Dr. Janina Scarlet, Phd Superhero Therapy Licensed Clinical Psychologist PSY26231
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Captain America
The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume. -
Betsy Ross School's Application for the 2012 National Blue Ribbon
U.S. Department of Education 2012 National Blue Ribbon Schools Program A Public School - 12NJ7 School Type (Public Schools): (Check all that apply, if any) Charter Title 1 Magnet Choice Name of Principal: Mrs. Christine Zimmermann Official School Name: Betsy Ross School School Mailing Address: 20 Malcolm Road Mahwah, NJ 07430-1822 County: Bergen State School Code Number*: 03-2900-060 Telephone: (201) 762-2251 E-mail: [email protected] Fax: (201) 831-0568 Web site/URL: http://www.edline.net/pages/Betsy_Ross I have reviewed the information in this application, including the eligibility requirements on page 2 (Part I - Eligibility Certification), and certify that to the best of my knowledge all information is accurate. _________________________________________________________ Date _____________________ (Principal’s Signature) Name of Superintendent*: Dr. Karen Lake Ed.D. Superintendent e-mail: [email protected] District Name: Mahwah Township Public Schools District Phone: (201) 762-2403 I have reviewed the information in this application, including the eligibility requirements on page 2 (Part I - Eligibility Certification), and certify that to the best of my knowledge it is accurate. _________________________________________________________ Date _____________________ (Superintendent’s Signature) Name of School Board President/Chairperson: Mrs. Patricia Shada I have reviewed the information in this application, including the eligibility requirements on page 2 (Part I - Eligibility Certification), and certify that to the best -
PRELUDE Part Four
PRELUDE part four CAPTAIN AMERICA, AKA STEVE ROGERS, HAS BEEN WORKING FOR S.H.I.E.L.D. UNDER DIRECTOR NICK FURY. FURY BRIEFED ROGERS ON PROJECT INSIGHT: A SPY PROGRAM WITH A WIDE SCOPE DESIGNED TO ELIMINATE THREATS. WHEN FURY WAS LOCKED OUT FROM THE PROJECT DATA, HE BECAME SUSPICIOUS AND REQUESTED THAT SENIOR S.H.I.E.L.D. OFFICIAL ALEXANDER PIERCE DELAY IT. LATER, FURY’S CAR WAS AMBUSHED BY A MYSTERIOUS ASSASSIN CALLED THE WINTER SOLDIER. FURY ESCAPED TO CAP’S APARTMENT, AND WARNED HIM THAT S.H.I.E.L.D. WAS COMPROMISED. WHILE AT THE APARTMENT, FURY WAS SHOT AND KILLED. BUT BEFORE HE DIED, HE HANDED ROGERS A FLASH DRIVE. WHEN CAP REFUSED TO HAND THE INFORMATION OVER TO PIERCE, HE WAS DECLARED A TRAITOR. USING DATA IN THE FLASH DRIVE, CAP AND BLACK WIDOW DISCOVER A SECRET S.H.I.E.L.D. BUNKER, WHERE THEY ACTIVATE A SUPERCOMPUTER CONTAINING NONE OTHER THAN THE CONSCIOUSNESS OF ARNIM ZOLA! WRITER: WILL CORONA PILGRIM ARTIST: LEE FERGUSON COLORIST: DONO SANCHEZ ALMARA LETTERER: TRAVIS LANHAM EDITOR: EMILY SHAW EDITOR IN CHIEF: AXEL ALONSO CHIEF CREATIVE OFFICER: JOE QUESADA PUBLISHER: DAN BUCKLEY CAPTAIN AMERICA CREATED BY JOE SIMON AND JACK KIRBY MARVEL STUDIOS SVP PRODUCTION & DEVELOPMENT: NATE MOORE PRESIDENT: KEVIN FEIGE MARVEL’S CAPTAIN AMERICA: CIVIL WAR PRELUDE No. 4, March 2016. Published Monthly except in January by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. -
Marvels--Chapter Three--Captain America
MARVELS SERIAL—CHAPTER THREE CAPTAIN AMERICA By Richard Ashcraft BASED ON MARVEL COMICS’ GOLDEN-AGE HEROES Written in 2012. [email protected] 1. ALL-AMERICAN GIRL I’d use this one. Namor falling in love with Betty Dean is . close to the truth. And Namor did gain his super-powers from Poseidon. ALL-AMERICAN GIRL (V.O.) In a roundabout way. VILLAIN TWO (V.O.) Now they’re talking about the girl we wanted to . see. VILLAIN ONE (V.O.) Oh, her. She would have been a great prisoner of war. OTTO Did Namor and Betty ever fall in love? ALL-AMERICAN GIRL They were at one time. But they lost touch with each other after the war. Like so many other people. OTTO That’s too bad. He hands her another paper-clipped set of papers. He smirks. OTTO (CONT’D) But this will make you smile. The secret origin of Captain America. She reads a few pages. Then she is puzzled. ALL-AMERICAN GIRL The shield of Lancelot? EXT. AN APARTMENT BUILDING – EARLY EVENING SUPER: NEW YORK CITY, SPRING 1941 2. AN UNINKED COMIC STRIP The title is JOE AND JACK. Respectively, they are CARICATURES OF JOE SIMON AND JACK KIRBY, Captain America’s creators. They are behind the small FORBUSH MAN. Bullets bounce off of the hero’s body, but some slugs almost hit Joe and Jack’s heads. STEVE (V.O.) (super-hero voice) Stand behind me, innocent bystanders! I can withstand their bullets! (now normal voice) We could stand this better if you would just stand up, Mystery Man! INT. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
