St. John Passion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
School of Nursing Simon Business School Warner School of Education
CLASS NOTES payoff for human health. Jay will use based in Stamford, Connecticut. the award to support his study of a new type of DNA and its role in ocular 2010 Marcus Cano (MBA) has been and neurological disorders. An expert named market director of program on age-related macular degenera- execution at the Sierra Providence tion, he’s a professor and vice chair Health Network in El Paso, Texas. of the Department of Ophthalmology and Visual Sciences at the University of Kentucky. Warner School of Education 2004 Roger Di Pietro (Pdc), a Rochester-area psychotherapist, has 1976 Christine Thurber Ervin published a book, The Anxiety Code: (MA) (see ’74 Nursing). Deciphering the Purposes of Neurotic Anxiety (Lulu). 2011 Ashley Smeltzer (MS) and Melissa Kraft ’13 (MS) were mar- 2005 Mai Le (MD) has been ried in July in Wilmington, Delaware. appointed chief medical officer at Melissa writes: “Each of us was pre- OncoSec Medical, a San Diego–based viously an assistant in the athlet- company that develops DNA-based ic department, and are now head intratumoral cancer immunotherapies. coaches in our respective sports (Ashley in field hockey and I in wom- en’s basketball) at Shenandoah School of Nursing University in Winchester, Virginia. 1974 Christine Thurber Ervin 2013 David Hamilton (EdD) (see 2008E Britton ’76W (MA) writes that she’s moved to ’97 Eastman). Melissa Kraft (MS) Sarasota, Florida, where she contin- (see ’11). ues to work part-time in a free care clinic, and enjoys tennis and traveling with her husband. In Memoriam ALUMNI 1996 Christine Tebaldi ’01 (MS) Lillie Kreisberg ’32N, (see ’98 College). -
View PDF of Aria
HAWAII OPERA THEATRE By Giuseppe Verdi February 1, 3 & 5, 2008 NEAL S. BLAISDELL CONCERT HALL oahu 2118 kalakaua avenue 808.921.1000, ala moana center 808.942.1148 maui the shops at wailea 808.879.1060 shop gucci.com Director’s Notes by HENRY G. AKINA Don Carlo is often considered Verdi’s most Wagnerian work. It makes use of the evolving structure of the Musiktheater, made so popular by Wagner, and introduces several motives that can be seen almost as Wagnerian leitmotifs. Verdi creates an entire political world set in Spain during the reign of Philip II. The opera follows four members of the Habsburg family: Philip II, King of all the world, son of an Emperor and ruler of a kingdom that “the sun never sets upon." Champion of the Catholic faith, devoted ruler and supporter of the Inquisition. This man rules his empire from a small room in the bowels of the Escurial palace. Likened by his enemies to a spider at the center of its web. At the time of the opera he has married three times. His current wife he married in spite of the fact that she had originally been promised to his son, Don Carlo. This marriage is one of the greatest burdens of his life. He does not know how to love. He is fiercely anti-protestant. His presence is felt oppressively in Flanders, a hot-bed of this new and troublesome movement. He has unleashed his armies and the Inquisition upon them. Elisabetta, Queen of Spain, daughter of Katharina de Medici and the King of France. -
Regular Vocal Coaches' Bios for Fall 2020
VOCAL COACHING REGULAR COACHES’ BIOGRAPHIES SPRING 2021 Pianist NOBUKO AMEMIYA has built a reputation as a dynamic and versatile collaborator; her playing is described as “soaring with a thrilling panache, and then with great warmth and suppleness.” (Valley News, VT) Equally committed to opera, artsongs and instrumental chamber music, she traveled three continents to give recitals and concerts with numerous renowned conductors and soloists such as Seiji Ozawa, James Conlon, Brian Priestman, James Dunham, Colin Carr, Rober Spano, and Lucy Shelton. An enthusiastic advocate of new music, Ms. Amemiya has worked with today’s leading composers, including John Harbison, George Crumb, Bright Sheng, Oliver Knussen and George Benjamin. Her music festival appearances include Música da Figueira da Foz in Portugal, Britten- Pears Institute at Aldeburgh Music Festival, Festival de Musique Lausanne in Switzerland, Aspen Music Festival, and Tanglewood Music Center where she was awarded Tanglewood Hooton Prize, acknowledging the “extraordinary commitment of talent and energy.” Prizes and awards include “Vittorio Gui” in Florence, Italy, the Munich International Music Competition, Manhattan School of Music President’s Award and Aldeburgh Music Festival Grant. Also active as a coach and educator, she worked for AIMS in Graz, Opera North, Aspen Music School, IIVA in Italy, Lotte Lehmann Akademie, New England Conservatory and Palazzo Ricci Akademie für Musik in Montepulciano. Ms. Amemiya currently works for the Manhattan School of Music, Prelude to Performances by Martina Arroyo Foundation, Lyric Opera Studio Weimar and Berlin Opera Academy in Germany. Accompanist/vocal coach, KARINA AZATYAN, extensively collaborates with leading figures of vocal art in United States, Europe and Israel. -
