Still on the Road: 2002 Europe Spring Tour

Total Page:16

File Type:pdf, Size:1020Kb

Still on the Road: 2002 Europe Spring Tour STILL ON THE ROAD 2002 EUROPE SPRING TOUR APRIL 5 Stockholm, Sweden Globe Arena 7 Oslo, Norway Spektrum 8 Copenhagen, Denmark Forum 9 Hamburg, Germany Alsterdorfer Sporthalle 11 Berlin, Germany Arena 12 Leipzig, Germany Messehalle 7 13 Hannover, Germany Stadionsporthalle 15 Frankfurt, Germany Jahrhunderthalle 16 Stuttgart, Germany Hanns Martin Schleyerhalle 17 Munich, Germany Olympiahalle 19 Ravenna, Italy Palazzo Mauro de André 20 Milan, Italy Forum di Assago 21 Zürich, Switzerland Hallenstadion 23 Innsbruck, Austria Olympiahalle 24 Nuremberg, Germany Frankenhalle 25 Strasbourg, France Hall Rhenus 27 Oberhausen, Germany Arena 28 Brussels, Belgium Vorst Nationaal 29 Paris, France Zénith 30 Paris, France Zénith MAY 2 Rotterdam, The Netherlands Sportpaleis Ahoy 4 Brighton, England Brighton Centre 5 Bournemouth, England Bournemouth International Centre 6 Cardiff, Wales Cardiff International Arena 8 Newcastle, England Telewest Arena 9 Manchester, England Manchester Evening News Arena 10 Birmingham, England National Exhibition Centre Arena 11 London, England Docklands Arena 12 London, England Docklands Arena Bob Dylan: Still On The Road – 2002 Europe Spring Tour Bob Dylan: Still On The Road – 2002 Europe Spring Tour 23750 Globe Arena Stockholm, Sweden 5 April 2002 1. Humming Bird (Johnnie Wright, Jim Anglin & Jack Anglin) 2. The Times They Are A-Changin' 3. It's Alright, Ma (I'm Only Bleeding) 4. Don't Think Twice, It's All Right 5. Man Of Constant Sorrow (trad. arr. Carter Stanley) 6. Lay Lady Lay 7. Solid Rock 8. Positively 4th Street 9. Tweedle Dee & Tweedle Dum 10. Make You Feel My Love 11. Maggie's Farm 12. Summer Days 13. Sugar Baby 14. Drifter's Escape 15. Rainy Day Women # 12 & 35 — 16. Things Have Changed 17. Like A Rolling Stone 18. Forever Young 19. Honest With Me 20. Blowin' In The Wind Concert # 1402 of The Never-Ending Tour. First concert of the 2002 Europe Spring Tour. 2002 concert # 19. Concert # 19 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 1–4, 18, 20 acoustic with the band. 8, 10, 14, 18, 20 Bob Dylan (harmonica). 2, 3 Larry Campbell (cittern). 1, 5, 18, 20 Larry Campbell & Charlie Sexton (backup vocals). Bootleg Stockholm 2002. Crystal Cat CC 615/616. Notes Man of Constant Sorrow was last played at The Beacon Theatre in New York City, New York, 17 October 1990. This is the first electric version. The arrangement played is by Stanley Carter used by Soggy Bottom Boys on the soundtrack to the Joel and Ethan Cohen film O Brother, Where Art Thou? Solid Rock was last played at the Civic Center Theatre in Lakeland, Florida, 21 November 1981. LB-numbers for this concert: LB-0104, LB-0259, LB-0372, LB-2878, LB-4498, LB-9072. Other Bob Dylan concerts in Stockholm, Sweden: 29 April 1966 Konserthuset 8 July 1981 Johanneshovs Isstadion 26 September 1987 Johanneshovs Isstadion 28 May 1989 Globe Arena 25 June 1991 Cirkus, Kungliga