DOCSLIB.ORG

Marvel: Agents of SHIELD Season One Checklist

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Marvel: Agents of SHIELD Season One Checklist Marvel: Agents of SHIELD Season One Checklist Base Cards # Card Title [ ] 01 Title Card 1 [ ] 02 Title Card 2 [ ] 03 Title Card 3 [ ] 04 Pilot [ ] 05 Pilot [ ] 06 Pilot [ ] 07 0-8-4 [ ] 08 0-8-4 [ ] 09 0-8-4 [ ] 10 The Asset [ ] 11 The Asset [ ] 12 The Asset [ ] 13 Eye Spy [ ] 14 Eye Spy [ ] 15 Eye Spy [ ] 16 Girl in the Flower Dress [ ] 17 Girl in the Flower Dress [ ] 18 Girl in the Flower Dress [ ] 19 FZZT [ ] 20 FZZT [ ] 21 FZZT [ ] 22 The Hub [ ] 23 The Hub [ ] 24 The Hub [ ] 25 The Well [ ] 26 The Well [ ] 27 The Well [ ] 28 Repairs [ ] 29 Repairs [ ] 30 Repairs [ ] 31 The Bridge [ ] 32 The Bridge [ ] 33 The Bridge [ ] 34 The Magical Place [ ] 35 The Magical Place [ ] 36 The Magical Place [ ] 37 Seeds [ ] 38 Seeds [ ] 39 Seeds [ ] 40 T.R.A.C.K.S. [ ] 41 T.R.A.C.K.S. [ ] 42 T.R.A.C.K.S. [ ] 43 T.A.H.I.T.I. [ ] 44 T.A.H.I.T.I. [ ] 45 T.A.H.I.T.I. [ ] 46 Yes Men [ ] 47 Yes Men [ ] 48 Yes Men [ ] 49 End of the Beginning [ ] 50 End of the Beginning [ ] 51 End of the Beginning [ ] 52 Turn, Turn, Turn [ ] 53 Turn, Turn, Turn [ ] 54 Turn, Turn, Turn [ ] 55 Providence [ ] 56 Providence [ ] 57 Providence [ ] 58 The Only Light in the Darkness [ ] 59 The Only Light in the Darkness [ ] 60 The Only Light in the Darkness [ ] 61 Nothing Personal [ ] 62 Nothing Personal [ ] 63 Nothing Personal [ ] 64 Ragtag [ ] 65 Ragtag [ ] 66 Ragtag [ ] 67 Beginning of the End [ ] 68 Beginning of the End [ ] 69 Beginning of the End [ ] 70 Checklist 1 [ ] 71 Checklist 2 [ ] 72 Checklist 2 Base GOLD Parallel (1:24 packs) # Card Title [ ] 01 Title Card 1 [ ] 02 Title Card 2 [ ] 03 Title Card 3 [ ] 04 Pilot [ ] 05 Pilot [ ] 06 Pilot [ ] 07 0-8-4 [ ] 08 0-8-4 [ ] 09 0-8-4 [ ] 10 The Asset [ ] 11 The Asset [ ] 12 The Asset [ ] 13 Eye Spy [ ] 14 Eye Spy [ ] 15 Eye Spy [ ] 16 Girl in the Flower Dress [ ] 17 Girl in the Flower Dress [ ] 18 Girl in the Flower Dress [ ] 19 FZZT [ ] 20 FZZT [ ] 21 FZZT [ ] 22 The Hub [ ] 23 The Hub [ ] 24 The Hub [ ] 25 The Well [ ] 26 The Well [ ] 27 The Well [ ] 28 Repairs [ ] 29 Repairs [ ] 30 Repairs [ ] 31 The Bridge [ ] 32 The Bridge [ ] 33 The Bridge [ ] 34 The Magical Place [ ] 35 The Magical Place [ ] 36 The Magical Place [ ] 37 Seeds [ ] 38 Seeds [ ] 39 Seeds [ ] 40 T.R.A.C.K.S. [ ] 41 T.R.A.C.K.S. [ ] 42 T.R.A.C.K.S. [ ] 43 T.A.H.I.T.I. [ ] 44 T.A.H.I.T.I. [ ] 45 T.A.H.I.T.I. [ ] 46 Yes Men [ ] 47 Yes Men [ ] 48 Yes Men [ ] 49 End