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Netflix and Changes in the Hollywood Film Industry 넷플릭스와 할리우드
ISSN 2635-8875 / e-ISSN 2672-0124 산업융합연구 제18권 제5호 pp. 36-41, 2020 DOI : https://doi.org/10.22678/JIC.2020.18.5.036 Netflix and Changes in the Hollywood Film Industry Jeong-Suk Joo Associate Professor, Dept. of International Trade, Jungwon University 넷플릭스와 할리우드 영화산업의 변화 주정숙 중원대학교 국제통상학과 부교수 Abstract This paper aims to explore and shed light on how the rise of streaming services has been affecting the media landscape in the recent years by looking at the conflicts between the Hollywood film industry and Netflix. It especially examines Netflix’s disregard for the theatrical release, as it is the most portentous issue that could reshape the film industry, and Hollywood’s opposition to it as revealed through the 2019 Academy Awards where the issue was brought into sharp relief. At the same time, this paper also questions whether theatrical distribution makes a film any more cinematic by examining how Hollywood film production has been largely concentrated on tentpoles and franchises, while Netflix has been producing diverse films often shunned by the studios. In this light, it concludes the changes wrought by Netflix, including its bypassing of the theatrical release, are not likely to be reversed. Key Words : Netflix, Streaming service, Hollywood, Film industry, Netflix films 요 약 본 논문은 할리우드 영화산업과 넷플릭스 간 갈등의 고찰을 통해 스트리밍 서비스의 부상이 미디어 지형에 어떠한 영향을 미쳐왔는지 밝히고자 한다. 특히 영화산업의 재편을 가져올 수 있는 가장 중요한 문제로써 극장을 거치지 않고 자사 플랫폼에 영화를 공개하는 넷플릭스의 개봉방식을 살펴보고 이에 대한 반발이 크게 불거진 2019 년 아카데미 영화제를 중심으로 할리우드의 반대를 살펴본다. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E. -
Full Version of Cv
Adrian David Cheok AM Phone: +61423977539 or +60128791271 19A Robe Terrace Email: [email protected] Medindie, 5081 Homepage: https://www.adriancheok.info Australia https://www.imagineeringinstitute.org Personal Date of Birth: December 18, 1971. Place of birth: Adelaide, Australia Australian Citizen. Summary of Career Adrian David Cheok AM is Director of the Imagineering Institute, Malaysia, Full Professor at i-University Tokyo, Visiting Professor at Raffles University, Malaysia, Visiting Professor at University of Novi Sad-Serbia, on Technical faculty \Mihailo Pupin", Serbia, Faculty of Ducere Business School, and CEO of Nikola Tesla Technologies Corporation. He is Founder and Director of the Mixed Reality Lab, Singapore. He was formerly Professor of Pervasive Computing, University of London, Full Professor and Executive Dean at Keio University, Graduate School of Media Design and Associate Professor in the National University of Singapore. He has previously worked in real-time systems, soft computing, and embedded computing in Mitsubishi Electric Research Labs, Japan. In 2019, The Governor General of Australia, Representative of Her Majesty the Queen Elizabeth II, has awarded Australia's highest honour the Order of Australia to Adrian David Cheok for his contribution to international education and research. He has been working on research covering mixed reality, human-computer interfaces, wearable computers and ubiquitous computing, fuzzy systems, embedded systems, power electronics. He has successfully obtained approximately $130 million dollars in funding for externally funded projects in the area of wearable computers and mixed reality from Daiwa Foundation, Khazanah National (Malaysian Government), Media Development Authority, Nike, National Oilwell Varco, Defence Science Technology Agency, Ministry of Defence, Ministry of Communications and Arts, National Arts Council, Singapore Sci- ence Center, and Hougang Primary School. -
Doctor Who: Frayed
FRAYED Tara Samms First published in England in 2003 by Telos Publishing Ltd 61 Elgar Avenue, Tolworth, Surrey KT5 9JP, England www.telos.co.uk ISBN: 1-903889-22-7 (standard hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Icon © 2003 Nathan Skreslet ISBN: 1-903889-23-5 (deluxe hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Frontispiece © 2003 Chris Moore Icon © 2003 Nathan Skreslet The moral rights of the author have been asserted 'DOCTOR WHO' word mark, device mark and logo are trade marks of the British Broadcasting Corporation and are used under licence from BBC Worldwide Limited. Doctor Who logo © BBC 1996. Certain character names and characters within this book appeared in the BBC television series 'DOCTOR WHO'. Licensed by BBC Worldwide Limited Font design by Comicraft. Copyright © 1998 Active Images/Comicraft 430 Colorado Avenue # 302, Santa Monica, Ca 90401 Fax (001) 310 451 9761/Tel (001) 310 458 9094 w: www.comicbookfonts.com e: [email protected] Typeset by TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB, England w: www.ttapress.com e: [email protected] Printed in England by Antony Rowe Ltd, Bumper's Farm Industrial Estate, Chippenham, Wilts SN14 6LH 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 British Library Cataloguing in Publication Data. A catalogued record for this book is available from the British Library. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior written consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
How Hollywood Casting Directors' Performances Of
1 Tiffany Matzas 5/15/2019 MMUF Final Essay Working Hard in Hollywood: How Hollywood Casting Directors’ Performances of Gatekeeping Invest in Whiteness Following the “Oscars So White” controversies of 2015 and 2016, film and television casting has become increasingly exposed to public scrutiny. Consider the backlash when a press release revealed that Ghost in the Shell had cast Scarlett Johansson, a white actress, to play the role of an Asian character.1 Or the social media outrage when the creators of Crazy Rich Asians and To All The Boys I’ve Loved Before revealed that multiple studios insisted on restricting the casting of main characters of color to white actors.2 These responses are indicative both of the ways in which casting has become an especially contentious arena for the success of a film and of the ways in which casting remains relatively conservative in its insistence on centering whiteness on-screen. Casting in film and television is an especially critical moment for understanding Hollywood’s relationship to race. It is where decisions are made about the aesthetics of the final product. Decisions centering whiteness from producers, directors, writers, and studios are often obscured in the final product, but casting decisions are one place where race in Hollywood is rendered hypervisible. 1 Eliza Berman, “A Comprehensive Guide to the Ghost in the Shell Controversy,” Time, March 29, 2017, http://time.com/4714367/ghost-in-the-shell-controversy-scarlett-johansson/. 2 Heidi Saman and Smith Kelley, “'It's Taken On A Whole Other Life,' Says 'Crazy Rich Asians' Author Kevin Kwan,” NPR, August 20, 2018, https://www.npr.org/2018/08/20/638967374/its-taken-on-a-whole-other-life-says- crazy-rich-asians-author-kevin-kwan; Sam Gillette, “Why To All The Boys I’ve Loved Before Author Jenny Han Had to Fight for an Asian American Star,” People, August 22, 2018, https://people.com/books/to-all-the-boys-ive- loved-before-asian-american-representation/. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Centre Stage the Pipeline of Bame Talent
CENTRE STAGE THE PIPELINE OF BAME TALENT AndrewAndrew Lloyd Lloyd Webber Webber FoundationFoundation INTRODUCTION— hen I produced Bombay Dreams over a decade ago and was privileged Wto introduce the marvellous music of A R Rahman to a West End audience, one of our greatest difficulties was finding enough Asian actors. BAME diversity in the performing arts has once again been high on the agenda this year, from the runaway success of Hamilton on Broadway to the latest announcement from Arts Council England of £4.6 million to boost diversity. Very often the discussion is focussed on increasing the representation of diverse ethnicities on stage and this is crucially important. However, I’ve been acutely aware that one of the biggest issues is the lack of trained diverse talent coming through. Casting directors and theatre producers alike often complain that they’d like to cast more Black, Asian and Minority Ethnic performers but that they don’t get enough turning up to audition. Inspired by some of the success stories coming out of the Andrew Lloyd Webber Foundation’s scholarship programme – such as Emmanuel Kojo who is interviewed in these pages – the Foundation decided to commission this " I PASSIONATELY research. The aim was to come up with some positive recommendations that BELIEVE THAT can be adopted by people involved at every stage of the talent pipeline from THE STAGE NEEDS school to stage. TO REFLECT THE DIVERSITY OF THE UK I passionately believe that the stage needs to reflect the diversity of the POPULATION OR IT UK population or it risks becoming side-lined. -
“A Single-Shot Masterpiece.”