Djurgården 26 June 1991 Cirkus, Kungliga Djurgården 27 July 1996 Lida Friluftsgård, Tullinge 9 June 1998 Globe Arena 18 May 2000 Globe Arena 11 October 2003 Globe Arena 17 October 2005 Globe Arena Bob Dylan: Still On The Road – 2002 Europe Spring Tour 27 March 2007 Debaser Medis 28 March 2007 Globe Arena 22 March 2009 Berns Salonger 23 March 2009 Globe Arena 4 November 2011 Globe Arena 12 October 2013 Stockholm Waterfront Auditorium 13 October 2013 Stockholm Waterfront Auditorium 5 October 2015 Stockholm Waterfront Auditorium 6 October 2015 Stockholm Waterfront Auditorium 1 April 2017 Stockholm Waterfront Auditorium 2 April 2017 Stockholm Waterfront Auditorium 26 June 2019 Globe Arena Stereo audience recording, 135 minutes. Session info updated 15 July 2019. Bob Dylan: Still On The Road – 2002 Europe Spring Tour 23760 Spektrum Oslo, Norway 7 April 2002 1. Wait For The Light To Shine (Fred Rose) 2. The Times They Are A-Changin' 3. Desolation Row 4. The Lonesome Death Of Hattie Carroll 5. Solid Rock 6. Floater (Too Much To Ask) 7. Positively 4th Street 8. Lonesome Day Blues 9. Mama, You Been On My Mind 10. Visions Of Johanna 11. Don't Think Twice, It's All Right 12. Ballad Of A Thin Man 13. Summer Days 14. The Wicked Messenger 15. Leopard-Skin Pill-Box Hat — 16. Man Of Constant Sorrow (trad. arr. Stanley Carter) 17. Like A Rolling Stone 18. Knockin' On Heaven's Door 19. Honest With Me 20. Blowin' In The Wind 21. All Along The Watchtower Concert # 1403 of The Never-Ending Tour. Second concert of the 2002 Europe Spring Tour. 2002 concert # 20. Concert # 20 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 1–4, 9-11, 18, 20 acoustic with the band. 1, 16, 18, 20 Larry Campbell & Charlie Sexton (backup vocals). Bootlegs Oslo 2002. Crystal Cat CC 617/618. The Road's Washed Out. Peace Frog 2CDR. Notes LB-numbers for this concert: LB-0099, LB-0260, LB-0373, LB-9074. Other Bob Dylan concerts in Oslo, Norway: 29 June 1995 Spektrum 18 July 1996 Spektrum 7 June 1998 Frognerbadet 19 May 2000 Spektrum 13 October 2003 Spektrum 18 October 2005 Spektrum 30 March 2007 Spektrum 25 March 2009 Spektrum 30 June 2011 Spektrum 10 October 2013 Spektrum 1 October 2015 Oslo Konserthus 2 October 2015 Oslo Konserthus 3 October 2015 Oslo Konserthus 4 April 2017 Spektrum 29 June 2019 Spektrum Bob Dylan: Still On The Road – 2002 Europe Spring Tour 12 new songs (57%) compared to previous concert. 12 new songs for this tour. Stereo audience recording, 135 minutes. Session info updated 16 July 2019. Bob Dylan: Still On The Road – 2002 Europe Spring Tour 23770 Forum Copenhagen, Denmark 8 April 2002 1. Hallelujah, I'm Ready To Go (trad.) 2. The Times They Are A-Changin' 3. It's Alright, Ma (I'm Only Bleeding) 4. Love Minus Zero/No Limit 5. Solid Rock 6. Moonlight 7. Stuck Inside Of Mobile With The Memphis Blues Again 8. Sugar Baby 9. Masters Of War 10. One Too Many Mornings 11. Tangled Up In Blue 12. Summer Days 13. Positively 4th Street 14. Cold Irons Bound 15. Leopard-Skin Pill-Box Hat — 16. Not Fade Away (Norman Petty/Charles Hardin) 17. Like A Rolling Stone 18. I Shall Be Released 19. Honest With Me 20. Blowin' In The Wind Concert # 1404 of The Never-Ending Tour. Third concert of the 2002 Europe Spring Tour. 2002 concert # 21. Concert # 21 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 1–4, 9-11, 18, 20 acoustic with the band. 2, 4, 10, 11, 20 Bob Dylan (harmonica). 