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Cornell Alumni News Volume 51, Number 17 June 1, 1949 Price 25 Cents
Cornell Alumni News Volume 51, Number 17 June 1, 1949 Price 25 Cents FicMϊn Fall|Creek Gorge in June NEW BOOKS BY CORNELLIANS Dirt Roads to Stoneposts-έ)/ Romeyn Berry '04 loo pages, 6 x 9, $2. postpaid OMEYN BERRY, for twenty-five years an incisive interpreter R of Cornell in this paper, here records his observations of farming for profit at Stoneposts, his rural estate in Tompkins County. The man can, and does, drive a manure-spreader with dignity and plow a straight furrow without missing a wild goose, a meadow-lark, or a white cloud in the skies above him. Readers of "Now In My Time!" will find in DIRT ROADS TO STONE- POSTS a collection of Mr. Berry's more noteworthy contributions to other publications (with some new ones appearing here for the first time) which Morris Bishop, in his Introduction, pronounces "pure gems." It's the smell of the land! It's Rym! It's the spirit of the hills that lie near enough to hear the Bells of Cornell! The Merry Old Mobίles~by Larry Freeman, PhD 2.50 pages, 6 x 9, $5 postpaid ERE is a book that takes you miles away from today's stream- H lined necessity, back to the time when all men were assumed to be master roadside mechanics and all women too delicate to drive. Fifty fabulous years have passed since the advent of the automobile. Quite fittingly, the changes it has wrought in the American Scene are portrayed by one of the country's leading psychologists and col- lectors. -
Religion and Cornell University's Foundation
GODS AND SCHOLARS: RELIGION AND CORNELL UNIVERSITY’S FOUNDATION MYTH A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Fredrika Louise Loew August 2016 © 2016 [Fredrika Louise Loew] ABSTRACT Cornell University’s foundation narrative focuses intensely on the nonsectarian clause in the institution’s charter, with the ‘godless’ nature of the university and its commitment to secularism forming the basis of the narrative. Though parts of the narrative are true, Cornell’s Protestant-heavy founding and early relationships with religion have been left out. This paper examines Cornell University’s primary archival material from 1865 to 1890 and secondary sources and reconstructs the religious foundation narrative of the university, which takes into account the strong Christian ethics upon which the university was in fact founded. In addition, the paper discusses the initial desire for a secular university, as well as investigates broader issues of identity reappropriation and analyzes the differences between the accepted narrative of Cornell’s foundation myth and the primary texts. BIOGRAPHICAL SKETCH Fredrika Loew received her Bachelor’s degree in Archaeology and Near Eastern Studies from Cornell University in 2012. During her senior year, she began working as a Collections Assistant and Processor in Cornell’s Division of Rare and Manuscript Collections, where she has been working ever since. In the fall of 2014, she entered the Employee Degree Program to pursue her Master’s degree from the Cornell Institute for Archaeology and Material Studies with a focus on museology and religious studies. -
Moliere: a Produgihg Director's Approach
Molière; a producing director's approach to Tartuffe Item Type text; Thesis-Reproduction (electronic) Authors Keyworth, Robert Allen, 1918- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 13:21:48 Link to Item http://hdl.handle.net/10150/551398 .MOLIERE: A PRODUGIHG DIRECTOR'S APPROACH TO TARTUPEE ■ ' "by . Robert A » Keyworth A Thesis Submitted Do- the Faculty of the ' : ' . / DEPARTMENT, vpF. :■ DRAMA Ih Partial.Fulfillment of the Requirements , r v: For , the .Degree of . : MASTER OF ARTS . ■ In the Graduate College STATEMENT BY AUTHOR This thesis has been submitted in partial ful fillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate ac knowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: / Z APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: / .3', /_ 9 ? PETER R. -
Knowledge Work, Craft Work, and Calling