JANUARI 2020 ZED SPRAK MET Fabrice du Welz ZED SPRAK MET Willem Wallyn “We zijn allemaal wel wat prutsers.” EINDEJAARSLIJSTJES De beste films van 2019 Onze vrouw op IDFA Blue Monday movies 1917 Filmanjaro “A single-shot masterpiece.” Muidhond, THE GUARDIAN de nieuwe film van Patrice Toye Cinema ZED-STUK Cinema ZED-Vesalius Naamsestraat 96 A. Vesaliusstraat 9c 3000 Leuven 3000 Leuven SCHEMAP. 301 Word lid van Club ZED Hou je van film? Hou je van een regelmatig avondje uit naar de bioscoop? Wil je graag alles weten over de komende releases, evenementen en belangrijke filmmakers? Dan is Club ZED iets voor jou. DE VOORDELEN Maandelijks het ZED magazine in je brievenbus Maandelijks 2 tickets voor een film naar keuze uit deze maandprogrammatie Een Club ZED kortingskaart die je recht geeft op het kortingstarief voor alle bijkomende tickets PRIJS € 18 per maand € 100 per 6 maand HOE GAAT HET IN ZIJN WERK? MELD JE AAN OP CINEMAZED.BE/CLUBZED. Leden ontvangen naast het ZED Magazine maandelijks 2 unieke ticket-codes. Deze codes kunnen online of aan de balie omgewisseld worden voor filmtickets naar keuze. Deze codes zijn enkel geldig voor voorstellingen van de lopende maand- programmatie. De minimale duur van een abonnement is 3 maanden en kan te allen tijde opgezegd worden. 2 Met in- of uitleiding Met live begeleiding Onuitgegeven ontdekking Alle films zijn Nederlands ondertiteld, tenzij anders aangegeven. INHOUD Recente releases Play it Again Sam Blue Monday 4 1917 14 Little Joe 20 The Irishman 27 Singin’ in the Rain 5 Ghost Tropic Muidhond -
Food for Feeling Great Part 1
SPRING 2011 True $5.00 Natural Health The Magazine of the Natural Health Society of Australia Food for feeling great Part 1 - fresh fruits Safe breast screening Teen anger - why? Our amazing feet Bowen Therapy Veggie garden, Part 2 – spring planting Recipes - from Laos An unusual new study Editorial Imagine my surprise when a young naturo- product promoted in this magazine is first This issue initiates a series path phoned and said she is looking for vetted by us. Quite often, there is a fasci- of articles on the different “unvaccinated adults” to participate in a nating and passionate story behind how food categories, Part 1 covering study to investigate the health of people the proprietor became interested in the fresh fruits. We also continue the series who have never been vaccinated. What product in the first place. In this issue, we on veggie gardening with Part 2. a great idea! Come to think of it, this is present two such stories. Vegetarian restaurants are not only found something that the medical authorities Joe Ciancio markets an air purifier-ioniser in Sydney! We branch out to Adelaide in should have done long. (which keeps the pollutants within itself), this issue, and will present restaurants in Because vaccination has become a because he had discovered – almost to other states in future issues. In fact, our sacred cow in Australia, it is very difficult his peril – the dangers of polluted air and readers may be able to make some rec- to obtain objective information about water. His eye-opening story is on page 14. -
World Series of Cars
