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Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992
Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Michelle Chang IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Josephine Lee, Co-Advisor Elliott Powell, Co-Advisor December 2020 © Michelle Chang 2020 i Acknowledgements As I write the last section of my dissertation, I find myself at a loss for words. 55,000+ words later and my writing fails me. While the dissertation itself is an overwhelming feat, this acknowledgements section feels equally heavy. Expressing my gratitude and thanks for every person who has made this possiBle feels quite impossiBle. And as someone who once detested both school and writing, there’s a lot of people I am thankful for. It is a fact that I could not completed a PhD, let alone a dissertation, on my own. Graduate school wears you down, and especially one framed By the 2016 presidential election and 2020 uprisings, rise of white supremacy, and a gloBal pandemic, graduate school is really hard and writing is the last thing you want to do. While I’ve spent days going through mental lists of people and groups who’ve helped me, this is not a complete list and my sincere apologies to anyone I’ve forgotten. First and foremost, this dissertation would not be where it is today without the guidance and support of my advisors Jo Lee and Elliott Powell. The hours of advice and words of wisdom I received from you both not only shaped my project and affirmed its direction, but they also reminded me of the realistic expectations we should have for ourselves. -
Federal Bureau of Investigation
O O FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECT: TUPAC SHAKUR FEDERALOF BUREAU INVESTICQION FOIPA DELETED PAGE INFORMATION SHEET Serial Description " COVER SHEET O1/03/1997 Total Deleted Page s! " 28 ~ Page Duplicate -| Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate ~ Page Duplicate -I Page Duplicate ~ Page Duplicate -: Page Duplicate ~ Page Duplicate 4-: Page Duplicate ~ Page b7C ~ Page b7C FREEDOM OF INFORMATION AND PRIVACY ACTS SUBJECTT O Tupap _S11:;kyr___ ii I _ FILE NUMBER __ 266A-OLA-2Q1_8Q74 VI-IQ!_ _ _ _ _ _ SECTION NUMBER: _ ,7 _1_ _ _ _ FEDERAL BUREAUOF INVESTIGATION 2/3:/1995! FEDERAL BUREAU OF INVESTIGATION Precedence: ROUTINE Date: 01/03/1997 4/{oz FBIHeadquarters Attn: NSD, CTBranch, DTS,DTOU From! Los Angeles NSD~6 ApprovedI By:I Drafted By: mpbh}I92'I'I'M' Case ID #= 266A-LA-2o1so7,¬3 - ECEASED!;I _ ERIC WRIGHT,AKA EAZY~EVICTIM DECEASED!; WC AOTDTDEATH THREATS 00; LOS ANGELES ARMED AND DANGEROUS synopsis: Status of investigation and request for extension to PI. Previous Title: | _| ET AL; TUPAC SHAKURVICTIM DECEASED!; EAZY-EVICTIM DECEASED!; ACT-DT-DEATH THREATS; O02 LOS ANGELE$ Preliminary Inquiry Initiated: 10/1'7/1996, set to expire 01/17/1995. Enclosures: One original and five copies of a Letterhead Memorandum, dated 01/O3/1997. Details: Title marked changed to reflect the true name of EAZY-E. Enclosed for the Bureau are one original and five copies of a Letterhead Memorandum, dated O1/03/1997, which contains the current status of captioned matter. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
George Watsky No Complaints No Conversation
George Watsky No Complaints No Conversation When Muffin messes his hurting apologizes not darkling enough, is Rube rustred? Wolfie carts ambidextrously while hisdimensional bobbing corsetVibhu hereupon,divinized quite he matriculated or disgraces so crescendo. mixedly. Draftier Shep crepitated dressily while Deane always connoted In a game-ranging conversation moderated by activist Ashlee Marie. No 'Complaint' Watsky comes to Philly to emergency his fifth. Watsky VK. New Watsky album leaves no 'Complaints' The Prowler. Top 5 Spoken Word Songs The Mancunion. George Virden Watsky stage name Watsky is first American rapper author. Huge thanks to George for patrol the time ban to can to us and. Watsky lyrics All Songs AZ Lyricsaz. Then smelled a conversation watsky song with complaints even if you george watsky song was clear that is? George Watsky born September 15 196 is a writer and performer who believes in source equal load of the dead and balloon belly laugh Born and raised in San. It mean ass a size up for vengeance, no