Casts Suor Angelica Gianni Schicchi
Casts February 4, 2011 February 5, 2011 TO OUR PATRONS: Curtain time for IU Opera Theater is promptly at 8 p.m., by which time all opera goers should be in their seats. Latecomers will be seated Suor Angelica only on the third terrace or at the discretion of the management. Thank you for your cooperation. Suor Angelica ................. Shelley Ploss Lenora Green La zia principessa ............... Ashley Stone Laura Boone The operas will conclude at approximately 10:15 p.m. La badessa .................... Lydia Dahling Nicole Shorts La suora zelatrice ............... Sarah E. Martin Yana Weinstein No Cameras, Flash Equipment, or Audio Recorders La maestra delle novizie .......... Laura Denney Jennifer Jones Suor Genovieffa ................ Katelyn Lee Katherine Weber are allowed in the auditorium Suor Osmina .................. Jessica Lewis Yuriria Rodriguez of the Musical Arts Center. Suor Dolcina .................. Emily Blair Suna Avci La suora infermiera ............. Laura Waters Krista Laskowski La cercatrice (prima) ............ Soo Hyun Oh Arwen Myers La cercatrice (seconda) . Lisa Runion Mary Cloud La novizie (prima) .............. Amanda Kasem Ji-hyun Kim La novizie (seconda) ............ Rainelle Krause Loralee Culbert La conversa (prima) ............. Jenny Ji-Sun Kim Jennylynn Vidas La conversa (seconda) ........... Sarah Ballman Amber McKoy Gianni Schicchi Gianni Schicchi, age 50 .......... Scott Hogsed Marcelo Ferreira Lauretta, Gianni Schicchi’s daughter, age 21 ............ Shannon Love Caryn Kerstetter Zita, called La Vecchia, cousin of Buoso, age 60 ...... Rachel Wood Sarah Stone Rinuccio, nephew of Zita, age 24 .. Nicholas Fitzer Marco Stefani Gherardo, nephew of Buoso, age 40 . William Lim David Johnson Nella, Gherardo’s wife, age34 ..... Sarah Ann Radke Hannah Stephens All I needed was Gherardino, Gherardo’s son, age 7 . -
Ceremony in Poland Recalls Massacre of Ukrainians
INSIDE:• Ambassador-designate to Ukraine speaks — page 3. • Ukrainian War of Liberation re-enacted in Texas — page 10. • New book marks 50 years of Kolomayets’ art — page 12. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXIV HE KRAINIANNo. 21 THE UKRAINIAN WEEKLY SUNDAY, MAY 21, 2006 EEKLY$1/$2 in Ukraine YekhanurovT decidesUCeremony in Poland recalls massacreW of Ukrainians by Zenon Zawada he will step down Kyiv Press Bureau PAWLOKOMA, Poland – In the days leading up to the Pawlokoma massacre, from PM’sby Zenon positionZawada Father Volodymyr Lemtsio was advised Kyiv Press Bureau to take his wife and children and flee. He declined. KYIV – With little chance of gaining Andrii Lemtsio, 67, recalled his enough support in the new Verkhovna father’s words: “Where my people are, Rada to support his candidacy for the that’s where I’ll be.” prime ministership, Yurii Yekhanurov For his courageous leadership, the announced on May 12 that he would take Greek-Catholic priest joined the ranks of his seat as a national deputy. 366 Ukrainians systematically murdered Mr. Yekhanurov is currently Ukraine’s by Polish soldiers between March 1 and acting prime minister. He will remain in 3, 1945, in the village of Pawlokoma, sit- his position until a parliamentary coali- uated 25 miles west of Peremyshl in the tion government is able to select a new Nadsiannia region that is now the prime minister, which doesn’t appear to Podkarpackie province of Poland. be likely anytime soon. On the very same soil where blood Coalition-building talks continued to stall was spilled more than six decades ago, as Our Ukraine leaders maintained their the presidents of the two nations opened AP/Efrem Lukatsky refusal to dole out positions before agreeing a memorial on May 13 honoring those on a plan of action, particularly the prime who perished, urging reconciliation and Ukrainian President Viktor Yushchenko pays tribute to the victims of the ministership coveted by Yulia Tymoshenko. -
Téléchargez La Version