CHAPTER 8 Knowledge Work, Craft Work, and Calling Robert D. Austin and Lee Devin If I were to put you in front of a dock and I pulled up a skid in front of you with fifty hundred-pound sacks ofpotatoes and there are fifty more skids just like it, and this is what you’re gonna do all day, what would you think about — potatoes?^ I been sewin’ the same stitch for the last nineteen years. Last week they put me on a new one. I think I’m gonna like this one a lot better.^ The worker . bore evidence of [diseases] . the joints in his fingers might be eaten by the acid... you could scarcely find a person who had the use of his thumb... the base of it had been slashed, till it was a mere lump of flesh against which the man pressed the knife to hold it... their knuckles were so swollen that their fingers spread out like a fan . pluckers had to pull off [acid-painted] wool with their bare hands till the acid had eaten their fingers off. 1. Comments by a manual laborer in an interview recorded in Studs Terkel, Working (New York: Pantheon Books, 1972), p. xxxiv. 2. Comments of a textile worker recorded by Professor Jan Hammond, Harvard Busi ness School, while writing a case on a garment factory in the American South. Personal communication with Jan Hammond. 3. Description of an early twentieth-century meat-packing plant, in ch. 9 of Upton Some parts of this chapter are adapted, by permission of Pearson Education Inc., from ch. -
Tartuffe: a Modern Adaptation
TARTUFFE: A MODERN ADAPTATION A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Stephen Benjamin August, 2013 TARTUFFE: A MODERN ADAPTATION Stephen Benjamin Thesis Approved: Accepted: ___________________________ ______________________________ Advisor Interim School Director James Slowiak Dr. Ann Usher _______________________ ______________________________ Committee Member Dean of the College Durand L Pope Dr. Chand Midha _______________________ ________________________________ Committee Member Dean of the Graduate School Dr. Maria Adamowicz-Hariasz Dr. George R. Newkome ______________________________ Date ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION ……………………..………………………………………….……............…………… 1 II. TRANSLATION & TRANSLATORS …….....………………………………………………………… 5 Tartuffe History………………..…………..………………………………………………..….. 5 Translation Categories…………..……………………………………………………….….. 9 Translation Versus Adaptation…………………..…………………………..…………. 11 Taking Liberties ……………………………………….……………………………………… 14 Tartuffe Translation History ……………………………………………….…………… 15 Early Tartuffe Translators ………….…………………………….…………… 15 Post-World War II Tartuffe Translators …………………….…………… 17 Modern Tartuffe Translators …………………………………….…………… 17 Tartuffe Translators Utilized in My Adaptation ……………………...………… 19 Richard Wilbur ………………………….…………………………….…………… 20 Donald Frame ……...…………………….…………………………….…………… 21 John Wood ………......…………………….…………………………….…………… 23 David Coward after John Wood ………......…………………….…………… -
The Popular and the Academic the Status of the Public’S Pleasure in the Quarrel of Le Cid
Nordic Theatre Studies Vol. 29, No. 2, 2017, 28—47 The Popular and the Academic The Status of the Public’s Pleasure in the Quarrel of Le Cid. GUÐRÚN KRISTINSDÓTTIR-URFALINO ABSTRACT The unprecedented success of Le Cid (1637) triggered a ferocious literary quarrel about the value of the judgement of the least “considerable” part of the theatre audience – the people. This article explains how the social and gendered distribution of the audience in the few Parisian theatres of the period could reveal the difference of the appreciation of various categories of the audience. The article then develops that at this time in France, the notion of the “public” does not refer to the audience but to the res publica, the edifying character of the plays meant to serve the public good. Indeed, the theatre was given a moral dimension, as an heritage to Horace’s Ars poetica in which the role of theatre was to please and instruct. This is followed by a discussion of two aspects of the quarrel. It was first set off by the fact that Corneille with his attitude disrupted the rules of the economy of cooptation in vigour in the Republic of letters, thus deeply shocking his peers. The second aspect of the quarrel pertained to the dramatic rules which were being established at the time. Le Cid transgressed some of these rules, in particular the rule of decorum. But the condemnation of the transgression of these rules put in question their purpose and their value. Corneille maintained that like Aristotle, he was concerned with the public’s pleasure and that Horace’s precept of moral instruction was secondary in theatre. -
“Sprouting the Seeds of Darwinism”: a History of Evolution at Cornell University in the Nineteenth Century
