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Marketing Fragment 6 X 10.5.T65 Cambridge University Press 978-0-521-85699-7 - The Cambridge Companion to the Harlem Renaissance Edited by George Hutchinson Index More information IND EX abolitionism, 41 Caribbean, the, 184– 7, 193–5 activism, 20–5, 86; see also radicalism British Colonies, 184–6 Africa, 51–3 , 207–8 British Guiana (Guyana), 186 origins in, 222 –3 Cuba, 45 Afro-Asian alliance, 180 Dominican Republic, 45 Anderson, Garland, Appearances, 64 Haiti, 45–6, 191 anticolonial movements, 4; see also and the Harlem Renaissance, 44–8 decolonization; nationalism Jamaica, 184–6, 193 Armstrong, Louis, 158 and the United States of America, 45–6 authenticity, 216, 221–4 , 225 Caribbean migrants, 184, 187 avant-garde, the, 74–6, 78–9 and the Harlem Renaissance, 47–51, 190, 195–7 Baldwin, James, on Cane (Toomer), 79 and radicalism, 189–91 Bell, Bernard, 100 in the United States of America, 46–8 Benjamin, Walter, 165 Caribbean writers, 196 –7 Bennett, Gwendolyn Central America ‘‘To a Dark Girl,’’ 136 Nicaragua, 45 ‘‘To Usward,’’ 133 Panama, 45, 195 Black and White (film), 50 and the United States of America, 45–6 Bland, Edward, ‘‘Social Forces Shaping the Christianity, 118 Negro Novel,’’ 249 and homosexuality, 118 –19 Bonner, Marita, 65 citizenship, 13–25, 115, 176 ‘‘On Being Young – a Woman – and cultural, 17–18, 24–5 , 117, 124 Colored,’’ 126–7 and the New Negro, 19 Bontemps, Arna, 100, 249 political, 13–17, 24, 124 Bradford, Roark, 244 Civil Rights Movement, 22–4, 25, Briggs, Cyril V., and The Crusader, 47, 49 89, 251 Brown, Sterling A., 99, 100, 199, 243 class, 242, 245–6 and dialect, 104 –5 black lower, 194 and the left, 245 and sexual desire, 161–2 ‘‘The Negro Character as Seen by White working, 39, 247 Authors,’’ 243– 4 Clay, Eugene, see also Holmes, Southern Road, 104–7 Eugene Clay ‘‘Odyssey of Big Boy,’’ 105–6 Cold War, 22, 23 Brown vs. Board of Education, 24 Coleman, Anita Scott, ‘‘Portraiture,’’ 137 Burke, Kenneth, 248 communism, 48–50, 122, 177, 179, Burrill, Mary P., Aftermath , 62 245–7 consumerism, 20 capitalism, 160 Cotter, Joseph Seamon, On the Fields of Carby, Hazel, 215 France, 62 265 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85699-7 - The Cambridge Companion to the Harlem Renaissance Edited by George Hutchinson Index More information INDEX Cowdery, Mae V. and Claude McKay, 170–1 ‘‘A Brown Aesthete Speaks,’’ 127–9 and communism, 179 ‘‘Interlude,’’ 134 and The Crisis, 34–6 , 51–2 Cowley, Malcolm, 76 Dark Princess: A Romance, 172–4 , Exile’s Return, 242 177–80, 181 Crisis, The, 34–6 , 51–2 and decolonized marriage, 181 ‘‘Southern Terror,’’ 50 and drama, 58, 60 Crusader, The, 47, 49 Dusk of Dawn, 178 Cruse, Harold, 48 and folk-songs, 217 Cullen, Countee, 114 –16, 124, 150, 250 and internationalism, 177–9 and Christianity, 118 on Jean Toomer, 79 dedications by, 150 Pan-African Congress, 178–9 education of, 114 reviews in Harlem, 113 of Banjo (McKay), 171 and Harold Jackman, 118 of Home to Harlem (McKay), 170–1 ‘‘Heritage,’’ 52, 118–19, 222 of Nigger Heaven (Van Vechten), 37 and homosexuality, 118 –19 The Souls of Black Folk, 