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“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
FOR Why Were You Rescued and Brought to Wildcare Eastern Sierra
The Inyo Register TUESDAY, FEBRUARY 11, 2020 7 MAN ON THE STREET Why were you rescued and brought to Wildcare Eastern Sierra for help? By Wildcare Eastern Sierra “A man rescued my “I was pulled from my “I was hunting near “I found an opening into “I saw a dead rabbit on “A few friends and I nest when he saw mom nest by a bird with a some buildings, chasing a big building where the side of the highway. were flying near Church had been killed. When sharp beak. I wiggled a mouse, and I fell in a someone kept leaving I flew down to take it and Fowler, looking for he took us to Wildcare, and it dropped me to pan full of motor oil. A some yummy snacks. away, but as I lifted up, food. I got into some it was time for me to the ground. My tummy person found me and One night they set a a truck ran into me. My kind of opening and break out of my egg. was bleeding. A person took me to Wildcare. A trap and I was caught. wing was injured. I could couldn’t get out. A per- Most of my brothers and found me and took me lot of Dawn baths will Wildcare came and, run but I couldn’t fly. A son saw me and went to sisters were hatching to her house where she make sure my feathers since I wasn’t hurt, sheriff and a volunteer the Police Department. too. I’m learning how to fed me and took care are clean.” they took me to a good from Wildcare caught They came and picked find food.” of me. -
Friday, March 18
Movies starting Friday, March 18 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Divergent Series: Allegiant” Rated PG-13 Run Time 2:00 Starring Shailene Woodley and Theo James Start 2:30 5:40 8:45 End 4:30 7:40 10:45 Rated PG-13 for intense violence and action, thematic elements, and some partial nudity. “Zootopia” Rated PG Run Time 1:50 A Disney Animated Feature Film Start 2:50 5:50 8:45 End 4:40 7:40 10:35 Rated PG for some thematic elements, rude humor and action. “London Has Fallen” Rated R Run Time 1:45 Starring Gerard Butler and Morgan Freeman Start 3:00 6:00 8:45 End 4:45 7:45 10:30 Rated R for strong violence and language throughout. “The Lady In the Van” Rated PG-13 Run Time 1:45 Starring Maggie Smith and Alex Jennings Start 2:40 5:30 8:45 End 4:45 7:45 10:30 Rated PG-13 for a brief unsettling image ***Prices*** Matinees* $9.00 (3D $12.00) ~ Adults $12.00 (3D $15.00) Seniors and Children under 12 $9.50 (3D $12.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies The Divergent Series: Allegiant (PG-13) • Shailene Woodley • Theo James • After the earth-shattering revelations of Insurgent , Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known. -
Joey Attawia Costume Designer
Joey Attawia Costume Designer Feature film credits include: MISCHIEF NIGHTS Director: Penny Woolcock Comedy Drama Producers: Abi Bach, Willow Grylls Featuring: Katherine Kelly, Ramon Tikaram, Kelli Hollis Production Co: Company Pictures / Film Four LIFE AND LYRICS Director: Richard Laxton Urban Drama Producers: Esther Douglas, Fiona Nielson Featuring: Ashley Walters, Jason Maza Production Co: Fiesta Productions PEGGY SU! Director: Frances-Anne Solomon Romantic Comedy Producers: Colin Rogers, Poonam Sharma Featuring: Alphonsia Emmanuel, Burt Kwouk Production Co: BBC Films RTS Award for Best Costume DesiGn Television credits include: DAMILOLA, OUR LOVED BOY Director: Euros Lyn Drama Producer: Sue Horth Featuring: Babou Ceesay, Wunmi Musaku Production Co: Minnow Films / BBC1 AN ENGLISHMAN IN NEW YORK Director: Richard Laxton Biographical Drama Producer: Amanda Jenks Featuring: John Hurt, Jonathan Tucker, Swoosie Kurtz Production Co: Leopardrama / ITV BAFTA Nomination