of the Beginning [ ] 50 End of the Beginning [ ] 51 End of the Beginning [ ] 52 Turn, Turn, Turn [ ] 53 Turn, Turn, Turn [ ] 54 Turn, Turn, Turn [ ] 55 Providence [ ] 56 Providence [ ] 57 Providence [ ] 58 The Only Light in the Darkness [ ] 59 The Only Light in the Darkness [ ] 60 The Only Light in the Darkness [ ] 61 Nothing Personal [ ] 62 Nothing Personal [ ] 63 Nothing Personal [ ] 64 Ragtag [ ] 65 Ragtag [ ] 66 Ragtag [ ] 67 Beginning of the End [ ] 68 Beginning of the End [ ] 69 Beginning of the End [ ] 70 Checklist 1 [ ] 71 Checklist 2 [ ] 72 Checklist 2 S.H.I.E.L.D. ID Cards (1:24 packs) # Card Title [ ] ID1 Agent Phil Coulson [ ] ID2 Agent Grant Ward [ ] ID3 Agent Leo Fitz [ ] ID4 Agent Skye [ ] ID5 Agent Jemma Simmons [ ] ID6 Agent Melinda May Art of Level 7 (1:24 packs) # Card Title [ ] CB1 Art by Mike Del Mundo [ ] CB2 Art by Paolo Rivera [ ] CB3 Art by Pascal Campion [ ] CB4 Art by Stephanie Hans [ ] CB5 Art by Emma Rios [ ] CB6 Art by Phantom City Creative Allegiance (1:24 packs) # Card Title [ ] FF01 Phil Coulson [ ] FF02 Melinda May [ ] FF03 Grant Ward [ ] FF04 Jemma Simmons [ ] FF05 Leo Fitz [ ] FF06 Skye [ ] FF07 Antoine Triplett [ ] FF08 Raina [ ] FF09 Mike Peterson [ ] FF10 John Garrett [ ] FF11 Eric Koenig [ ] FF12 Victoria Hand [ ] FF13 Jasper Sitwell [ ] FF14 Felix Blake [ ] FF15 Maria Hill [ ] FF16 General Glenn Talbot [ ] FF17 Ian Quinn [ ] FF18 Edison Po Advanced Technology (1:24 packs) # Card Title [ ] AT1 I.C.E.R. [ ] AT2 World War II Radio Wristwatch [ ] AT3 The Cage [ ] AT4 Thunderstick [ ] AT5 Backscatter X-Ray Eye Implant [ ] AT6 Golden Retrievers [ ] AT7 Gravitonium [ ] AT8 Peruvian 0-8-4 [ ] AT9 Strobe Disc Autograph Cards (1:18 packs) # Card Title [ ] xxx-01 Cobie Smulders as Maria Hill (Silver Signature) Extremely Limited [ ] xxx-02 Clark Gregg as Agent Phil Coulson (Full Bleed Design) Extremely Limited [ ] xxx-03 Ming-Na Wen as Melinda May (Full Bleed Design) Extremely Limited [ ] xxx-04 Elizabeth Henstridge as Jemma Simmons (Full Bleed Design) Extremely Limited [ ] xxx-05 Brett Dalton as Grant Ward (Full Bleed Design) Extremely Limited [ ] xxx-06 Ruth Negga as Raina (Full Bleed Design) Extremely Limited [ ] xxx-07 Patton Oswalt as Eric Koenig (Full Bleed Design) Extremely Limited [ ] xxx-08 Titus Welliver as Felix Blake (Full Bleed Design) Extremely Limited [ ] xxx-09 J. August Richards as Mike Peterson (Full Bleed Design) Extremely Limited [ ] xxx-10 Bill Paxton as John Garrett (Full Bleed Design) Extremely Limited [ ] xxx-11 Carlo Rota as Luca Russo (Full Bleed Design) Limited [ ] xxx-12 Glenn Morshower as General Jacobs (Full Bleed Design) Very Limited [ ] xxx-13 Cullen Douglas as Edison Po (Full Bleed Design) Very Limited [ ] xxx-14 Saffron Burrows as Agent Victoria Hand (Full Bleed Design) Very Limited [ ] xxx-15 Elena Satine as Lorelei (Full Bleed Design) Very Limited [ ] xxx-16 Adrian Pasdar as Colonel Glenn Talbot (Full Bleed Design) Very Limited [ ] xxx-17 Laura Seay as Hannah Hutchins (Full Bleed Design) Limited [ ] xxx-18 Louis Changchien as Chan Ho Yin (Full Bleed Design) Limited [ ] xxx-19 Leonor Varela as Camilla Reyes (Full Bleed Design) Limited [ ] xxx-20 Tsai Chin as Lian (Full Bleed Design) Limited [ ] xxx-21 Dayo Ade as Agent Barbour (Full Bleed Design) Limited [ ] xxx-22 James MacDonald as Agent Jacobson (Full Bleed Design) Limited [ ] xxx-23 Robert Belushi as Jimmy McKenzie (Full Bleed Design) Very Limited [ ] xxx-24 Christine Adams as Agent Weaver (Full Bleed Design) Limited [ ] xxx-25 Brad Dourif as Thomas Nash (Full Bleed Design) Limited [ ] xxx-26 J. August Richards as Mike Peterson (Bordered Design) Very Limited [ ] xxx-27 Cullen Douglas as Edison Po (Bordered Design) Very Limited [ ] xxx-28 Carlo Rota as Luca Russo (Bordered Design) Limited [ ] xxx-29 Glenn Morshower as General Jacobs (Bordered Design) Very Limited [ ] xxx-30 Saffron Burrows as Agent Victoria Hand (Bordered Design) Very Limited [ ] xxx-31 Titus Welliver as Felix Blake (Bordered Design) Very Limited [ ] xxx-32 Leonor Varela as Camilla Reyes (Bordered Design) Very Limited [ ] xxx-33 Elena Satine as Lorelei (Bordered Design) Very Limited [ ] xxx-34 Robert Belushi as Jimmy McKenzie (Bordered Design) Very Limited Costume Cards (1:24 packs) # Card Title [ ] CC01 Agent Phil Coulson [ ] CC02 Agent Phil Coulson [ ] CC03 Agent Melinda May [ ] CC04 Agent Grant Ward [ ] CC05 Agent Grant Ward [ ] CC06 Agent Jemma Simmons [ ] CC07 Agent Leo Fitz [ ] CC08 Agent Skye [ ] CC09 Agent Maria Hill [ ] CC10 Agent Antoine Triplett [ ] CC11 Ian Quinn [ ] CC12 Agent John Garrett [ ] CC13 Agent Victoria Hand [ ] CC14 Agent Jasper Sitwell [ ] CC15 Agent Jasper Sitwell [ ] CC16 Raina [ ] CC17 Agent Felix Blake [ ] CC18 Debonair Gentleman (Stan Lee) [ ] CC19 Mike Peterson Case Topper (1 per case) # Card Title [ ] CT1 S.H.I.E.L.D. Logo [ ] CT2 Hydra Logo 6-Case Incentive # Card Title [ ] Stan Lee as Debonair Gentleman Autograph 9-Case Incentive # Card Title [ ] Cobie Smulders as Maria Hill Autograph Promo Cards # Card Title [ ] P1 General Distribution [ ] P2 Binder Exclusive.