1, 18, 20 Larry Campbell & Charlie Sexton (backup vocals). Bootleg Copenhagen 2002. Crystal Cat CC 619/20. Notes LB-numbers for this concert: LB-0094, LB-0287, LB-9089. Other Bob Dylan concerts in Copenhagen, Denmark; 12 July 1981 Brøndby-Hallen 10 June 1984 Idraetsparken 21 September 1987 Valby Hallen 23 July 1996 Den Grå Hal 24 July 1996 Den Grå Hal 11 June 1998 Forum 16 October 2003 Forum 2 April 2007 Forum 29 March 2009 Forum 15 October 2013 Falconer Salen 16 October 2013 Falconer Salen 8 October 2015 Falconer Salen 9 October 2015 Falconer Salen 6 April 2017 Den Kongelige Opera 7 April 2017 Den Kongelige Opera Bob Dylan: Still On The Road – 2002 Europe Spring Tour 12 new songs (60%) compared to previous concert. 10 new songs for this tour. Stereo audience recording, 135 minutes. Session info updated 8 May 2017. Bob Dylan: Still On The Road – 2002 Europe Spring Tour 23780 Alsterdorfer Sporthalle Hamburg, Germany 9 April 2002 1. Humming Bird (Johnnie Wright, Jim Anglin & Jack Anglin) 2. The Times They Are A-Changin' 3. Desolation Row 4. Girl From The North Country 5. Lonesome Day Blues 6. Floater (Too Much To Ask) 7. Subterranean Homesick Blues 8. Standing In The Doorway 9. Mama, You Been On My Mind 10. A Hard Rain's A-Gonna Fall 11. Don't Think Twice, It's All Right 12. Love Sick 13. Summer Days 14. Drifter's Escape 15. Leopard-Skin Pill-Box Hat — 16. Country Pie 17. Like A Rolling Stone 18. If Dogs Run Free 19. Honest With Me 20. Blowin' In The Wind Concert # 1405 of The Never-Ending Tour. Concert # 4 of the 2002 Europe Spring Tour. 2002 concert # 22. Concert # 22 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 1–4, 9-11, 18, 20 acoustic with the band. 4, 9, 14, 16, 20 Bob Dylan (harmonica). 2, 10 Larry Campbell (cittern). 1, 20 Larry Campbell & Charlie Sexton (backup vocals). Bootleg Hamburg 2002. Crystal Cat CC 621/622. Notes First Subterranean Homesick Blues since Glasgow, Scotland 3 February 1991! LB-numbers for this concert: LB-0101, LB-0268, LB-4514. Other Bob Dylan concerts in Hamburg, Germany: 31 May 1984 St. Pauli Stadion 3 July 1990 Stadtpark 23 June 1991 Stadtpark 2 July 1995 Stadtpark 13 July 1996 Bahrenfeld-Trabrennbahn 12 June 1998 Stadtpark 28 September 2000 Alsterdorfer Sporthalle 17 October 2003 Docks 18 October 2003 Docks 24 October 2005 Saal 1, CCH 4 April 2007 Colorline Arena 26 June 2011 Stadtpark Freilichtbühne 31 October 2011 O2 World 19 October 2013 Congress Center Hamburg Bob Dylan: Still On The Road – 2002 Europe Spring Tour 9 November 2015 Sporthalle Hamburg 11 April 2017 Barclaycard Arena 5 July 2019 Barclaycard Arena 14 new songs (70%) compared to previous concert.