FREEFREE WWEEEEKLYKLY The People’s Paper. A Division of Chautauqua Marketing Solutions • Vol: 03, Number: 29 • July 22, 2013 World Series of Cars - A Home Run Every Year Editor Walter Pickut with Krista Bellardo The World Series of Cars returns on July 28 to team up with Jamestown’s Babe Ruth World Series. The Chautauqua Lake Dine on the Lake Region Antique Automobile Club of America (AACA), founded Serving Lunch & Dinner in 1957, will once again host this famous car show in Jamestown’s 11:30 am - 9:30 pm (May - Oct.) 716-753-2900 Bergman Park. 2013 is the 26th year of their sponsorship. Great Steaks, Fresh Seafood The national AACA, founded in 1935, is now the largest antique Signature Salads automobile club in the world, with more than 50,000 members in Pastas & Sandwiches all 50 states and more than 50 countries. Homemade Desserts 188 S. Erie Street (Rte. 394) World Series of Cars and the City of Jamestown help raise Mayville, NY 14757 revenue for the Babe Ruth World Series. “When the show is all watermarkrestaurant.net Organization and Der Kobblers. over and the dust is cleared we turn over a check to the World Mention this ad for “The oldest car we’ve ever seen here was a 1902 Ford,” said Russ 15% off on entree Series of Baseball,” Frank Tantillo, CLRAACA Club President, explained. Diedrick, AACA committee member and 1997 Babe Ruth Hall of Famer. “Many of the other cars will be from the early 1900s.” “We have been a part of the World Series of Cars in Jamestown for many years. -
Production Designer C.V 2021
1 DAVE ARROWSMITH – Production Designer C.V 2021 Mobile/ Cell: 07967 020229 e-mail: [email protected] Website: www.davearrowsmith.com Agent: Amber Thompson Worldwide Production Agency Tel: +44 (0)207 287 9564 Mob: +44 (0)7393 376 975 [email protected] https://wp-a.co.uk/clients/dave-arrowsmith#narrative Production Designer Credits SCREW 6-Part drama TV Series set in a UK Prison Director: Tom Vaughan, Jordan Hogg Producer: Brian Kaczynski Featuring: Nina Sosanya, Jamie-Lee O’Donnell, Faraz Ayub Production Company: STV/ Channel 4. ANNIKA 6-Part Drama set in Glasgow’s marine homicide unit. Director: Philip John, Fiona Walton. Producer: Kieran Parker, Arabella Page-Croft. Featuring: Nicola Walker Production Company: Black Camel Pictures. THE SEED Sci-Fi Horror Feature Film set in LA. Director: Sam Walker Producer: James Norrie Featuring: Chelsea Edge, Lucy Martin, Sophie Vavasseur Production Company: Camelot Films. DARK AGES – MIRACLE WORKERS 10-Part comedy TV Series set in the Dark Ages Director: Steve Buscemi, Jarrad Paul, Andrew Mogel and Dan Schimpf. Producer: Lorne Michaels, Katy Jenson and Margo Myers. Featuring: Steve Buscemi, Daniel Radcliffe, Geraldine Viswanathan & Jon Bass. Production Company: Broadway Video/ TBS. 2 DEADWATER FELL 4-Part Murder mystery TV miniseries. Director: Lynsey Miller Producer: Caroline Levy Featuring: David Tennant, Cush Jumbo, Matthew McNulty & Anna Madeley. Production Company: Kudos Film and TV, Channel 4. WHISKEY CAVALIER Contemporary Action & Adventure series about FBI & CIA agents. Directors: Peter Atencio, Jon East, Amanda Marsalis, Romeo Tirone, Daisy Von Scherler and Michael Spiller. Producer: Seth Cohen and Robert Bernacchi. Featuring: Scott Foley, Lauren Cohan, Josh Hopkins, Ana Ortiz, Vir Das and Tyler James Williams.