Load more

Recommended publications
  • Tom Fleischman CAS
    Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking
    [Show full text]
  • Production of One Flew Over the Cuckoo's Nest, and Later Played The
    ‘ONCE UPON A CHRISTMAS MIRACLE’ Cast Bios AIMEE TEEGARDEN (Heather Krueger) – A California native, Aimee Teegarden began her acting career at just 10 years old. When she was 16, she was cast in her first television series on the Emmy-nominated “Friday Night Lights” playing Julie Taylor, the elder daughter of a high school head football coach (Kyle Chandler) and a high school guidance counselor (Connie Britton). Most recently, Teegarden starred on the ABC series, “Notorious,” opposite Daniel Sunjata and Piper Perabo. In 2014, she starred in the science fiction romantic drama series for The CW, “Star-Crossed.” She can also be seen in the Paramount film Rings as well as the independent film Bakery in Brooklyn. Her previous film credits include Scream 4, Love and Honor and Disney’s Prom. Teegarden is an avid fitness enthusiast, competing in the 2016 Chicago Spartan Race and running a half marathon with Team Nike. She is also on the host committee of the ocean conservation organization Oceana, and an advocate for No-Kill Los Angeles (NKLA), an initiative of the Best Friends Animal Society to end the overpopulation of dogs and cats in LA city shelters. # # # BRETT DALTON (Chris Dempsey) – Brett Dalton began acting after auditioning for a production of One Flew Over the Cuckoo’s Nest, and later played the lead in My Favorite Year. After studying at University of California, Berkeley for his undergraduate degree, Dalton received a Master of Fine Arts from Yale University in 2011. After grad school, Dalton appeared in the indie dramedy, Beside Still Waters, co-written, produced and directed by Chris Lowell.
    [Show full text]
  • Title: the Distribution of an Illustrated Timeline Wall Chart and Teacher's Guide of 20Fh Century Physics
    REPORT NSF GRANT #PHY-98143318 Title: The Distribution of an Illustrated Timeline Wall Chart and Teacher’s Guide of 20fhCentury Physics DOE Patent Clearance Granted December 26,2000 Principal Investigator, Brian Schwartz, The American Physical Society 1 Physics Ellipse College Park, MD 20740 301-209-3223 [email protected] BACKGROUND The American Physi a1 Society s part of its centennial celebration in March of 1999 decided to develop a timeline wall chart on the history of 20thcentury physics. This resulted in eleven consecutive posters, which when mounted side by side, create a %foot mural. The timeline exhibits and describes the millstones of physics in images and words. The timeline functions as a chronology, a work of art, a permanent open textbook, and a gigantic photo album covering a hundred years in the life of the community of physicists and the existence of the American Physical Society . Each of the eleven posters begins with a brief essay that places a major scientific achievement of the decade in its historical context. Large portraits of the essays’ subjects include youthful photographs of Marie Curie, Albert Einstein, and Richard Feynman among others, to help put a face on science. Below the essays, a total of over 130 individual discoveries and inventions, explained in dated text boxes with accompanying images, form the backbone of the timeline. For ease of comprehension, this wealth of material is organized into five color- coded story lines the stretch horizontally across the hundred years of the 20th century. The five story lines are: Cosmic Scale, relate the story of astrophysics and cosmology; Human Scale, refers to the physics of the more familiar distances from the global to the microscopic; Atomic Scale, focuses on the submicroscopic This report was prepared as an account of work sponsored by an agency of the United States Government.
