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Ralph Ellison and the American Pursuit of Humanism by Richard
Ralph Ellison and the American Pursuit of Humanism by Richard Errol Purcell BA, Rutgers University, 1996 MA, University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH Faculty of Arts and Sciences This dissertation was presented by Richard Errol Purcell It was defended on May 14th, 2008 and approved by Ronald Judy, Professor, English Marcia Landy, Professor, English Jonathan Arac, Professor, English Dennis Looney, Professor, French and Italian Dissertation Advisor: Paul Bove, Professor, English ii Copyright © by Richard Errol Purcell 2008 iii Ralph Ellison and the American Pursuit of Humanism Richard Purcell, PhD University of Pittsburgh, 2008 In the middle of a 1945 review of Bucklin Moon’s Primer for White Folks, Ralph Ellison proclaims that the time is right in the United States for a “new American humanism.” Through exhaustive research in Ralph Ellison’s Papers at the Library of Congress, I contextualize Ellison’s grand proclamation within post-World War II American debates over literary criticism, Modernism, sociological method, and finally United States political and cultural history. I see Ellison's “American humanism” as a revitalization of the Latin notion of litterae humaniores that draws heavily on Gilded Age American literature and philosophy. For Ellison, American artists and intellectuals of that period were grappling with the country’s primary quandary after the Civil War: an inability to reconcile America’s progressive vision of humanism with the legacy left by chattel slavery and anti-black racism. -
Literary Scholars Association Critics
The 14th Annual Conference of The Association of October 24-26, 2008 Literary Scholars Sheraton Society Hill Hotel Critics and Philadelphia, Pennsylvania Literature Titles from Oxford Journals www.adaptation.oxfordjournals.org www.camqtly.oxfordjournals.org www.english.oxfordjournals.org www.alh.oxfordjournals.org www.cww.oxfordjournals.org ADAPTATION AMERICAN LITERARY THE CAMBRIDGE CONTEMPORARY ENGLISH Adaptation provides an HISTORY QUARTERLY WOMEN’S WRITING Published on behalf of international forum to Covering the study of US The Cambridge Quarterly CWW assesses writing The English Association, theorise and interrogate the literature from its origins was established on the by women authors from English contains essays phenomenon of literature through to the present, principle that literature is an 1970 to the present. It on major works of English on screen from both a American Literary History art, and that the purpose of reflects retrospectively on literature or on topics of literary and film studies provides a much-needed art is to give pleasure and developments throughout general literary interest, perspective. forum for the various, enlightenment. It devotes the period, to survey the aimed at readers within often competing voices itself to literary criticism variety of contemporary universities and colleges of contemporary literary and its fundamental aim work, and to anticipate and presented in a lively inquiry. is to take a critical look at the new and provocative and engaging style. accepted views. women’s writing. www.fmls.oxfordjournals.org -
Cornell Alumni News Volume 51, Number 17 June 1, 1949 Price 25 Cents
Cornell Alumni News Volume 51, Number 17 June 1, 1949 Price 25 Cents FicMϊn Fall|Creek Gorge in June NEW BOOKS BY CORNELLIANS Dirt Roads to Stoneposts-έ)/ Romeyn Berry '04 loo pages, 6 x 9, $2. postpaid OMEYN BERRY, for twenty-five years an incisive interpreter R of Cornell in this paper, here records his observations of farming for profit at Stoneposts, his rural estate in Tompkins County. The man can, and does, drive a manure-spreader with dignity and plow a straight furrow without missing a wild goose, a meadow-lark, or a white cloud in the skies above him. Readers of "Now In My Time!" will find in DIRT ROADS TO STONE- POSTS a collection of Mr. Berry's more noteworthy contributions to other publications (with some new ones appearing here for the first time) which Morris Bishop, in his Introduction, pronounces "pure gems." It's the smell of the land! It's Rym! It's the spirit of the hills that lie near enough to hear the Bells of Cornell! The Merry Old Mobίles~by Larry Freeman, PhD 2.50 pages, 6 x 9, $5 postpaid ERE is a book that takes you miles away from today's stream- H lined necessity, back to the time when all men were assumed to be master roadside mechanics and all women too delicate to drive. Fifty fabulous years have passed since the advent of the automobile. Quite fittingly, the changes it has wrought in the American Scene are portrayed by one of the country's leading psychologists and col- lectors. -