98, 117, 210 and John Keats, 116 –17 The Star of Ethiopia, 60 and Langston Hughes, 112–13 and Walter White, 93 love poetry, 117 dualism, 124 and sexuality, 119 , 152 African American, 114–16, 117–19 and subjectivity, 117 duCille, Ann, 215 ‘‘Tableau,’’ 153 Dunbar, Paul Laurence, 113, 114–16 ‘‘Uncle Jim,’’ 112 dialect poetry, 116 ‘‘Yet Do I Marvel,’’ 118 ‘‘high’’ poetry, 116 ‘‘Sympathy,’’ 129 decolonization, 41, 179–81 ‘‘To a Poet and a Lady,’’ 130 Delany, Clarissa Scott, ‘‘The Mask,’’ 133 ‘‘We Wear the Mask,’’ 115–16 desegregation, 23–5; see also Jim Crow; Dunbar-Nelson, Alice, 134, 143 segregation ‘‘I Sit and Sew,’’ 130, 133 detective novels, 15 5, 159–62, 163–4, 166, 167 Mine Eyes Have Seen, 62 and sexual desire, 163 –5 ‘‘The Proletariat Speaks,’’ 129 dialect, 99, 109 , 221 Caribbean, 194 Edmonds, Shepard Randolph, 67 James Weldon Johnson and, 103 Edwards, Brent Hayes, 42, 46, 172, 178 Sterling Brown and, 104–5 The Practice of Diaspora: Literature, Zora Neale Hurston and, 221 Translation, and the Rise of Black see also vernacular Internationalism, 31 dialect verse, 116, 186 Eliot, T. S., The Waste Land, 164 Dixon, Ruth, ‘‘Epitome,’’ 132–3 Ellison, Ralph, 247–9 Domingo, Wilfred Adolphus, 47 assessment of the Harlem Renaissance, Doran, Charles, 91 248–9 Douglass, Frederick, 13 and ‘‘New Criticism,’’ 248 drama, 57–68, 223 Emerson, Ralph Waldo, ‘‘The American and Alain Locke, 58–9 , 60, 64 Scholar,’’ 17 folk, 58–60, 62, 67 folk and protest, 60, 61, 64 Fauset, Jessie Redmon, 51, 82–94 political, 62 The Chinaberry Tree, 87, 88 protest, 58, 61, 63–4 , 68 Comedy: American Style, 42, 87–9 and W. E. B. Du Bois, 58, 60 and The Crisis, 35, 83–4, 86 white playwrights, 57 essays, 84 Du Bois, W. E. B., 42 and Europe, 43 and activism, 86 in Harlem, 84 266 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85699-7 - The Cambridge Companion to the Harlem Renaissance Edited by George Hutchinson Index More information INDEX as a mentor, 83, 84 Gibson, Richard, 250 and the NAACP, 82–3 Gilroy, Paul, 42, 174 and the Pan-African Congress, 85 Giovanni, Nikki, ‘‘For Saundra,’’ 127 Plum Bun, 87–8 Gloster, Hugh, ‘‘The Van Vechten Vogue,’’ prose portraits, 85 239–40 There Is Confusion , 42, 83, 86 Gordon, Eugene, and the ‘‘nation-within- and W. E. B. Du Bois: The Brownies’ a-nation thesis,’’ 246–7 Book, 85–6 Graham, Shirley, 67 feminism, 19–20, 127, 129, 215 , 228 Gregory, Montgomery, 59 Fire!!, 37, 144–5, 201 Grimke´, Angelina Weld, 143 First World War, see World War I ‘‘The Black Finger,’’ 131 Fisher, Rudolph, 167 Rachel, 61 The Conjure Man Dies, 155, 162–7 Grossman, James, 206 ‘‘Miss Cynthie,’’ 162 Gurdjieff, Georges I., 78 and sexual desire, 155 The Walls of Jericho, 167 Hammett, Dashiell, The Maltese Falcon, folk culture, 18, 79, 105, 107, 213 163, 164 and the church, 109 Harlem, 6, 18, 31–3, 167, 187, 202, 205–7 folk sermons, 102– 4 and Caribbean immigrants, 187 James W eldon Johnson and, 102–4, 21 9 , 221 nightlife, 32–3, 141 Jean Toomer and, 99–102 ‘‘rent parties,’’ 33 Langston Hughes and, 107–10, 122 stage shows, 32–3 and the New Negro Movement, 96–9 ‘‘Vogue,’’ 3, 206 on the road, 105–7 white interest in, 33, 206 folk