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Still on the Road 2000 Us Summer Tour
    STILL ON THE ROAD 2000 US SUMMER TOUR JUNE 15 Portland, Oregon Roseland Theater 16 Portland, Oregon Portland Meadows 17 George, Washington The Gorge 18 George, Washington The Gorge 20 Medford, Oregon Jackson County Expo Hall 21 Marysville, California Sacramento Valley Amphitheater 23 Concord, California Chronicle Pavilion 24 Mountain View, California Shoreline Amphitheatre 25 Reno, Nevada Reno Hilton Amphitheatre 27 Las Vegas, Nevada House Of Blues, Mandalay Bay Resort & Casino 29 Irvine, California Verizon Wireless Amphitheater 30 Ventura, California Arena, Ventura County Fairgrounds JULY 1 Del Mar, California Grandstand, Del Mar Fairgrounds 3 Albuquerque, New Mexico Mesa Del Sol Amphitheater 6 Oklahoma City, Oklahoma The Zoo Amphitheater 7 Bonner Springs, Kansas Sandstone Amphitheatre 8 Maryland Heights, Missouri Riverport Amphitheater 9 Noblesville, Indiana Deer Creek Music Center 11 Cincinnati, Ohio Riverbend Music Center 12 Moline, Illinois The Mark of the Quad Cities 14 Minneapolis, Minnesota Target Center 15 East Troy, Wisconsin Alpine Valley Music Theater 16 Clarkston, Michigan Pine Knob Music Theater 18 Toronto, Ontario, Canada Molson Amphitheatre 19 Canandaigua, New York Finger Lakes Performing Arts Center 21 Hartford, Connecticut Meadows Music Theatre 22 Mansfield, Massachusetts Tweeter Center for the Performing Arts 23 Saratoga Springs, Saratoga Performing Arts Center 25 Scranton, Pennsylvania Coors Light Amphitheatre 26 Wantagh, New York Jones Beach Amphitheatre 28 Camden, New Jersey E-Centre, Blockbuster-Sony Music Entertainment Centre 29 Columbia, Maryland Marjorie Merriweather Post Pavilion 30 Stanhope, New Jersey Waterloo Village Bob Dylan: Still On The Road – The 2000 US Summer Tour 21820 Roseland Theater Portland, Oregon 15 June 2000 1. Duncan And Brady (trad.) 2.
    [Show full text]
  • Saison 2021 /22 Saison 2021 /22 Herzlich Willkommen! Alte Oper Frankfurt Inhaltsverzeichnis
    SAISON 2021 /22 SAISON 2021 /22 HERZLICH WILLKOMMEN! ALTE OPER FRANKFURT INHALTSVERZEICHNIS Einmal mit den Flügeln INHALT schlagen und abheben bitte. Starten Sie mit uns einen Flug über die Alte Oper, mitten ins IM ÜBERBLICK ABONNEMENTS 19 Herz der Stadt! FESTIVALS UND SCHWERPUNKTE 33 KONGRESSE UND EVENTS 51 DAS OFFENE HAUS 55 DANK 73 DIE KONZERTSAISON 2021/22 DIE KONZERTE DER ALTEN OPER TAG FÜR TAG 81 ANGEBOTE DER PARTNER 161 SERVICE 177 NEUE PERSPEKTIVEN So haben Sie das Konzerthaus noch nie gesehen. Halten Sie einfach die Kamera Ihres Smartphones auf den abgebildeten Code, um die Alte Oper aus ungewohnter Perspektive zu entdecken. Oder gehen Sie auf www.alteoper.de/rundflug 2 3 GELEITWORT ZUM PROGRAMM GELEITWORT ZUM PROGRAMM PETER FELDMANN DR. MARKUS FEIN Oberbürgermeister der Stadt Frankfurt am Main Intendant und Geschäftsführer der Alten Oper Frankfurt Vorsitzender des Aufsichtsrats der Alten Oper Frankfurt Es ist gut, Perspektiven zu haben – nicht nur in Krisenzeiten. Sehr geehrte Damen und Herren, Wenn ich das Programm der Alten Oper betrachte, entdecke ich liebe Besucher*innen der Alten Oper, neue Perspektiven in mehrfacher Hinsicht: Es sind einerseits Aus- sichten auf die Rückkehr zur Normalität im Kulturbetrieb. Aber Die Alte Oper ohne Publikum? Das war für uns unvorstellbar, und zugleich zeigen sich andere Blickwinkel. Mich freut, wie sich auch nach Monaten des Lockdowns können und wollen wir uns zahlreiche Projekte auf Frankfurt selbst konzentrieren und in die nicht daran gewöhnen. Zu wichtig ist uns der Dialog mit Ihnen, Stadt hineinwirken. Derzeit sind mehr denn je Zusammenhalt unserem Publikum. Die Alte Oper ist ein Haus, das sich vielfältig und gegenseitiges Verständnis gefordert.