sm13-6_Cover_UPC.qxd 9/26/08 10:59 AM Page 1 0 2 00 6655338855 2024861 15 91 sm14-2_layout_W3_AD.qxd 9/25/08 7:57 PM Page 3 sm14-2_layout_W3_AD.qxd 9/25/08 10:18 PM Page 4 sm14-2_layout_W3_AD.qxd 9/25/08 10:18 PM Page 5 sm14-2_p06_Contents.qxd 9/26/08 12:03 PM Page 6 RÉDACTEURS FONDATEURS / FOUNDING EDITORS Wah Keung Chan – Philip Anson VOL. 14.2 – OCTOBRE 2008 OCTOBER CONTENTSOMMA / ÉDITEUR/PUBLISHER La Scène Musicale CONSEIL D’ADMINISTRATION / BOARD OF DIRECTORS Wah Keung Chan (prés.), Sandro Scola, Gilles Cloutier, Holly Higgins-Jonas PHOTO ALLISON CORDNER PHOTO RÉDACTEUR EN CHEF/EDITOR Wah Keung Chan RÉDACTRICE ADJOINTE / ASSISTANT EDITOR Nisa Malli RÉDACTEUR JAZZ / JAZZ EDITOR Marc Chénard RÉDACTEUR MUSIQUES DU MONDE / WORLD MUSIC EDITOR Bruno Deschênes COORDONNATEUR CD / CD COORDINATOR Laura Bates COLLABORATEURS / CONTRIBUTORS Lyette Ainey, Renée Banville, René Bricault, Louis- Pierre Bergeron, Simon Bertrand, Hélène Boucher, Andrew Buziak, Frédéric Cardin, Rebecca Anne Clark, Philippe Gervais, W.S. Habington, Félix-Antoine Hamel, Annie Landreville, Alexandre Lazaridès, Hannah Rahimi, Lucie Renaud, Paul E. Robinson, Julie Roy, Paul Serralheiro, Jean-Pierre Sévigny, Joseph K. So TRADUCTEURS / TRANSLATORS Alain Cavenne, Michèle Gaudreau, Laurent Royal RÉVISEURS / COPY EDITORS & PROOFREADERS Laura Bates, Marthe Beauregard, Alain CONTENTS SOMMAIRE Cavenne, Michèle Gaudreau, Nisa Malli, Annie Prothin, Jef Wyns / CALENDRIER RÉGIONAL / REGIONAL CALENDAR Eric Legault ASSISTANTS AU CALENDRIER / CALENDAR ASSISTANTS Dominic Spence, Andie Sigler, CHRISTOPHER JACKSON › P.8 Christian Szczepanik, Laura Bates DIRECTEUR ARTISTIQUE / ART DIRECTOR Bruno Dubois GRAPHISME / GRAPHICS Nellie Renaud, Román Varela SITE WEB / WEBSITE Normand Vandray, Michael Vincent CE MOIS-CI • THIS MONTH PHOTO DE COUVERTURE / COVER PHOTO Allison Cordner ADJOINTS ADMINISTRATIFS / ADMIN. -
Singing up a Stylish Storm" and by the Sarasota Herald Tribune As "One of the Best Voices I Have Heard in a Very Long Time."
JASON FERRANTE American tenor and voice teacher JASON FERRANTE has been praised by Opera News for "singing up a stylish storm" and by the Sarasota Herald Tribune as "one of the best voices I have heard in a very long time." With two decades of experience on the operatic stage in over 80 different roles and on the concert stage as tenor soloist in masterpieces, Ferrante maintains an acclaimed career as both a tenor and a sought-after voice teacher, having taught singers who appear on the greatest stages in the world as soloists, recording artists, and winners in major competitions. He leads the classical voice discipline for YoungArts and is currently on the voice faculty of several American young artist training programs. In 2020 during the closure of theaters, Ferrante regularly offers singing lessons online. Ferrante's most recent performances include a debut with the New World Symphony as the tenor soloist in Nico Muhly's Keep in Touch conducted by the composer, Beppe in Pagliacci with Opera Omaha, Bardolfo in Falstaff with Intermountain Opera, a debut with Nashville Opera as Little Bat in Susannah, a return to the Key Chorale as the tenor soloist in Elijah, his first performances as Remendado in Carmen with the Bar Harbor Music Festival and Little Victor in Kevin Puts and Mark Campbell's Elizabeth Cree, a role he created for Opera Philadelphia and reprised with Chicago Opera Theater. Upcoming Engagements include Little Bat in Susannah at Annapolis Opera (CANCELLED), Beadle Bamford in a new production of Sweeney Todd with Opera Omaha and a debut with the Palm Beach Symphony as tenor soloist in Mozart's Requiem conducted by Gerard Schwarz. -
IRL Yearbook 2012
Institut Ramon Llull Yearbook 2012 Contents Introduction .................................................... 5 Focus 2012 ....................................................... 6 Ramon Llull Prizes ....................................... 12 Literature and the Humanities ................... 14 Performing Arts ............................................ 22 Film ............................................................... 28 Music .............................................................. 34 Visual Arts and Architecture ...................... 40 Language and Universities ........................ 44 Press and Communications ....................... 56 Budget .......................................................... 60 Governing Bodies ........................................ 