Bearing Witness to Female Trauma in Comics: An
BEARING WITNESS TO FEMALE TRAUMA IN COMICS: AN ANALYSIS OF WOMEN IN REFRIGERATORS By Lauren C. Watson, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2018 Committee Members: Rebecca Bell-Metereau, Chair Rachel Romero Kathleen McClancy COPYRIGHT by Lauren C. Watson 2018 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Lauren C. Watson, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION For my Great Aunt Vida, an artist and teacher, who was the star of her own story in an age when women were supporting characters. She was tough and kind, stingy and giving in equal measures. Vida Esta gave herself a middle name, because she could and always wanted one. Ms. Light was my first superheroine and she didn’t need super powers. ACKNOWLEDGMENTS Three years ago, I woke up in the middle of the night with an idea for research that was daunting. This thesis is the beginning of bringing that idea to life. So many people helped me along the way. -
Before the Film and Publication Appeal Tribunal in the Matter
Before the Film and Publication Appeal Tribunal In the matter between: 3/2014 Ster-Kinekor Entertainment And Film and Publication Board Award Appeal in respect of the film Captain America: The Winter Soldier Background and context On the 13th of March 2014, a three-person classification committee, by a majority vote, assigned the film Captain America: The Winter Soldier (‘the film’) a restrictive age classification of 13(V). The dissenting classifier, Ms NoziphoMalambo, was of the view that a restrictive classification of 10-12PG would be adequate. Her view was premised on the conclusion that, while the scenes of violence were frequent and prolonged, they would not be threatening to children above the age of 10, as the violence was stylised. Mr NiqMhlongo and Mr Dave Ewart, in their majority report, justified the classification of 13(V) on the basis that the film deals with complex and mature themes, and that the violence depicted in various scenes is prolonged and can be described as having a mild to moderate impact. They accept that there is no portrayal of gore or bloodletting in the various scenes, but were of the view that some of the scenes might be misleading, depressing, and disturbing to children under the age of 13. In their grounds of appeal, Ster-Kinekor submitted that, as the impact of the violence was described as mild to moderate, it would be non-threatening to children aged 10 and above. 1 | P a g e They acknowledged that there were some limited mature scenes,but were of the view that any concerns arising from these would be offset by the reassuring presence of an adult. -
{Download PDF} Generation Chef Risking It All for a New American
GENERATION CHEF RISKING IT ALL FOR A NEW AMERICAN DREAM 1ST EDITION PDF, EPUB, EBOOK Karen Stabiner | 9780735217676 | | | | | Generation Chef Risking It All for a New American Dream 1st edition PDF Book Rogers is transformed by Project Rebirth. What should a person of faith take risks for? There is a lot of hope around, hope that we will build a better society after this, that we will come together in ways we have not been able to manage before. Becoming a Chef A-Z. I knew there were tens of thousands of petitions filed, so I said, How can I make mine stand out? Disappointed that he would still be unable to go overseas and join in the war effort, Rogers went to a local cinema to try and take his mind of the situation. Fury then took him to the facility's sub-levels, along the way he