The Life of the Flying Aperçu
The Life of the Flying Aperçu BY Alan MINTZ took several subways and buses each day to contin- stands out. Trilling was too ambivalent and skeptical Why Not Say What Happened: A Sentimental ue attending the Rabbi Jacob Joseph School, a yeshi- to be a brilliant teacher, but the moral intelligence Education va on the Lower East Side whose curriculum relied conveyed by the essays in The Liberal Imagination by Morris Dickstein heavily on Talmud taught in Yiddish. Dickstein re- made a strong impression on Dickstein. The book Liveright, 320 pp., $27.95 mained there throughout high school, although he became increasingly disaffected from Talmud study. offered a model for criticism in a subtle, At Columbia he looked for connections beyond the personal voice that was neither ponderous nor Judaism of his parents, and found them in cours- academic but was itself a form of literature. hen I was a graduate student in es in modern Hebrew at the Seminary College of Trilling’s seductive conversational style gave me English at Columbia College in the JTS, and in summers spent as a counselor at Camp the impression—or was it a carefully crafted early 1970s, my advisor was Steven Massad, the exemplar of Hebraist Zionism. And no illusion?—of a mind in motion, a man actually Marcus, a marvelous teacher, a re- matter how fraught and exciting his studies on cam- thinking things through as he weighed the Wnowned authority on Dickens’ fiction and Victorian pus, every Friday he would take the train back to alternatives and probed the issues before him. -
Power, Dissent, and the Contest of Intellectual Virtues in the 1950S
The Anxiety of Irrelevance: Power, Dissent, and the Contest of Intellectual Virtues in the 1950s Allon Brann Senior Thesis April 2010 Advisor: Professor William Leach Second Reader: Professor Casey Blake 1 Acknowledgments If there is one thing about this essay that most satisfies me, it is that the process of writing it felt like a fitting conclusion to my undergraduate career. In conceiving of my project, I wanted to draw out the issues that most challenged me over four years of study, and to try to interrogate them, side by side, one last time. I want to say at the outset, then, that I believe each one of my extraordinary teachers at Columbia has contributed to this project. There has been no greater intellectual pleasure over the last four years than discovering unforeseen connections between the different texts and problems that I had the opportunity to investigate with each of them. There are, of course, a few whom I must identify here individually. Professor William Leach guided our seminar with great patience and taught me much about good historical writing. In addition to serving as my second reader for this essay, Professor Casey Blake laid the groundwork for my exploration of American intellectual history. He introduced me to many of the figures who have most inspired—and at times, troubled—me in my study of the past, and with whom I hope to continue to engage long after the completion of this project. I am grateful, as well, to Professor Ross Posnock, whose course pushed me to question the role of the thinker in American society, past and present. -
Religion and Cornell University's Foundation
GODS AND SCHOLARS: RELIGION AND CORNELL UNIVERSITY’S FOUNDATION MYTH A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Fredrika Louise Loew August 2016 © 2016 [Fredrika Louise Loew] ABSTRACT Cornell University’s foundation narrative focuses intensely on the nonsectarian clause in the institution’s charter, with the ‘godless’ nature of the university and its commitment to secularism forming the basis of the narrative. Though parts of the narrative are true, Cornell’s Protestant-heavy founding and early relationships with religion have been left out. This paper examines Cornell University’s primary archival material from 1865 to 1890 and secondary sources and reconstructs the religious foundation narrative of the university, which takes into account the strong Christian ethics upon which the university was in fact founded. In addition, the paper discusses the initial desire for a secular university, as well as investigates broader issues of identity reappropriation and analyzes the differences between the accepted narrative of Cornell’s foundation myth and the primary texts. BIOGRAPHICAL SKETCH Fredrika Loew received her Bachelor’s degree in Archaeology and Near Eastern Studies from Cornell University in 2012. During her senior year, she began working as a Collections Assistant and Processor in Cornell’s Division of Rare and Manuscript Collections, where she has been working ever since. In the fall of 2014, she entered the Employee Degree Program to pursue her Master’s degree from the Cornell Institute for Archaeology and Material Studies with a focus on museology and religious studies. -