33 | Ezra’s Archives “Sprouting the Seeds of Darwinism”: A History of Evolution at Cornell University in the Nineteenth Century 1 Zachary Newkirk Imagine Charles Darwin’s excitement as he unwrapped the package from his publisher on November 3, 1859. His manuscript, which had consumed him for months and through ill health, was finally a book. He wrote back to his publisher saying, “I am infinitely pleased and proud of the appearance of my child.”2 Among his original concerns about the Origin of Species were the 1250 original copies on which Darwin feared his publisher would lose money. The books sold in a single day. “I am astounded at your news of sale,” he wrote to the publisher. “I do rejoice that you have not have cause to repent of publishing; at one time I was extremely fearful [and] annoyed at thought that you might repent.”3 It seems unusual to see Darwin’s fear over such trivial matters. Today we often equate his name with other novel scientific thinkers like Newton and Einstein. The theories he wrote and published in his “child” shook the foundations of science and influenced the natural sciences ever since. But before the book’s public debut, Darwin expressed some 1 Zachary Newkirk sends many thanks to the staff of the Cornell University Rare and Manuscript Collection in Kroch Library in Ithaca, New York. In particular, he thanks Laura Linke and David Corson for their tremendous help and enthusiasm for the subject. Thanks to Trais Pearson, the teaching assistant for the course taught by Professor William B. -
By MOLIERE DAVID CHAMBERS `
38th Season • 369th Production MAINSTAGE / JANUARY 4 THROUGH FEBRUARY 10, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by MOLIERE` translation by RANJIT BOLT Scenic Design Costume Design Lighting Design DARCY SCANLIN SHIGERU YAJI CHRIS PARRY Sound Design Production Manager Stage Manager B.C. KELLER TOM ABERGER *RANDALL K. LUM Directed by DAVID CHAMBERS HASKELL AND WHITE LLP, Honorary Producers This translation of The School for Wives was first produced in 1997 at the Piccadilly Theatre, London, directed by Sir Peter Hall, produced by the Peter Hall Company. PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Chrysalde ............................................................................................... *François Giroday Arnolphe ................................................................................................... *Dakin Matthews Alain ............................................................................................................ *Hal Landon Jr. Georgette ............................................................................................. *Martha McFarland Agnès ................................................................................................................ *Emily Bergl Horace ........................................................................................................ *Daniel Blinkoff A Notary/Oronte ......................................................................................... -
The Founding Fathers of the Iowa Agricultural College and Model
Collections and Technical Services Publications and Collections and Technical Services Papers 2013 Four Men with a Vision: The oundinF g Fathers of the Iowa Agricultural College and Model Farm and Cornell University Edward A. Goedeken Iowa State University, [email protected] Follow this and additional works at: http://lib.dr.iastate.edu/libcat_pubs Part of the Archival Science Commons, Higher Education Commons, Information Literacy Commons, and the Public History Commons The ompc lete bibliographic information for this item can be found at http://lib.dr.iastate.edu/ libcat_pubs/67. For information on how to cite this item, please visit http://lib.dr.iastate.edu/ howtocite.html. This Article is brought to you for free and open access by the Collections and Technical Services at Iowa State University Digital Repository. It has been accepted for inclusion in Collections and Technical Services Publications and Papers by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Four Men with a Vision: The oundinF g Fathers of the Iowa Agricultural College and Model Farm and Cornell University Abstract When a casual visitor strolls today across the sprawling campuses of the universities of Iowa State and Cornell, they may find it ah rd to believe that 150 years ago Iowa State consisted of a small handful of buildings and Cornell did not exist at all. That two such remarkable and well-known schools of higher learning even exist at all represents a story both stirring and complex that developed over the course of the early nineteenth century cumulating in the passage of the 1862 Morrill Land Grant Act. -
A Copy of the Paper Guide to This Collection Is Available by Clicking