told Rogers the story of how his own Grandfather used to carry a large gun with him at all times in order to ensure he was never mugged for his lunch. While a large battle had just erupted between the HYDRA soldiers and their Strategic Scientific Reserve soldiers, Rogers ran through the battle to get to the Valkyrie and stop Schmidt, leaping over the heads of the soldiers and avoiding the gunfire as he ran as fast as he possibly could to catch up to Schmidt's plane. Rogers suffered from asthma, scarlet fever, rheumatic fever, high blood pressure, and heart trouble, among other illnesses, and thus was frequently attacked by bullies on the streets. -
Zdarsky Magno Guice Guimarães
RATED RATED 0 1 2 1 1 $3.99 GUIMARÃES US T+ ZDARSKY MAGNO GUICE 7 5 9 6 0 6 0 9 3 2 0 5 12 BONUS DIGITAL EDITION – DETAILS INSIDE! CAPTAIN AMERICA AND BUCKY BARNES! NAMOR, THE SUB-MARINER! THE ORIGINAL HUMAN TORCH, JIM HAMMOND! During the darkest hours of World War II, these four banded together as THE INVADERS-- to battle the Axis Powers to the death, in the name of freedom! But Namor has since turned against his former comrades and launched several attacks on the surface world. He was driven by a psychic projection of Tommy Machan, his deceased friend from the war--until Namor rejected his extremist ways, prompting Machan to use the Serpent Crown to escape Namor’s mind and take control of his lieutenant, Roman Peterson. When Roxxon stole Namor’s chemical weapon, the Genus Compound, the ensuing chase resulted in Namor and Cap becoming stranded on an island, with Namor rendered a human from exposure to the compound! But Namor and Cap discovered a Roxxon lab on the island. After they fought to reclaim the compound, Namor tried to excuse himself from the coming battle with Machan, prompting Cap to remind Namor who he is at heart: an Invader. DEAD IN THE WATER PART VI WRITER ARTISTS COLOR ARTIST CHIP ZDARSKY CARLOS MAGNO & BUTCH GUICE ALEX GUIMARÃES LETTERER COVER GRAPHIC DESIGNER ASSISTANT EDITOR VC’s TRAVIS LANHAM BUTCH GUICE & ROMULO FAJARDO JR. CARLOS LAO SHANNON ANDREWS BALLESTEROS ASSOCIATE EDITOR EDITOR EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER ALANNA SMITH TOM BREVOORT C.B. -
U.S. Accessories & Supplies
GE Healthcare XR X-ray U.S. Accessories & Supplies Rev. 01/21 JB00644US XR How to Order Shop online: gehealthcare.com/accessories Available 24/7, GE Healthcare Service Shop makes ordering supplies online fast and easy. • Search real-time inventory of compatible, OEM products • Take advantage of Auto Reorder for parts you buy regularly • Batch order multiple items at once with Quick Order • Get instant order and tracking confirmations • Pay by PO or credit card or integrate your purchasing system Visit GE Healthcare Service Shop to register. 1. Visit GE Healthcare Service Shop, navigating to the registration link in the upper left-hand corner of the page. 2. Give us your account details. Pro tip: Provide your customer account number for expedited registration. 3. A welcome message will come to you through the email you provide. Start shopping! Register now at ServiceShop.GEHealthcare.com Other ways to order: Phone: (866) 281-7545 Options 1, 2, 1, 2 Fax: (877) 279-6990 Email: [email protected] EDI: Free – contact us for details Hours: 7AM – 6PM (CST) XR Table of Contents Interventional RaySafe Dosimetry System ........................... XR 4 X-ray Injectors. XR 5 3D Printer ............................................ XR 8 Table Shields ......................................... XR 9 Ceiling Tracks and Cable Spoolers ....................XR 16 Ceiling Track Columns ...............................XR 17 Stationary Ceiling Columns ..........................XR 18 Suspended Shields & Lamps. XR 19 Mobile Barriers ......................................XR 25 Single LCD Suspension ...............................XR 26 Monitor Carts. .XR 27 Personal Radiation Protection .......................XR 28 Intercom System ....................................XR 35 Patient Positioning Aids .............................XR 36 Table Pads. XR 38 Slickers & Sterile Drapes. XR 38 Mobile X-ray Systems X-ray Décor Panels.