    [Show full text]
  • From Stories to Worlds: the Continuity of Marvel Superheroes from Comics to Film
    From Stories to Worlds: The Continuity of Marvel Superheroes from Comics to Film David Sweeney, June 2013 Before its 2011 re-launch as the ‘New 52’ DC Comics’ advertising campaigns regularly promoted their inter-linked superhero line as ‘The Original Universe’. As DC did indeed publish the first ‘superteam’, the JSA (in All-Star Comics 3, Winter 1940), this is technically correct; however, the concept of a shared fictional world with an on-going fictive history, what comic book fans and professionals alike refer to as ‘continuity’, was in fact pioneered by DC’s main competitor, Marvel Comics, particularly in the 1960s. In this essay I will discuss, drawing on theories and concepts from the narratologists David A. Brewer and Lubomir Dolezel and with particular focus on the comic book writer Roy Thomas, how Marvel Comics developed this narrative strategy and how it has recently been transplanted to cinema through the range of superhero films produced by Marvel Studios. Superhero Origins Like DC, Marvel emerged from an earlier publishing company, Timely Publications, which had produced its own range of superheroes during the so-called ‘Golden Age of superhero comics, ushered in by the debut of Superman in Action Comics 1 in June, 1938) and lasting until the end of World War II, including Namor the Submariner, Captain America, and The Human Torch. Superhero comics declined sharply in popularity after the War and none of these characters survived the wave of cancellations that hit the genre; however, they were not out of print for long. Although
    [Show full text]
  • Semaine N°46 Du 9 Novembre 2019 Au 15 Novembre 2019
    SEMAINE N°46 PRO DU 9 NOVEMBRE 2019 AU 15 NOVEMBRE 2019 ©WARNER BROS ENTERTAINMENT INC SAISON 4 - EN PREMIÈRE DIFFUSION FRANCE DÈS LE 10 NOVEMBRE, TOUS LES DIMANCHES 20:50 SEMAINE N°46 PRO DU 9 NOVEMBRE 2019 AU 15 NOVEMBRE 2019 SAM 9 NOV DIM 10 NOV LUN 11 NOV MAR 12 NOV MER 13 NOV JEU 14 NOV VEN 15 NOV 07:25 JOSÉPHINE, ANGE GARDIEN 06:50 JOSÉPHINE, ANGE GARDIEN 06:35 JOSÉPHINE, ANGE GARDIEN 06:30 JOSÉPHINE, ANGE GARDIEN 06:45 JOSÉPHINE, ANGE GARDIEN 06:50 JOSÉPHINE, ANGE GARDIEN 06:30 JOSÉPHINE, ANGE GARDIEN 09:10 JOSÉPHINE, ANGE GARDIEN 08:25 JOSÉPHINE, ANGE GARDIEN 08:15 JOSÉPHINE, ANGE GARDIEN 08:10 JOSÉPHINE, ANGE GARDIEN 08:30 JOSÉPHINE, ANGE GARDIEN 08:30 JOSÉPHINE, ANGE GARDIEN 08:10 JOSÉPHINE, ANGE GARDIEN 10:50 JOSÉPHINE, ANGE GARDIEN 10:15 JOSÉPHINE, ANGE GARDIEN 09:55 JOSÉPHINE, ANGE GARDIEN 09:55 JOSÉPHINE, ANGE GARDIEN 10:05 JOSÉPHINE, ANGE GARDIEN 10:15 JOSÉPHINE, ANGE GARDIEN 10:00 JOSÉPHINE, ANGE GARDIEN 12:40 SAVING HOPE, AU-DELÀ DE LA 12:05 SAVING HOPE, AU-DELÀ DE LA 11:45 JOSÉPHINE, ANGE GARDIEN 11:45 JOSÉPHINE, ANGE GARDIEN 11:50 JOSÉPHINE, ANGE GARDIEN 11:55 JOSÉPHINE, ANGE GARDIEN 11:45 JOSÉPHINE, ANGE GARDIEN MÉDECINE MÉDECINE 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:35 NOS CHERS VOISINS 13:30 SAVING HOPE, AU-DELÀ DE LA 13:00 SAVING HOPE, AU-DELÀ DE LA 17:10 LES SIMPSON 17:10 LES SIMPSON 17:10 LES SIMPSON 17:10 LES SIMPSON 17:10 LES SIMPSON MÉDECINE MÉDECINE 17:35 LES SIMPSON 17:35 LES SIMPSON 17:20 LES SIMPSON 17:35 LES SIMPSON 17:35 LES SIMPSON 14:15 SAVING
    [Show full text]