This document is from the Cornell University Library's Division of Rare and Manuscript Collections located in the Carl A. Kroch Library. If you have questions regarding this document or the information it contains, contact us at the phone number or e-mail listed below. Our website also contains research information and answers to frequently asked questions. http://rmc.library.cornell.edu Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University, Ithaca, NY 14853 Phone: (607) 255-3530 Fax: (607) 255-9524 E-mail: [email protected] Morris Gilbert Bishop ('14), 1893-1973. Papers, 1906-1973. BISH3P, M3ilaIS CILBEXT ('13, M.A. '14, Ph.D. '261, 1893-1773. Papers, 1941- E:a 1963; 20 in. Professor of Romance Literature, University Historian. Con- Y sistine almost entirely of research material for Profassor Bishop's ft 1 .5 , ~i~t~mof Cornell (19621, these papers include letters (~n?part ~hoto- :: copies) from Cornell alumni and staff members giving anecdotes and reminis- 5 Z C 01 cences, infor:nation from various professors concerning the histo= of tkhir n a, w d2partnents, and printed and mireographed inzterial such as speeches, reports, 2 n and clippings; also, a twscript draft of the book vith corrections in c 2: Professor i3isho9's hand and the carbon typscri$ copy of tho ?in21 draft. a: I 01 Among the c~rrespondentsare .!.rthur I. .:.belson, ?b-.e:m krry, FAwh C. H 2 %ring, Cilmore D. Zlarke, lthur R. Dean, Rokrt ?!. %den, Custzv J. 9 ,a . I Requardt, 'kgh Troy, '1ax.iell Ypson, 2. 3. -
Eichmann, Empathy, and Lolita
Leland de la Durantaye EICHMANN, EMPATHY, AND LOLITA I ometime in late 1960 or early 1961 Adolf Eichmann, jailed and Sawaiting trial in Jerusalem, was given by his guard a copy of Vladimir Nabokov’s recently published Lolita, as Hannah Arendt puts it, “for relax- ation.” After two days Eichmann returned it, visibly indignant: “Quite an unwholesome book”—Das ist aber ein sehr unerfreuliches Buch—he told his guard.1 Though we are not privy to, and nor does Arendt speculate upon this officer’s intentions, it is difficult to imagine that they were limited to procuring Eichmann a little “relaxation.” The tale of a homi- cidal madman writing under observation and awaiting a trial that will consign him either to death or prolonged imprisonment—which fate spares him by felling him with a heart attack—could hardly have been very relaxing for someone at that moment writing his own memoirs and himself awaiting a trial with similar stakes. We might imagine other intentions on the part of Eichmann’s guard. Could the gesture have been ironic? Or was it motivated by a dark curios- ity—something of the order of an experiment? The sulphurous halo of Nabokov’s book was still burning brightly in the popular consciousness of 1960.2 Might Eichmann’s guard have seen Lolita as a sort of litmus test for radical evil, and wanted to see whether the real-life villain—he who impassively organized the transport towards certain death of countless innocents—would coldly, even gleefully, approve the various and vile machinations of Nabokov’s creation? This is all only speculation. -
Van Loon: Popular Historian, Journalist, and Fdr
Notes ABBREVIATIONS USED IN NOTES AMBZ Archief Ministerie van Buitenlandse Zaken COL Columbia University, Butler Library COR Cornell University, Carl A. Kroch Library, Rare and Manuscript Collections EBvL Eliza Bowditch van Loon EBvLP Eliza Bowditch van Loon Papers ER Eleanor Roosevelt ERP Eleanor Roosevelt Papers FBI U.S. Department of Justice, Federal Bureau of Investigation FDR Franklin Delano Roosevelt FDRL Franklin D. Roosevelt Library and Museum GAR Gemeentearchief Rotterdam GWvL Gerard Willem van Loon HAL Holland-America Line HHPL Herber Hoover Presidential Library HU Harvard University, Houghton Library HWvL Hendrik Willem van Loon HWvLP Hendrik Willem van Loon Papers KHA Koninklijk Huisarchief, Archief Prinses Juliana LC Library of Congress, Manuscript Division NA Nationaal Archief, Tweede Afdeling NIOD Nederlands Instituut voor Oorlogsdocumentatie NLMD Nederlands Letterkundig Museum en Documentatiecentrum NYPL New York Public Library, Manuscripts and Archives Division PPF President’s Personal File, Franklin D. Roosevelt Papers PSF President’s Secretary’s File, Franklin D. Roosevelt Papers SHSW State Historical Society of Wisconsin Story GWvL, The Story of Hendrik Willem van Loon (Philadelphia and New York: Lippincott Company, 1972) SUL Syracuse University Library, Department of Special Collections UIL University of Iowa Libraries, Special Collections Department UP University of Pennsylvania, Van Pelt Library, Special Collections Department ZA Zeeuws Archief 270 Notes Prologue 1. “Van Loon Buried in Old Greenwich,” New York Times, 15 March 1944; “Van Loon Rites Conducted in Old Greenwich,” New York Herald Tribune, 15 March 1944; “Van Loon Rites Attended By La Guardia, Dutch Envoy,” Greenwich Time, 15 March 1944; Unitarian Church of All Souls Archives, Rev. Laurance I. Neale Collection, HWvL Files, Text spoken by Rev.