for Best Costume DesiGn RTS Nomination for Best Costume DesiGn FALLOUT Director: Ian Rickson Drama Producer: Matt Jones Featuring: Gugu Mbatha-Raw, Lennie James, Ami Ameen Production Co: Company Pictures / ITV Joey Attawia Costume Designer 2 WEDDING BELLES Director: Philip John Comedy Drama Producer: Jemma Rodgers Featuring: Michael Fassbender, Shirley Henderson, Sean Harris Production Co: Junction Films / Channel 4 PRIMEVAL Directors: Jamie Payne, Cilla Ware Action Adventure Fantasy Sci-Fi Series Producer: Cameron McAllister Featuring: Hannah Spearritt, Douglas Henshall, Andrew -
STARRED up Directed by David Mackenzie Written by Jonathan Asser
Tribeca Film presents a Film4 presentation in association with CREATIVE SCOTLAND QUICKFIRE FILMS NORTHERN IRELAND SCREEN AND LIPSYNC PRODUCTIONS a SIGMA FILMS Production a DAVID MACKENZIE film STARRED UP Directed by David Mackenzie Written by Jonathan Asser Theatrical release beginning August 29, VOD beginning August 26 Run Time: 106 minutes Rating: Not Rated Press Materials: http://tribecafilm.com/press-center/tribeca-film/films/5318ed3fa32a618693000001 Nominated for 6 British Independent Film Awards Winner: British Independent Film Award for Best Supporting Actor for Ben Mendelsohn TRIBECA FILM: ID PR Brandon Rohwer [email protected] [email protected] [email protected] Introduction Starred Up is the story of a young man prematurely transferred from a young offenders’ institution to adult jail for being too violent. The film is directed by award-winning UK filmmaker David Mackenzie (Young Adam, Hallam Foe, Perfect Sense) from a screenplay written by first-time scriptwriter Jonathan Asser, who has a background in the prison system working as an innovative therapist. The title comes from the process of prematurely upgrading a teenager from a Young Offenders’ Institution to Adult Prison. Starred Up stars Jack O’Connell (Unbroken, “Skins”, Eden Lake), Ben Mendelsohn (The Dark Knight Rises, Animal Kingdom, Killing Them Softly) and Rupert Friend (Pride and Prejudice, The Boy in The Striped Pajamas, “Homeland”). The crew includes director of photography Michael McDonough, ASC (Winter’s Bone, New York – I Love You, Albert Nobbs, 13), and production designer Tom McCullagh (Hunger, Wilderness, Killing Bono) and Producer Gillian Berrie (Red Road, Hallam Foe, Perfect Sense). Film4 financed the project in association with Creative Scotland, Quickfire Films, Lipsync productions and Northern Ireland Screen. -
Week Three Semester Two 2013
l week three semester two 2013 Look below the surface honi soit honi UniGate is back pg 4 What’s getting a Brazilian like? pg 7 Daily Telegraph, calm your farm pg10 It’s a nice day for a Chinese wedding pg 11 R Kelly is a Goddamn genius pg 14 DISCONTENTS Glasnost and Sydney University When you reflect on the University of industry and you find the thousands of badly needs. When you consider the UNIGATE Sydney, on what it is as a place and an international students being abused by falling ratio of education funding to 4 Seriously. So much institution, it feels almost too appropri- landlords, employees, and their class- student numbers, it’s not hard to see UniGate. ate that a sandstone Quadrangle comes mates. Take away the rhetoric about the how this mentality has come about. But to mind. It’s an icon and an image the ‘student experience’ and you will hear it doesn’t have to be this was. It’s time GOING BRAZILIAN University consciously promotes. Pri- the stories of students forced to do lit- for glasnost. It’s time for the University 7 Anonymous mary school students dressed in pri- tle more than work, study, and sleep, to to dump ‘public relations’ and have real mary school colours are taken on tours help them afford living in the city where conversations, arguments, and fights through its well kept facade. Glossy their chosen university was built. with its students and its student media. 9 HIGH IN PERU brochures adorned with the building’s This is essentially what the job of a It’s time to talk about the faults and the Andre Fenby image and words like ‘opportunity’, student newspaper should be. -
