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Song Artist Or Soundtrack Language Tightrope Janelle Monae English
Song Artist or Soundtrack Language Tightrope Janelle Monae English Come Alive [War of the Roses] Janelle Monae English Why this kolaveri di Dhanush Urdu Ghoom tana Janoon Urdu Count your blessings Nas & Damian Jr English America K'naan Somali/ English Mahli Souad Massi Arabic (Tunisian) Helwa ya baladi Dalida Arabic (Egyptian) Stop for a Minute K'naan English Miracle Worker SuperHeavy English Crazy Gnarls Barkley English 1977 Ana Tijoux Spanish (Chilean) Nos Hala Asalah Arabic Don't Let Me Be Misunderstood Santa Esmeralda / Kill Bill Vol. 1 Original Soundtrack Never Can Say Goodbye Jackson Five English My Doorbell The White Stripes English Peepli Live Various Artists, Indian Ocean Hindi or Urdu Forget You Camilla and the Chickens, The Muppets Soundtrack Chicken?? Ring of Fire Johnny Cash English I Was Born on the Day Before Yesterday The Wiz English Y'All Got It The Wiz English Everything Michael Buble English I'm Yours Jason Mraz English Something's Gotta Hold on Me Etta James English Somebody to Love Queen English Al Bosta Fairouz Arabic (Lebanese) Kifak Inta Fairouz Arabic (Lebanese) Etfarag ala najsak Asala Nasri Arabic (Egyptian) Make it bun dem Skrillex, Damian English Statesboro Blues Taj Mahal English Albaniz: Zambra-Capricho, Cordoba, Zor David Russell Spanish classical Volver Estrella Morente from Volver: Musica de la Pelicula Spanish Solo le pido a Dios Leon Gieco Spanish Mambo Italiano Rosemary Clooney English / Italian Botch-A-Me (Baciani Piccina) Rosemary Clooney English / Italian Satyameva Jayathe SuperHeavy English / ? -
2017 Global Drug Survey
Prepared by the GDS Core Research Team Dr Adam Winstock, Dr Monica Barratt, Dr Jason Ferris & Dr Larissa Maier Global overview and highlights N > 115,000 Global Drug Survey GDS2017 © Not to be reproduced without authors permission Hi everyone On behalf of the GDS Core Research Team and everyone of our amazing international network partners and supportive media organisations we’d like to share our headline report deck. I know it won’t have everything that everyone wants but we are hopeful it will give people an idea of how the world of drugs is changing and highlight some of the key things that we think people can better engage with to keep themselves and those they care for safe. Once we cleaned the data from 150,000 people we chose to use data from just under 120,000 people this year for these reports. We have data reports addressing 18 different areas for over 25 countries. We can only share a fraction of what we have here on the site. However, we are very open to sharing the other findings we have and would ask researchers and public health groups to contact us so we can discuss funding and collaboration. We have almost completed designing GDS2018 so that we can start piloting early and give countries where we have not yet found friends to reach out to us. We particularly want to hear from people in Japan, Eastern Europe, Africa and the Middle East. Dr Adam R Winstock Founder and CEO Global Drug Survey Consultant Psychiatrist and Addiction Medicine Specialist Global Drug Survey GDS2017 © Not to be reproduced without authors permission We think this will be interesting. -
La Tarea Del Verano 2019 Para La Clase De Espanol 5 Honores
La tarea del verano 2019 para la clase de espanol 5 honores Bienvenidos a la clase de español 5 honores. Me alegro que hayas seleccionado la clase y que quieras seguir tus estudios de español. Espero que disfrutes de la experiencia en clase muchísimo. For the summer you will need to complete ALL 3 activities. All work is to be completed in Spanish and is due the second day of class in September. You may complete a digital portfolio to share or you can complete the assignments on paper. Activity 1: Write an essay in Spanish about global challenged. What have you learned so far about global challenges in your Spanish classes (environment, wars, immigration, etc.) What do you think is the worst global challenge we face. What more would you like to learn about in this area. Activity 2: Complete your summer Scavenger Hunt.. You need to score a total of 120 points or more and keep a digital file on Google Drive or a paper file of your evidence for each activity you complete. Please share paper files and digital files with me at [email protected]. SCAVENGER HUNT OPTIONS: 15 points: Follow a famous Spanish speaker on Twitter (artist, athlete, musician, actor, etc.) and write a few tweets in Spanish to this person. Please write a meaningful message. Your goal should be to get a reply. If you do you will triple your point value. Rap / Reggaeton Pop / Rock / Bachata Enrique Iglesias Dvicio Nicky Jam Lasso Wisin Reik Yandel Gente de Zona Alexis & Fid Shakira Ozuna Carlos Baute Cali Y El Dandee Alejandro Sanz Calle 13 Álvaro Soler CNCO Jesse y Joy Danny Ocean Sie7e J Balvin CD9 Tito “El Bambino” David Bisbal Maluma Fonseca Farruko Juanes Juan Magán Prince Royce Joey Montana Diego Torres Ana Tijoux Maná Macaco Bacilos 30 points: Create a lip dub alone or with friends with a Spanish song. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