62 Introduction In 2012 the Institut Ramon Llull celebrated its tenth anniversary. Enough time has elapsed to now pause and take stock of the IRL’s accomplishments to date, which we did through formal commemorative events held in Barcelona and Palma. With the perspective of time we are also now able to observe the exponential effect of the efforts made by the many individuals and teams working for and with the Institut. In this regard I would say that this tenth anniversary year has been an exceptional one for the Institut Ramon Llull, offering very satisfying results. Within a context where reducing costs was an utmost priority— and where we focused more on structural cutbacks than on limiting activities—our aims of amplifying exposure abroad of the Catalan -
Regular Vocal Coaches' Bios for Spring 2020
VOCAL COACHING REGULAR COACHES’ BIOGRAPHIES — SPRING 2020 Pianist NOBUKO AMEMIYA has built a reputation as a dynamic and versatile collaborator; her playing is described as “soaring with a thrilling panache, and then with great warmth and suppleness.” (Valley News, VT) Equally committed to opera, artsongs and instrumental chamber music, she traveled three continents to give recitals and concerts with numerous renowned conductors and soloists such as Seiji Ozawa, James Conlon, Brian Priestman, James Dunham, Colin Carr, Rober Spano, and Lucy Shelton. An enthusiastic advocate of new music, Ms. Amemiya has worked with today’s leading composers, including John Harbison, George Crumb, Bright Sheng, Oliver Knussen and George Benjamin. Her music festival appearances include Música da Figueira da Foz in Portugal, Britten-Pears Institute at Aldeburgh Music Festival, Festival de Musique Lausanne in Switzerland, Aspen Music Festival, and Tanglewood Music Center where she was awarded Tanglewood Hooton Prize, acknowledging the “extraordinary commitment of talent and energy.” Prizes and awards include “Vittorio Gui” in Florence, Italy, the Munich International Music Competition, Manhattan School of Music President’s Award and Aldeburgh Music Festival Grant. Also active as a coach and educator, she worked for AIMS in Graz, Opera North, Aspen Music School, IIVA in Italy, Lotte Lehmann Akademie, New England Conservatory and Palazzo Ricci Akademie für Musik in Montepulciano. Ms. Amemiya currently works for the Manhattan School of Music, Prelude to Performances by Martina Arroyo Foundation, Lyric Opera Studio Weimar and Berlin Opera Academy in Germany. Accompanist/vocal coach, KARINA AZATYAN, extensively collaborates with leading figures of vocal art in United States, Europe and Israel. -
The Opera Fanatic
The Opera Fanatic o THE OPERA FANATIC Ethnography of an Obsession o Claudio E. Benzecry o The University of Chicago Press Chicago and London Claudio E. Benzecr y is assistant professor of sociology at the University of Connecticut. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2011by The University of Chicago All rights reserved. Published 2011 Printed in the United States of America 20 19 18 17 16 15 14 13 12 11 1 2 3 4 5 ISBN- 13: 978-0- 226- 04340- 1 (cloth) ISBN- 13: 978-0- 226- 04342-5 (paper) ISBN- 10: 0- 226- 04340- 1 (cloth) ISBN- 10: 0- 226- 04342-8 (paper) Library of Congress Cataloging-in- Publication Data Benzecry, Claudio E. The opera fanatic : ethnography of an obsession / Claudio E. Benzecry. p. cm. Includes bibliographical references and index. ISBN- 13: 978-0- 226- 04340- 1 (cloth : alk. paper) ISBN-10: 0- 226-04340- 1 (cloth : alk. paper) ISBN- 13: 978-0- 226- 04342-5 (pbk. : alk. paper) ISBN- 10: 0- 226-04342- 8 (pbk. : alk. paper) 1. Opera. 2. Opera audiences. 3. Music fans. I. Title. ML1700.B326 2011 306.4'848—dc22 2010034632 o The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48- 1992. For Monique, who feels the music like no one else Cont ents List of Illustrations ix Preface xi Acknowledgments xvii Introduction 1 . Par t i Back gr ound 1 An Opera House for the “Paris of South America” 17 2 “It was love at fi rst sight” Biography and Social Trajectory of Standing- Room Dwellers 39 Par t ii For eg r ou nd 3 Becoming an Opera Fan Cultural Membership, Mediation, and Diff erentiation 63 4 Moral Listening Symbolic Boundaries, Work on the Self, and Passionate Engagement 83 5 Heroes, Pilgrims, Addicts, and Nostalgics Repertories of Engagement in the Quest for Transcendence 111 Par t iii Fina le 6 “They were playing in their shirtsleeves!” Downfall, Memory Work, and High- Culture Nationalism 147 7 “We’ve told you all about our life” Conclusions and Implications 178 .