    [Show full text]
  • Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
    Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966.
    [Show full text]
  • Shakira Announces El Dorado World Tour, Presented By
    For Immediate Release SHAKIRA ANNOUNCES EL DORADO WORLD TOUR, PRESENTED BY RAKUTEN The World Tour Includes Stops Throughout Europe and North America with Latin American Dates Forthcoming Tickets On-Sale Friday, June 30th; Citi Presale Begins Tuesday, June 27th; Viber Presale Begins Wednesday, June 28th; Live Nation Presale Begins Thursday, June 29th 11th Studio Album “EL DORADO” Certified 5x Platinum Los Angeles, CA (June 27, 2017) – Twelve-time GRAMMY® Award-winner and international superstar Shakira has announced plans to embark on her EL DORADO WORLD TOUR, presented by Rakuten. The tour, produced by Live Nation, will feature many of her catalog hits and kicks off on November 8th in Cologne, Germany. It will feature stops throughout Europe and the US including Paris’ AccorHotels Arena and New York’s Madison Square Garden. A Latin American leg of the tour will be announced at a later date. “Thank you all so much for listening to my music in so many places around the world. I can’t wait to be onstage again singing along with all of you, all of your favorites and mine. It's going to be fun! The road to El Dorado starts now!” Shakira said. The tour announcement comes on the heels of Shakira’s 11th studio album release, EL DORADO, which hit #1 on iTunes in 37 countries and held 5 of the top 10 spots on the iTunes Latino Chart within hours of its release. The 5x platinum album, including her already massive global hits - “La Bicicleta,” “Chantaje,” “Me Enamoré,” and “Déjà vu”- currently holds the top spot on Billboard’s Top Latin Albums, marking her 6th #1 album on this chart.
    [Show full text]
  • DIGITAL DISPLAYS in Sport Venues
    DIGITAL DISPLAYS In sport venues STADIAWORLD CONTENTS INDUSTRY REPORT DIGITAL SIGNAGE: LED DISPLAYS: A LOOK THE NEXT STAGE OF INTO THE INDUSTRY 4 DEVELOPMENT 14 VIRTUAL ADVERTISING: FASCIA BOARDS: REVOLUTION IN COMMUNICATION AND MARKETING 20 INTERACTION 22 IMPRINT Stadionwelt/STADIAWORLD Marketing/Cooperations: Schloßstraße 23 Julian Biermann 50321 Brühl Carsten Ponsar Germany Kiyan Richter Phone: +49 2232 5772–20 René Simon Fax: +49 2232 5772–11 [email protected] Cover photo: www.stadionwelt.de STADIAWORLD www.stadiaworld.com Printing house: Layout: Onlineprinters GmbH Ayman Almzayek Nicolas Quensell Copyright © Stadionwelt 2019 Ramona Sprenger All content (texts, photos etc.) of LED IN SPORTS is protected by copyright. Reprint or use, even in Editors: parts is only permitted after written consent. STA- Stephanie Dittebrand DIAWORLD excludes all liability and indemnity for Benedikt Hellmann the accurateness, completeness and currentness of Ingo Partecke the content. It is not possible to completely rule out Stadionwelt INSIDE – the expert Christopher Pauer printing errors or wrong information. STADIAWORLD Ganesh Pundt does not assume any legal responsibility as well as magazine for the business liability for any wrong information and subsequently Translation: resulting consequences. The issuers of the ads are Pete Fisher solely responsible for their content. DIGITAL DISPLAYS INDUSTRY REPORT: LED DISPLAYS When it comes to video walls and video cubes, they will inevitably be produced by Chinese manufacturers. Specific expertise and services are required for consultation and installation in sports facilities. This is where European companies demonstrate their special know-how and quality of service, as interface between the global market and local requirement profiles. uring the past few years, the area per stadium, imity to Hong Kong, with 12 million inhabitants.
    [Show full text]
  • Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S.