Moliere: a Produgihg Director's Approach
Molière; a producing director's approach to Tartuffe Item Type text; Thesis-Reproduction (electronic) Authors Keyworth, Robert Allen, 1918- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 13:21:48 Link to Item http://hdl.handle.net/10150/551398 .MOLIERE: A PRODUGIHG DIRECTOR'S APPROACH TO TARTUPEE ■ ' "by . Robert A » Keyworth A Thesis Submitted Do- the Faculty of the ' : ' . / DEPARTMENT, vpF. :■ DRAMA Ih Partial.Fulfillment of the Requirements , r v: For , the .Degree of . : MASTER OF ARTS . ■ In the Graduate College STATEMENT BY AUTHOR This thesis has been submitted in partial ful fillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate ac knowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: / Z APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: / .3', /_ 9 ? PETER R. -
Knowledge Work, Craft Work, and Calling
CHAPTER 8 Knowledge Work, Craft Work, and Calling Robert D. Austin and Lee Devin If I were to put you in front of a dock and I pulled up a skid in front of you with fifty hundred-pound sacks ofpotatoes and there are fifty more skids just like it, and this is what you’re gonna do all day, what would you think about — potatoes?^ I been sewin’ the same stitch for the last nineteen years. Last week they put me on a new one. I think I’m gonna like this one a lot better.^ The worker . bore evidence of [diseases] . the joints in his fingers might be eaten by the acid... you could scarcely find a person who had the use of his thumb... the base of it had been slashed, till it was a mere lump of flesh against which the man pressed the knife to hold it... their knuckles were so swollen that their fingers spread out like a fan . pluckers had to pull off [acid-painted] wool with their bare hands till the acid had eaten their fingers off. 1. Comments by a manual laborer in an interview recorded in Studs Terkel, Working (New York: Pantheon Books, 1972), p. xxxiv. 2. Comments of a textile worker recorded by Professor Jan Hammond, Harvard Busi ness School, while writing a case on a garment factory in the American South. Personal communication with Jan Hammond. 3. Description of an early twentieth-century meat-packing plant, in ch. 9 of Upton Some parts of this chapter are adapted, by permission of Pearson Education Inc., from ch. -
The Man Who Wrote the Perfect Novel
Th e Man Who Wrote the Perfect Novel: a Biography of John Williams Something rare is happening in publishing. In an unusual bout of artistic justice, author John Williams has become an international bestseller twenty years after his death. He’s garnering much-belated praise for Stoner, a book that’s being called ‘a perfect novel’ and ‘the most beautiful book in the world’, with prose ‘as limpid as glass’. But readers start asking: what’s the story behind Stoner? And who is the man who wrote this perfect novel? Charles J. Shields, the author of the proposed biography, has already es- tablished a reputation for himself as an award-winning biographer for adults and young adults. As the fi rst biographer of Kurt Vonnegut and the author of a bestselling biography on Harper Lee, Shields has a history of uncovering the lives of writers in engrossing, convincing detail. John Williams is the next mystery Shields hopes to unveil. As more and more articles about Williams appear – in Th e New York Review of Books, Th e Guardian, Th e Millions, Th e New Yorker, Th e New York Times, and else- where – Williams’s works are being revived all over the world. It’s about time we meet the man who presented us with this extraordinary work – and who lived an extraordinary life. Specifi cations Th e Man Who Wrote the Perfect Novel: a Biography of John Williams will be published in 2017 by Lebowski Publishers Agency Oscar van Gelderen T: + 31 6 46096823 E: [email protected] Rights sold: Italy – Fazi Editore Charles J. -
Literary Matters
