsolidarity and support, we will be here, break us. Four years after pickingevents up of the struggle on the record.and also give you a glimpse of somestanding of strong. our first picket signs, we remainOn Page 10, locked-out worker Keiththe far-flung places where lawn signs— Sunday Journal staff PAGE 10 JULY 11 1999 Co-editors:Susan Watson, Jim McFarlin --------------------- Managing Editor: Emily Everett General Manager: Tom Schram Published by Detroit Sunday Journal Inc. -
March/April 2004 Issue 267 Free Aged 30 Years
March/April 2004 Issue 267 Free Aged 30 Years www.jazz-blues.com March/April 2004 • Issue 267 Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Chris Hovan, Nancy Ann Lee, David McPherson, Peanuts, Mark Smith, Duane Verh and Ron Cleveland’s jazz festival – Weinstock. 25 years and still swingin’!! Check out our new, updated web For 25 years Highlighting the season are two gala con- page. Now you can search for CD Tri-C JazzFest certs with special performances by Diana Reviews by artists, Titles, Record Cleveland has Krall, George Benson, Joe Sample, Dr. Labels or JBR Writers. Twelve years of reviews are up and we’ll be going been presenting John, Christian McBride, the Clayton- all the way back to 1974! the brightest jazz Hamilton Jazz Orchestra, and a host of luminaries – from others. In addition, we acknowledge Address all Correspondence to.... young lions to the Cleveland’s contributions to the jazz world Jazz & Blues Report legends. Beyond through performances by Joe Lovano, 19885 Detroit Road # 320 world-class per- Jimmy Scott, and an exploration of the Rocky River, Ohio 44116 formances, JazzFest is nationally recog- works of composer Tadd Dameron. Main Office ...... 216.651.0626 nized as a dynamic force for jazz educa- Our 25th anniversary season truly of- Editor's Desk ... 440.331.1930 tion, reaching more than 20,000 students fers something for every jazz palate, along annually through clinics, workshops and with our offering of world-class educational [email protected] in-school performances. -
The Fender 5G8 Twin-Amp
Mountainview Publishing, LLC INSIDE the Are you making it as a guitarist? It ain’t up to “them” – it’s up to you… Why great chops, all the The Player’s Guide to Ultimate Tone TM gear, a solid resumé, cool $10.00 US, September 2005/VOL.6 NO.11 Report songs & a great recording still may not get you noticed in the music biz today… Johnny A The Johnny A Interview “When you strum a guitar you have everything – rhythm, bass, lead and melody.” 9 – David Gilmore Is this love or confusion? The Marshall 30th Of all the guitars you have ever owned, has one seemed to suit you more than all the others? Did Anniversary Amp – you keep it, or has your memory of perfection only deepened with every guitar that failed to blue, brass-plated, 3 measure up to the one that got away? channels, and why it’s the only amp in Johnny A’s rig… Marshall’s Nick Bowcott on the 30th Anniversary 11 Review… Gibson’s Johnny A Signature Guitar This one does it all 13 The Gibson ‘57 Classic humbucking pickup with original designer J.T. Ribiloff 14 Review… The new Eric Johnson Signature Stratocaster… Long time coming, affordable, and the pickups rock… 16 Most of us have been guilty of letting great guitars go due to a temporary cash crunch or the The mythical low-power fever that clouds rational judgment when we impulsively sell an instrument to acquire the next brown Twin Part III… one. How many players traded a vintage goldtop, ‘59 burst or ‘50s Strat or Telecaster for an acrylic Why it never existed and Dan Armstrong, Kustom tuck n’ roll PA gear for the band, a Sunn head, or simply for the sake of how to build your own! change? www.tonequest.com cover story Consider the fickle, shifting fads that have alternately placed nothing, on-again-off-again stops and starts typical of the various Fender, Gretsch, Gibson and Martin guitars among rock music scene in the ‘70s, ‘80s and ‘90s. -
Arturo O'farrill Ron Horton Steve Potts Stan Getz
SEPTEMBER 2015—ISSUE 161 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM GARY BARTZ musical warrior ARTURO RON STEVE STAN O’FARRILL HORTON POTTS GETZ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East SEPTEMBER 2015—ISSUE 161 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Arturo O’Farrill 6 by russ musto [email protected] Andrey Henkin: [email protected] Artist Feature : Ron Horton 7 by sean fitzell General Inquiries: [email protected] On The Cover : Gary Bartz 8 by james pietaro Advertising: [email protected] Encore : Steve Potts by clifford Allen Editorial: 10 [email protected] Calendar: Lest We Forget : Stan Getz 10 by george kanzler [email protected] VOXNews: LAbel Spotlight : 482 Music by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 39 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 40 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Alto saxophonist Gary Bartz (On The Cover) turns 75 this month and celebrates with two nights at Dizzy’s Club. -
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence.