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The Little Green Book of Tennis
THE LITTLE GREEN BOOK OF TENNIS SECOND EDITION TOM PARHAM Copyright © 2015 by Tom Parham All rights reserved. No part of the content of this book may be reproduced without the written permission of Mr. Tom Parham 202 Blue Crab Court Emerald Isle, N. C. 28594 ISBN #: 978-0-9851585-3-8 Second Edition LOC #2015956756 Printed and Bound in the United States of America 10 9 8 7 6 5 4 3 2 CONTENTS Harvey Penick’s Book...............................................................................................................2 Mentors...................................................................................................................4 Jim Leighton..............................................................................................................................4 Jim Verdieck...............................................................................................................................6 Keep on Learning......................................................................................................................8 If I Die..........................................................................................................................................9 Ten Ground Stroke Fundamentals......................................................................................9 Move! Concentrate! What DoThey Mean?......................................................................12 Balance Is the Key to GoodTennis........................................................................................13 -
2021 US OPEN AUGUST 30 - SEPTEMBER 12 Give Me a Racquet and Watch Me Go
Virtual Wildcard 2021 US OPEN AUGUST 30 - SEPTEMBER 12 Give Me A Racquet and Watch Me Go Scan the code to start your tennis journey and check out some of our family tennis videos now, so you can get outside and play today. © 2021 USTA. All rights reserved. 2021 US OPEN THEME ART This year’s Statue of Liberty design was inspired by fans returning to the US Open in New York City. It’s your turn to color your own unique US Open artwork. © 2021 USTA. All rights reserved. YOUR CREDENTIAL Ready for the US Open? Get started by creating your very own credential! YOUR NAME © 2021 USTA. All rights reserved. DO YOU KNOW THE RULES? Let’s test how much you know about tennis rules at the US Open. How many of these questions from USTA Officiating can you answer correctly? Check your answers on the following page. 1. _________________ is the Official that oversees the match on a given court. 2. Players can have up to _________________ minutes to receive treatment during a Medical Time Out. 3. How many challenges does a player get? ____________________ 4. How many balls are on court at one time? ____________________ 5. True or False: The ball must always pass over the net. ____________________ 6. How long is a changeover? ____________________ 7. Can a player request a cup of coffee be brought to court during a match? __________________ 8. Balls are changed after the first ____ games and after every ____ games after that 9. If the ball hits a player during play, they ____________________ the point. -
Contextual Information and Perceptual-Cognitive Expertise in a Dynamic, Temporally-Constrained Task
Loughborough University Institutional Repository Contextual information and perceptual-cognitive expertise in a dynamic, temporally-constrained task This item was submitted to Loughborough University's Institutional Repository by the/an author. Citation: MURPHY, C.P. ... et al, 2017. Contextual information and perceptual- cognitive expertise in a dynamic, temporally-constrained task. Journal of Ex- perimental Psychology: Applied, 22 (4), pp.455-470 Additional Information: • This article may not exactly replicate the final version published in the APA journal. It is not the copy of record. Metadata Record: https://dspace.lboro.ac.uk/2134/23509 Version: Accepted for publication Publisher: c American Psychological Association Rights: This work is made available according to the conditions of the Cre- ative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Full details of this licence are available at: https://creativecommons.org/licenses/by-nc-nd/4.0/ Please cite the published version. Running Title: CONTEXTUAL INFORMATION AND ANTICIPATION 1 Contextual Information and Perceptual-Cognitive Expertise in a Dynamic, Temporally- Constrained Task Colm P. Murphy1, Robin C. Jackson2, Karl Cooke3, André Roca4, Nicolas Benguigui5, and A. Mark Williams1 1Brunel University London, Uxbridge, UB8 3PH, UK. 2Loughborough University, Leicestershire, LE11 3TU, UK. 3Lawn Tennis Association, National Tennis Centre, 100 Priory Lane, Roehampton, SW15 5JQ, UK. 4St Marys University, Twickenham, London, TW1 4SX, UK. 5Université de Caen Basse Normandie, Boulevard du Maréchal Juin, Campus II, F-14032, Caen Cedex, France. Author Note The authors would like to thank the Lawn Tennis Association for providing access to video footage and data used in test stimuli. -
The Real Sport of Kings When Our Family Moved from Notting Hill Gate
The Real Sport of Kings When our family moved from Notting Hill Gate to larger quarters on Brook Green I realized it was a ten-minute bike ride to The Queen’s Club. A mecca of lawn tennis, with grass courts, Queen’s was known for the Invitational that preceded Wimbledon. As a youth, spurred by my father whose passion was tennis, I played a lot, at times as many as eight hours a day. The game was so bound with Southampton’s lifestyle that even the houses, with their white- painted frames and green shutters, could seem a reverse echo of the grass courts on which we played. It is hard to imagine a Long Island village where we played only three months a year competing with Florida and California, but the town boasted a Wimbledon winner and several national champions. The two grandsons of Dwight Davis who had given the eponymous cup were daily opponents, and the Meadow Club Invitational (now the U.S. Amateur Championship) reigned as the longest continuing tournament on the grass court circuit. This tournament, which brought the great “bums,” as they were known, roaring in on their jalopies was the social high point of the Southampton summer, crowned by a dance and massive silver trophies that begged to be melted down. We put them up in our houses and the money I made ball-boying more than paid for all the presents I bought my parents. For much of my youth I aspired to that kind of athletic career. I wanted to travel to fabled venues: Wimbledon, Rome, Monte Carlo, Paris, Rapallo, Gstaad. -
Up to 5.0 Level
“PLAY TENNIS” – SELF-RATING GUIDE Find suitable playing partners and enjoy playing tennis more. How? Use the “Play Tennis” Self-Rating Guide which identifies and describes different levels of tennis ability. (See poster in your club or use pocket guide) Purpose: Find your own general level of tennis ability. Find players of a similar level so that you can have competitive games. Play an individual at a higher level using handicap scoring to make the game more competitive. Participate in group lessons or league play with people of similar ability. Guidelines to rate yourself: Study the “Play Tennis” self-rating chart Start reading from the top of the chart, beginning with Level 1.0. Find the level that best describes your general level of play. Ask your Instructor or Coach to validate your self-rating, if you think that will help. Remember that as you play more, and improve, your rating may improve. Update your rating periodically. Results in social and competitive matches will validate whether your chosen level is reasonably accurate. RATING GROUND- RETURN OF NET PLAY SERVE STROKES SERVE (volleys and (forehand and overheads) backhand) 1.0 This player is just starting to play tennis 1.5 This player has been introduced to the game, however has difficulty playing the game due to a lack of consistency rallying and serving. 2.0 Can get the ball Tends to position In singles, In complete in play but lacks in a manner to reluctant to come service motion. control, resulting protect to the net. In Toss is in inconsistent weaknesses. -
Tennis-Point
Tennis for Beginners Getting Ready to Hit the Court Midwest Sports Table of Contents Tennis: An Introduction ........................................................................................ i Section 1: The Basics ................................................................................................. 3 Chapter 1:Tennis Terms to Know .......................................................... 4 Chapter 2: The Ins and Outs of Tennis Scoring .................................... 8 Chapter 3: Finding the Perfect Beginners’ Racquet and Equipment . 11 Chapter 4: Outfitting Yourself for the Court ...................................... 17 Section 2: The Essential Elements of Play .................................................. 21 Chapter 5: The Grip............................................................................... 22 Chapter 6: The Serve ............................................................................. 25 Chapter 7: The Forehand ...................................................................... 28 Chapter 8: The Backhand ...................................................................... 31 Chapter 9: Volleys .................................................................................. 34 Conclusion .................................................................................................................. 36 Sources ............................................................................................................. 37 i ii TENNIS FOR BEGINNERS Tennis: An Introduction Have -
The Art of Lawn Tennis
Y I T COP R GH , 19 2 1 , ORAN MP ANY B Y GE ORGE H . D CO REVISED AND ENLARGED EDITION OPYR GHT 1 9 2 2 C I , , E ORAN COMP ANY B Y GEORG H . D PRINTED IN THE UNITED STATES OF AMERICA AP R 5 922 ! 8LA6 5 9 8 08 INTRODUCT ION ENN art T IS is at once an and a science . The game a . as played by such men s Norman E Brookes , the l late Anthony Wilding, Wi liam M Johnston , and ‘ i . l R . N . Will ams is art Yet ike all true art , it has its basis in scientific methods that must be l earned and learned thoroughly for a f oundati on before the artistic structure of a great tennis game can be con structed . Every player who helps to attain a high degree of effi ciency should have a clearly defined method of development and adhere to it . He should be r i ce tain that it is based on sound princ ples and, once o f t o h s assured hat , follow it , even th ug his progres seems slow and discouraging . o I began tennis wrong . My strokes were wr ng n and my V iewpoint cloude d . I had no early traini g Such as m any of our American boys have at the pres e nt time . No one told me the importance of the u as f ndamentals of the game , such keep ing the eye on the ball or correct body position and footwork . -
2016 USTA New England Hall of Famers
Fall • 2016 THE NEW ENGLAND SENIOR TENNIS FOUNDATION BULLETIN 2016 USTA New England Hall of Famers Jill Craybas Jill Craybas grew up just 20 miles away from Newport and now she’s back as a six-time WTA champion and member of the USTA New England Hall of Fame. As a junior, Jill attained a No. 1 New England ranking in the Girls 18s division and climbed to a high of 4 nationally. She continued to shine in college, winning national championships with both the University of Florida and the University of Texas, twice earning All-America honors. Craybas turned pro in 1996 and was a mainstay on the WTA tour. She competed in 45 straight Grand Slams and maintained a top- 100 ranking for 10 consecutive seasons. Her highest singles ranking was No. 39 and doubles, No. 41. Craybas also had the unique opportunity to represent her country as she was selected to the 2008 U.S. Olympic team and was a member of the Fed Cup team for five years. Wade Frame A competitive tournament player for the past 26 years, Wade Frame has achieved No. 1 New England rankings 19 times between singles and doubles. In 2014, he climbed as high as No. 19 nationally in 55 Singles and No. 5 in 55 Doubles with partner Chris Holmes. Despite his success though, he has never let tennis get in the way of family time. He’s always maintained a steady balance, and contributing to that is his competitive play with both his son Warren and daughter Alissa. -
SELF-RATING GUIDE Find Suitable Playing Partners and Enjoy Playing Tennis More
“PLAY TENNIS” – SELF-RATING GUIDE Find suitable playing partners and enjoy playing tennis more. How? Use the “Play Tennis” Self-Rating Guide which identifies and describes different levels of tennis ability. (See poster in your club or use pocket guide) Purpose: Find your own general level of tennis ability. Find players of a similar level so that you can have competitive games. Play an individual at a higher level using handicap scoring to make the game more competitive. Participate in group lessons or league play with people of similar ability. Guidelines to rate yourself: Study the “Play Tennis” self-rating chart Start reading from the top of the chart, beginning with Level 1.0. Find the level that best describes your general level of play. Ask your Instructor or Coach to validate your self-rating, if you think that will help. Remember that as you play more, and improve, your rating may improve. Update your rating periodically. Results in social and competitive matches will validate whether your chosen level is reasonably accurate. RATING GROUND- RETURN OF NET PLAY SERVE STROKES SERVE (volleys and (forehand and overheads) backhand) 1.0 This player is just starting to play tennis 1.5 This player has been introduced to the game, however has difficulty playing the game due to a lack of consistency rallying and serving. 2.0 Can get the ball Tends to position In singles, In complete in play but lacks in a manner to reluctant to come service motion. control, resulting protect to the net. In Toss is in inconsistent weaknesses. -
Essential Tennis Podcast #160
Essential Tennis Podcast #160 Welcome to the essential tennis podcast. If you love tennis and want to improve your game this pod cast is for you whether it is technique, strategy, equipment or the mental game tennis professional Ian Westermann is here to make you a better player and now here is Ian Ian: Hi and welcome to the essential tennis podcast, your place for free expert tennis instruction that can truly help you improve your game. Today's episode of the podcast is brought to you by Tennis Express and Tennis Tours. Thank you very much for joining me on today's episode of the pod cast. I really appreciate having you as a listener and before we got to today's listener topics to talk about I want to give full details really quickly for the next up coming essential tennis clinic is going to be in New York City at the New York Tennis club in the Bronx New York. It is going to be on April 16th and 17th I just opened it up to those people who contacted me to get early notification yesterday. There is only six spots left it is first come, first serve and every clinic I have put on is sold out I do not expect this to be any different, so if you are in the New York City area and would like to join me for a weekend of working and improving your tennis game, working on your tennis game and helping you get better. Definitely go sign up. -
Men's Best Shots Poll
Men’s Best Shots Poll Stephanie Kovalchik is the Senior Data Scientist for the Game Insight Group of Tennis Australia and Vicoria University and the creator of the tennis stats blog On The T (on- the-t.com). The data landscape in tennis isn’t perfect but there is enough out there, thanks in large part to dedicated enthusiasts of the game, that it is possible to develop meaningful statistics about the skills of the best players in the sport. To show how far the sport has and can go analytically, all of my ratings will be based on statistics. A data-driven perspective isn’t a substitute for expert opinion. It’s simply a different angle to the question of ‘who is the best’ that has the advantage of being completely objective and of applying an equal standard to all players. When we think of the ‘best’ in any sport, it usually comes down to the player or team who has had the most success on the biggest stages against the toughest opponents. Taking that same idea and applying it to shots suggests we should judge a shot by its effectiveness against the best players. The GIG team has developed a shot effectiveness stat that does just that. Players with high shot effectiveness are those who have a high probability of getting a clean winner or inducing a forced error with that shot, while keeping the probability of a technical mistake (an unforced error) low. Our effectiveness statistic scores these attributes of a shot in matches when a player goes up against the best, who are the 20 players who have earned the highest GIG Elo Rating in the past 5 years. -
Senior Scta November
Senior SCTANewsletter NOVEMBER 2001 Determined William J. Kellogg player. The encounter lasted 2 hours things off against Olivier Cayla. The French and 45 minutes and came down to a clay court expert had too much experience tie-breaker in the final set. The wily and won the first set handily. Cayla was up Italian won the first set, but a break in the second before Schmidt began Dickinson turned things around win- to make headway. He managed to even the ning the second. At the start of the score at 5-5, but Cayla’s performance car- third, he began experiencing leg ried the day 6-2, 7-5. cramps, but survived and held four Jeff Greenwald started his match, as he match points. Unfortunately, he was had done the day before, firing on all cylin- unable to convert on any of the ders. Franck Fevrier, the top French player, opportunities and eventually lost to was the opponent. The points were long his relentlessly retrieving opponent and exciting. Greenwald won the first set, 6-2, 3-6, 7-6. but unforunately, he ran out of gas and Greenwald raced through the Fevrier easily won the second set. The third opening set against Enrico Casadei set became a battle of will and nerve. the top Italian player. Casadei then Fevrier rushed to a 5-2 lead before Italia Cup team: Dexter MacBride, Richard Schmidt, Brett turned the tables, with his brilliant Greenwald began applying the pressure he is Dickinson, Jeff Greenwald and William J. Kellogg. left-handed shot-making, to even the well known for.