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN .................................................................................................... -
Paul Lacovara
Paul Lacovara Gender: Male Service: 818-755-7550 Height: 6 ft. 1 in. Mobile: 805-459-5632 Weight: 180 pounds E-mail: [email protected] Birthdate: 06/07/1976 Eyes: Brown Hair Length: Short Waist: 32 Inseam: 32 Shoe Size: 11 Physique: Athletic Coat/Dress Size: 41 - 42L Ethnicity: Caucasian / White, Mediterranean Photos Generated on 09/26/2021 01:55:38 am Page 1 of 8 Film Credits KONG: Skull Island Stunt Double: Tom Hiddleston Wade Allen (re-shoots) I Saw The Light Stunt Coordinator/Tom Hiddleston Bron Studios/RatPak Ent. Stunt Double Baby Driver Stunt Driver Jeremy Fry/Darrin Prescott The Fifth Wave Stunt Double: Liev Schreiber Joe Box Street Ships Stunt Coordinator Footprint Prods./Jamie Brindle The Den Stunt Coordinator Gold Circle Films Zephyr Springs Stunt Coordinator Lifetime Prods Allegiant Stunt Double: Theo James Chris O'Hara Insurgent Stunt Double: Theo James Darrin Prescott / Wade Allen Divergent Stunt Double: Theo James Garrett Warren Godzilla Stunts John Stoneham Jr. Thor 2: The Dark World Stunt Double: Tom Hiddleston Steve Dent Birdman Stunts Stephen Pope R.I.P.D. Stunt Double: Ryan Reynolds Corey Eubanks The Avengers Stunt Double: Tom Hiddleston R.A. Rondell Veronica Mars Stunt double: Jason Dohring Denney Pierce Gangster Squad Stunt Double: Troy Garity Gary Hymes The Hangover 2 Stunt Double: Bradley Cooper Allan Graf Invisible Man 3D Test Shoot "Assailant" / Stunt Actor Danny / Lisa Weselis Pirates of the Caribbean 4 Stunts George M. Ruge Paranormal Activity 2 Stunt Double: Brian Boland Dennis Scott Thor Stunt Double: -
Screendollars Newsletter 2021-04-26.Pdf
Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame. -
Editorial. Entrevistes. Reportatges. L'antina Recomana. Secció Artística
N T I N A Editorial. Entrevistes. Reportatges. L'Antina recomana. Secció artística. Secció literària. Activitats al centre. Sortides. La nostra cuina. Buscant raons. Notícies del poble. Horòscop. Humor. Institut Torredembarra. Núm 10 2a era. Juny 2017. Portada: Yamina el Faezi. editorial SUMARI Suposem que ja heu endevinat per la portada que l’Antina fa cinc anys! En el format actual, és clar; perquè ja sabem que l’Antina ve de lluny. A la 403 hem celebrat molt aquests 1. Editorial: l’Antina fa cinc anys! cins anys digitals, ja ho veureu, ja. Hem fet pastissos i tot! 2. Entrevistes: hem parlat amb algunes mares Però si haguéssim d’escollir un parell de mots per definir de l’Ampa, però com que encara ens volien aquest curs, segur que serien: CORRE, CORRE! I és que així explicar com preparen les festes de final de és com hem sobreviscut els de la redacció de l’Antina: curs, i havíem de tancar la revista, potser corrent! deixarem les entrevistes per més endavant. No negarem que hi ha hagut algun esmorzaret, o que els 3. Reportatges: sobre la creativitat i sobre dies de fred i pluja ens va molt bé no haver d’anar al pati, o Torredembarra. que ens agrada passejar‐nos pel centre amb l’etiqueta 4. Activitats al centre: xerrades, visites d’Antina ‐press… No obstant això, ha estat un curs tan d’escriptors i cantautors, treballs trepidant i tan ple d’activitats, sortides, xerrades… que no interdisciplinars... donem l’abast. El centre creix, l’Antina creix; però el temps 5.