  • A FRANQUIA OS VINGADORES COMO PARTE DA NARRATIVA TRANSMÍDIA DO UNIVERSO CINEMATOGRÁFICO MARVEL: Um Estudo De Caso
    UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS AMANDA AMARAL DULLIUS A FRANQUIA OS VINGADORES COMO PARTE DA NARRATIVA TRANSMÍDIA DO UNIVERSO CINEMATOGRÁFICO MARVEL: um estudo de caso PORTO ALEGRE 2015 AMANDA AMARAL DULLIUS A FRANQUIA OS VINGADORES COMO PARTE DA NARRATIVA TRANSMÍDIA DO UNIVERSO CINEMATOGRÁFICO MARVEL: um estudo de caso Trabalho de Conclusão de Curso apresentado como requisito parcial para a obtenção do grau de Licenciada em Letras - Licenciatura em Língua Inglesa e Literaturas de Língua Inglesa pela Faculdade de Letras da Universidade Federal do Rio Grande do Sul. Orientadora: Profa. Dra. Elaine Barros Indrusiak. PORTO ALEGRE 2015 AGRADECIMENTOS Gostaria de, primeiramente, agradecer à minha mãe por ser o maior exemplo de garra e determinação que eu poderia ter. Agradeço-a também por sempre acreditar em mim e por ter a coragem de me permitir seguir meu caminho sozinha, mesmo que tão jovem. Meu agradecimento mais que especial ao meu pai, que me deu todo seu amor e me ensinou grande parte do que sei, mas que hoje já não está mais entre nós. Agradeço à Cláudia, minha irmã, por ser minha mentora, meu porto seguro e minha inspiração para seguir a carreira docente – além, é claro, de me permitir retribuir com meu amado sobrinho Mateus todos os cuidados que ela teve comigo a vida inteira. À Luíza, pelas experiências compartilhadas, das brigas às risadas. E agradeço, também, aos meus irmãos Jones, Juliane e Jônatas por estarem sempre à disposição para me ajudar e por me proporcionarem momentos de alegria, em especial junto aos meus sobrinhos queridos.
    [Show full text]
  • Quartier Generale Dello SHIELD, Turtle Bay, Manhattan, New York City. Nicholas Fury in Persona Si È Scomodato Per Ascoltare
    >>> continua da Capitan America #106 <<< Nelle puntate precedenti di "Agents of S.H.I.E.LD." e "Capitan America".... C'era una volta una squadra dello S.H.I.E.L.D. guidata dall'agente Phil Coulson e composta dagli agenti Melinda May, Daisy "Skye" Johnson, Leonard "Leo" Fitz, Jemma Simmons e Grant Ward. Un giorno, l'agente Ward si rivelò essere un agente infiltrato dell'Hydra. In seguito a questo fallimento, Coulson e May si dimisero dall'agenzia delle Nazioni Unite, si arruolarono nell'agenzia federale F.B.S.A. e furono entrambi assegnati alla sede di Los Angeles. L'agente veterano Robert Gonzalez assunse il comando di ciò che era rimasto del “team Coulson”, rimpolpato dall'acquisto del britannico Lance Hunter. Dopo anni, una task force congiunta tra le Agenzie ha catturato Grant Ward, proprio quando lo S.H.I.E.L.D. è in subbuglio per un'infiltrazione di cloni dell'Hydra nei centri del potere mondiale. Ward, sospettato a sua volta di essere un clone dell'originale, ha chiesto uno sconto in pena in cambio delle coordinate della base dell'Hydra. Quartier Generale dello SHIELD, Turtle Bay, Manhattan, New York City. Nicholas Fury in persona si è scomodato per ascoltare con le proprie orecchie la proposta indecente di Grant Ward - ex Agente dello S.H.I.E.L.D., già talpa dell'Hydra e sgherro del Consorzio Ombra e di Maximus il Folle. - Io conosco il modo per trovare la nuova Isola dell'Hydra. So per certo che hanno un nuovo rifugio del genere, se ne parla nel..
    [Show full text]
  • The Virginia Gazette : Genealogy
    5o4s~. ,_Friday, January 14,, 1955 THE VIRGINIA GAZETTE, WILLIAMSBU Sarah ................ (b. ........, d. aft. 1684) & had, (7) John Billups ‘GENEALOGY (1660-aft. 1709) m.- bef. June 6, 1695 to Mary Gasscock & had (6) By Hugh 3. Watson Joseph Billups (1697-1767), m.­ 17l9, Margaret Lilly (1700-1770). WATSONIAN OBSERVATION orded in Petersburg, Va. Joanna & had (5) Robert Bil-.lups (Mar. OF THE WEEK: In our research Ellis is one of the witnesses with 1720- d. bef. 1795) m.- June 14, 1755 to Ann Ransone (b. ........, d. we find many unusual names and Wm Davis & Cyrus Ferguson to often wonder where they derived: ........), & had (4) John Billups (b. this will, naming the wife as Polly among some I have come across lvlar. 17, 1755-6, cl. Oct. 23. 1814) recently was the surname of & “my mother Letty Skipwith.” m.- 1798 to Susannah (Carleton) BIBLE; another was that of a This would show that the wife of Cox (b. 5-6-1761, d. 1-10-1817), gentleman by the name of “Wil­ Augustine Ellis may have been & had (3) Col. Thomas Carleton liam Crank Ford.” Perhaps some the Mary Skipwith. In the lineage Billups (b. 4-2-1804, d. 1866) m.­ 9-13-1847 to Frances Ann Saun­ of my readers have found some book of “National Society of just as unusual. Daughters of Founders & Pa­ ders (13.4-12-1808, (1. 6-1-1890), & triots,” Vo1.'XV, pp. 79-80 is had (2) James Saunders Billups QUERIES found the lineage of Mrs. John M. (b. 11-22-1808, d. 1-11-1919), m.-.
    [Show full text]
  • Dr. Janina Scarlet, Phd Superhero Therapy Licensed Clinical Psychologist PSY26231
    Dr. Janina Scarlet, PhD Superhero Therapy Licensed Clinical Psychologist PSY26231 The Honorable Paul Grewal Department 616 United States District Court, Northern District Robert F. Peckham Federal Bldg, 280 S 1st Street San Jose, CA 95113 Re: U.S. v Barnes James Buchanan Barnes Case Number: 03-1941JK Dear Judge Grewal: This report reviews the case of Sgt. James Buchanan Barnes (Defendant). Sgt. Barnes was accused of multiple charges, among them multiple counts of assassination, murder attempts, acts of terrorism, and treason. In my professional opinion, I believe that Sgt. Barnes did not have the capacity to distinguish right from wrong at the time of the committed crimes. Informed Consent Sgt. Barnes provided both oral and written consent for the evaluation. Sources of Information • Interview with Sgt. James Barnes (Defendant) • Interview with Captain Steve Rogers, aka Captain America • Interviews with eye witness, Jim Hammond • Strategic Scientific Reserve Personnel Record • Incident-Based Event Report from the Metropolitan Police Department • Military psychiatric and education records • National Transportation Safety Board Aircraft/Marine Accident Brief • HYDRA Project Insight Attack After Action Report • fMRI test/medical records • Mental Status Examination • Beck Depression Inventory –II • Dissociative Disorders Interview Schedule – DSM V • Mississippi Scale for Combat related PTSD • PTSD Checklist-Military Version Forensic Psychiatric Evaluation Identifying Information The Defendant is James Buchanan Barnes, age 98 at the time of
    [Show full text]
  • {Download PDF} Generation Chef Risking It All for a New American
    GENERATION CHEF RISKING IT ALL FOR A NEW AMERICAN DREAM 1ST EDITION PDF, EPUB, EBOOK Karen Stabiner | 9780735217676 | | | | | Generation Chef Risking It All for a New American Dream 1st edition PDF Book Rogers is transformed by Project Rebirth. What should a person of faith take risks for? There is a lot of hope around, hope that we will build a better society after this, that we will come together in ways we have not been able to manage before. Becoming a Chef A-Z. I knew there were tens of thousands of petitions filed, so I said, How can I make mine stand out? Disappointed that he would still be unable to go overseas and join in the war effort, Rogers went to a local cinema to try and take his mind of the situation. Fury then took him to the facility's sub-levels, along the way he told Rogers the story of how his own Grandfather used to carry a large gun with him at all times in order to ensure he was never mugged for his lunch. While a large battle had just erupted between the HYDRA soldiers and their Strategic Scientific Reserve soldiers, Rogers ran through the battle to get to the Valkyrie and stop Schmidt, leaping over the heads of the soldiers and avoiding the gunfire as he ran as fast as he possibly could to catch up to Schmidt's plane. Rogers suffered from asthma, scarlet fever, rheumatic fever, high blood pressure, and heart trouble, among other illnesses, and thus was frequently attacked by bullies on the streets.