Literary Matters THE NEWSLETTER OF THE ASSOCIatION OF LITERARY SCHOLARS, CRITICS, AND WRITERS Aut nuntiarea aut delectare FROM THE EDITOR Dear readers, VOLUME 5.3 FALL/WINTER 2012 I hope that your new year has gotten off to a spirited Inside This Issue start, and that the holiday season was joyous and safe for you all. With the ticking away of those last 1 Letter from the Editor December days and the renewal that comes every January 1, we are overwhelmed with traditions. Though 3 President’s Column some may be frivolous—forming New Year’s resolutions comes to mind, as it has been reported that 92% of 4 News and Announcements 1 people ultimately abandon them, and thus it is hard 8 New Publications by Members to reconcile the seeming perpetuity of this ritual with its inefficacy—they are all, at their core, inventions 10 Local Meeting Reports borne of good intentions. In the literary field, we are inherently sensitive to the flux between tradition and 15 Freedom and Limitation at the Vermont transition, and the motives behind our embrace of Studio Center, Caitlin Doyle each: we are concerned with both creating the new and maintaining the old, sensitive to the idea that 20 Othello's Last Speech: The Why of It, in order to secure the future of reading and writing, John Freund we must protect the past while plunging forward. 25 Poets' Corner This issue of Literary Matters is rife with examples of how those in our fellowship find a way to balance 29 2013 Membership Form expectations and experimentation, and what efforts are being made to save the future by keeping the past 30 2013 Conference Registration Form from being swallowed up by the present. -
Tartuffe: a Modern Adaptation
TARTUFFE: A MODERN ADAPTATION A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Stephen Benjamin August, 2013 TARTUFFE: A MODERN ADAPTATION Stephen Benjamin Thesis Approved: Accepted: ___________________________ ______________________________ Advisor Interim School Director James Slowiak Dr. Ann Usher _______________________ ______________________________ Committee Member Dean of the College Durand L Pope Dr. Chand Midha _______________________ ________________________________ Committee Member Dean of the Graduate School Dr. Maria Adamowicz-Hariasz Dr. George R. Newkome ______________________________ Date ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION ……………………..………………………………………….……............…………… 1 II. TRANSLATION & TRANSLATORS …….....………………………………………………………… 5 Tartuffe History………………..…………..………………………………………………..….. 5 Translation Categories…………..……………………………………………………….….. 9 Translation Versus Adaptation…………………..…………………………..…………. 11 Taking Liberties ……………………………………….……………………………………… 14 Tartuffe Translation History ……………………………………………….…………… 15 Early Tartuffe Translators ………….…………………………….…………… 15 Post-World War II Tartuffe Translators …………………….…………… 17 Modern Tartuffe Translators …………………………………….…………… 17 Tartuffe Translators Utilized in My Adaptation ……………………...………… 19 Richard Wilbur ………………………….…………………………….…………… 20 Donald Frame ……...…………………….…………………………….…………… 21 John Wood ………......…………………….…………………………….…………… 23 David Coward after John Wood ………......…………………….…………… -
The Popular and the Academic the Status of the Public’S Pleasure in the Quarrel of Le Cid
Nordic Theatre Studies Vol. 29, No. 2, 2017, 28—47 The Popular and the Academic The Status of the Public’s Pleasure in the Quarrel of Le Cid. GUÐRÚN KRISTINSDÓTTIR-URFALINO ABSTRACT The unprecedented success of Le Cid (1637) triggered a ferocious literary quarrel about the value of the judgement of the least “considerable” part of the theatre audience – the people. This article explains how the social and gendered distribution of the audience in the few Parisian theatres of the period could reveal the difference of the appreciation of various categories of the audience. The article then develops that at this time in France, the notion of the “public” does not refer to the audience but to the res publica, the edifying character of the plays meant to serve the public good. Indeed, the theatre was given a moral dimension, as an heritage to Horace’s Ars poetica in which the role of theatre was to please and instruct. This is followed by a discussion of two aspects of the quarrel. It was first set off by the fact that Corneille with his attitude disrupted the rules of the economy of cooptation in vigour in the Republic of letters, thus deeply shocking his peers. The second aspect of the quarrel pertained to the dramatic rules which were being established at the time. Le Cid transgressed some of these rules, in particular the rule of decorum. But the condemnation of the transgression of these rules put in question their purpose and their value. Corneille maintained that like Aristotle, he was concerned with the public’s pleasure and that Horace’s precept of moral instruction was secondary in theatre.