Christian Ricci Behind the Scenes in New York – Fall 2020 Assignment #1 October 05, 2020 1 Opened in 1973 on Bowery in Manhatt
Christian Ricci Behind the Scenes in New York – Fall 2020 Assignment #1 October 05, 2020 Opened in 1973 on Bowery in Manhattan’s East Village, CBGB was a bar and music venue which features prominently in the history of American punk rock, New Wave and Hardcore music genres. The club’s owner, Hilly Kristal, was always involved with music and musicians, having worked as a manager at the legendary jazz club Village Vanguard booking acts like Miles Davis. When CBGB first opened its doors in the early seventies the venue featured mostly country, blue grass, and blues acts (thus CBGB) before transitioning over to punk rock acts later in the decade. Many well know performers of the punk rock era received their start and earliest exposure at the club, including the Ramones, Patti Smith, Television, Blondie, and Joan Jett. During the New Wave era, performers like Elvis Costello, Talking Heads and even early performances from the Police graced the stage in the now legendary venue. Located at 315 Bowery, which is situated near the northern section of Bowery before it splits into 3rd and 4th Avenues at Cooper square, the original building on the site was constructed in 1878 and was used as a tenement house for 10 families with a shop (liquor store) on the ground floor. In 1934, 315 and 313 were combined into one building and the façade was redesigned and constructed in the Art Deco style, as documented in the 1940 tax photo. At that time, the building was occupied by the Palace Hotel with a ground floor saloon. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
In New York City
Outdoors Outdoors THE FREE NEWSPAPER OF OUTDOOR ADVENTURE JULY / AUGUST / SEPTEMBER 2009 iinn NNewew YYorkork CCityity Includes CALENDAR OF URBAN PARK RANGER FREE PROGRAMS © 2009 Chinyera Johnson | Illustration 2 CITY OF NEW YORK PARKS & RECREATION www.nyc.gov/parks/rangers URBAN PARK RANGERS Message from: Don Riepe, Jamaica Bay Guardian To counteract this problem, the American Littoral Society in partnership with NYC Department of Parks & Recreation, National Park Service, NYC Department of Environmental Protection, NY State Department of Environmental Conservation, Jamaica Bay EcoWatchers, NYC Audubon Society, NYC Sierra Club and many other groups are working on various projects designed to remove debris and help restore the bay. This spring, we’ve organized a restoration cleanup and marsh planting at Plum Beach, a section of Gateway National Recreation Area and a major spawning beach for the ancient horseshoe crab. In May and June during the high tides, the crabs come ashore to lay their eggs as they’ve done for millions of years. This provides a critical food source for the many species of shorebirds that are migrating through New York City. Small fi sh such as mummichogs and killifi sh join in the feast as well. JAMAICA BAY RESTORATION PROJECTS: Since 1986, the Littoral Society has been organizing annual PROTECTING OUR MARINE LIFE shoreline cleanups to document debris and create a greater public awareness of the issue. This September, we’ll conduct Home to many species of fi sh & wildlife, Jamaica Bay has been many cleanups around the bay as part of the annual International degraded over the past 100 years through dredging and fi lling, Coastal Cleanup. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
(2014) De Ana Tijoux: Activismo, Descolonización Y Feminismo1