drama, 58– 60, 62, 67, 224–6 Harlem Renaissance, 1, 28, 30–1, 39, folklore, 60, 215–20, 223–4 96, 250 white, 218 ‘‘canon’’ of, 9 and white scholars, 219 –20, 222 and the Caribbean, 44–8 ‘‘folklore fiction,’’ 214–16, 226– 9 and Caribbean migrants, 47–51, 190, France, 5 195–7 franchise, 13 critics of, 240–2, 247, 248–50 women’s, 14 dates of, 6–8, 34 see also citizenship ‘‘failure’’ of, 8–9 Frank, Waldo, 74–6 , 77 and the Irish Renaissance, 43–4 ‘‘buried cultures,’’ 75 and the Jazz Age, 32–3 City Block, 76 magazines and newspapers, 34 and cultural criticism, 75 reconsiderations of, 250–1 Our America, 75–6 social and political institutions of, 33–4 Freud, Sigmund, 160 tension within, 36 Harlem Renaissance studies, 2 Gaines-Sheldon, Ruth Ada, 65 Harrison, Hubert, 48 Garvey, Marcus, 5, 44, 177 Holmes, Eugene Clay (also Eugene Clay), 245 black nationalism, 187–9 homosexuality, 19–20, 141–2, 149–51 and Liberia, 52–3 and Christianity, 118–19 and the New Negro, 14 in coded language, 150 Universal Negro Improvement Association, in double meanings, 150 187– 9 in gay readings, 151 Garveyism, 177 , 188 in multiple meanings, 151 Gates, Henry Louis, Jr., 30, 142 stereotypes of, 145–7 ‘‘The Trope of a New Negro and the the ‘‘pansy,’’ 147 Reconstruction of the Image of the the ‘‘wolf,’’ 147 Black,’’ 29 homosociality, 180–1 gender, 127–8 , 135, 137; see also women Howard University, 245 267 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85699-7 - The Cambridge Companion to the Harlem Renaissance Edited by George Hutchinson Index More information INDEX Huggins, Nathan, 222 and dialect, 221 Harlem Renaissance, 251 Dust Tracks on a Road, 214, 228 Hughes, Langston, 99, 107–10, 114–16, 124, and ‘‘Feather Bed Resistance,’’ 226 , 227 150, 246 a ‘‘folk novelist,’’ 214–16, 226–9 ‘‘Aesthete in Harlem,’’ 123 and folk theatre, 224–6 The Big Sea, 28, 31–3 , 38, 39, 241 and folklore, 223–4 The Black Mother and Other Dramatic ‘‘The Great Day,’’ 225–6 Recitations, 114 and the ‘‘Margarine Negro,’’ 219–20 ‘‘Black Renaissance,’’ 3 Mule Bone, 64 and the black working class, 39 and originality, 216, 230 on Cane (Toomer), 79 and Signifying, 229 and the Caribbean, 45–6 and storytelling, 227–30 in Cleveland, 113 Their Eyes Were Watching God, 143 , 214, and communism, 122 226–9 and Countee Cullen, 112–13 critics of, 227 –8 education, 114 and performance, 229–30 fiction, early, 123 and women, 228–9 Fine Clothes to the Jew, 38, 122 unpublished plays, 65 and folk culture, 107– 10, 122 ‘‘You Don’t Know Us Negroes,’’ 219 and the Harlem Renaissance, 241 Hutchinson, George, 42, 72 and internationalism, 4, 50 ‘‘Lament Over Love,’’ 108 –9 identity politics, 132 Little Ham, 146 industrialization, 20–1 maritime works, 148, 151 internationalism, 4, 175– 7, 189–90 ‘‘Mother to Son,’’ 109 and the Caribbean, 44–8 Mulatto, 67–8 and the Harlem Renaissance, 31, 41–53, ‘‘My Early Days in Harlem,’’ 31 172–4 and nationalism, 119 and the Irish Renaissance, 43–4 ‘‘The Negro Artist and the Racial and Langston Hughes, 4, 50 Mountain,’’ 36, 38–9, 112 of New Negro Movement, 195 ‘‘Negro Dancers,’’ 108, 122 and W.
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