    [Show full text]
  • 4.2 on the Political Economy of the Contemporary (Superhero) Blockbuster Series
    4.2 On the Political Economy of the Contemporary (Superhero) Blockbuster Series BY FELIX BRINKER A decade and a half into cinema’s second century, Hollywood’s top-of-the- line products—the special effects-heavy, PG-13 (or less) rated, big-budget blockbuster movies that dominate the summer and holiday seasons— attest to the renewed centrality of serialization practices in contemporary film production. At the time of writing, all entries of 2014’s top ten of the highest-grossing films for the American domestic market are serial in one way or another: four are superhero movies (Guardians of the Galaxy, Captain America: The Winter Soldier, X-Men: Days of Future Past, The Amazing Spider-Man 2: Rise of Electro), three are entries in ongoing film series (Transformers: Age of Extinction, Dawn of the Planet of the Apes, 22 Jump Street), one is a franchise reboot (Godzilla), one a live- action “reimagining” of an animated movie (Maleficent), and one a movie spin-off of an existing entertainment franchise (The Lego Movie) (“2014 Domestic”). Sequels, prequels, adaptations, and reboots of established film series seem to enjoy an oft-lamented but indisputable popularity, if box-office grosses are any indication.[1] While original content has not disappeared from theaters, the major studios’ release rosters are Felix Brinker nowadays built around a handful of increasingly expensive, immensely profitable “tentpole” movies that repeat and vary the elements of a preceding source text in order to tell them again, but differently (Balio 25-33; Eco, “Innovation” 167; Kelleter, “Einführung” 27). Furthermore, as part of transmedial entertainment franchises that expand beyond cinema, the films listed above are indicative of contemporary cinema’s repositioning vis-à-vis other media, and they function in conjunction with a variety of related serial texts from other medial contexts rather than on their own—by connecting to superhero comic books, live-action and animated television programming, or digital games, for example.
    [Show full text]
  • A Qualitative Content Analysis of How Superheroines Are Portrayed in Comic Books
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Fight Like a Girl: A Qualitative Content Analysis of How Superheroines are Portrayed in Comic Books A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Arts in Sociology By Kimberly Romero December 2020 Copyright by Kimberly Romero 2020 ii The graduate project of Kimberly Romero is approved: _________________________________________ ______________ Dr. Michael Carter Date _________________________________________ ______________ Dr. Stacy Missari Date _________________________________________ ______________ Dr. Moshoula Capous-Desyllas, Chair Date California State University, Northridge iii ACKNOWLEDGEMENTS I would like to start off by acknowledging my parents for braving through a civil war, poverty, pain, political criticisms, racial stereotypes, and the constant bouts of uncertainty that immigrating to the United States, seeking asylum from the dangers plaguing their home country of El Salvador, has presented them with throughout the years. If it were not for your sacrifices, we would not have the lives and opportunities we have now. Having your constant love and support means the world to me. You are both my North Stars for everything I do. I would also like to acknowledge my sister for convincing Mom and Dad to let you name me after two of your greatest childhood role models, superheroines, and cultural icons. The Pink Power Ranger and The Queen of Tejano music are both pretty huge namesakes to live up to. I hope I do their legacies justice and that I am making you proud. I know I do not say this to you often but know that, through all our ups and downs, you were my hero growing up.
    [Show full text]