REVISTA DE HUMANIDADES Nº 41 (ENERO-JUNIO 2020): 37-73 ISSN: 07170491 VENGO (2014) DE ANA TIJOUX: ACTIVISMO, DESCOLONIZACIÓN Y FEMINISMO1 VENGO (2014) BY ANA TIJOUX: ACTIVISM, DECOLONIZATION AND FEMINISM María José Barros C. Facultad de Filosofía y Humanidades Universidad de Chile Avenida Capitán Ignacio Carrera Pinto 1025 Santiago, Chile [email protected] Resumen En el artículo se analiza el disco Vengo (2014) de la rapera chilena Ana Tijoux como una manifestación del activismo artístico contemporáneo, que instala una posición crítica y disidente frente a la racionalidad moderna/colonial/patriarcal/capitalista que todavía rige a las sociedades latinoamericanas. Desde esta 1 Este artículo se enmarca en el Fondecyt 3180228 “Artistas y activistas del siglo XXI: retóricas de la resistencia y genealogías descolonizadoras en Cecilia Vicuña, Ana Tijoux y Camila Huenchumil” (2018-2020), del cual soy investigadora responsable. Versiones preliminares de este trabajo fueron presentadas en los congresos de LASA Cono Sur (Montevideo, 19-22 de julio de 2017) e IILI (Bogotá, 12-15 de junio de 2018). 38 · REVISTA DE HUMANIDADES Nº 41 (ENERO-JUNIO 2020): 37-73 perspectiva, se entiende el trabajo musical de Tijoux como una poética activista, descolonizadora y feminista, que promueve el desprendimiento de las pedagogías coloniales y patriarcales, el cuidado de la naturaleza y la defensa del pluralismo epistémico. Palabras clave: activismo, descolonización, naturaleza, feminismo, rap. Abstract The album entitled Vengo (2014), from Chilean rapper Ana Tijoux, is analyzed in this article as an expression of contemporary artistic activism in which a critical and dissenting stance is introduced with regard to the modern/colonial/patriarcal/ capitalist rationality that still governs latinamerican societies. -
A Foodscape of the South Bronx
A Foodscape of The South Bronx UHF Neighborhood #105/106/107 (zip codes 10451, 10452, 10453, 10454, 10455, 10456, 10457, 10459, 10460, 10461) Includes parts of City Council Districts 8, 14, 15, 16, 17, and 18 About Foodscapes The Data Access to affordable and nutritious food is one of the cornerstones The data are presented by United Hospital Fund (UHF) of good health. Without this, individuals—and communities—are at neighborhoods, which are defined by the United Hospital Fund and a higher risk of serious chronic diseases, including obesity, diabetes consist of multiple adjacent zip codes. UHF neighborhoods are and heart disease. To improve the health of New Yorkers, we must commonly used in research, including the New York City Department recognize that each neighborhood has a distinct food environment. of Health and Mental Hygiene’s Community Health Survey. Purpose The reports also specify the City Council Districts that are part of each UHF, and districts often span several UHF neighborhoods. This Foodscape provides a community-level snapshot of that Council members and residents can then view the distinct environment, including data on healthy and unhealthy food neighborhoods within their districts, to compare and contrast both consumption, food access, and nutrition-related diseases. the needs and assets within each area. Recognizing that UHF Additionally, the report details a sampling of the many resources neighborhoods are an imperfect way to capture council districts available to residents within their neighborhoods to support them in holistically, the hope is that future updates to the reports will use data eating healthier. more specific to each district. -
Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition
Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition Philip A. Gunderson © 2004 Post-Modern Culture 15.1 Review of: Danger Mouse (Brian Burton), The Grey Album, Bootleg Recording 1. Depending on one's perspective, Danger Mouse's (Brian Burton's) Grey Album represents a highpoint or a nadir in the state of the recording arts in 2004. From the perspective of music fans and critics, Burton's creation--a daring "mash-up" of Jay-Z's The Black Album and the Beatles' eponymous 1969 work (popularly known as The White Album)--shows that, despite the continued corporatization of music, the DIY ethos of 1970s punk remains alive and well, manifesting in sampling and low-budget, "bedroom studio" production values. From the perspective of the recording industry, Danger Mouse's album represents the illegal plundering of some of the most valuable property in the history of pop music (the Beatles' sound recordings), the sacrilegious re-mixing of said recordings with a capella tracks of an African American rapper, and the electronic distribution of the entire album to hundreds of thousands of listeners who appear vexingly oblivious to current copyright law. That there would be a schism between the interests of consumers and the recording industry is hardly surprising; tension and antagonism characterize virtually all forms of exchange in capitalist economies. What is perhaps of note is that these tensions have escalated to the point of the abandonment of the exchange relationship itself. Music fans, fed up with the high prices (and outright price-fixing) of commercially available music, have opted to share music files via peer-to-peer file sharing networks, and record labels are attempting in response to coerce music fans back into the exchange relationship.