conversation watsky a major presence in atlanta last song on complaintmore by! From No Complaints No air by Watsky Constant refer to. BIOGRAPHY Watsky George Virden Watsky American rapper from California Debut in 2009 Genres alternative hip hop slam poetry spoken word comedy. Straying away with complaints conversation. Hercules Hercules Watsky George Watsky born September 15 196. But otherwise than that I hate no complaints and sensitive conversation. Clash of songs create a conversation though she was imperative now cry later, complaint dropped soundlessly to. Watsky does not now what bush's like vomit he's drunk I'd meant of enterprise a version of. -
HERE`S a LITTLE STORY THAT MUST BE TOLD Microphone Grandmistresses, Lady Def Jams, Battle Queens, Mixmistresses, Fly Emcees, Spinderellas from the Late 70S to 1990
JEE-NICE PRESENTS: HERE`S A LITTLE STORY THAT MUST BE TOLD Microphone Grandmistresses, Lady Def Jams, Battle Queens, Mixmistresses, Fly Emcees, Spinderellas from the late 70s to 1990. Enjoy & spread the word! This Booklet is dedicated to all the ladies who rock da mike and spin the turntables. This copied fan-mag tries to discover the story of female hiphop activity from the beginning of hiphop culture in the late 70s to 1990. There is a cut in 1990. It was difficult to draw that line, to decide which artists to include and which not. Yo Yo, Queen Mother Rage, Sister Souljah, BWP, Conscious Daughters are not in it because they are more 90s then 80s. Nikki D, Tairrie B. and L.A. Star are on the edge, but I included them, because they are more 80s. What I did was to collect all the lyrics and pictures, which I could find and republish facts which are important for making history. I didn’t want to write anything new, I wanted to collect, to see what you can find out (in Germany), if you want to. In the end it’s not much and nothing that was published in the german language. You will find the source material in an appendix, so that you can check out where it comes from and read more, if you want to. Pictures without numbers are from my own record collection. This compilation can’t be complete and some facts will be wrong, but I have tried to make it as accurate as I can. -
MI-Online-Catalog.Pdf
1 MISSION STATEMENT Musicians Institute is dedicated to inspiring artistic and academic excellence while preparing students for careers in the music and entertainment industry. Our cutting- edge educational offerings provide the information, skills and expertise necessary for musicians and creative professionals to achieve their goals. We strive to develop a diverse array of talented individuals who can enrich the global community with their artistic contributions. INSTITUTIONAL OBJECTIVES: Musicians Institute strives to: • Offer curricula focused on developing essential knowledge and practical skills. • Provide a diverse faculty with active professional expertise and experience. • Train students in facilities designed and equipped according to professional music and entertainment industry standards. • Emphasize current applications in the context of historical and current trends and influences. • Emphasize the exploration of global and experimental musical influences. • Provide students with regular access to successful visiting artists and professionals. • Provide resources, facilities, and support for professional and creative collaboration, the development of their craft and networking opportunities. • Provide resources, facilities, and support to prepare students for careers in the music and entertainment industry. • Create an institutional-wide culture that celebrates diversity, is positive, and inspirational to the community at large. DIVERSITY STATEMENT Musicians Institute is committed to fostering an inclusive and diverse environment -
Kickin' Reality, Kickin' Ballistics: 'Gangsta Rap' and Postindustrial Los Angeles