    [Show full text]
  • 1988 Tour of North America
    1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland
    [Show full text]
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • Reeperbahn Festival Conference MAG / SEPT 2017
    CONFERENCE 20 – 23 SEPT 2017 MAG Branded PartnershipsBranded Algorithms and on Hackney Camille Licensing and Sync Time for Diversity for Time Equality and Vanessa Reed on Keychange – Photo: Bonaparte © Musik Bewegt / Henning Heide Henning / Bewegt Musik © Bonaparte Photo: Raise Your Voice Voice Raise Your year´s This Conference Focus Music on and Politics mobile apps for your festival proudly presents the official app Available on the App Store and Google Play Meet us in Hamburg in September! Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] _ INDEX EDITORIAL 4 mobile apps for your festival RAISE YOUR VOICE The International Music World Is Turning Up 7 Its Political Volume SHIRLEY MANSON Early Days In Madison 15 DAVE ALLEN proudly presents Streaming and Music Culture 21 LIVE FOR (RE)SALE A Sort of Darknet for Tickets 25 VANESSA REED Closing the Gender Gap 31 TERRY MCBRIDE Understanding the Value of Music and 36 How to Effectively Monetize It UNSIGNED VS SIGNED Do Artists Benefit from Blockchain? 39 CAMILLE HACKNEY On Music, Brands, Data and Storytelling 45 MUSIC IN IRAN A Personal Experience 49 HARTWIG MASUCH 10 Songs that Helped Create the New BMG 55 PROGRAMME REGISTER SESSIONS 59 SHOWCASES 65 the AWARDS 68 official app MEETINGS 68 Available on the App Store and Google Play NETWORKING 69 IMPRINT 76 PARTNERS 78 Meet us in Hamburg in September! Coverphoto: Camille Hackney, speaker at „Sync Faster – Sync Different and board member of ANCHOR 2017. © Grayson Dansic Contact Scandinavia - Esben Christensen Contact GAS - Sarah Schwaab [email protected] [email protected] 3 _ EDITORIAL DEAR CONFERENCE ATTENDEES, DEAR FRIENDS, we‘re delighted you have made it back to Hamburg once again this year for what is now the 12th edition of the Reeperbahn Festival.
    [Show full text]
  • PRESS RELEASE for Immediate Release
    PRESS RELEASE For immediate release MAAZEL: MAHLER CYCLE 2011 London’s only complete Mahler symphony cycle led by a single conductor 2011 is a year of major worldwide Mahler celebrations and the Philharmonia Orchestra is marking this event by bringing Lorin Maazel, one of the world’s finest Mahlerians, to London to perform a heroic one-man journey through all ten Mahler symphonies and four major orchestral song cycles over ten concerts from April-October 2011. Maazel and the Philharmonia presented the first complete Mahler symphony cycle in London 33 years ago, in 1978-9. This series also includes concerts in Basingstoke, Bristol, Gateshead, Hull, Manchester and Warwick, a 13-concert tour to France, Germany, Italy and Luxembourg and a tour of the Far East in spring 2012. As the only full symphony cycle in London taking place with a single conductor, this promises to be a very special exploration of the work of the great composer. Soloists include Michelle DeYoung, Simon Keenlyside, Sarah Fox, Matthias Goerne, Stefan Vinke and Sarah Connolly. The series also includes the Lieder eines fahrenden Gesellen, Rückert- Lieder, Des Knaben Wunderhorn and Das Lied von der Erde. Lorin Maazel said of Mahler, and of his own relationship with Mahler’s music: “He was a complete human being who had this genius for spanning the complete gamut of human emotions in sound. It’s the human quality, the person behind the notes as well as the music behind the notes that fascinates me. I really feel as if I’ve come to know Gustav Mahler, the person, intimately
    [Show full text]
  • Durham E-Theses
    Durham E-Theses `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia KOUVAROU, MARIA How to cite: KOUVAROU, MARIA (2011) `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1391/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Maria Kouvarou MA by Research in Musicology Music Department Durham University 2011 Maria Kouvarou ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Abstract Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet.
    [Show full text]