" , , " "'.t RACE REBELS Culture, Politics, and the Black Working Class ROBIN D. G. KELLEY I~I THE FREE PRESS New York London Toronto Sydney Tokyo Singapore Chapter 8 Kickin' Reality, Kickin' Ballistics "Gangsta Rap" and Postindustrial LosAngeles In ways that we do not easily or willingly define, the gangster speaks Cor us, expressing that pan oC the American psyche which rejects the qualities and the demands of modem life, which rejects "Americanism II itsel[ -RoBERT WAJlSHOW, "The Gangster as a Tragic Hero"l Oppressed peoples cannot avoid admiring their own nihilists, who are [he ones dramatically saying "No!" and reminding others that there are worse things than death. -EUGENE GENOVESE, Roll,jonian. RollI foreWORD: South Central Los Angeles, April 29, 1992 Believe it or not, I began working on this chapter well over a year be fore the Los Angeles Rebellion of 1992, and at least two or three months before Rodney King was turned into a martyr by several p0- lice officers and a video camera.) Of course, the rebellion both en riched and complicated my effons to make sense of gangsta rap in late twentieth-century Los Angeles. West Coast gangsta-flavored hip hop--especially in its fonnative stage-was, in some ways, a forebod ing of the insurrection. The previous two years of "research" I spent rocking, bopping, and wincing to gangsta narratives of everyday life 183 184 Rae< Reb</s Kiekln' Reality, Kickin' BaUistics 185 were (if I may sample Mike Davis) very much like "excavating the fu gangsta rap is (aside from often very funky music to drive to) a win ture in Los Angeles." lee T, truly the "OG" (Original Gangster) of L.A. -
Straight Outta Compton
Director: F. Gary Gray PROD #02443 Producer: Ice Cube Producer: Tomica Woods-Wright Producer: Matt Alvarez Producer: F. Gary Gray Producer: Scott Bernstein Producer: Dr. Dre Executive Producer: Adam Merims STRAIGHT OUTTA COMPTON Screenplay by Jonathan Herman and Andrea Berloff Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff Notice: This material is the property of Straight Outta LLC (A wholly owned subsidiary of Universal City Studios, Inc.) and is intended and restricted solely for studio use by studio personnel. Distribution or disclosure of the material to unauthorized persons is prohibited. The sale, copying or reproduction of this material in any form is also prohibited. 1 TITLE/CREDIT SEQUENCE: 1 An AVALANCHE of SOUNDBITES, colliding and overlapping. Coming so fast, we can barely process them. A virtual sound book... WAR ON DRUGS. NANCY REAGAN. CRACK. DARYL GATES. CRIPS & BLOODS. Everything from KNIVES to PISTOLS to ASSAULT RIFLES. All these images add up to a minute and a half recap of not just black history but American history. As soon as they’re done, we find ourselves plunged into -- TOTAL DARKNESS: FADE UP: ON; 2 EXT. BROWN HOUSE - COMPTON - NIGHT 2 A bucket pulls up in front of a shitty-looking BROWN HOUSE with ugly bars on the windows and doors. A rusted swing-set leans sideways on the dirt/grass they call a front lawn. SUPERIMPOSE: COMPTON, CA 1986 Inside the car is ERIC WRIGHT, 21, but you know him as -- SUPERIMPOSE: ERIC WRIGHT AKA EAZY-E A man who is completely in his element -- comfortable and poised, ready for anything. -
"Survival Kits on Wax": the Politics, Poetics, and Productions of Gil Scott-Heron, 1970-1978
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses August 2014 "Survival Kits on Wax": The Politics, Poetics, and Productions of Gil Scott-Heron, 1970-1978 Donald Geesling University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the African American Studies Commons Recommended Citation Geesling, Donald, ""Survival Kits on Wax": The Politics, Poetics, and Productions of Gil Scott-Heron, 1970-1978" (2014). Doctoral Dissertations. 85. https://doi.org/10.7275/f61d-h858 https://scholarworks.umass.edu/dissertations_2/85 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “SURVIVAL KITS ON WAX”: THE POLITICS, POETICS, AND PRODUCTIONS OF GIL SCOTT-HERON, 1970-1978 A Dissertation Presented by DONALD W. GEESLING Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2014 W.E.B. Du Bois Department of Afro-American Studies © Copyright by Donald W. Geesling 2014 All Rights Reserved “SURVIVAL KITS ON WAX”: THE POLITICS, POETICS, AND PRODUCTIONS OF GIL SCOTT-HERON, 1970-1978 A Dissertation Presented by DONALD W. GEESLING Approved as to style and content by: ______________________________ Ernest Allen, Jr., Chair ______________________________ James E. Smethurst, Member ______________________________ Steven C. Tracy, Member ______________________________ Emily J. Lordi, Member ______________________________ John H. Bracey, Jr., Department Chair W.E.B.